Les roses d'Ispahan - Fauré - accompaniment in D major

[@zamyrabyrd]

As much as I am grateful to you and other pianists who post accompaniments online, I do have some recommendations. Rather than make a ritardando at the end of a piano interlude which sort of confuses the singer about the tempo, a stretching of the pace can be done instead to accomodate multiple 16th notes that inevitably have rapid changing syllables. At measure 52 but also towards the reprise (meas. 59-60) it would really help even to make a more marked decrease in dynamic to piano. Exaggeration, more than in solo playing, is necessary in accompaniment to better signal the changes to the singer but also the listener.

[@ClassicalSongTracks]

Thank you for your comment. I do not understand what you mean by "stretching of the pace."

[@zamyrabyrd]

@@ClassicalSongTracks What I meant by "stretching the pace" would be rubato. Unless we are talking about Italian "patter" arias where the words go a mile a minute, there needs to be some accomodation for multiple syllables and how they would affect the interpretation of the song if they go too fast. Of course, this can only be an approximation in recorded accompaniments because every singer would be somewhat different in what they would like to emphasize. I do appreciate your channel very much!

[@ClassicalSongTracks]

@@zamyrabyrd Yes, recorded accompaniments are not ideal, but they are useful for practice when there is no live collaborator available. I appreciate your suggestions. Thank you.

[@Daniel-ox2us]

Est il possible d'avoir l'accompagnement et la ligne mélodique,s'il vous plait.

[@ClassicalSongTracks]

C'est ici: kzbin.info/www/bejne/jIrcfYOarrqGnas