Make Your Corporate Videos More Dynamic

Welcome back, filmmakers! In today's video, we're diving into the world of corporate videos and how you can make them look more dynamic and engaging. Whether you're shooting a company interview, an internal communication piece, or a promotional video, these tips will help you elevate your production quality and elevate that b roll.
website: www.wanderlustvp.com
Instagram: / wanderlustvp
0:00 Intro
0:21 Shoot Specs
0:39 Setup
0:55 Lighting Setup
1:35 B roll breakdown
2:42 Outro
Gear List:
Elgato Cam Link: amzn.to/3xNl7Q5
CAMERA
Sony fX6 : amzn.to/3Kh1G4O
DZO Catta Zooms : amzn.to/3yvYa3U
Sigma 24-70: amzn.to/4bt6MXN
Atomos Shinobi monitor: amzn.to/4dQrORB
Small rig Follow Focus : amzn.to/4bzklVE
Tripod: amzn.to/4buFBLT
Dovetail Plate: amzn.to/44Yziy4
Titla FX6 Camera cage: amzn.to/4av1E3P
V Mount Batteries: amzn.to/4dV0m53
AUDIO
Sony ECM Shotgun mic; amzn.to/3KdM6GW
Senheiser Lev Mic: amzn.to/3VcfZOl
LIGHTING PACKAGE
Godox VL150: amzn.to/3WXsiPM
Godox 600d: amzn.to/4bU46SP
SSD drive Options:
amzn.to/44V3EBi
amzn.to/4aPkXW1
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[@jhjdp]

I see that Sharks shirt. Need more Sharks fans in production.

[@davidschwan]

Nice!

[@WanderlustVP]

Thanks!

[@scottievee7467]

You did a good job. The client asking for a flat white background is rough. Just has no look to it. But that's what they wanted so...

[@WanderlustVP]

Thank you, I try to steer clients away from white seamless backdrops as much as humanly possible. haha. The location we were in was already stellar but the head boss in charge wanted this look so we made them happy.

[@raphaelnaves]

Good job and good video man. Thanks for sharing with us.

[@WanderlustVP]

Thanks for watching! 🙏

[@DroseMr]

Cool. Thank You

[@WanderlustVP]

You bet!

[@bykevinmack]

I like how you were able to capture the screen without blowing it out. Thats always hard when you dont have enough light. What fps did you use for your broll?

[@WanderlustVP]

For this b roll I believe we shot it at 60fps. Sometimes I like to shoot at 48fps for those non high action shots. To me the slo mo feels a little more natural and less overly slowed down

[@TheCountsDomain]

This was great! Would you mind doing a cost and breakdown for a job? I am getting into corporate video work and I'm struggling to make price points.

[@WanderlustVP]

For sure no problem! For the DP role which included two cameras, lighting and audio the rate was $2500. I spent $150 on a 2nd camera rental which I paid to my AC/utility. The AC rate was $750 and I was able to bring on a PA for $350. Again I was just hired to shoot bring out equipment and hand off footage, the company who hired me handled the rest. Let me know if you have any other questions regarding rates I would be happy to help

[@TheCountsDomain]

@@WanderlustVP Awesome! Thank you!

[@bykevinmack]

Also, do you prefer the Daylight only key light for maximum output over the flexibility of a Bi-color light?

[@WanderlustVP]

All my fixtures are daylight balanced. I have just bought them that way either dude to price difference, or initially when I started there was an output drop when switching color temps. I usually just use a cto gel if I need to change the color of the light. I’m sure I’d have a different opinion if i actually had a bi color light but at the moment I just have all daylight balanced lights