Macbeth: "Vieni, t'affretta" (Anna Netrebko)

Anna Netrebko sings Lady Macbeth's aria from Act I of Verdi's "Macbeth." Production: Adrian Noble. Conductor: Fabio Luisi. 2014-15 season.

[@lucyevans7588]

I love Anna but my favorite thing to do when watching opera on youtube is just to put the video on 0.5 speed and listen to the crazy vibrato :)

[@johncaliguri8095]

I just did it, hilarious! thanks

[@esterbruno8604]

Oh. Mio. Dio. Anna, torna a cantare i ruoli PER LA TUA VOCE.

[@vitvv9657]

У Анны лирическое сопрано,что уж никак на соответствует этой партии для драматического сопрано. Нужно реально оценивать свои возможности.

[@totic1315]

I saw her at the Met tonight and she brought the house down. Amazing performance.

[@vettegaddia6234]

Lawrence Wraith You think 40 seconds is a long ovation for Anna? Joan Sutherland had a 45 MINUTE standing ovation when she sang Alcina in Venice, Italy when the Italians immediately dubbed her as "La Stupenda". Or her 28 curtain calls at the end of Gli Ugonotti at La Scala. Next to that, Joan's 20 minutes standing ovation from her opening night at C Garden sounds tame. And her 12 minute SOLO standing ovation after her Met debut 11/26/1961 was all the Met will allowed or she would have gotten more. Sutherland's 11/26/1961 Met debut as Lucia is on Utube if you want to hear why she ruled the Met from 1961 to her retirement as their Prima Donna Assoluta. Anna has a very beautiful sound, and I can understand why you love her. But if you want to hear world record ovations, look for Joan Sutherland, Leontyne Price and Monserrat Caballe. The Met no longer give long curtain calls and ovations these days. That's sad because there are still talents out there. Though not as much as 50 years ago.

[@stranieroru9527]

Whatever she sings, it's the same cabaret...

[@pattipage2122]

This clip only gives you a taste of how brilliant Anna is as Lady Macbeth. I was blown away by her performance. Brava Anna!

[@alvaroblanco3564]

La más grande. Muchas gracias

[@valentinakhabutdinova4611]

You are always beautiful, Anna!

[@09avenger]

Just watched Macbeth.The whole cast and the choir was spectacular. Netrebko's singing and acting was BRILLIANT! Probably one of the best opera at the MET. I would like very much to have a CD or DVD. Bravo Anna!

[@MariaCaIIas]

whether she will lose her voice or not it is her choise and can happen to any singer at one point or another. That said, she does not sound like she is losing it here. She actually sounds like she's found it!

[@Musicandcatsmeow]

Spoken words can be like deep water, but wisdom is like a flowing stream. Don't judge and make yourself a fool, fool goes down the drain!

[@MonsieurLu77]

Verdi si sta rigirando nella tomba...

[@GIROSSINI58]

l avesse avuta sotto mano, voce, scusa...le avrebbe dato la parte di Giovanna d' Arco!

[@MrTrackman100]

Find this sung by Shirley Verrett and hear it done properly!

[@kinnika]

I think a lot of these comments missed the part that read that this was a final dress rehearsal. I saw this Met performance and it was amazing. Anna Netrebko is truly fantastic. I couldn't take my eyes off her! I'd watch her again and again in anything. She's truly memorizing. Screw all the negative commentary, Anna. You are truly amazing and you keep doing what you're doing and coming out with brilliant performances for people who adore you!

[@yigeli144]

Many haters simply do not understand "how THEY THINK Lady Macbeth should be sung" is never "how Lady Macbeth should be sung". Anya is the rare kind of imaginative artist who has always given a sight out of the box. Narrow minded people, sorry, you just don't deserve to have her.

[@richardmccowenclark2412]

I've seen Ghena Dimitrova and Shirley Varret perform this role so any comment I'de make would be simply unfair. But we would gladly love to give her back if that would make you happy.

