Faure plays Faure

[@TheDailyConnoisseur]

Who is here for The Chic Assignment? 🎵

[@hdavis82183]

Me! This is so beautiful! What a lovely piece! Makes me want to go brush up on my piano skills.

[@carrie5387]

🙋‍♀️

[@kimbull7715]

🙋🏼‍♀️ lovely suggestion Jennifer , as always 😊

[@LadyMaireSD]

Me!

[@MustardSeedish]

Me!

[@ronleunissen]

Fascinating to hear the maestro him self play his composition.

[@RasT108]

And he played it too fast. Just goes to show, the composer doesn't always know best.

[@andrewbarrett1537]

Man I love this tempo. This is how I first heard it.

[@manelateles2226]

@@RasT108much better this way! Of course the composer knows better how he/she wants his/her music to sound, no?!

[@RasT108]

@@manelateles2226 nah. Go listen to all along the watch tower by hendrix and tell me that Jew who wrote it knew better.

[@philippe-lucthouvenin2102]

C’est tellement émouvant de revenir soudain 100 ans en arrière et de pouvoir écouter Fauré lui-même! Merci

[@reikoviolin]

From listening to different orchestras play this piece, I've always had the impression that this Pavane was loaded, solemn, and beautiful in a haunting way. This version gives me a different feeling, however -- the rhythm lilts and the phrase sounds more uplifting. The music just sweeps, rather than moving in a heavy, tearful way.... if you know what I mean. It shows a charming side of Faure, and I love it. Simply beautiful!

[@Threetails]

The piece has lyrics too. They sound big and solemn in most performances but the words are the playful banter between ballet dancers in a studio.

[@ericastier1646]

That is a great comment, and I've found this to be generally the case for compositions that are loaded and heavy in feeling, the posterity tends to overfocus and the interprets overdo the melodramatic aspect when the composer original recording is much lighter hearted. Examples of this are Ravel Pavane pour une infante defunte, Ravel le Gibet. Others like Chopin we obviously do not have Chopin's playing but many written accounts that he found interpretation of his pieces by others to deviate to much from a more reserved style that he favored. This is written down. Also he once stopped a student's playing that was too indulging in the melancholy by saying "Please sit down [your emotions] !". Also Liszt was a great witness of Chopin's playing, he used the word "poetic" which is an expressive word not a emotional word. I am quite sure Chopin would be scandalized and probably uncomfortable with how his pieces are played with full blown dramatic effects these days with the ton of volume modern piano are capable of. I'm sure his playing must have made them sound more poetic and expressive than tragic and having played a 1845 Pleyel myself, i have an idea how it would have sounded. Generally speaking composers would play the piano in much more poetic and expressive way that has been lost. While today's interprets play without reserve and do not dare to shade to much lest they feel they would be accused of underplaying the musical content. Only the composer has no worry for that and will play the piece as intended.

[@TheLifeisgood72]

@@ericastier1646 Chopin and Rachmaninov are lucky that the sentimental playing style of today "works" for their music. There's many great composers - Grieg, Scriabin, Mendelssohn, Ravel, etc. - where the modern, sentimental style of playing simply doesn't work for their pieces at all. What's worse, is that many write them off as 'bad composers' after hearing such attempts. I think modern pianists need to sit down their emotions, study the 19th century performance practice, so we can get to the true sentiment of classical music.

[@ericastier1646]

@@TheLifeisgood72 great comment ! society has changed (i first wrote evolved) and not for the better in the loss of morality, good manners, courtesy and the loss of appreciation for virtue, instead replaced by self righteousness and self entitlement much of it caused by a degenerated media class of people and a fraudulent currency economy system that made people give up on meritocracy. Upside down meaning of words and so on. All of this does not give young performer the expressive and poetic background for art. Instead contemporary art punishes today's society. Each era gets the art it deserves. The good pianists come from preserved family sometimes poor who were less exposed to commercialism, consumerism and degenerated media ideas. It's why the interpretation of fine romantic composers such as the one you listed like Scriabin notably is perturbated and makes no sense.

[@royhowat9785]

The conductor Sir Adrian Boult had more to say about this piece's mood and tempo. When he was young he heard Fauré play the piece several times, and reported that it was 'never slower than quarter-note = 100' (the Welte roll supports that), with no slowing at all at the end. Boult also noted what the words were about (something of a spoof) and that the piece is a dance. You'll find more detail in various Peters editions of the Pavane, and in a book of mine, 'The Art of French piano music: Debussy, Ravel, Fauré, Chabrier' (Yale UP, 2009).

