Luciano Berio - Sonata per pianoforte (2001) [Score-Video]

[@jeffgrigsbyjones]

Berio describes this sonata as being like a conversation between different expressive characters. Somewhat like Schumann's Florestan and Eusebius. Just listening for the more static sections where Berio depends a lot on harmonic overtones, and then the more active sections where he jumps around the range of the keyboard, and seeing how those two kinds of passages get mixed up in different ways, can help a listener start to grasp what is going on.

[@ИМельниченко]

Спасибо за публикацию! Это восхитительное произведение Берио! Впечатляет работа исполнителя... Его точность исполненения вызывает уважение. Я получил большое удовольствие от прослушивания, спасибо!

[@andreabenedetti137]

Lucchesini è una garanzia!!!

[@spridgejuice]

wonderful, thank you

[@Flatscores]

Love the repeated quarternote. Its as if Berio saying to the pianist - you can’t fake the complex rhythm or fluctuations in tempo with this piece.

[@constantinqueins9313]

beautiful composition

[@ignaciocorrales9669]

It caught a Gen-Z attention for 23 minutes. That’s a lot

[@Lillars]

Mais quelle merveille !!!

[@OdinComposer]

Did someone say Bb??

[@김진웅-w5n]

This is like Hommage to Le Gibet by Ravel (Gaspard de la Nuit 2nd piece) 😮

[@김진웅-w5n]

of course, only first part

[@PieInTheSky9]

Yes I thought the same

[@arielorthmann4061]

Why do I learn only now Berio wrote a piano sonata

[@MrInterestingthings]

Cuz the vocal works and Sequenzaand Sinfonia are all anyone talks about . Doesn't Ravel repeat a Bb all the way thru 2nd piece in Gaspard . But why would a famous respected composer open a piece of music this way and I wonder how does it conform to Sonata form history. Berio and his times were heavily theory influenced so I'm sure every note has meaning behind it. Maderna always makes intersting music . Nono is the other famed perso of da period . Berio is da chief and I don't really know what's going on in his music. I'll have to find out where he is comng from. My question is how do performers find out the point of all this stuff. Prob some pianist who knew these people and became a teacher and so now hisstudents all learn Berio.Maybe ? Carl Vine is the Piano Sonata man in my book .

[@arielorthmann4061]

@@MrInterestingthings right on point haha. I indeed only know the Sinfonia, the Sequenzas and the vocal works/operas (Folk Songs, Laborintus II...) and that's about it. They are all great so I probably need to get deeper into his work

[@PieInTheSky9]

Can you provide an english translation of the description?

[@mdr-bs8jy]

Sorry, I don’t know how to translate Italian to English. Here is the result of Google Translation: All the sonatas, of every time and place, propose and develop, always and in any case, a dialogue between different expressive characters, between different structural and technical identities, between continuity and discontinuity, between simple and complex, between presence and absence... In this Sonata of mine - written in 2001 and dedicated to Reinhold Brinkmann - that dialogue is certainly present but its distribution over time, i.e. its syntax, is indifferent to the nature of its own expressive characteristics. Luciano Berio

[@machida5114]

sodelicious...............

[@musicafilosofia731]

Un suggerimento: se si fa un video con uno spartito, conviene che sia hd, giacché così non si vede bene e rende un po’ inutile lo sforzo.

[@santiagologioco7971]

why write something so horrible