[@morganchan2465]

Keep her. I have a better ears and taste. No thanks

[@operabilia]

Lady Macbeth is not about showing around sexy boops and glorious looks, it's a Verdian sort of Elektra ... Thousands of shades in the voice, in the phrasing, acting inside the voice, and so on ... And the beautiful Anna is entirely miscast here, totally out of place. The Lady is not about singing: It's acting while singing, not the other way round! She has robotized her singing like many other singers do. Be it Glinka, Tchaikovsky, Verdi, Cilea or Puccini, everything is sung in the same pattern. Norma is next! Well, let's then sing Aida, Valentine, Isolde, Abigaille ! This SOMPTUOUS voice has become, like many other voices, a "jack-of-all-voices" instrument. People applaude (she deserves to be honest!) but it shows they don't know a thing about opera! And the MET has become a factory for miscasting talents and ruining voices (Dessay as Lucia?! Dessay as Violetta?! Vogt as Minnie?!) Pathetic and symptomatic of the idiots who manage opera companies, hopeless music directors and burn-in-hell stage directors! What those singers need are accomplished MUSIC COACHES and REPETITEURS! That would save a lot of damage and collateral losses to taxpayers' money!

[@flannerymonaghan-morris1317]

Well, Dessay is/was a lyric coloratura soprano...and TBF, the roles of Violetta and Lucia were specifically written for coloratura sopranos...but yeah, maybe a little too young for the role. And also, Anna has admitted she could care less for fach classification process, and she is quite an ambitious lady....

[@operabilia]

@@flannerymonaghan-morris1317 Dessay a "lyric"??? She has never ever been a lyric. Her lyric roles were catastrophic and destroyed her voice. She was a light coloratura and should have remained within that repertory. And NO, neither Violetta nor Lucia were NOT written for "coloratura" soprani but for "drammatico d'agilità" or "sfogato". To set the record straight on Dessay. Kind rgds.

[@morganchan2465]

Agree!!

[@gianerajohn436]

We all noticed that she could care less about fachs. She has been butchering all sorts of roles with her shitty technique for the best part of two decades. She is a modern, hotter version of Florence foster Jenkins. I personally believe if she didn’t have boobs and very likely hadn’t performed fellatio on directors left and right she would still be mopping floors where they found her. Because there is no other possible explanation as to how such a terrible “singer” could have made it past a high school performance and into Met and La Scala.

[@user-db5tl8cg8g]

Браво голос звучит прекрасно все на месте.

[@lindsaydenman1835]

You know what, this woman can command a stage. And deliver. Her Tatiana, Lady M, Anna Bolena-she is an artist. I will always critique but I will also admire. Her Tatiana is as moving as anyone could find.

[@user-jd1jm1kr4o]

прекрасна❤

[@mrnicelynicely1]

captivating!

[@johndlabella]

The voice is shreddng slowly because the rep is too heavy. As a voice ages, it rarely goes more than ONE category heavier.

[@DCFunBud]

I never thought of this as a boudoir number. Wardrobe should find her a belt for that dressing gown.

[@vampireratt]

Well....The Met finally figured out how to make Lady Macbeth HOT!!!!! ALL HAIL LADY MACBREASTS!!!!...

[@angalafan]

The bad taste of the Met is obviously more and more acting back stage and on stage. Nothing to do with Verdi' s Lady Macbeth. Vulgar and out of tune. Were are the trills ? Rubbed out so easely !

[@basilbucolic]

+angalafan trills? well, just drop, forget those 'trifles'!)

[@angalafan]

This adrift conception of artistry is terrifying !

[@jjh2456]

She clearly comes from the Birgit Nilsson school of singing this role. Birgit actually did quite well with the role as a dramatic soprano. Anna, however, is not nor will she ever be a full on dramatic soprano.

