Ludovico Einaudi - The Snow Prelude No. 15 /

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Ludovico Einaudi - The Snow Prelude No. 15
The Snow Prelude No. 15 appeared on the "Nightbook" - an album created by Italian composer Ludovico Einaudi and released in 2009. The album saw Einaudi take a new direction with his music as he incorporated synthesized sounds alongside his solo piano playing. A new approach could be seen with tracks such as "Nightbook", and "Lady Labyrinth" where the element of percussion was utilized along the piano, acting as a driving force throughout the song. In Italy the album went Gold with more than 35,000 copies sold. Einaudi describes this album as "A night-time landscape. A garden faintly visible under the dull glow of the night sky. A few stars dotting the darkness above, shadows of the trees all around. Light shining from a window behind me. What I can see is familiar, but it seems alien at the same time. It's like a dream - anything may happen."
*Ludovico Maria Enrico Einaudi is an Italian pianist and composer. Trained at the Conservatorio Verdi in Milan, Einaudi began his career as a classical composer, later incorporating other styles and genres such as pop, rock, folk, and world music.
Einaudi has composed the scores for a number of films and television productions, including This Is England, The Intouchables, I'm Still Here, the TV miniseries Doctor Zhivago, and Acquario (1996), for which he won the Grolla d'oro. His music was used as the score for the Golden Globe and Academy Award-winning films Nomadland and The Father. He has also released a number of solo albums for piano and other instruments, notably I Giorni in 2001, Nightbook in 2009, and In a Time Lapse in 2013. On 1 March 2019, Einaudi announced a seven-part project named Seven Days Walking, which was released over the course of seven months in 2019.
Einaudi was taught by the avant-garde Italian composer Luciano Berio, although the music for which Einaudi has become famous couldn’t be more different from that of his teacher.
Whereas Berio composed, in the main, very complex, challenging works, Einaudi’s solo piano pieces are like classical pop songs: all lasting no more than around five minutes, all with an introduction, verse, chorus and middle eight. he is often likened to composers such as Michael Nyman, Thomas Newman and Erik Satie, and it’s certainly fair to say that there’s something of the Gymnopédies about Einaudi’s most popular pieces.
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