www.luteduo.com Antoine Forqueray, La Morangis ou la Plissay

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A Chaconne by Antoine Forqueray performed as a duo for baroque guitar and theorbo by Anna Kowalska & Anton Birula
www.luteduo.com

[@barbaralegrand4300]

Quelle belle chaconne...ce n'est pas une musique ancienne, mais fraîche, si fraîche...

[@HowardPhillips]

Delightful piece, and delightful playing.

[@christopherheinig5590]

Exquisite !!! Bellissimo !!! Grazie mile !!! Please, MORE !!!

[@barrabasi]

I'm quite fond of the chacconne form, so I'm used to it. However, I must confess it's about the fifth time I play this chacconne in 12 hours or so, and I'm still speechlesss. What a wonderful piece of music and what a marvelous performance. Wow! My deepest congrats to The Lute Duo for doing such an amazing job! Cheers!

[@frenchiecocorico1]

There is an error in the video title. In fact, this piece was composed by Jean Baptiste Forqueray, son of the famous Violist Antoine Forqueray. When he published his father works in 1747, two years after Antoine's death, he completed the five Suites of his father with three pieces of his own. Though, this arrangement for baroque guitar and theorbo is very fine. Bravo.

[@HolyTrinityArmy]

Anna Kowalska has a great touch.

[@thomasluth6799]

Superbe interprétation pleine de finesse de douceur, de finesse et d'intelligence. Bravo aussi pour la transcription : voilà de la vraie musique!

[@jeremymozlin]

Wow, the texture of the guitar floating lightly on top of the richness of the theorbo is just unparalleled. Spellbinding performance, and what an amazing piece too...

[@haimlute]

sounds lovely, great arrangement and interpretation!!!

[@frenchiecocorico1]

In fact, Jean Baptiste Forqueray, the son of the famous Violist Antoine Forqueray published an adaptation for harpsichord of his father's complete works in which he introduced some of his own compositions. "La Morangis ou La Plissay" is the 7th and last piece of the 3rd Suite. The authorship of this piece is really by Jean Baptiste Forqueray and originally for the harpsichord. This version for baroque guitar and theorbo is amazing Bravo and thank for the post

[@d.2937]

This is the most elegant and peaceful music. The collaboration between them is ethereal. Thank you.

[@patrickpetit7914]

Antoine forqueray roi du baroque ici magistralement interprété par nos 2 chers musiciens. Je l'écoute je l'écoute ça me touche. C'est mélodieux et sentimental et grave à la fois. Moi je suis musicien aussi.

[@lucamassenziopalermo9071]

It is surprising as the Duo, in this transcription for two lutes, renders exactly the same "Air" and atmosphaere of the original harpsichord composition. Again, my very best congratulations. Or, perhaps, no wonder, as they are of an extraordinary level and ability. Bravo!

[@lolamby1]

3:31 seems like a perfect example of how re-entrant tuning sounds so good

[@dzodzet]

Amazing! This baroque guitar looks and sounds like a dream come true!

[@RenatoMancuso969]

superb!

[@SantiagoGarcia-od5gr]

Qué preciosidad de pieza musical y que maestría en la ejecución.

[@lloydwilley1620]

What a treat. Elvish music played by a real elf, Never seen that before. Thanks Anna.

[@GerardRebours]

Excellent adaptation, excellent technique and musicianship. Thanks a lot, I love it !

[@DesireeArchibald]

Wow. Gorgeous. Thanks for keeping early music alive.

[@higherresolution4490]

Anna Kowalska and Anton Birula are musicians par excellence. What a treat to be able to watch/hear them preform here on KZbin. Thank you! Their recordings will make superior Christmas gifts.

[@MrIbgrant]

I totally agree with you. Captivating!

[@tgwilt]

Rarely do I hear such passion for the music on a youtube presentation as here. You are both excellent players. You have my highest regards and what I consider the highest compliment; you are true to the spirit of the music. I can listen to this duet and only consider the music. The only other artist that I can compare you to is Robert Barto. I ordered your cd and can hardly wait for it to arrive.

[@flegreo55]

Super!!!!!!!!!!!

[@TonyHadjiivanov]

I watched them live in Warsaw and they were magnificent!!! Accurate playing and body language that intrigues. Apart from that they both are good looking which adds to the overall impression.

[@aluardy]

Marvelous, beautifully executed! Musicianship at its best! Thank you!

[@CarvedGraphics]

I could listen to the love Anna Kowalska and Anton Birula make with their instruments for hours on end without tiring, such is the pleasure their exquisitely combined sound brings to my soul. Thank you both for sharing with us.