[@lutandomhlalase4416]

i have never witness such disrespect towards Verdi ever in my life.She aught to have done this aria better than her predecessors. She should have taken notes from Callas, Verrett, Nilsson and Ponselle, as indicated by the yields of this performance she clearly did not do so what a waste of time,air, space and resource which could have been allocated to a way better singer.

[@vanmusician]

Oh I wish - but I'm not nearly old enough. I just have the live recording. I only heard Callas live on that last sad concert tour.

[@EstebanAbellanCasado]

Genial, nunca había visto esta opera pero me encanto, y Ana.....impresionante, en su mejor momento, fascinante!, el croata también está maravilloso!!

[@MaestraMusic24]

Excellent. She sings with ease, power and brilliance!

[@lillyla9344]

Well this is sad.I loved the old Netrebko with schlank singen style .

[@flyingstar4316]

Anna wunderschön )))

[@quaderno13]

VIVAVIVAVIVA!! how ambitionic LADY!! GOGOANNA!! take the crown!!XD

[@losfeliz3485]

Her acting bites...oh wait, so does her singing! LOL! With such great artists before her, how can anyone think this singer is good? Yes, the instrument is there but really now...Hardly MET material...

[@koenraadjacobs3078]

Are they using this as a commercial trailer?? I don't like this intetpretation at all...

[@vanmusician]

Hmmm - no trills. The only person I ever heard sing all the notes as written was Callas live at La Scala.

[@garconfrancais01]

lucky you to be able to hear callas live at la scala!

[@Homoclassicus]

Well, no trills HERE (in the drinking song she sings as many - good, btw - trills as one could wish for) just like most Lady Macbeths ever with very few exceptions, among them the great Callas. And in that list of "no trill in 'Vieni, t'affretta' you can include a lot of very remarkable and notorious interpreters of the role, since of course this fiendishly difficult role isn't completely defined by a few trills in the character's very 1st aria.

[@operassassinOperaAssassin]

Her performance was such a disappointment to see in-house. IMO worth going only to hear Željko Lučić, whose elegant phrasing rescued this performance and production from being CAMP. Pity the Met doesn't release video of la luce langue where AN rolls meaninglessly around on the floor (a la her Puritani mad scene). Now where will she roll when she does Norma? Into early retirement?

[@SoundsFromTheKitchen]

operassassin In what sick, demented world is Macbeth not camp?

[@thangvuong9196]

Shirley Verrett, La Scala 1979.

[@orejarota]

Qué se puede decir en un minuto y medio de caminar sobre un escenario... el Macbetto como cualquier opera es una integralidad, solamente cuando se la pueda apreciar completa desde el primer acto hasta Una macchia è qui tuttora... manteniendo ese color oscuro que intenta darle ... bueno ahi aplaudiremos

[@smurf902]

The clips are always short for the Met nowadays and im glad for it. Nobody wants to hear anymore. 32 bars. Audition - didn't get the part. Next.

[@manlioerta7221]

Cantante meravigliosa , interprete formidabile. Bellissima opera di Verdi.

[@josemsrisdasilveirs49]

Splendida. Meravigliosa. Bravissima

[@gennarogargano4813]

I am anxious to see her do Mcbeth at the Metropolitan Opera House In October.

[@urfule]

How was is then, if you remember ?

[@willremmers]

Go to this video and listen to just the first note. Don't listen to any more. Just watch and listen to the first note over and over. Try to: 1) count how many shapes her mouth makes during just the first vowel. 2) how many different pitches you hear on just the first note. Let me know what you get. Can't believe how sharp and wide her vibrato is. If you want more enjoyment, listen to the intonation on the second note. This is literally at The Met. .... No, dear, I will NOT Vieni.

[@detectivefiction3701]

No, I'm not going to waste my time doing either of those two things.

[@willremmers]

***** Good point. Listening to just one note of Netrebko is definitely not worth anyone's time.

[@stone8193]

Both of you two idiots missed the point. Or got the point and are too much idiots to agree. Because he's right. Horrible singing

[@untamedwigofdreams1243]

Sad. When someone is the real deal in a role, you just know. This is not even close.

