Oberheim OB-X8 Review // Desktop v Keyboard v OB-6 // 15 synth tips and ideas // Tutorial

[@benjamindover4337]

Just saw the movie, had no idea he made synths too!

[@marcosantacruz9086]

Lol.

[@tommm4989]

Oberbieheimer

[@mikeg8233]

😂😂😂😂😂😂😂

[@benjamindover4337]

He used to drop bombs.. now he drops bass 🔊🔊🔊

[@satcomm8429]

I am become synth.

[@Juggii]

Excited for this one🔥!

[@DougFleming-l5n]

Thank you for your excellent review of the OB-X8. I noticed the two video screens above the desk top synth which display waveform and oscillator. The video screens look very slim - could you please direct me where I can buy these? Thank you.

[@loopop]

Thanks! The screens aren’t real unfortunately - just an overlay added in post, of software plugins. I use MOscilloscope and MAnalyzer by a company called Melda - they’re free with some limitations in the MFreeFXBundle. Occasionally I’ll use scopes by VCV

[@chambre466]

with Curtis filter the sound is very close to rev2, maybe the closest. Obviously a proud rev2 owner

[@Dolores5000]

Same!!! AND I bought the Rev2 desk thanks to Loopop review:)

[@nanocyde_artist]

absolutely. I made an oberheim style brass patch on my rev2 last year

[@loopop]

Rev2 is great :)

[@chambre466]

@@Dolores5000 I also watched his review before I got mine. There are a lot of reasons why you should by the desktop version but the keyboard on it is great, the best I own in my humble studio

[@chambre466]

@@nanocyde_artist Yes, gritty or mellow, the rev2 is up to it

[@SandcastleTheory]

Coming from the P6, the interface on the P5 was all the more elegant and inviting... This is the opposite of that. So much more panel real-estate to be had, lesser functionality to accommodate, and yet somehow, they managed to leave so many crucial parameters off the panel, and actually made it less intuitive than the OB6. What happened? Cheers!

[@nsns7993]

Lol what, the filter sweep got cut out because of copyright infringements?

[@loopop]

youtube's lovely content ID matches up filter sweeps with songs

[@BananasananaB]

This sounds GREAT! Not buying it as its 3500 USD but it does sound really really really nice. The first synth in a long time that got me really excited. It's so thick and alive.

[@Markybeeski]

3:31 getting a copyright strike on a plain synth filter sweep in a demonstration context is a shining example of just how £¥

[@loopop]

True

[@nsns7993]

Insane

[@almightyEsquilax]

A modern day medium. Mean, mean site. Today's Loopop vid: Copyright strike.

[@kierenmoore3236]

AI is coming to save us from unfair filter sweep strikes … !! Well, either that, or kill us all … in which case, only perfect AI filter strikes, from then on … 😏

[@patlecat]

Pretty user unfriendly for a synth that expensive 😕

[@bitspacemusic]

Who owns the copyright to a filter sweep? What?

[@loopop]

some unknown song that the algorithm thinks sounds like a filter sweep

[@pedroberoes49]

I wondered the same thing, who can claim a filter sweep, this is ridiculous.

[@Station2Station-du2gh]

It took a year but we finally have one of the best OB-X8 demo reviews. Heavy on details. Great again, Ziv!

[@loopop]

Thanks, my pleasure!

[@jezgomez]

Ziv makes the best reviews, no contest.

[@Station2Station-du2gh]

@@jezgomez agreed. I think the thing that makes his content unique is that he combines review, performance, as well as tutorial. I own quite a few of the things he's reviewed such as this 3w as well as the Eventide H90. I NEEDED his H90 video due to it being a tutorial as well.

[@0e0]

I've repaired an original OB-X before .. the depth they put into this little thing is magic to me ha

[@christopherpederson1021]

i have an omega 8 and this thing just sounds so much more present and 3D.

[@0e0]

@@christopherpederson1021 I covet a fully loaded one of those so much

[@christopherpederson1021]

@@0e0 it has the cs-80 filters, which are nice. the overall tone is heavy on the midrange, which can be hard to get used to. i have a matriarch which also sounds better Imo.

[@srikrshnachaitanyaswami3625]

Does it support polyphonic aftertouch? How about MPE?

[@srikrshnachaitanyaswami3625]

Any information available?

[@huli8557]

Yes, want to know too!