[@christianmichon1940]

Ppppppppppppppppp

[@christianmichon1940]

0

[@christianmichon1940]

Pp

[@richardangulo6303]

I miss you guys, please come back. I love watching both play. I haven't seen any posts of you guys, hope alls good ❤❤

[@LucaMassenzioPalermo]

Dear Anna, I am an italian lute & baroque guitar player and I had classes with Nigel North. I think Nigel is really happy of what he could transfer to you: you are a perfect image of his thinking of lute playing. Congatulations!

[@ArielGuitars]

Beautiful

[@Marianofrv]

Your combined instruments provide peace, joy, mystery and hope thank you

[@mcburcke]

You two are just amazing!

[@meganary876]

Wow...just, wow...

[@LucaMassenzioPalermo]

I am delighted, ravished. Congratulations.

[@soundknight]

Love your sound!

[@joesiklosi5000]

You guys are wonderful and play with feeling! Thank you! Hip- Hip Hurray for Poland and Hungary!

[@sor1952]

She's very, very fit.

[@ribetromer]

I love you.

[@acwatercolors]

Soulful, wonderful

[@selfTaughtGirl]

Lovely, what more can one say.

[@remonsijrier9132]

my heart and soul jumps in joy from this heavenly music

[@allenbauman2202]

I love Anna.

[@Cj12sings]

Exquisite beyond words!!!! Bravo!!! Bravo!!!

[@JoshuaPatrickGarrett]

I wish those guitars were more accessible in the States.

[@masaakikuroiwa4002]

Just superbe !

[@lucamassenziopalermo9071]

I tried to organize some years ago a concert of the Duo, here in Rome, but...no luck! The authorities were more interested in Rock Music rather than in this superb and intellectual music and performance. Alas! I felt very sad. But...hope never dies.

[@LUTEDUO]

Thank you very much! It will work at some point! We appreciate this a lot!

[@frenchiecocorico1]

Antoine Forqueray complete work score (including this piece) in the harpsichord version published in 1747 by his son Jean Baptiste Forqueray is available and downloadable for free on the website IMSLP under the heading: Jean Baptiste Forqueray "Pièces de Clavecin"

[@stevessn]

the blending of two instruments can create some ethereal music. what a fine performance. thank you very much

[@MrIbgrant]

Steve Tamayo I have agreed someone else before Steve, but I'll do it again. They're great players of wonderful music.

[@monopod1]

Togetherness ..... Mind, body and soul.

[@zazaa124]

Delightful. Ever since I heard their Canarios (Gaspar Sanz) interpretation I have been a fan. I wish their CDs were available more easily, say on Amazon. Early music is simple but so pleasant

[@veloteuton63]

I just bought some of their CDs off their website - Easy as pie. I agree: this music - and these musicians deserve to be known more widely!

[@zazaa124]

Yes, I managed to get them too. Delightful @@veloteuton63

[@blipblip88]

Beautifully played. Beautiful guitar!.

[@ottaviano99]

compliments!!!!!!!!!!!!!! Evangelina

[@michaelfreemanmusic9149]

What a beautiful interpretation of a divine piece of music.

[@PhillipCalvin627]

Love it!

[@johnruggeri843]

Gloriously beautiful. The playing is sublime as are the sounds of the instruments,

[@MrIbgrant]

Yes, yes, yes!

[@eduardofloressousa4346]

IMPRESIONANT!

[@massimolonardi7886]

Bravissimi

[@edurbrow]

Beautiful arrangement and playing. This is really, really lovely, up to your usual high standard, - and some nice camera work too.

[@anibalsoriano]

Lindo!!!

[@jasnjsemy]

Beautiful piece, superbly executed. Thank you for posting for us to enjoy. When are you going to tour the UK?

[@frenchiecocorico1]

Il y a une petite erreur dans l'énoncé du titre. Cette pièce a été composée par Jean Baptiste Forqueray, le fils d'Antoine Forqueray le Violiste dans l'édition de 1747 qu'il a faite des oeuvres de son père en version Clavecin,, deux ans après sa mort. Il s'agit donc d'une des 3 pièces de sa propre composition qu'il a glissé parmi celles constituant les 5 suites de pièces de Viole de son père. Cependant, la transcription pour guitare baroque et Théorbe est très réussie. Bravo.

[@mcburcke]

Absolutely gorgeous interpretation and performance, as usual! Side note: Anton, you are one of the luckiest guys on the planet. You know what I mean, right?

[@RobertRonnesBassoon]

Very beautiful. Nice phrasing and flow! :-)

[@SUPERBURLBOYROY]

I like it! Wow that's a cool looking guitar! Woooooooooooeeeeeeeeeeee!