[@feeniix6]

Let me go listen Nilsson to clem my ears

[@esterbruno8604]

And also Verrett or Callas 🥰

[@mamukacercvadze6253]

@@esterbruno8604 Callas also is Coloratura, Machbet is Dramatic Role!

[@esterbruno8604]

@@mamukacercvadze6253 Lady Macbeth is technically even worse than a dramatic, she's a Falcon role! A dramatic role with mezzo's medium-low notes, soprano's high notes (up to Mib6!), coloraturas and notes emitted di forza 😨 IMO Verdi's hardest role together with Abigaille... And also for that not well developed sopranos should avoid it, especially Netrebko, 'cause if you aren't prepared your voice gets ruined!

[@mamukacercvadze6253]

@@esterbruno8604 Verdi knew the vocals thoroughly. So, if you sing a part of Verdi suitable for your voice, your voice does not get tired and it is easy. For example, travatore.If this role is sung by a dramatic soprano (for example, Rosa Ponssele) easy for her,but if Lyrical soprano sings Dramatic role: When she sing,she is getting tired, shouts, forcefully darkens her voice... and does not sound low notes,for example in "Miserere"... Callas had voice problems... That's why she lost her voice. When the lyrical voice sing a dramatic role it is like a flute playing a trumpet part...

[@esterbruno8604]

@@mamukacercvadze6253 Verdi's roles are never easy, but clearly just as a lyric/spinto soprano feels more comfortable in roles like Aida, a dramatic/dramatic coloratura feels more comfortable in roles like the two Leonoras, Abigaille, Lady etc. But it's not true that lyrical sopranos can never touch some dramatic roles: it's a matter of technique development. Caballé, full lyric soprano, sang several time Norma and Tosca and she sounded stunning; Moffo, a lyric coloratura, sang Liù and Butterfly; Carteri at the same time sang from Adina to Suor Angelica ecc. They sang well these roles, 'cause their technique was amazing. Yes, Callas' voice had weakened, but despite her illness and her psychological issues, she never sounded bad, 'cause her technique stood. BTW a lyric that sings dramatic is like a flute playing trumpet; but a flute can't change its sound, voice is a far more flexible instrument, and its technique can be developed over time. That's what Netrebko didn't do: she's always been a lyric with a rounded timbre, but never developed enough her voice for these role. She she went from lyrical to dramatic too drastically, without first improving her voice. Now that's the problem.

[@RM2Static1986]

She gave an amazing performance today! Thanks for posting!!

[@dutchbaritone08]

there goes another lyric soprano down the drain.....

[@rnerse]

***** *lirico

[@acacia-bloom]

Your drain must be a pretty good place to be because she is a lot better than most Lady Macbeths I have heard

[@jamiemajor5004]

AHHHmazing. you have some tits there girl. Funnest Macbeth ever. Bravo!

[@gloriadigiuseppantonio9210]

Lirico,ma con passionalita' e tecnica da poter cantare adesso anche il Mac Beth

[@marcoscorvo2514]

Acacia Bloom kzbin.info/www/bejne/j6raiWxrfNKMY6M better than this?

[@vampireratt]

As a follow up....it is obvious what Peter Gelb is doing......in trying to keep opera alive he is appealing to the next generation by going very contemporary. Ana is beautiful....and sexy as all hell....so that is what they are using when casting her as Lady MACBREASTS. While yes she is a very talented singer.....she does sometimes sing a little off key or flat...that is the ONLY thing flat about her. I think Ana is wonderful....but reality check...back in the day could Jesse Norman get away with being off key...NEVER Peter Gelb now brings in musical theater and Broadway producers....while it may be working I am sure Sjr Rudolph Bing is spinning in his grave.

[@mrrkdino]

I only need to say Calls, Cosotto, Sass or even Suliotis to see what's missing here.