[@kai-vd5485]

I coudn't barly imagine how this would be possible, but your reviews are still getting better and better. From top of the notch to topiest top... What a great work of art! Thank you so much!

[@loopop]

Glad you like them!

[@RemixSample]

It sounds so good! Thanks for the walkthrough and demo!

[@orchidsvoid]

Oh hi there 😊

[@xntricity6446]

How did you get that cool emoji into your comment!! Please tell me

[@teamphil]

I’ve had the keyboard version for 10 months and learned so much more from this video. Thank you.

[@loopop]

Great to hear!

[@RolandFrasierEPIC]

@loopop does this offer the opportunity to increase to 16 voices by polychain? Thank you

[@andrewverran3498]

Great content once again..i remember drooling over an OBXA at my local music store in the mid 90s.. This new synth is doing the business !!

[@kevinbatchelor9566]

The OB-X8 sounds absolutely incredible. Really nice work on the demo, as always!

[@motherbrain2000]

I played with one in a music store, and after five minutes of fussing with this page 2 nonsense I left it alone. for this price, the monophonic, LFO and the little screen for a literallyMOST of its features straight up angered me.

[@davidmarks6612]

Thanks for the in depth review. As an 80's prog fan, I absolutely had to invest in this instrument which I've had for about a month. I'm learning some great Page 2 tips here! I especially appreciate the double LFO setup and using Portamento for XMod and Sync. I need to revisit Hold and Chord modes based on what you show here. I wanted to share an Arp Hold trick I learned... Press and hold the main Hold button, and then play your arpeggio keys one by one, with whatever velocities you prefer, and then release the Hold button. (No need to hold all the keys in one hand for a wide span of notes!)

[@loopop]

My pleasure and yes, you're right! I show it in the video for the hold mode but it works for the arp too :)

[@Ungroovy03]

I want this one! It's expensive though, especially for my first hardware synth. But still why would I settle for less, even if I end up not liking the OB-X8, I will be able to sell it.

[@gergokovacsjazzpiano8165]

The more I listen the less I want it. Sound is super, but Focusrite / Sequential missed the opportunity to make it user friendly. Its a pity, as all sequential are super user friendly, like my P6...

[@TearyHistory]

What do you mean when you say that the differences with the OB-6 are "immaterial" in comparison with its features, it seems to me not very precise. Could you add more? Great Review BTW

[@loopop]

Thanks! I mean that to my ears, in the comparisons I’ve heard, I wouldn’t make the decision based on differences in the raw oscillator and filter sounds, but rather consider the other factors I mention

[@davlippo7]

@@loopop What's odd is how can the price be so different yet you get so much less on the X8 except I guess the 8 voice bi-timbral and authenticity has to play a large part in the price difference. Therefore it HAS to sound better else it's a waste of money to buy the X8 if module to module is $1,100 separation. They'd be shooting themselves in their own foot. That doesn't make financial or logical sense as it's the same company. Let's beat out our own product with our previous other product. IF the prices were the same I'd make some sense. So where exactly is the price/value/worth difference occurring? X8 has to sound much better or it's irrational.

[@BeniRoseMusic]

Man hearing how good this thing sounds just makes me miss Dave Smith even more :(

[@BassFunMusic]

Amazing sounds ☺♥♪ LOVE

[@raysubject]

i really doesn’t understand why they didn’t put second knob/button function name bellow knob or smaller font next to main function name … Major UI overlook …

[@gracescale]

Yeah, this whole Page 2 looks not so intuitive, besides of the weird name, instead of more common Shift or Function. No way to understand what button was it applied to. I'm too picky after Elektron machines.

[@MadelnMachines]

You know how the OB6 and P6 have a flashing LED to indicate when a pot isn't reflecting the stored preset value? Does the OBX8 have some equivalent of this? I saw these is a compare mode in the manual that allows you to compare the sound of presets vs the edits you have made but does that give you any indication of the pot values vs preset value? Did 1.1 firmware change this? It's quite disappointing how much menu diving there is when there's so much space - especially on the keyboard version.

[@jongdonglu]

i want companies to go back to making old school rackmount units. i like the idea of having a workstation keyboard controlling a ton of different things in a rack. more synths in less space.

[@blipblip88]

Selling on Sweetwater at $5k. Nice sounds, but no.

[@christopherpederson1021]

3500

[@dualtrx]

Nice. I was waiting for this one. Waiitng to be in stock as i want to buy it. Excelent video as always, better than cinema. 1hour of fun! Cheers.

