Making of The Prodigy's "Out Of Space" by Canyon Hill

[@DIYaudio84]

My favourite song of Prodidgy...

[@greg1223]

You even recreated that split second ‘P’ of the ‘pay’ @ 6:56 (bar 181) that’s in the original, where the sample extends slightly into the next loop before it cuts. 👏

[@RockstahRolln]

WTF.....This is ABSOLUTE MADNESS!! Freakin SSSICKKKK!!! What a remake!!!

[@syriush1]

Liam is a genius.... this is it........ how he do this track in 90"s, i have no idea.

[@heavyrush7635]

How he did all of his track in 90s?😁 unbelievable

[@nigelsmith721]

Gallagher?

[@Qoddalol]

I have worked on those 900's and 950's and let me tell you. Im at complete awe at his skill and ingenuity. What a legend

[@supersonictomlad]

Amazing work, to think Liam sequenced and programmed all of this back in the day using the Roland W30 and some samplers!! Also worth noting those Xylophone sounds are a preset on the Roland U220, you just need to pitch it up a couple of octaves and you get the exact sound. The strings are also from the U220 with a load of chorus chucked on too. Well done man, well constructed!!

[@pigknickers2975]

Thanks for the U220 tip.

[@Puschit1]

The Hackney Hardcore track was heavily sampling himself, mostly from a track by Neon that was ironically called "Don't mess with this beat". All of them great tracks on their own. This is why sampling isn't a crime, everybody just owes each other and sometimes one of them goes ballistic.

[@BuckRoseYT]

Canyon Hill: *Recreates song with proof of work* KZbin: YOU USED THE ORIGINAL SONG!

[@CanyonHill]

Ninja Rose Content ID gives no F’s whatsoever :)

[@DJSpaceRetrotunes]

Excellent job! I really like that you paid attention to all the details like the one at 6:56 where the Ultramagnetic MCs sample leaves an "eeh" at the end. I always thought this was made by accident in the original version 😁

[@CanyonHill]

On Roland W30 (which Liam used at the time) it was possible to loop a sample in a way that it would play back and forth, so I guess it was indeed made by accident. Liam must've pressed a key a bit too long. Basically this 'eeh' is the word 'attention' played backwards.

[@MaxLaMenace]

Ok this one is really impressive, can’t hear any big difference between your version and original. Impressive research and reverse-engineering work !

[@samguberman2288]

This tune is just genius, always brings a smile to my face.

[@barbosa8498]

I wonder... What was passing through the Liam's mind when he create one of the most iconic music of electronic music ? Seeing this video, i see how creative he is. I would never thought using samples like this. What's the mind set, the mind process to get til this? Big up for the recreation! It's like the same process. Imagination, attention and knowledge. You are the real mvp!

[@ZentaviusTV]

Also, what amazes me with not only Liam but many of these people is the sheer breadth of their music appreciation. Liam, as an example, sources samples from so many distant places in music both in time and genre. Mind boggling. It makes me realise my eclectic taste is actually fairly narrow!!

[@automotiverenderings]

@@ZentaviusTV Liam takes a little bit from every genre and makes his own style. It blows my mind when you see how he did it.

[@esc_george]

Great job. You definitely deserve a lot more subscribers. Can you do No Good (Start The Dance)? That’s my favourite Prodigy track

[@chaarlesphilip]

The prodigy album The Experience, change my mind.❤️

[@Telepuzique]

can't argue with that. The Prodigy is definitely one of the bands in the world.

[@bruellbart2380]

Pitch perfect. What a ride watching and listening to this. Damn...

[@fswssp]

Почему так мало просмотров?! Гениально.

[@DYABILIN]

Да уж, автор безусловно молодец. А Лиам гений :)

[@skrillboy5163]

Есть ещё джим павлов

[@bloodromance4776]

фанатов Продиджи становится все меньше, не знаю почему, но брэйкбит до сих пор не вернулся в моду

[@skrillboy5163]

@@bloodromance4776 продиджи играли бигбит и брэйкбит, но чаще всего именно бигбит

[@jeffreyscissorhandz]

so glad i stumbled across this. i loved those video Jim Pavloff did before and ill be looking at all of yours tonight

[@romanfunk]

Охеренная работа, спасибо. очень интересно! На 06:55 как в оригинале reverse на кусочке вокала. Всегда его слышал и знал, что он там есть! )))

[@mykytazakhariievych4670]

Это шото за гранью, скажу я вам. RESPECT!

[@PalomaPM]

I love this song so much. Thank you for this crazy work!!!! It's amazing!!!!

[@bellox]

Canyon back at it again with the remakes LOVE THEM

[@beefknuckles]

Really great attention to detail here, as others have pointed out. Amazing job!

[@fashion_agency]

Колоссальная работа!!! Браво Маэстро!!!