[@CASantos]

She's improved in this role, I think. I mean, it's no Rysanek, Verrett or Callas, but from what I've heard here it's a very good Lady M, which couldn't be said a few years ago.

[@Lorenzo-be1nm]

There is one thing though, that I cannot understand: all these people who like opera SO MUCH, love it, fight for their singers, find every possible argument to defend the singers they like so much, why don't they LEARN ABOUT OPERA?... it is a very simple fact, that, if we are passionate about something, WE CAN LEARN about that something we like so much... there are BOOKS, DO LEARN, DO LEARN HOW TO READ MUSIC, DO LEARN ABOUT SINGING, ABOUT STYLE, ABOUT TECHNIC, ABOUT ALL THE DIFFERENT COMPOSERS AND WHY THEY WROTE, AND WHAT THEY WROTE AND FOR WHOM THEY WROTE... it is rally a fascinating world, so rich, so vast, so wonderful.... do learn about Opera if you like Opera that much...because, if you DO learn, if the audience is EDUCATED in that they like so much, then the singers need to get BETTER, need to STUDY more, need to LEARN themselves about style and technic... WE the audience MAKE the success of the singers.. we should not allow that Theatre Directors and stupid journalist, and bad conductors TELL US WHAT IS GOOD AND WHAT IS NOT.... if we love it that much, then we should learn about it.....and then, we will all understand when something is sung badly, or not, in style or not, musically or not, if all the tones are there or not... otherwise, all this discussions about this or that singer are utterly ridiculous.... Then we, older opera lovers will not need to tell you, youngish opera lovers how many big problems there are in the way Miss Netrebko sings this and so many other roles. This is suppose to be Art, one cannot contempt oneself with such profan statement as to say: "I like it" and think that that is enough.

[@jeffbetts9420]

Lorenzo pompous response!

[@urfule]

@@jeffbetts9420 any references to advise ?

[@luzceciliacarrasco5703]

Preciosa interpretación, pero el pelo rubio no va con su piel

[@Zva26]

She's as exciting as hell. The role is a treacherous one and the critics all praised her in spades. I saw the HD presentation at the theaters and found her to be riveting. Her singing has a searing intensity that makes one recall Maria Callas. I also heard the opening night broadcast and loved how she blew away the audience with her Sleepwalking Scene. This less than 2 minute segment shows nothing of the total effect she made in this role.

[@antonionavarreteluque2477]

Anna, the Queen of the Opera

[@milanetc4865]

lol

[@angelpink1409]

Queen of wobble amd artificial voice.

[@esterbruno8604]

The Queen of Wrong Repertoire.

[@MrLuis85698]

@@esterbruno8604 well said

[@lesyllphide]

Pleasepleasepleasepleasepleaseplease no more Netrebko.

[@commiraid8545]

Another hater of russian people

[@esterbruno8604]

@@commiraid8545 So Netrebko is all Russia?! NO. Only because a person hate Netrebko doesn't mean that she hate Russia.

[@livremosca3100]

La voce è ingolata e gutturale. Terribile.

[@revmiguel2000]

Totally inadequate

[@carizoism]

She will never be la Callas. They may as well have burnt the score after the last Callas recording.

[@Feisenbach]

So just because one singer is successful in a certain role the work should never be performed again? I'm afraid a lot of composers would disagree.

[@laprimmadonna2341]

De Sabata …el mítico director de La Scala buscaba muchos años atrás, la Lady Macbeth que Verdi había estado buscando en vida y no encontró. Una soprano que encarnará la personalidad diabolica de Lady Macbeth y en cuya voz se notará esa maldad…una noche cercano a los años 50s, De Sabata la halló esa soprano era María Callas.

[@lilliwitt4941]

BRAVO ANNA !!!!!!!!!! BRAVO ANNA !!!!!!!

[@esterbruno8604]

Quando fa La Bohème è bravissima.

