Le nozze di Figaro ; "Voi che sapete che cosa è amor" : Angelika Kirchschlager

Cherubino : Angelika Kirchschlager
Conductor : René Jacobs
Concerto Köln
Théâtre des Champs-Élysées (Paris), 2004

[@victorsantamaria8336]

SUBLIME!!! This is one of the best versions I have ever heard!

[@ian.marais1202]

Beautiful , beautiful.

[@emmasacchetti1715]

Bellissimo!!!!

[@sch8mid]

Underrated . Fine Angelika !

[@par576]

+sch8mid Agreed!

[@user-dc9cb8kz7h]

Wonderful!

[@mariadosocorrovirginiodape8283]

LINDO...EXCELENTE!

[@fabioleoni7512]

Forse una delle migliori

[@anciling1076]

Voi che sapete che cosa e amor, Donne, vedete, s'io l'ho nel cor, Donne, vedete, s'io l'ho nel cor. Quello ch'io provo, vi ridiro, E per me nuovo capir nol so. Sento un affetto pien di desir, Ch'ora e diletto, ch'ora e martir. Gelo e poi sento l'alma avvampar, E in un momento torno a gelar. Ricerco un bene fuori di me, Non so chi il tiene, non so cos' e. Sospiro e gemo senza voler, Palpito e tremo senza saper, Non trovo pace notte ne di, Ma pur mi piace languir cosi. Voi, che sapete che cosa e amor Donne, vedete, s'io l'ho nel cor, Donne, vedete, s'io l'ho nel cor, Donne, vedete, s'io l'ho nel cor.

[@michelasernacchioli]

Grazie!

[@nznnaaa]

5

[@yleniagiannelli9047]

❤😊

[@user-nl2dv7eo6r]

EXCELENTE!!!!!

[@mokaccino1]

Questo è il bel conto !

[@cedar7927]

beautiful.

[@JAMESBOND77778]

Heavens voice

[@user-ot7fk8dd8d]

피가로 오랜만에 가슴 찡 하네요😂 고맙구유?

[@arpiszan]

Perfect

[@irsklijapara5111]

👍👍👍👍 👍👍👍👍👍👍👍👍

[@marcobaiocchi3837]

Bellissima romanza... in opera lirica si poteva parlare d'amore solo in italiano o anche in tedesco??? Era il dilemma dell'epoca!

[@swell_gal]

Ha Ha Ha!

[@shortflex1]

Everybody knows this song in Ghana…ask me why?

[@pineappleboi9737]

Like si tu es là à cause de mme celotto

[@giuliacostantini7400]

sfondo bello solo i capelli della cantante lirica un po' spettinati interpretazione: ma che bravah

[@user-nr2hk1xn8w]

더보기

[@user-nr2hk1xn8w]

ㅠㅠ

[@user-ux5fe5sz8q]

이거 피가로의 결혼 맞나여?

[@user-ux5fe5sz8q]

알려줭

[@RaphaelO.P]

김민우 맞아요~

[@bauchmann9971]

Kommt nicht annähernd an von Stade, Berganza oder Ewing heran!

[@bauchmann9971]

Sorry, ich finde diese Stimme farblos

[@artlove9019]

hdf

[@user-ic5xu4jh6z]

low register is weak...this is not a mezzo sounds more like a soprano! modern technique is no bel canto and mozart wrote it for bel canto technique of the 18th century...there should exist more respect for the composer(s)!!

[@marielmendoza7171]

Isn't the original opera specifically thought for soprano? Since in Mozart's time mezzo didn't exist?

[@alanmunoz5621]

why's she in drag

[@OsirisIxchel]

The glories of this score all lay in the brilliance of Mozart’s musical characterizations. Take the character of Cherubino, the adolescent page to Count Almaviva who spends much of the opera dealing with his raging hormones (the fact that the character is sung by a mezzo-soprano in trousers rather than by an actual adolescent boy who could never do justice to the role is as much about the underlying titillation in his scenes with the Countess, whom he adores, as about vocal appropriateness). Note how in his first act aria “Non so più” the vocal line and the orchestral accompaniment work together to give us a kind of breathless, excited quality as he tries to describe these new sensations coursing through his body. In his second act aria, “Voi che sapete”, these same feelings bubble up again and Mozart cleverly takes him through numerous distant key areas in order to project his nervousness in the presence of his ideal love.

[@clivegoodman16]

When Beaumarchais wrote his play "La Folle Journée ou Le Mariage de Figaro" (The Folly of a Day or The Marriage of Figaro), he insisted that the character of Chérubin should be played by a woman even though the part was that of a male. When Mozart and da Ponte transformed this play into an opera, they decided to honour the wishes of the original playwright by having Cherubino being played by a woman.

[@davidmuller9938]

this is horrible.