[@benjaminglorieux8920]

At the age of 68 ... "the subtility and charm of softness" ... What a way of phrasing ...

[@alexa-kimstone3656]

french music is so much connected to the landscape it´s amazing and beautiful, Debussy Ravel, Faure, messian... geniuses

[@levistrauss8310]

The picture of G. Faure in this video is him seated at likely his Erard French grand piano. Erard pianos are some of the greatest pianos ever built in history. In some cases exceeding the quality and craftsmanship of Steinway, Bosendorfer, Bechstein, and Bluthner. Each Erard grand piano was painstakingly made by hand, expertly crafted.

[@martinlaurent8107]

A so high moment of the civilisation, french art, poetry and music at the turn of the century

[@ac8907]

Et beaucoup d'inventions......

[@aldridgeg]

Well Said !!!! However, it is spelled "civilization." (Désolé. Je plaisante un peu.)

[@pe-peron8441]

@@aldridgeg You can also spell it "civilisation", which is the correct form in British English. Greetings

[@Lootoodle]

Wait you mean WAP isn’t a higher moment!? 😑🙄 In seriousness I wish music today was like classical.

[@franckieparis16]

@@pe-peron8441 Sorry I am french.

[@Herr_strauss91]

If any of you are interested - fun fact: that is G. Faure seated at his very own Erard concert grand piano, which is the piano this was composed on. Arguably the greatest influencer and builder of fine pianos 🎹.

[@JJNoire]

One of my absolute favorite composers.

[@kabbymcsabby394]

hes a hidden gem. ive missed him until now. what a beautiful soul

[@debapreeti]

How heartbreaking and yet dreamy is this , what is it about France in early 1900 ? Debussy, Faure... All going against the tide and giving us beautiful music that escalates so much above just an auditory experience... I can see this music, I can feel it on me and I can breathe it in as well ❤️❤️❤️ also, this version is a little faster and chaotic and so much more passionate !!

[@antoinepetrov]

And it's not only France at that time. German and Austrian music from the same time is also great. I love Schoenberg, and I find his music equally as beautiful and passionate as French Impressionism.

[@Terpsichorean-oj8vc]

@@antoinepetrov Schoenberg and beauty are two words that don't mix.

[@antoinepetrov]

@@Terpsichorean-oj8vc don't agree. Check out Glenn Gould's Schoenberg if you want to change your mind

[@sebass_9212]

Don't forget Ravel

[@kathymccune2679]

Thank you Jennifer. Never would have heard this beautiful music without the chic assignment!

[@Pacmandies]

it impresses me every time I hear this kind of thing. The master interpreting his own work. I can't help but imagine how wonderful it would have been to meet these musicians, handshake, hug, thank: / Sublime;;

[@ChesterFanningChorno]

What a beautiful piece of music. Haunting melody combined with the refined and gentle Faure touch.

[@DerekWilliamsMusic]

Glorious piece, fascinating to hear it performed by the master himself.

[@yankelmoskauer]

Great! Thanks all those who invented, created, recorded and shared this masterpiece!

[@franziskadahinden9529]

How interesting to hear this interpretation of Fauré by Fauré himself. Thank you so much!

[@aknozer9087]

kzbin.info/www/bejne/f3mpmpZ3q6ypeqs

[@BegToDiffer99]

We are sooooo blessed to have this. Thanks, Louiu.

[@linekelortye4090]

Always listen to this when I need some strength....

[@davidhardy879]

What sensitive , thoughtful and EMOTIONAL playing this is !! Brava Maestro !

[@matteovasta2326]

Ciao David Hardy , I agree with you 100% on what you've said about this beautiful piece , but as an Italian I'd like to correct you on a small detail " Bravo " Is for men " Brava " Is for women So you should say : " Bravo Maestro " and in case Faure was a woman, (which I highly doubt 😝) : " Brava Maestra " Keep listening to wonderful music and have a nice day 😉

[@jamesmiller4184]

It is, isn't it? And just think, David, if not for the agency of The Welte-Mignon - NO experiential per se Faure!!! Just common silence as say with Joseffy, who committed tangibly NOTHING of his own to preservation for posterity, save for his tantalizing image and old written/witnessed accounts of what his Art is proposed to have been like. Not good enough! Just with this present case of Faure's, hearing is at least semi-believing/experiencing; mere words obviously failing as insufficient, in the important regard. . : .