[@1sumiresan2]

Das ist wohl nicht eine ihrer besten Partien! Da habe ich schon ganz andere Ladys gehört! Schade

[@nicolimperi9758]

È di una volgarità estrema

[@ALyub-dl6do]

Okay so even though the instrument remains quite impressive - this is objectively not good interpretation by ANY standard

[@aledevoli6947]

E poi?

[@barrybernstein4459]

I am pleased many of you called her performance "UGLY"" because that is how VERDI wanted it to sound. Anna Netrebko is absolutely brilliant in her current Covent Garden performances as Lady Macbeth. If you have a chance go and see it a cinema near you on April 4.It's on all over the world.

[@arnoldamaral7406]

barry bernstein I have a dental appointment that day. Or possibly being deprogramed. Anyway, we have Madame Hernandez. A real voice. Arnold Bourbon Amaral

[@marokt]

She isn't singing good. She isn't looking good. She is not a good lady.

[@acacia-bloom]

Wat exactly is not good about her singing?

[@Khalid7a]

Acacia Bloom her technique overall is bad, her voice isn't dramatic enough for this role. if you gonna take these two most important thing in this role then even florence foster could be a diva if she was born in these days.

[@acacia-bloom]

Khalid Al-Thani You obviously don't know the difference between a good and bad technique

[@Khalid7a]

Acacia Bloom enlighten me then professor :O

[@Feisenbach]

@@Khalid7a LOL She couldn't!

[@Altonahh10]

It takes two notes and I hear that everything is wrong. If Netrebko wasn´t worshiped as a superstar, I would let it pass as okay but nothing more.

[@Feisenbach]

And yet some find everything right...

[@MrLuis85698]

@@Feisenbach if you haven't heard anything else before , perhaps , but this is a blunt assault to your ears after the first Note , after the second note it becomes clearly unbearable , a tragedy , a route of making human noises instead of music, it loses its purpose if there was any ..

[@Yannickl62]

Es quakt ein Frosch...

[@ivansuys]

Netrebko est parfaite quoique qu'en disent certains grincheux comme Lohengrin...

[@vessicator]

Sounds like a wailing banshee. I am amazed that sane people pay money to hear this.

[@MrLuis85698]

same ... people have to be so desperate to pay for this

[@carlamusic7783]

She's like the modern day Callas. To some she maybe singing the wrong rep, but she act her ass off and look good doing it. Time will tell if her career is cut in half by it.

[@flanplan5903]

Yeah, she even has said that Callas is an idol of hers.

[@morganchan2465]

Fuck you! Don't compare this fraud with Callas. It makes you look extremely ignorance

[@ekaterinagorokhova8004]

I respect Anna very much but after listening Liudmila Monastyrskaya Anna's L Mac is just awful(((

[@joyaepace]

+Ekaterina Gorokhova Monastyrskaya has a terrible accent and her singing is just laud without much nuance.

[@basilbucolic]

+Ekaterina Gorokhova MonastyrsKA!

[@user-eb9wl7pi1d]

замечательно,но с этим цветом волос она,как буфетчица

[@maximus1295]

Why, why? Metro opera, why you let her to sing in your place!?? Is it a great perfomance!??? It's so rude, even amateurs sings much better!!!

[@chocolatesouljah]

She sells tickets. I think it's just about that simple. I will say having seen her in person she has a big voice that cuts through the orchestra and house. I don't think she sounds great here ut I have heard her sound better and I think she may be resting on when she is in more suitable roles. And I do think opera standards just ain't whatever the used to be.

[@MrPft25]

So overrated.

[@arnoldamaral7406]

Matt Mangialetti Her big mouth is so disgusting indeed. She's going to sing well into her 50's Seriods do wonders until you crash. $$$ What Price Fame i😐❓ Arnold Bourbon Amaral

[@Feisenbach]

Get over it.

