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An intense expressionistic quasi-improvisation which blends ornamented operatic Italianate melody, experimental notational gestures and harmonic audacity to evoke an oneiric world where sensations and images blur into one another indistinctly. Rightly characterised by Busoni as "romantic, emotional, philosophical, and possessing that breath of Nature which in art is achieved so rarely and with such difficulty", the Apparitions (especially the first) can confound the authentic voice of Liszt with that of his contemporaries.