[@n3vuf]

What the composer thought, what the composer wrote, offered to artists for interpretation then the composer renders is a trip through the meaning of existence. T.M. Shorewick

[@jacksonjanis5460]

One of my favorite recordings

[@timothyj1966]

we are so fortunate there is such a thing as the invention as the Piano rolls, Percy Grainger often recored his compositions as well as arrangements on piano rolls - luckily we have them today to here how the composers interpreted them best

[@jamesmiller4184]

Thanks much for stating that opinion, timothyj1966. Sadly and still, some take PRIDE in Reproducing Record-Roll prejudice (essentially a prideful bigotry) but, their numbers are thankfully receding into 'correct' silence, as these note-roll records' inimitable value and capacity to - "... bring 'em back ALIVE!" - become more self-evident such as here, with this lovely Fauré item now before us. As musically-fine and communicative at it is tho, there are yet LAYERS of subtlety not-yet-realized within this interpretation of the master Faurés. (Best believe it.) . : .

[@missbennett85]

Thank you for introducing your viewers to this incredible music!

[@NALAYAN1]

Tellement émouvant d'entendre G. Fauré lui-même!

[@tempusfugit7127]

My tears for my lost love and youth . 😢😢

[@gloubilo132]

write the story of your lost love and i will read it...

[@MrSexyromantic]

Fermer les yeux et se laisser porter par la musique. Bouleversant !

[@OutOfWards]

This is quite a treat for everyone, Amazing. I love his Cantique DeJean Racine. It's amazing.

[@janejohnson8905]

Lovely to hear this. Thank you, Jennifer.

[@TalentedDilittante]

Thanks so much for this glimpse into the composer's music's possibilities . . . and to the commenters here.

[@Corralonero]

¡ Qué maravilla poder escuchar a Gabriel Fauré interpretando su música al piano !

[@melindalemmon2149]

oh Lord, bless and crown Faure again, if you will...

[@maxreger100]

What a lovely sentiment, Melinda.

[@dologuzy9759]

Love this piece of music!

[@TJQ321]

Thank you so much for posting this 💚

[@RebeccaETripp]

Oh, wow! It's so beautiful when it's coming from his hands. I usually hear slowed down, more lilting versions of it (something I often prefer) but I really like it better at this pace.

[@jamesmiller4184]

Dear Rebecca, not "hands" but rather, felt-tipped wooden fingers as set to the service of recrystallized Art. I ask: who could have thought that intellect might produce ('reproduce' rigorously) Living Art from otherwise dead materials??? Your musical observations are both perceptive and useful. Thank you. . : .

[@erikasono565]

フォーレの曲も、ともすると地味に聴こえてしまいがちなのですが、こんなに味わい深い、奥の深いものだったのですね。 フォーレ自身の人生の年輪を経た眼差しが浮かんでくるようです。

[@gemeni0]

Bach plays Bach. Soon on youtube.

[@losthor1zon]

If only the reproducing piano had been around at the time!

[@leatui7]

Plato, reading the Republic, soon on KZbin. (see Playlist, which includes Moses receiving the 10 Commandments directly from God, Krishna speaking to Arjuna, and Jesus giving the Sermon on the Mount!

[@riccardovalente3260]

Yuri Gagarin 😂😂😂😂😂😂

[@harelkariv1477]

We could finally know how to play his pieces with correct intonation lol

[@twinicebear775]

There is actually a "recording" of a Haydn. It's a programmed organ clock, but witnesses say Haydn was in the room while it was programmed, and made sure the tempo and everything was the way he wanted. So, a little time machine

[@susana3026]

Yo llevo con ella un año y aun no la domino, pero sigo con mucha moral 😜, me parece una pieza maravillosa y aunque tarde mil años la tocaré 🤯🤓. Gracias Faure.

[@hanswegen9928]

I have an Erard to, appr. 1903. Parallel strings. Beautiful!

[@whiteram53]

Faure died in 1924, and the fidelity of this recording is far above anything that could have been recorded in 1913. This video is not an actual audio recording of Faure himself playing live. Rather, Faure made a few piano rolls for the Welte Mignon reproducing piano (aka player piano); what we are hearing here is a relatively recent modern recording of the reproducing piano.