[@edwardderiseis3702]

Peccato quella vestaglietta da signora anni '60 con l'esaurimento nervoso! What a pity that pathetic dressing-gown, suited to a '6os house-wife affected with nevrastenia!

[@elainelotcpeich]

The hair is all wrong!

[@acacia-bloom]

Something in YOUR mind is all wrong.

[@elainelotcpeich]

No, it's her hair.

[@Feisenbach]

@@elainelotcpeich What do you mean by "wrong"?

[@esterbruno8604]

@@elainelotcpeich Not only hair. But EVERYTHING.

[@elainelotcpeich]

@@esterbruno8604 Agree 100%!

[@gergananestorova1057]

I don´t have words to describe how terrible, dull, inappropriate, out of character and out of her vocal possibilities this role is for Netrebko, as well as so many others she has already performed, Aida being the most recent. I'm sorry, I apologize to all of her fans and unconditional followers, but SHE IS NOT A DRAMATIC SOPRANO AND THIS ROLE IS SPECIFICALLY FOR DRAMATIC SOPRANOS. Nothing is right, nor the musical interpretation, nor the acting...nothing! She may have a beautiful voice, that cannot be denied, but she has become a clown, trying to imitate Callas by singing all the roles she can find. And by the way, Callas also payed a very high price for doing so. And I am sick to death of finding every single soprano role sang by this woman. And for those who say Verret was not good at Lady Machbeth...please do not give opinions about things you clearly do not understand. Loving Opera is not the same as understanding how a good technique works and sounds. It´s just outrageous and makes me so angry!

[@airmotion1]

Es gehört schon Selbstüberschätzung dazu, diese alberne Kritik zu verfassen. Netrebkos Stimme ist vom Volumen gewachsen. Es ist immer wieder erstaunlich, welcher Unsinn verfasst wird, man muss kein Fan von Netrebko sein, aber dieser Unfug ist indiskutabel. Hört man dann ihre eigene(Nestorova) you tube Präsentation, kann man nur feststellen, da ist noch so viel zu tun, um halbwegs akzeptabel zu klingen. Ein wenig bessere Einschätzung der eigenen Fähigkeiten täte hier gut. Die Charakterumsetzung wird auch von der Regie in der Action vorgegeben. Er wird von der Interpretin bühnenpräsent gemacht. Es gibt nicht "den" Charakter. Ein Charakter kann in vielerlei Facetten im Rahmen eines Regiekonzepts dargestellt werden. Der Ausdruck terrible passt aber besser zu eigenen, unfertigen Inerpretation der Dame Nestorova, die sie auf you tube Videos präsentiert.

[@commiraid8545]

Георгина Нездоровая , смотри , не лопни от злости !

[@arnoldamaral7406]

Gergana Nestorova she's so repulsive to look at hoping that mouth.👉👀👈 Would shut! So undignified & a true insult to Opera . How long must we listen to this usurper.$$$ Arnold Bourbon Amaral

[@operaviva5962]

Russian kitch

[@commiraid8545]

another rusophobic zionist

[@crazyorganist1609]

She's ruined her voice. Her diction is awful. She is so off pitch

[@Feisenbach]

And?

[@esterbruno8604]

@@Feisenbach ...Macbeth isn't for her.

[@Feisenbach]

@@esterbruno8604 Thank you for sharing your opinion. That was of great value. :-D

[@esterbruno8604]

@@Feisenbach Thanks 👍🏻

[@crazyorganist1609]

​​@@Feisenbachit's clear she pushing her voice beyond it's natural boundaries. She's off pitch because she's pushing it where it's not able to go

[@yk5148]

She is ideal for this role ! This role requires dramatic voice, high notes, coloratura etc., and many singers who try to sing this role lack some elements... She doesn't have ugliness which Callas' voice had, but it does not matter.

[@mamukacercvadze6253]

🤢🤮🤮🤮!!!

[@MRatzka75]

Awesome. Another Putin's superweapon.

[@antonioaverna5269]

Cambia mestiere