Liszt - Réminiscences de Lucia di Lammermoor, S397 (Hegedűs)

[@Dylonely42]

Liszt was a genius like no other. Easily one of the greatest artists, all eras combined.

[@eliplayer2122]

Hi dylonely42

[@RandomButBeautiful]

Yes!!!!

[@christianweatherbroadcasting]

Repent and trust in Jesus. He's the only way to Heaven. We've all sinned and deserve Hell. Sins like lying, lusting, etc. Repent and trust only in Jesus, and you will be saved! You can be saved because he took the punishment for our sins on himself when he died on the cross, just like someone can pay your speeding fine in court, and you get off free. Romans 3:23 John 3:16😊❤

[@Dylonely42]

@@christianweatherbroadcasting There is no good god. If you believe otherwise, you are an ignorant.

[@yuk_notkim7658]

Liszt is one of my favorite composers.

[@tiborvisi7438]

"This Liszt guy" never ceases to amaze me. I'm very grateful you've uploaded this. I hope you're doing well.

[@robbes7rh]

Audaciously bold, colorful, regal, and sublime! This is the raison d’etre of the Concert Grand Piano (instruments in music aren’t capitalized, but I feel emboldened to do so in this instance). And this is why ladies would faint when Franz Liszt entered a room. A splendid performance of this demanding piece.

[@RandomButBeautiful]

the fainting... do you have a reference for that? I read tales that his playing had caused people to faint but never knew the source / verified.

[@marcalexandrefontenay9801]

Une des pièces majeures des réminiscences d’opéras par Liszt et des plus connue magnifiquement rendue par ce grand pianiste Hegedus ! Merci pour cette diffusion !

[@anthonyc6017]

this piece is absolutely fantastic

[@elmiramuradova561]

Yes,absolutely

[@abdoucomp9080]

That became Nostalgic ❤

[@Kyujar.png49]

This Early Operatic Fantasy (which was sadly cut by the publisher) has probably the most unique structure of his early virtuosi life and actually has the feeling of the opera. The introductory material is based highly on the sextet but in the diminished setting with the first 2 bars based of the start of the sextet and the other 2 bars being based on the middle section in 9/8. The second part of the fantasy (Marche et Cavatine) captures the essence of the dramatic scenes of the opera. Truly a marvellous work.

[@RandomButBeautiful]

"sundry other rogues and varlets" :D you rule. And this is a fab recording. Now I must look up that anecdote of Caruso's performance...

[@egetuncay7580]

Wow... This piece is just amazing

[@АлександрЯрков-ш2з]

Bravo bravo bravo brilliance music super virtuoso

[@bosomgirdle]

Hats off to the piano technician -- the voicing and tuning are really superb.

[@RandomButBeautiful]

recording chain too. Can you identify the piano? Fazioli?

[@jonos655]

3:47 Lives rent free in my head now

[@toxicbleach723]

This is incredibly beautiful.

[@jerry_moo]

What a ferocious interpretation, bravo!

[@sergosergi8432]

Without Liszt piano is boring😊😊😊

[@aloziecnwachukwu1515]

In Agreement with that. I might be bold to say, Without Liszt, kiss Rach 2nd & 3rd Concertos good bye. Because of Liszt , we wouldn’t have Gaspard de la nuit by Ravel and all great pieces by Debussy. Even in 2024, his music is complex. All his Etudes, Transcendental etudes, Paganini etudes etc are still worthy and extremely difficult to learn. Liszt was TRULY handpicked by God Himself

[@tdgvl]

Quoting the famous Sextet "Chi mi frena in tal momento? " 🤍 Thanks for all the gems you upload!

[@calebhu6383]

2:57

[@graeme011]

I love this!

[@jeffdawson2786]

Spectacular.

[@juliandolby]

Utterly wonderful! It is so different than another Lammermoor fantasy that I also very much like, the Grande Fantasie by Parish-Alvars (kzbin.info/www/bejne/rZ6uc6CuYpJ-hs0). There must be something inspiring about an insane woman in a Scottish castle set to the glorious music of Donizetti.

[@marcocampus7943]

Impossibile non accostare questo pezzo a quello di Thalberg sulla stessa scena finale. Forse uno dei pochi casi in cui Thalberg supera Listz

[@AlbertoCasado86]

True, it seems like liszt didn't go all out in this work. Can't say the same thing about his reminiscences de lucrezia borgia.

[@redstonealex8575]

0:51 liszt had 3 hands confirmed

[@bellini7verdi]

esta claro ...................muchas cosas..................el piano.es un instrumento.....magnifico..............pero la voz humana supera todo.................todo....................

[@lavendelle_swift]

Try listening to this in a half speed.

[@AndreiAnghelLiszt]

Why?

[@clarkebynum4623]

I'm also curious as to why

[@none5020]

I third their questions.

[@costelconstantin4845]

@@clarkebynum4623 maybe because it sounds a bit like bumblebee)))

[@clarkebynum4623]

@@costelconstantin4845 why am I singled out here haha

[@gergelykiss]

2:36 A little excursion to Ricordanza :)

[@AndreiAnghelLiszt]

I thought the same :)

[@Shinobu_Kocho578]

@@AndreiAnghelLiszt Are you still among us...?

[@giosulfa3725]

Quale parte dell'opera originale Liszt trascrive?

[@TheBackdraftTV]

sextet "Chi mi frena in tal momento?" (Act II FInale)

[@giosulfa3725]

@@TheBackdraftTV Grazie mille ♥️

[@机龍之介-x6j]

2:28～カデンツァは類をみないほど艶っぽい。超絶技巧の第９「リコルデンツィア（回想）」に似ているが、単なる器楽的な意味しかもたないものではない。3:05～左アルページォとトリルのキレイな仕上がりは、手になじみにくい場合は練習を要するが、練習に費やした労力に十二分に報いてくれるほど美しい。 5:19～天上に舞い上がるかのような右オクターヴの上昇音程！、独創的な終わり方である。邦語では「ルチアの回想」で通っている。アンコール・ピースとして弾くにはちょうどよいくらいの長さと、法外な技巧を要求するものではないので、おまけとして聴きたい曲。

[@speechful_complicated6971]

Awwww very.... Good song.. But looks.. HELL..

[@gojewla]

Not my favorite performance. I was playing it for a friend (who is a musician) that was unfamiliar with the piece, and he thought it wasn’t very good music. I found it hard to disagree, but not because of the piece itself, but because of the performance. The playing was very heavy and choppy, and the beautiful soaring melodies just felt flat.

[@costelconstantin4845]

So you good at piano well done

[@gojewla]

Matei Constantin i means this recording lol.

[@AndreiAnghelLiszt]

@@gojewla We agree to disagree :) I personally think Hegedűs' bold (and occasionally quite ferocious) recording suits this dashing piece perfectly.

[@diegrottenfrau6577]

I couldn't agree more! The pianist obviously never listened to the sextetand knows nothing about the "plot" of the opera - it's NOT a march but a lament! The tragic culmination of the first act should be played as what IT IS and not simply as just another Liszt score.

[@christianweatherbroadcasting]

Repent and trust in Jesus. we deserve Hell for our sins. For example lying, lusing, saying God's name as a cuss word and stealing our just some examples of sin which we can all admit to doing at least one of those. For our sin we deserve death and Hell, but there is a way out. Repent anf trust in Jesus and you will be saved. Repentence is turning from sin. So repent and trust in Jesus. He will save you from Hell, and instead give you eternal life in Heaven. John 3:16 Romans 3:23❤😊❤❤

[@babygirl4169]

0:47