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Maidaan spends too much time on the build-up, languishing among cliches and stereotypes for far too long.
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Maidaan Movie Review by Sucharita Tyagi - Maidaan isn’t so much about the heroism of the players as it is about everything that was in their way, choing to focus on the victim narrative. The missed opportunity comes more sharply into focus film ki last act mein. Its 1962 aur Jakarta mein ho rahi Asian Games meim controversy erupt hoti hai jab Indian official Guru Dutt Sondhi Indonesian government ke behavior par critical statement ek dete hain. This leads to demands of Indian temas being ousted from the game, in one scene you see a mob of violent protestors attack the bus the unsuspecting football team is in. Despite the loud hostilities, injuries, and a coach coughing up blood, the team puts its best foot forward and goes on to deliver the kind of performance that’s instantly historic. Capitalizing on the anger the film knows this display of hostility will arouse in the audience, AR Rahman’s score kicks up many many notches, as DOPs Tushar Kanti Ray and Fedor Lyass design sublime and rousing POV shots, taking you within the game, right next to the football being kicked around in the most immersive, exhilarating fashion. The sportsmen are flying in slow motion, crying, yelling, screaming, their pent up frustration letting out. Despite having watched the film for 2.5 hours at this point, all you know about these men is that the football federation has tried to stop them every step of the way, but when this sequence is handed over to AR Rahman, it comes alive, unlike the mostly static film that preceded it.
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Maidaan (transl. Field) is an upcoming Indian Hindi-language biographical sports drama film written and directed by Amit Ravindernath Sharma and produced by Boney Kapoor and Zee Studios. It stars Ajay Devgn, Priyamani and Gajraj Rao, and is about Syed Abdul Rahim, a pioneering football coach in India between 1952 and 1962
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