[@TJBeats-x4o]

Brilliant ! spot on

[@asfdse9706]

Fucking awsome

[@unknowperson2081]

I liked that "boing"sample

[@stevenaustin4591]

The Roland U220 rack has a number of these sounds on it, the strings, the bell a few others

[@zahareusmusicofficialukrai9088]

Yeah the Roland synthesizers are very useful in electronic music

[@alexlongmaster1154]

Amazing! Super!

[@shpongled587]

RIP Keith Flint

[@icepingvi1]

Просто огонь😎👍

[@G1SUNPLANT]

Fantastic!!!

[@sman7099]

I'm really struggling with Ableton. But this video is fantastic, thanks!

[@MrPoisonito]

Просто офигительно! Ты большой молодец!

[@jamessmith1557]

This one sounds identical. Biggest of respect on how pin point your ear is. It's a rare skill. I'm gonna check them all now.

[@jamessmith1557]

Especially the eqing, you got that spot on. The mix is basically exact. If you can do Coki - Goblin, then I will rate you as the best engineer that's ever done this. You'd have to rewire Reason.

[@1ajaypaul]

AWSOME!!! many thanks for your time and effort

[@Prodigy92rus]

Респектуля!

[@drongorius]

You are Genius

[@JZBxTrip]

I cannot stress enough how much you fixed my mood with that one. Thanks man!

[@ThommosTech]

You thought about putting any mono, EQ and overdrive on any of this?

[@AndieZ4U2]

I freaking love these guys! Serious good vibes MOJO💥

[@tedandersen5403]

Perfect man✊ respect

[@TraxtasyMedia]

awesome recreation mate

[@buntmaszyn3358]

Best recreation i ever heard,

[@MaciejAffanasowicz]

BIG wow!!!

[@totalabundance2160]

What a great video, as the comment said below, there is very little difference to be heard. This is what I wish I could do!

[@Khal_Benefield]

im using this song for my recreation exam in music

[@philkellr]

I still remember when someone at school said: "there's a new type of sound that's going around" and showed "out of space" - never heard techno before and was blown away

[@baldmanone]

It's not techno

[@philkellr]

@@baldmanone ah I was hesitating when writing "techno" - but I thought it is the overarching term? What is it then?

[@baldmanone]

@@philkellr Breakbeat/Big Beat

[@laofunk]

Отличная работа! Однозначно лайк! Может быть когда-нибудь кто-то из таких умельцев как вы воссоздаст и Poison) было бы круто)

[@podgesaxpiano]

Fab work!

[@The_TimeWizard]

Incredible. Very very well done!!

[@theaylesburycyclist8756]

Very good. I enjoyed that..👍✌

[@reecer5469]

Yea this one is good, basically an exact recreation. The others are close but no cigar.

[@techtinkerin]

It's like remaking the space shuttle 😊❤️

[@ghostwriter4400]

Omfg you NAILED IT

[@Alsexaren]

How do you get this good at ableton?

[@bassc]

This is so close, well done. To my analytical ear the stab pattern seems to missing a staccato note and I guess the original had the big desk/mastering treatment, plus W30 lofi probably can't be underestimated as it can make sounds punch, but we're talking millimetres of enhancement.

[@llcoolg8682]

I appreciate you using the correct boing sound sample! It sounds awesome! Big props to you man!

[@libertyisparamount1443]

Excellent. Jim Pavlov school of ableton represent hehe

[@komissargold9350]

Чертов гений!!! Браво!!! Я эту композицию знаю как себя и черт возьми от оригинала сложно отлить!!!! Браво!!! Талантище!!!! Красиво разложил на составные!!! Улетел!!!!

[@PeoHaggstrom]

You got Dance Hall Dangerous wrong... the sample Liam used was from Shamen Hyperreal Selector, Shaman came out one year before..

[@CanyonHill]

Liam used the loop from Dance Hall Dangerous. He tends to use the same sample source for several tracks. In this case he used it for Break & Enter, No Good, Out of Space and Gabba. The Dance Hall Dangerous has this weird shaking noise in the background which the Shamen loop doesn’t have.

[@gs_franc]

oh my god good job dude.

[@Klaeyn]

i loove youuuu mannn,😎😎😎

[@savetheplanet7236]

I thought that 2nd break was actually shamen hyperreel (one of the mixes) ? Either way it was still the same break you used

[@yolan2044]

Amazing work!!! Can you explain how they do it in early 90's? I mean exactly what kind of machines they use.

[@CanyonHill]

Pretty much the whole Experience album was produced using Roland’s W-30 and U-220 and A LOT of samples.

[@hueyhueyhueyhuey]

mental!

[@ILVYBVCK]

Просто супер, ты реально крут! Подскажи пожалуйста, я знаю что в аблетоне с помощью родного тюнера можно визуально легко подогнать семпл под нужную тональность, только вот он не работает на семплах с битами и перкусией.. как ты подгоняешь такие сэмплы так тонко вплоть до десятых центов детюна, чтобы ложились в микс? Неужели чисто на слух?