[@giuseppedimarco8358]

Astonishingly Beautifully! Perfect!

[@happygirl8146]

thank you)))) this is love and hope

[@viggo1115]

Magnificent!👍👍💯👏👏💐💐💕

[@taniaamendola7855]

Assolutamente affascinante....❤

[@Elongauss]

It is one of the one my favorite French composer

[@aknozer9087]

kzbin.info/www/bejne/f3mpmpZ3q6ypeqs

[@penelopewhite5074]

I'm sure many people have noticed near the ending ,the composition sounds like minor key Jazz of the fifties (especially played on a flute)

[@andrewbarrett1537]

While I hear that, to me it sounds more like a 1980s new age or "new romantic" piece with a rock influence. I am not putting it down at all because I think those genres have also brought us some great music. I just think it's absolutely wild that it sounds 100 years ahead of its time!

[@patriciamiller3696]

Breathtaking!

[@b.g.7580]

Beautiful

[@hannahk1887]

I’m here from the Chic Assignment! Beautiful!!

[@megaurea2904]

Predivno,savršeno i jasno!

[@vaucherjean-francois6891]

Il faut vraiment observer la manière d'articuler et de "rouler" les accords : aujourd'hui on "tape" directement, alors on arpégeait et de cette façon on pouvait avoir un accent personnel. Aujourd'hui c'est la technique et la seule vitesse qui compte. Une autre pianiste de la même époque, élève de Liszt, Théresa Carrègno a laissé des enregistrements de Liszt qui laissent pantois…

[@jeanchristopherevel9180]

Oui Anna Thérèsa caregno a enregistré aussi des chopins avec notes inégales cf première ballade très éloquent

[@stephane9261]

Je vais essayer de trouver ces enregistrements de Liszt. Merci dr l info

[@jrk9357]

Si je joue comme ça à ma prof de piano je me fais renvoyer immédiatement pour non respect du texte.

[@vaucherjean-francois6891]

@@jrk9357 Le RESPECT ... là est tout le problème! le génie et l'art n'existeraient pas s'il n'y avait que le respect : dans sa 1ère fugue du 1er livre du clavier bien tempéré, alors QU'IL SAVAIT QUE L'ON RÉSERVE LES STRETTES POUR LA FIN DE LA FUGUE, se met, dès la fin de l'exposition, à ne faire QUE des strettes .... on aurait du certainement le faire quitter les cours de contrepoint pour cette incartade!

[@izayoi10]

音楽の形がはっきり見えて、参考になりました。

[@damienfradet85]

tres émouvant d'entendre ce vieux maitre ,,,admiration

[@raphaelgroisard9598]

Merci pour ce partage.

[@profmet]

So Precious!

[@beethovenberlioz]

Un capolavoro immortale

[@annadavies9315]

A melhor execução!!!

[@janerawertry4385]

I Played this piece myself... it’s really beautiful! Originally written with Cello and Violin... I love it!

[@starcatchingboy]

Esta pieza me conmueve hasta las lágrimas. Es tan expresiva, tan extasiante. Y escucharla con su autor es otra experiencia. El tempo en grabaciones de piano y orquesta es mucho más lento. Aquí suena más vivaz, aunque no pierde su carácter melancólico.

[@brozj3004]

beautiful song

[@GiuseppeFochesato]

+Broz J how is it possible a sound like this??

[@BastianSchick]

Giuseppe Fochesato it is not possible!

[@ac8907]

La preuve !

[@marybaker8370]

I am and very relaxed, beautiful.

[@1947laurence]

❤❤Thank you

[@parcivalg.5659]

Molto bello, emozionante e pieno di passione. Sentire l'autore eseguire la sua stessa pavane è davvero una meraviglia.

[@rockyhill9965]

And that is a very good quality recording. Noise notwithstanding.