[@stephenhooker882]

+Chauncey Sullivan The sunken parchment rose is often sarcastically referred to as the wedding cake by instrument makers! Even the great Stradivari made instruments like this. There's one held at the Ashmolean Museum at Oxford University, with an unusually long string length of 74 cm.

[@JoelvanLennep]

A familiar piece for viola da gamba. Lovely, lovely sound, fine playing, and a very good arrangement - it works! (And I would not have guessed it would before I'd heard this.) You give it the graceful dance-like movement of a true chaconne. I do have one gentle suggestion to offer, however: Could you work to maintain a more regular tempo and to stay together within it with each other? Ie, ensemble is the only element which needs working on, I feel. Thank you!

[@johnh5958]

Wonderful! It disappoints me that I can find no performance schedule for you two. My wife and I will be traveling to Europe several times in the next few years and I would make a detour to hear you live.

[@LUTEDUO]

please check on www.luteduo.com we have it updated regularly there will be more dates soon. Thanks!

[@zoits.1319]

nice.

[@nextlifeonearth]

Funny how both these instruments aren't lutes, but they call themselves the lute duo? Though I must add it was truly spectacular. Bravo.

[@christerleinehed2454]

Great and relaxed.

[@DuoContinuo]

@aluardy - so haben wir das gleiche Urteil ;-)) - Gruß - S.

[@martinuddin]

indeed Stephen, the dates 1656-1728 fit Marin Marais !

[@martinuddin]

the dates 1656-1728 are correct for Marin Marais

[@stephenhooker882]

Forqueray always touches my soul. I know the Gamba original piece and the solo Harpsichord arrangement. Wasn't this Ciaconna actually composed by Jean-Baptiste Forqueray, Antoine's son? In any event, a wonderful transcription, gorgeously played! Thank you.

[@stephenhooker882]

+Stephen Hooker Hang on. I thought Forqueray the elder died 1745. Opening caption seems wrong to me....

[@pietroorsolini4283]

Che pace....

[@ludustestudinis]

Excellent! Is it possible that the video image is squeezed due to a rescale to a wrong aspect ratio?

[@LUTEDUO]

could be....

[@martinuddin]

stephen: in deed, the dates fit Marin Marais!

[@goldenstone7094]

Well, that kicked ass

[@LucaMassenzioPalermo]

I am a baroque guitar player: I am jealous for the guitar: who made it? It has a very nice and loud sound.

[@LUTEDUO]

It is by Philippe Mottet

[@patrickpetit7914]

@@LUTEDUO no By french composer Antoine forqueray mes amis !

[@thomaskrauspe2884]

@@patrickpetit7914 Excusez-moi, Monsieur: Philippe Mottet est un luthier .......... [ www.anselmus.ch ]

[@richardangulo6303]

What's the total amount of strings on that baroque guitar? The first string looks like a single string. This is all new to me. Love my new beginning in this type of music. Also are one of the strings a triple string? Someone please let me know 🎸

[@patecrepe3759]

Richard Angulo There is 9 strings. 8 double strings and the lonely string is called the chanterelle.

[@kegelchen32]

Könnte mir bitte jemand den französischen Titel dieses Meisterwerks ins Deutsche übersetzen? GOOGLE hilft mir hier nicht weiter! Herrliche Musik,great performance,thanks for sharing... Freue mich über das LUTEDUO- HERZ, MERCI BEAUCOUP...

[@LUTEDUO]

Wir versuchen morgen das machen:)... Danke für ihr intresse!

[@volvagianintendo6465]

Which Greek modes of the major scale or Ionian mode does this work use?

[@LUTEDUO]

This is to mosicologists, we are just simple guys:)))0 Thanks for watching!

[@ALEJANDROARANDARICKERT]

The intro reminds me Reusner's Pasacaglia

[@jeffwoodruff1339]

ok, I'll stoop. She's hot.

[@leesantana42]

Far fucking out! Great music, girls! be even nicer with some gut strings on that Chit!

[@martinuddin]

indeed Stephen, the dates 1656-1728 fit Marin Marais !

[@martinuddin]

stephen: in deed, the dates fit Marin Marais!

[@martinuddin]

indeed Stephen, the dates 1656-1728 fit Marin Marais !

[@martinuddin]

indeed Stephen, the dates 1656-1728 fit Marin Marais !

[@martinuddin]

indeed Stephen, the dates 1656-1728 fit Marin Marais !

[@martinuddin]

indeed Stephen, the dates 1656-1728 fit Marin Marais !

[@martinuddin]

indeed Stephen, the dates 1656-1728 fit Marin Marais !

[@martinuddin]

stephen: in deed, the dates fit Marin Marais!

[@martinuddin]

indeed Stephen, the dates 1656-1728 fit Marin Marais !