[@madeithappen8158]

debating selling the OB-6 to help fund an OB-X8. These videos help a bunch!

[@McEnroe911]

Do it you won’t regret it

[@atomicstack]

I'd keep the OB-6, just because it has a continuously variable filter, which the OB-X8 (surprisingly) doesn't do!

[@AynsleyGreen]

Same. OBX8 Keyboard is just laughably large, completely gig-impractical. Modules are tedious to use live, too.

[@AynsleyGreen]

@@AlexandNeville Yeah they're quite different beasts, one is a 1:1 Oberheim, the other is a Prophet 6 in Oberheim clothing. Effects, Xmod, MPE, Analog distortion, SVF, Sub Oscillator, some interesting Oscillator tricks...the list goes on

[@christopherpederson1021]

you just can’t win here 🤣@@AynsleyGreen

[@scottmcauleysounds]

I have just invested in the desktop to take advantage of the polychain, and have only just noticed OB-X8 synth filter type and Osc mod LEDs are yellow left and red right, OB-X8 desktop are reversed at red left yellow right.

[@fjfrancois]

The OB Matrix 6 can give you almost the same sound 😊 it is bi-timbral?

[@drsamurai009]

Excellent deep dive as always. My old Xa had a jack input to latch/trigger the Hold function. So basically it has a sustinuto pedal functionality. I'm somewhat surprised the new X8 doesn't have this input jack. This is separate from the Sustain pedal on the Xa which simply lengthened the release times on the envelope so they died out more like an acoustic piano. I did notice the new X8 has a sustain jack input that as described in the pdf manual, behaves like the old Xa Sustain pedal input jack. Do you know if there Is there any way to program, such as the Page 2-mod matrix type functionality, the routing of the Sustain input jack to control Hold functionality with a sustain/latch-trigger pedal?

[@rebours]

The page 2 mode and the hidden modulations in general seem quite confusing...honestly for this price they definitely should have dropped the hommage and revise the interface entirely.

[@VEsound]

Hi Loopop, really nice video as usual. :) I sold my 2 OB-6s (keyboard + desktop) for an OB-X8 a year ago and I don't regret it. I agree with your feature requests including the LFO external clock sync and the adjustable number of voices on each of the two layers of a split program. There's one big miss for me, it's the polychain feature: that's the reason why I bought a second OB-6 back in the days, enjoying a maximum of 12 beautiful Oberheim voices at the same time - and I did a video explaining the different benefits of this feature here kzbin.info/www/bejne/hofMYaB-idasedE - and the feature doesn't seem to be available on the OB-X8 which is a shame. That would have been a massive 16-voice synth like the 16-voice Moog One.

[@loopop]

Thanks! I saw your video - you might be able to "solve" the problem in the first part by creating a split that uses the same patch on both halves - then the repeating bass won't cut off the pad on the right

[@timothydahlin5321]

Cannot wait till they shift the decimal on the price to the left (Guess that's the Behringer version ;-) ).

[@dans.8198]

0.5 knob per function synth.

[@noiseworks]

This review is something else

[@danwentz]

Did someone loose a bet on the oled display?

[@final_mile_music9713]

Amazing review. Such a shame KZbin squeezes the life out of the audio. These synths sound so much better in person.

[@HugoB_Sound]

This is the greatest synth channel I ever saw. Great work, thank you for all. What are your scope & spectrum analyser that you're inserting in your vidéos ? I love them so much !

[@loopop]

Thanks! I use MOscilloscope and MAnalyzer by a company called Melda - they’re free with some limitations in the MFreeFXBundle. Occasionally I’ll use scopes by VCV

[@HugoB_Sound]

@@loopop Thanks a lot ! Super tools!

[@jeramiahrossnz]

I love waking up with coffee just as the sun comes up and watching loopop reviews. Great episode this, Oberheim should add this to the manual as extended learning content. :)

[@laurentb.2064]

Hello. Thank you very much for this in depth video about OB-X8. 👍This synthesizer is complex and this vidéo is a very helpful video manual. 📖

[@davlippo7]

Without having both side by side I just went with the X8m. I've seen a few videos that say the X8 sounds better. I wanted the best sound and 8 voices is a plus. I need to buy that editor because that morph feature sounds extremely interesting. I wonder could they add that morph feature in an OS update maybe by having a 2 layer/split active and then using the morph mode to combine them? That would be a really fun feature without needing a computer and app.