[@wolfgangamadeusmozart6852]

that's bc it's fake

[@andrewbarrett1537]

It's not "fake", it's a relatively recent recording of a reproducing piano equipped with the Welte system, playing back his piano roll. Welte did offer the system to the general public, and in the early 20th century, a reproducing piano was considered the ultimate "hi fi" way of hearing piano music, since the dynamics are encoded in the rolls, and reproduced by the player system automatically... it doesn't just "grind it out". Also, Welte rolls had some of the finest "granularity" in the industry. This is a music roll-arranging term referring to the possible number of different perforator punch rows or "steps" per inch (or foot) of paper. A coarse granularity (relatively few steps per foot) means that either only crude and very simplified rhythms can be reproduced at normal paper speeds, or that the paper has to be played at a fast speed (wasting lots of paper) to get reasonably-realistic sounding rhythms. But a fine granularity means many steps / punch rows are crammed in per foot of paper, and thus slower paper speeds / less wasted paper are needed to still get realistic-sounding rhythms. It's sort of an old-school equivalent to "clock rate", to do with quantizing musical rhythms. Welte was so good for their day... listen to the way Faure hangs back and "sings" the melody with his right hand, like a singer, slightly out-of-tempo, against the steady left hand. That was the romantic way!

[@НадеждаБогданова-р7э]

Я очень благодарна ,Вам, за доставленную радость. И удовольствие.

[@geuros]

is there anyone who owns some copy of the original piano solo sheet music composed by Fauré himself? I don't mean any transcriptions that are available

[@malissathornton1389]

Love this.

[@OlgaAleks954]

Какой звук шикарный у Форе-пианиста! О, как он дает услышать полифоническую вязь пластов!

[@michaelmcdonagh5104]

I've always maintained that Faure should be played as if it just happened, or rather unfolded.

[@sprunzloffio]

But I'm the only who find this piece so "contemporary"..?

[@GreenTeaViewer]

does it make it better or worse if it sounds "contemporary"?

[@sprunzloffio]

​@@GreenTeaViewer knowing how to look forward is extremely worthy

[@MikatheRaccoon]

But it is contemporary. There are still people alive, older than this record

[@nellieou]

Because it is contemporary.

[@BigBlackCat]

good music often to not appreciated in its time... maybe future

[@ferrandiroland1422]

quelle histoire quelle vie merci;...

[@c.d-p4302]

Magique....

[@若松富美夫]

Faure plays Faure　には世のフォーレ弾きのイメージからすると、何かしらの違和感を感じていました。今夜またこの演奏を聴いて、作曲家自身は「豪気」だと感じました。

[@silvinaprioris5207]

Sorprendente belleza...cuánto amor ....

[@viggosimonsen]

Faurè has the same sort of private sweetness as Chopin

[@alexs1504]

He has a french aesthetic but in many ways his music can be compared to Chopin's

[@kimc3024]

I'd like to see the dance that goes with it...

[@lexivalentina6227]

I am! Beautiful ❤️❤️❤️

[@daichann49]

ガブリエル・フォーレって名前からすでにかっちょいい

[@rubinsteinway]

Merci beaucoup GF.

[@gabrielfaure9091]

Je vous en prie

[@elizabethphillips2199]

I'm here, beautiful.

[@eg3730]

Music tinged with sadness I know it may be hopeless no matter the journey Embarks weRe the music Began

[@charlottewhyte9804]

great stuff yea

[@Abidification]

An absolutely delightful work played equally beautifully by the master himself. Would anyone know what work it is as I would like to learn it myself.

[@pierrelandy9755]

"Pavane"

[@andrewbarrett1537]

Pavane opus 50 in F# minor.

[@juliegoodwin6850]

So very beautiful

[@mikan8839]

他で聞いていたものの方が平板で、こちらの方がややテンポが速く、変化に富んでいて弾いている人の感情が見えるように思える。こちらの方が生きている感じがして、他の方がまるでロボット演奏のように思えてくる。I think this playing is a little faster, and richer in variety than other playings. I feel the composer-player's emotion more vividly, while other playings seem as if played by a robot.

[@andrewbarrett1537]

