Vaughan Williams' On Wenlock Edge Explained - LSO Discovery A-Level Seminar

Download the slides used in the presentation from goo.gl/p2uvjD
Join animateur Rachel Leach and an ensemble of LSO players, as they explore Vaughan Williams' On Wenlock Edge; one of the set works on the Edexcel A-Level Music syllabus.

[@georgedutton9224]

Very useful. Bredon Hill is my favourite of the three

[@foxygreenwood5264]

Very interesting! Very clearly said, thank you.

[@OboeFiles]

I think that whole tone scale is a reach in bar 2, sounds very pentatonic to me ( which i guess is partly included in whole tone scale)...

[@RosalinaStarlight]

Swag

[@klausbaden]

The essence of this three Movements were not explained. For me this introduction makes no sense because the element of the text is too less considered. And last but not least: A little bit humour could help. It was a very dry and too academic lesson.

[@nathanaelhorton2942]

35:19 just to clarify, the pitches of the harmonics are NOT an octave higher than written, they are the pitch written, these harmonics are written with an 'o' above the note, meaning they are the pitch written, they may be different if they were written as diamond head notes!

[@owenwilliams9666]

Thank you for uploading this. I have learnt so much.

[@lucabernard489]

Great and informative presentation otherwise!

[@lucabernard489]

At 40:00 the Tenor sings the following 2 phrases one Second lower than written.