[@thesrabbit]

Nice review with great tips! I had to get the pinstripe overlay just for the page 2 labels on the panel. My mind is way to feeble to remember all the buttons and knobs.

[@kolvis6626]

I saw your little note; who the fuck copyrights a filter sweep? KZbin's trippin.

[@loopop]

Nobody copyrights it, it's the content ID algorithm that mis-matches it to songs, and youtube that doesn't do anything about it

[@kolvis6626]

​@@loopop Well, hopefully another Patreon supporter helps with your efforts to make these informative videos. We appreciate the hoops you jump through for us!

[@loopop]

@@kolvis6626 for sure - thanks!

[@mrburns366]

Can't wait for the comparison to the Behringer! lol

[@sophiepooks2174]

Behringer OB is more in my price range, likely still a bit pricey, but can't beat a real Oberheim, am sure this thing would make the Behringer OB seem lame in comparison, guess will be sticking to vst's unless secondhand prices come down.

[@kierenmoore3236]

Maybe … but that Behringer Pro-800 sounds pretty good, man … 🤔🤷🏻‍♂️

[@neonvoid]

flawless review as always. but... $3500 for a beautiful, legendary brand name high quality metal box which can be done with free VSTs in 2023 with the most basic settings. boggles my mind. gorgeous sound though.

[@loopop]

Thanks! I think you answered yourself in the end, but really your comment could be made about any $1500 or $500 synth - you could probably find a way to get close to it in software, free or for a much lower price. It's kind of like real orange juice vs syrup, you might not always be able to tell the difference, but it's nice that some companies are still making the stuff from real oranges too, and you've always got the choice of syrup too.

[@neonvoid]

@@loopop yes.. its kind of like buying a re-issued version of a 1962 ferrari from the original factory.

[@kierenmoore3236]

⁠@@loopop Except that the vintage OB units are the real orange juice - and the OB-X8 is just syrup, as well: good syrup, but also very, very expensive syrup … … … Let’s be real … … …

[@kierenmoore3236]

@@neonvoid Depends how faithfully that ‘62 ferrari was made, sounded, drove, etc, no doubt … It would probably have a lot of compromises, if it were made to emulate three different-sounding classic Ferraris, all in the one car … … … ?!!

[@loopop]

@@kierenmoore3236 did you hear the comparisons on their KZbin channel? Sounds like Juice to me. But yes, expensive for sure

[@maxpowers3494]

Me:😍😍😍 My bank account:🤣🤣🤣

[@vasil3089]

Looks familiar.

[@_c_y_p_3]

Sounds like something beautiful! I can rarely hear so much of a difference between synths but this is a special type of beast.

[@scottmcauleysounds]

Fabulous Synth! Ive had the keyboard since last September and absolutely love it! Great Demo as always.

[@SectorSevenSlumz]

Awesome. Woild love to see/hear a comparison video between this and Sonic Projects OPX vst. It really does sound amazing

[@MichaelCoombes776]

I remember that plugin! It probably shows its age since analogue modelling has improved a lot since OPX was made. Would love to see a new version.

[@fruityloopsquan]

how does this compare to a prophet 10 or a rev2?

[@jaaz7835]

what a sound this thing has! great patches and video! thanks

[@offworldnetwork]

Juicy

[@TheRealSasquatch]

A reaction against Behringer recreating vintage synths - with a premium price - or is that just me?

[@GizzyDillespee]

In a way. As the story goes, a friend of Dave Smith's (I think it was someone with a Latino name, but that's as close as my memory gets me... maybe someone else here remembers?) finally convinced Dave to make a new Prophet 5 before Behringer did, because they surely would. And that prodding was apparently the straw that broke the camel's back, and Dave finally decided to do it, after years of saying he wasn't interested. And then, I think the success of the Rev4 Prophets helped pave the way for the OB-X8 to happen. So, I do think Behringer's looming clones helped prod Tom Oberheim to get back control of his trademark, and add tgis to his legacy.

[@dylantreisman621]

Love a loopop drop. Will you be looking at the Pro-800? I am on the fence

[@loopop]

Thanks! No plans currently for the Pro-800

[@dylantreisman621]

@@loopop No worries, thanks for the reply. Definitely flagging my interest for if you do consider it down the line, you are my go-to for this stuff.

[@JeffPalmer83]

I’d also love a Pro-800 video!

