Another Bohemian composer of note: Kozeluch (1747-1818), born Jan Antonín Koželuh, was a transitional figure, producing works in the Viennese Classic style, fashionably simple galant pieces for amateurs, and at times exhibiting traits of early Romanticism. Very popular among Viennese amateur performers, sometimes criticized among connoiseurs for pursuing simplicity at the expense of originality. In the last decade or so of his life his focus shifted away from composition to teaching, arranging, and his court duties. (In 1792 he was appointed Kammermusik Kapellmeister and Hofkapelle Compositor under Emperor Franz II, posts he held until his death.) His daughter, Catherina Cibbini, was among his pupils and also made a name for herself as a composer and pianist in Vienna. (Source: Florida State University)
@tomaszpodemski8981Ай бұрын
Piękna muzyka kompozytora o którym do dzisiaj nie słyszałem.
@josephzaarour66496 ай бұрын
I love classical symphonies, especially lesser known ones
@cassiocaligari4 ай бұрын
Kozeluch's music is fantastic. Thank you for share it with us.
this amazing piece is worthy to be compared with Mozart's music. it is THAT GOOD!
@nottinghilladАй бұрын
Seems to be more in the style of Haydn on one of his bored days
@pepehaydn7039Ай бұрын
Two different unrelated and incoherent Themes and reexposition without novelties and amazing surprises? That is Mozart, Not Haydn.
@poncione4 ай бұрын
Parecchie assonanze in questa sinfonia in tonalità minore, ricca di slancio drammatico e contrappunto, con quelle di Kraus. Una bella scoperta. 👍
@RobertHershkowitz4 ай бұрын
Absolutely beautiful no doubt at all.google to the rescue my heros.
@t.t2406 ай бұрын
W・A・モーツァルトを思い浮かばせる様な素敵な響きに感無量です。👏👏🤩‼️
@t.t2406 ай бұрын
モーツァルトは、素晴らしい音楽家ですネ。🤗🤗‼️
@RobertHershkowitz4 ай бұрын
This is as good as Mozart.
@اسعدنعيم-و8م6 ай бұрын
🌺🌺🌺🌺🌺💥💥💥👏👏👏👏👏👏
@josephzaarour66496 ай бұрын
I don't think he lacked originality, he has very food pieces with nice surprises
@flavioa.c.losada69192 ай бұрын
🎼💐🇧🇷🙌🏻🎵🎶🤘🏼👍🏼
@josephzaarour66496 ай бұрын
One random symphony of Haydn sounds very similar, I forgot which. They all are stuck in my head
@buzzardflight16 ай бұрын
G minor, n. 39
@ВалераМедведев-м6в6 ай бұрын
Архиепископ Коллоредо пытался безуспешео заполучить для Зальцбурга в качестве приемникаМоцарта Леопольда Козелуша....
@RobertHershkowitz4 ай бұрын
Cellphone towers phone company's my heros.graditude multiplied my 100.
@rbk27456 ай бұрын
Beautiful composition but it looks like Mozart.🤷♂️😉
@bornaerceg99846 ай бұрын
Have you heard of word "style"? ♥️
@fabiograssi6703 ай бұрын
The composers of that age shared a common musical language. However, inside that language FJ Haydn, Mozart and Beethoven attained far more than all the others. Superficially, one million of compositions of that age "look like Mozart".
@stefanstamenic36406 күн бұрын
@@fabiograssi670 It is the Maldera style that was first accepted by Vanhal, then by the others in Vienna. Pierre van Maldere (he accepted the gallant style; but over time he made a synthesis - under Italian and Viennese influence he made a synthesis of the Mancha School with French stylistic elements. Maldere made a significant contribution to creativity: Wanhal, A. Zimmermann, Joseph and Michael Haydn, A. Mozart, Dittersdorf, Kozeluch...While Maldere's chamber music shows late-baroque characteristics and Corelli's influence, his - violin sonatas and symphonies - bear witness to - the formation of the early classical "Viennese" symphonies. Van Maldere's works circulated throughout Europe in manuscript parts as well as in print. The manuscripts of his works are in 21 libraries in 10 countries. Van Muldere's compositions were printed by publishers in London, Paris, Dublin and Brussels; even after his death there were numerous reprints. A number of his works were attributed to other composers, such as J. Haydn , J. Misliviček, A. Mozart.... That glorification of J. Haydn, Mozart and Beethoven is vulgar propaganda.
@stefanstamenic36406 күн бұрын
Leopold Koželuch: Symphony in G minor, 1787. , Mozrt No 40.1788. Similar to Mozart's Symphony No. 41 Scholars are certain Mozart studied Michael Haydn's Symphony No. 28 in C major, which also has a fugato in its finale and whose coda he very closely paraphrases for his own coda. Charles Sherman speculates that Mozart also studied Michael Haydn's Symphony No. 23 in D major because he "often requested his father Leopold to send him the latest fugue that Haydn had written." The Michael Haydn No. 39, written only a few weeks before Mozart's (Symphony No. 41), also has a fugato in the finale, the theme of which begins with two whole notes. Sherman has pointed out other similarities...
@fabiograssi6706 күн бұрын
@@stefanstamenic3640 "Mediocre poets copy, great poets steal" (Eugenio Montale, Nobel Prize for Literature 1976).