Some of that has to do with how well-restored and well-regulated the reproducing piano system is. If the expression system is either not functioning, is functioning poorly, ir somehow the roll is at the wrong paper speed, the expression will not sound realistic and sound "off". The Welte-Mignon system, introduced in 1904, uses a very simple expression system with a suction regulator for each half of the piano (bass and treble), so each half can be separately subdued to ideally separate accompaniment and melody as much as possible. The level of each regulator is set by going up or down in fixed speed fast or slow crescendos or decrescendos. There is also a device called a "mezzo-forte hook" which can be engaged to restrict the regulator to either the softer or louder end of the dynamics, as desired. The roll arrangers (musicians) who translated the artists' captured dynamics into coding for the system, quickly discovered "tricks" in coding like turning on a slow crescendo or decrescendo, and pulsing the fast crescendo or decrescendo in controlled/timed bursts to correspond with the intended result, until the right general dynamic levels are heard at the right time in the music. I can only imagine the trial and error they had to use to arrive at these various styles of coding. Since each crescendo/descrescendo (slow and fast) has a fixed rate at which it occurs, the roll paper speed must be perfect, and the technician has to make sure these speeds are correct by timing them with a test roll and a stopwatch. If the roll is played at the wrong paper speed, not only will the tempo not be what the artist originally played, but also the expression will be wrong too! (since the fixed speed crescendos etc will be starting and ending at the wrong places in the music). So the original Welte-Mignon system, the German version and also the earlier American version (installed only in Steinway, Mason & Hamlin, and Krakuer pianos here, I think until around 1916) have a FIXED roll paper speed, to ensure no monkey business about tempo or expression! However when a USA version called the "Welte-Licensee" was introduced later, it plays a roll compatible with the standard 88-note format, so they had to include a tempo lever etc to set proper tempos when playing regular 88-note piano rolls on them. But when playing a Welte roll, one always must set it at the tempo indicated on the roll for best results!

[@gerardballon3923]

Dans la série Gabi envoie du lourd, monsieur Fauré

[@glennjoshua9950]

I will pretend to be one of the 13 people who thumb downed this video. "Who wants to hear a man born in 1845, playing one of his own compositions on the piano? NOT ME!"

[@gaitpiano]

you could have learn couple of things....musicians do.

[@LOBonnevie]

Maybe not you, but some of us think that its very interesting to hear what was originally intended:-)

[@glennjoshua9950]

@@LOBonnevie I was being facetious. . .I said I was going to PRETEND to be someone who gave this video a thumbs down, because UN facetiously, I can't imagine ANY REASON to give Gabriel Faure a thumbs down, so I had to imagine myself inside the twisted mind of a person who would. .

[@jamesmiller4184]

@@glennjoshua9950 I understood what you meant, Glenn. In these modern "improved" days, many are subtlety incapacitated. . : .

[@jamesmiller4184]

@Nicolas Roques Yes, and that too, as you say. . : .

[@dilarayuksel3985]

Keşke bu kadar güzel şeylerle daha çok karşılaşsam

[@simonblanjean6538]

Never realised how it sounds very oriental-ish until right now

[@zezeratul]

like the next "To aru kagaku no railgun U - ending " research will be full of these. My god pls

[@koroszo]

this record is far better natural reproducing sound than other channers'！! I would like you tell me what source is used...

[@traubeminze810]

The source is a player piano roll for a welte reproducing piano, a genius instrument which should reproduce exaclty what the player had played.

[@andrewbarrett1537]

I am also curious exactly whose piano was recorded for this, what year, who were the piano technicians, what record label is it on, etc. It sounds like they got everything exactly right in this recording.

[@rrhines3151]

I am! 😊💕🎶

[@1937franco]

grazie...possiamo conoscere il modo che Faure'intendeva la sua musica

[@siegfriedenea]

Ed è prontamente diversa dalla versione sdolcinata all quale siamo abituati … è molto più virile. Per me è stato un colpo

[@fffffwwww]

Just because someone has produced a title does not mean its true. This is not a recording of Faure playing Faure.

[@wolfgangamadeusmozart6852]

Agreed

[@srothbardt]

Was he really so metronomic or is it the playback equipment of the roll?

[@lukasfierz5300]

According to his son his playing was quite disciplined and metronomic "une main de fer dans un gant de velours" (a hand of steel in a glove of velvet).

[@srothbardt]

@@lukasfierz5300 I bow to an obvious expert.

[@ervaloychuga2202]

sólo el artista creador puede hacer sentir a los demás su creación con tanta perfección

[@Welverance]

con tutta la valanga di versioni che ne son venute dopo questa fa capire finalmente cosa voleva comunicare! (cioè questa è top le altre sono un passo indietro, non è banale questa cosa, soprattutto nella musica moderna , visto l'ignoranza musicale, ci sono molti pezzi in seguito migliorati di molto nelle versioni seguenti)

[@alexkije]

Different from the typical orchestration we now hear with added harmony.

[@karimayousfi9334]

Superbe.

[@SCRIABINIST]

Congrats Faure, you played yourself