[@doublebass]

It's not exactly anything new, he doesn't really feature 30 year old synths on the page. Plenty of videos comparing the 600 to the 800. I have an original 600 and love it.

[@GizzyDillespee]

There have been a bunch of buyers hanging out on the Gearspace Electronic Music forum (in the thread about the Pro800, obv). If you have any specific questions (like, "Is this xxxx behavior normal? How do I switch the xxxx?" type of questions), that's one place to look for answers.

[@jonathanmchugh2558]

Fantastic detailed video, as always! Would LOVE to see you do one on the UDO Super Gemini when it comes out!

[@loopop]

Thanks and me too!

[@HustonSingletary]

Thanks for playing a couple of my patches Loopop sir 🙌 Great demo as always and such a great synth!

[@loopop]

Thanks and cool! Which ones?

[@subatomicmusic]

Sounds beautiful 😍

[@jrodohio]

Great overview, as always. I can see this synth in my future.

[@CaidicusProductions]

I've been eying an X8 for, well... Since it came out. Seeing desktop version, though. I do love me a good desktop synth. Thanks for another excellent production, Loop.

[@BoyXx76]

How could they NOT label the Page 2 functions?? Doesn't make any sense from a usability point of view...wow

[@darkpolution468]

It's just a disgusting price point, you could get 2 polybrutes or 1 and a ob 6 in my country. Just completely delirious what they are charging for this little of a synth. Company prolly shouldn't have gotten their brand back from behringer if they paving this way back into the Synth market.😂

[@AmateurSynthusiast]

Just wait for Behringer version

[@darkpolution468]

@RadNoises Nah all good my studio is already on the brink of exploding, I really just think it's a disgusting strategy to explain the price point threw prestige. I can't find anything about where this gets produced, if it gets handproduced, where they source their parts, if they had to redesign specific parts, especially as a electronical engineer. Why they use this cheap behringer looking interface? It just made me think if maybe behringer has still part in the company and is replicating parts and chips for them and takes part in production... They "gave" Tom the brand back, so maybe they still own a percentage of the buisness, because I'm sure they didn't gave it as a present after trying to claim the brand "Behringer Oberheim" in 2021 that got denied by court. I know the Focusrite Group so -> Dave Smith Instruments and especially Marcus Ryle take huge part in the company nowadays. But in my opinion the music tech industry is just a messed up bunch of monetary interested giants in buisness that want to take the money out of our pockets.

[@IvoryStrings]

It's currently going for 5,364 euros on Thomann. I fully agree with your comment, no one in his right mind should pay that much for such an instrument, looking at technology or craftmanship. I already think 2k for a full poly synth is a lot, but 5k is just a joke. Synth "enthusiasts" (or just youtube salesmen ?) seem really out of touch to me, kind of like for bikes (road bikes or mtb, often going for more than a good motorbike). I guess it's easier being a collector than a musician.

[@NickHchaos]

Polybrute sounds horrible and sterile compared to anything Oberheim has made

[@danielcolfer4671]

This synth played through strymon effects reverb, delay, chorus, drive ect is sonic bliss.

[@deadmanwalking6342]

Insanely over priced!

[@b3gentile]

Explain why... i have the keyboard version and it is amazing!

[@andreasoberg2021]

what would be good alternatives for the third category. What synths have more features and are cheaper? I have a Quantum but am curious to get an analog synth. OBX8 just sounds better to my ears than Polybrute, Prophet etc, but of course I could be confused :)

[@triffid9902]

I have owned several big Oberheims over the last 40 years , including the OBXA, OB8 and Matrix 12 , they were big and beautiful , a delight to look at and play. The small expander with that tiny midi keyboard , may replicate 80 to 90% of the original sounds , but the magic of playing the gorgeous original leviathons has gone. Not for me !

[@Cynshet]

And again a synthesizer that costs a lot of money but you don't even get enough LEDs to switch between all filters so you need menu-diving, WTF! And of course all the interesting features like sound morphing between presets are in a third company plugin. 🤨

[@hardcoreherbivore4730]

I was on the fence, until I saw the coaster! 🤩

[@loopop]

What do you mean, the synth is the gift you get in the box when you buy the coaster

[@hardcoreherbivore4730]

@@loopopJust arrived, the coaster is even more impressive in person. The synth is pretty cool too. 😋

[@williamroark]

Wishing they made it like the ‘original w/ Blue ‘pinstripes’ The ORIGINAL OBX-8 Synth CHANGED MY WORLD!! (Keyboard/Sequencer/Drum Machine)😉 AWESOME VIDEO!!!

