In 1980, as a US student studying in Paris, I got to hear Mstislav Rostropovich play this piece. It is one of my concertgoing experiences I will never forget.
@normanddorais4 ай бұрын
Solid gold music by Lutoslawski and magnificently played by Nicolas Altstaedt.
@domr3753 Жыл бұрын
Lutoslawski once said about his Cello Concerto that its about an individual vs the masses, the cello vs the orchestra as it gets quite chaotic and frenzied starting at 17:02 with continued attacks by the orchestra onto the cello, as the cello kind of laughs it off by playing quite calmly at 18:27 as if those attacks were nothing, then after continued attacks this eventually builds to the ultimate climax at 21:57 as the entire orchestra and horn section BLAST OUT one very loud single note for 10 long seconds hoping it would finally defeat the cello once and for all but they fail.
@maxbezel11 ай бұрын
I like that description. It's pretty much how I felt listening to it for the first time. To me there was also a comical element, how the lone cello held its own against all of those cacophonous voices and just determinedly carried on. I also appreciated that the flutes were, at times, somewhat in sympathy with the cello. The concert with Miklós Perényi on Cello, Simon Rattle conducting, esp seems to play on that theme as Miklós seems to embody the 'everyman' holding his own. But it's only available on the Berliner Phil paid app.
@JoshuaWhittle4 жыл бұрын
Excellent performance of this Lutoslawski masterpiece
@huguesreiner5107 Жыл бұрын
Genial musicien. Composition extraordinaire. Chef épatant. Orchestre engagé !!
@tommartin8700 Жыл бұрын
Excellent. Good old Lutoslawski.
@SergiuszWrotek8 Жыл бұрын
Late 60s, Lutosławski at his best in my opinion❤
@Scriabin_fan Жыл бұрын
It blows my mind how Lutosłwaski makes this entire masterpiece out of just one repeated note at the start.
@SergiuszWrotek8 Жыл бұрын
Exactly;)
@guimaravilhas8 ай бұрын
Que maravilha de concerto! Esse cabra no violoncelo é descomunal! E a orquestra impecável! Muita emoção!
@michaelrosa20153 жыл бұрын
Remarkable about this work is the exploration of sonorities and how they are produced. Immediately the cello is playing an open D string ostinato if you will which is developed in the course of an elongated cadenza. Juxtaposition against trumpet fanfare of sorts plays to the contrasts between instruments introduces the orchestra. The contrasts of sound & dynamics is a theme throughout the work. I love works which push the limits of sound and the Lutoslawski is among my favorite concertos for that reason.
@locksh2 жыл бұрын
Just astounding piece of music. What an outrageous musical discovery it is for me. Unbridled genius and I do not say that lately. Few are the pieces that leave you hooked from start to finish, most seem to exhaust the themes and main ideas fairly quickly, or not utilize them in a way that is ultimately gripping. This piece however, and I listened to it very closely many times, is just a rollercoaster ride from start to finish with no dull moments. Every part has its own beautiful nuances and the dissonance is just utterly beautiful. It sounds like an anxiety attack, at times like a psychotic break even, and to me this is one my favorite sonatas and one of the most original (big emphasis on original) pieces of classical music ever written. I also love how it's trademark Lutoslawski and not yet another experimental composer - he has his own mannerisms. The only other sonata that gripped me in the same way is Kodaly's Cello Sonata which, while not as experimental perhaps, just oozes unbelievable amounts of musicality in every turn. Eastern Europe produced some of the most utterly astounding composers of our modern times, it never ceases to amaze me. Lutoslawski, Kodaly, Bartok, Ligeti, Penderecki, and the list goes on...
@paulfreeman49004 жыл бұрын
This is now standard repertoire. Amazing.
@romeoharold21833 жыл бұрын
Instablaster
@christopherhill2786Ай бұрын
incredible that there was hardly anyone in the audience!
@benjamin99012 жыл бұрын
First time I hears this piece, and I like it very much. Wonderful cello performance
@AndrewRudin5 жыл бұрын
What a thrilling moment it is, at about 6:38, when the lamenting cello and the other strings become one in purpose, then to be violently opposed by the tutti orchestra and its objecting outcry. What a great piece... and a great human document. A totally thrilling performance!
@honeymoonvera4 жыл бұрын
Oh my god Nicolas ... you're incredible... I luv you boy😍
@dougo8913 жыл бұрын
Heard Slava play this with Polish Radio Symphony, Maksymiuk conducting about 1982 in Pasadena, CA Unforgettable moment.. This too, is another great performance✔✔✔✔
@StashWyslouch5 жыл бұрын
How does this only have 3.6k views. Masterful and awesome quality! What a piece!!!!
@Cellooboy4 жыл бұрын
Thank you for the reupload! The previous video in 3D was a nightmare
@JoshuaWhittle4 жыл бұрын
The only complaint I have about this performance is that it wasn't long enough This was a singularly stunning performance, thanks so much Nicolas Altstaedt for uploading
@황성곤공연예술학과3 жыл бұрын
I analyzed this piece for the entrance exam of my master's program.
@michaelrosa20153 жыл бұрын
What were conclusions from a form and analysis perspective?
@황성곤공연예술학과2 жыл бұрын
@@michaelrosa2015 Basically you can classify many motivic materials and see how and where they were spread throughout the entire piece.
@michaelrosa20152 жыл бұрын
@@황성곤공연예술학과 What I find fascinating about this work is to consider how Lutoslowski heard it, that is, within his mind.