[@mikemorrisonmusic]

Another lovely hour demo from Loopop. 😌

[@dankeplace]

It's a great synth for sure, too expensive for my pockets but I can still appreciate the beauty of it.. Thx for the upload Ziv, another video guide for people who hate manuals.

[@NicolasMelis]

Great video! Thank you 🙏

[@MotorHolmes]

I’m going to keep going back and rewatching the arp section, since I can’t get how it works into my brain.

[@thegreaterconundrum]

Not someone copywriting a filter sweep 😂😂

[@ajlazarusofficial]

Excellent and thorough. I have one, and I learned a few things that I hadn’t figured out yet. I would add one category to the possible buyers. If someone wants the best analog poly synth currently in production, it’s either this, the Prophet-5/10 or the Moog One. I had an OB-6 since it was released, and had them side by side when I got the X8. The sound difference is significant. Especially the filter. And the X8 has a much wider range of sounds it can make. If someone wants an Oberheim and is deciding between the two, I would say the only reason to get the OB-6 is convenience (effects, etc) and price. Sonically, the X8 is much better.

[@KP-tn7me]

Does anyone know what frequency spectrum spftware he uses?

[@Goettel]

€4000. At least I can enjoy the reviews.

[@soulSaysHi]

That 4 pole filter is such a LETDOWN

[@6255jer]

great sounding synth for sure but man, that price!

[@Okayplaya]

Tascam Model series full review. Thanks

[@el_dani]

I saw the video and thought: finally Behringer did it 🙈

[@RikMaxSpeed]

No FX? Unlike my OB-6 which is my favourite analogue synth ever.

[@Goettel]

The schpiel is to stay as close to the originals as possible.

[@RikMaxSpeed]

@@Goettel Understood, but other manufacturers offer bullet-in FX with a full analogue path if disabled - and in view of the unit’s price this feels like a major omission.

[@MrCowfood]

Usually the addition of effects (like the ob6) means omission of other potentially more desirable features. For instance, another LFO or envelope or …. I bet you would trade those effects for another lfo or two especially for studio work.

[@RikMaxSpeed]

@@MrCowfood Frankly I don’t understand limitations on the number of LFOs and envelopes, these can still be digitally generated whilst retaining an analogue signal path. These are all so many excuses, especially at this pice-point.

[@kierenmoore3236]

These reissues are mostly about funding retirement funds / family trusts for their kids, etc …

[@0072gldnfngr]

Loopop, always right on time man! Lol

[@kamra702]

loopop: Hi! Me: *reaches nirvana*

[@DVDFRMN]

sounds wonderful, i can't wait for the behringer version

[@gilberth_]

Curiosity kills a cat: what copyright claim @3'30" ?

[@loopop]

Some unknown song - it’s not their fault, it’s the content ID algorithm that matches their song to a filter sweep, and KZbin’s team that won’t do anything about it

[@franckrobert282]

Est-ce qu’on peut connecter ce synthé avec tous les autres claviers comme : Korg Modwave, Roland Fantom8 etc…

[@randydarklight]

@loopop: Will there be a Mantis demo from you? It was the last synth Chris Huggett was involved in and the demos at the fair were promising.

[@loopop]

I don't think so, it seems nice, but there's quite a bit coming in the next few months

[@davlippo7]

My OB-X8 does not switch into a page 2 mode where the knob functions change. I'm not sure how you are doing that. I noted your words to say when you are in global however I think you meant to say when you change the setting under "Global" to the option "panel & display". I was going nuts for a moment but figured it had to be a setting.

[@loopop]

It’s a setting, you need to activate in the global menu

[@skelly790]

Ooh! That's nice; it can go on the shortlist. Wait! How much? I'm no fan of Uli, but in this case I can make an exception.

[@christopherpederson1021]

Uli’s shit doesn’t sound as good, and isn’t built as good.

[@VocalChainsStudio]

Lovely sounding instrument

[@martinlubitz3171]

On top of my list. Thanks for your great review, helpful and nice to watch as always. 👌🔥🙏

[@EvanPriceMusicChannel]

Friday.... I'm in love!!! ❤❤❤❤

[@andivax]

Great instrument ❤

[@SimpleTrax]

Damn, this synth is just incredible.