@michaels.75622 жыл бұрын
Preparing for the performance tonight of Sol Gabetta with Bamberg Symphony...
@honeymoonvera4 жыл бұрын
The greatest💙
@황성곤공연예술학과3 жыл бұрын
A masterpiece using aleatoric compositional technique!
@yehoshuakopyrin21294 жыл бұрын
It is actually like machine sounds or some mechanism.
@КонстантинС-ц2ю4 жыл бұрын
Great performance!!! Very impressive! :)
@marcelaolivareshintze6568 Жыл бұрын
Excelente! Musica llena de sonoridades juxtapuestas, superpuestas.....dee enorme riqueza. Fantástico cellista!
@Antipaavi2 жыл бұрын
Thanks for uploading this. Great performance! I was all sweaty when the music ended.
@domicdom24833 жыл бұрын
I LOVE AT 17:01 and 17:33 the way all hell breaks loose and everything becomes very chaotic and frenzied like in real life sometimes, then the orchestra starts its frenzied attack towards the cello at 18:08. then the cello starts playing quite calmly at 18:27 as if saying to the orchestra you don't scare me, then the orchestra continues its attack at 18:33 and so on. Then at 21:55 THE ULTIMATE CLIMAX occurs where THE ENTIRE orchestra extends 1 VERY LOUD continuous note up to 22:08. I heard other versions extend that note even longer.
@schneiderFFF3 жыл бұрын
The reason the note is extended in different versions is because in the full score is says "12-15" which means to be played 12 to 15 beats, if you didn't know
@caiogracco91292 жыл бұрын
Amazing.
@Tony-md7dr4 жыл бұрын
This is like Shostakovich on steroids.
@windowtrimmer82112 жыл бұрын
The cello wins in the end. Great!
@stevengelineau42733 жыл бұрын
Magnificent
@mdlg-nx6jp2 жыл бұрын
19:26 glass braking😂 seriously I really like this concerto ❤
@locksh3 жыл бұрын
19:17 Holy hell. Just wow
@slydec.19584 жыл бұрын
Maryvonne Kendergi brought me here.
@yowzephyr2 жыл бұрын
1:00 is a good place to start. ^
@JoshuaWhittle4 жыл бұрын
This gets REALLY good at about 13:00
@honeymoonvera4 жыл бұрын
😁🤭
@JoshuaWhittle4 жыл бұрын
The cello he is playing is really old, you can tell just by looking at it I'd love to know who made it
@alastairbissland84494 жыл бұрын
Altstaedt plays a Giulio Cesare Gigli cello from Rome around 1760
@scardanelli72954 жыл бұрын
@@alastairbissland8449 It is Nicolas Lupot 1821. Nicolas Altstaedt played on the Gigli from 2013-2018.
@schneiderFFF3 жыл бұрын
Damn 5:33
@tadeuszvonmoltke96484 жыл бұрын
ULTRA
@veloavtor88539 ай бұрын
похож на Шнитке
@jamesryan83956 ай бұрын
reminds me a lot of a musical mosquito
@cellokid51043 жыл бұрын
Not really a fan of the piece, still a nice rendition
@horsthornung24244 жыл бұрын
SORRY BUT I STILL PREFER "SWEETS FOR MY SWEET" BY THE SEARCHERS
@judgedayan99348 ай бұрын
Not music, just jumbled noises. Sort like the chatter from a mental institution.
@Iggy4733 жыл бұрын
hideous
@skafanderwrocaw5118 Жыл бұрын
Because those times in Poland were hideous? Composition is sometimes more than the sum of sounds. Please consider that the piece involved the opposition, cello vs orchestra, individual person vs system (total). Lustosławski and Rostropovich worked behind the Iron Curtain, which had its implications. Please read an opinion of a music critic Oskar Łapeta: www.nfm.wroclaw.pl/images/Sezon_2022-2023/omowienia/20_01_23_Tristan_i_Izolda__www.pdf Google translation: "Witold Lutosławski's Cello Concerto was commissioned by the Royal Philharmonic Society and the Gulbekian Foundation, and the artist dedicated this composition to the outstanding cellist Mstislav Rostropowicz. This artist, valued for his phenomenal technique, told Lutosławski when writing the concerto: “Don't think about the cello. Cello - that's me. Write music." However, the result must have surprised him, as he found the concert difficult and demanding. Although Lutosławski was as far from illustrative and programmatic as possible in his work, the epic and dramatic nature of this work provoked numerous questions from Rostropowicz about the composer's intentions. When, in response, the cello suggested a conflict between the solo cello and the orchestral ensemble, the cellist immediately recognized it as a symbol of the individual's struggle against the oppressive communist regime. Rostropovich, then strongly defending the writer Aleksandr Solzhenitsyn, who was repressed by the Soviet authorities, decided to treat this work as a political manifesto. The way of shaping the music helped him in this a narrative in which the thought spun by the solo instrument is interrupted in an extremely suggestive way by the sharp entrances of the orchestra"...
@sennewam5 жыл бұрын
The greatest insult to music possible. Congratulations, Nihilism.
@txikilin4 жыл бұрын
Hahahahaha. The painful world we live in.
@D1scNStuff4 жыл бұрын
i like it
@hetmanjz3 жыл бұрын
Quit grandstanding beyond your means already.
@michaelrosa20153 жыл бұрын
I think a most challenging aspect of this work is to frame it in terms of a narrative. I read a comment where the individual regarded it as symbolic of oppression of people's and that had not at all occurred to me. Honestly I have not a clue as to what the work represents. Perhaps that is it's mystery...