[@CanyonHill]

Илья Губарев Тюнер нужен для настройки звуков с более-менее стабильной высотой тона (гитара, фортепьяно и т.д.). Остальные семплы подгоняются по питчу только на слух.

[@CanyonHill]

Илья Губарев Но вообще, чтобы уж сэмпл был прямо тютелька в тютельку, нужно на одну дорожку положить оригинал, а на другую сэмпл. У сэмпла нужно крутить питч до тех пор, пока оригинал и сэмпл тупо не сойдутся по волне. Если они еще и взаимовычитаться начнут, то вообще красота.

[@arrtemfly]

вообще на дорожку ставишь спектр и выбираешь режим "ноты", а если вообще никак, то бэндпассом попытайся вырезать нужные частоты и тогда уже смотри на спектр

[@skrillboy5163]

@@CanyonHill типа до противофазы

[@CanyonHill]

@@skrillboy5163 Ну да, практически. Но в старых записях питч обычно немного плавает, поэтому идеально совместить 1 в 1 вряд ли получится. Я обычно выбираю два каких-нибудь пика в начале и конце сэмпла и подгоняю так, чтобы они сошлись.

[@TheAltiVex]

you God!!

[@TheOutliersOfficial]

Hey i love your channel, and have seen all of the prodigy videos. Theyre mint mate, just wondered how you get the breakbeats to sound like that. I make music and would love to make tunes like the prodigy but can't get the drums right, any tips?

[@CanyonHill]

kira Thank you, bro! Your feedback means a lot to me :) The only piece of advice I can give about the drums is that you need to find a good sounding breakbeat loop and emulate a hardware sampler’s quality (less high frequencies and saturated mids). As you might’ve noticed, Liam mostly used sampled loops from ‘91-93 breakbeat tunes, so if you listen to a lot of that old stuff, you’re good to go.

[@TheOutliersOfficial]

@@CanyonHill Cheers man, keep up the dope remake super interesting and dope!

[@trimutv]

You bro! Sounds better than original! Much cleaner!

[@rainbowdash3059]

Skillz

[@alexandregerin9868]

merci pour lui et au createur dont max romeo et out space rip is man filnt

[@crustythewanksock2413]

👏👏👏👏

[@inconsequentialsounds5207]

The vocal still has noticeable audio behind it. Yet I’ve heard artist use it and it’s clean. Anybody know where to download or edit yourself ?

[@synccat]

Авесоме!

[@manical90]

what preset does sylenth1 use for the beginning of the song?

[@CanyonHill]

It’s a custom pad I’ve created

[@MrMallum]

Everybody into the place was out before Bombscare non? Just but before

[@funnyguy6387]

could you do one of these vids for a fatboy slim song? thx in advance

[@немоёнезнаю]

Pay close attention

[@machamba82]

Я потерял границу оригинала и восстановленного трека!! Ваще шухер!!!

[@1ajaypaul]

PLEASE do a No Good making. Pleeeeeeeaseeee

[@zahareusmusicofficialukrai9088]

Canyon Hill,у меня вопросик есть.Возможно ли накрутить этот Lead,что у тебя в римейке.Вроде знаю что для синтеза нужен синус,но дальше дела не идёт.Тем более в оригинале слышно что у него другая тональность.

[@CanyonHill]

Если речь про колокольчик, то в принципе его накрутить очень легко. Достаточно взять два осцилятора, оба с синусоидами. Я не помню точно, какая у них разница по тональности (что-то около полутора октав), но это можно посмотреть в спектроанализаторе - там будет четко видно два пика. Плюс добавить самому звуку немного атаки. Тональность у трека задрана в пределах полутона, видимо, потому, что Лиэм питчил все звуки не под 440 Гц, а под какой-то референс. Например, под сэмпл из Макса Ромео или что-то другое.

[@zahareusmusicofficialukrai9088]

@@CanyonHillСпасибо.Просто бы хотелось научиться делать такие необычные звуки в стиле Лиама Хоулетта

[@zozoolaroxmusic]

yeah,gud one

[@martinloopchick]

Good job! How long does it take?

[@CanyonHill]

It took me almost 4 years to find all the original samples used by Liam Howlett and about a month to arrange everything properly. My first remake of this track came out in late 2015 but it sounded really weak.

[@verapamil07]

@@CanyonHill Great work man, I am amazed you managed to properly arrange rhythm section.

[@bellox]

i cant find the xylophone thing anywhere can you tell me where do i find it

[@CanyonHill]

Billi Originally it’s a patch from Roland U-220, but I took it from the remix by Celestial Bodies.

[@bellox]

Okay thanks

[@tasatotst7452]

а как это сделал Лиам в те года, без такой программы и компа?

[@Heatwave1988]

Respect from Ukraine!

[@WhatsInAName718]

I hope you are safe

[@razzledazzle84921]

But where does the _BOING_ come from

[@ravenst11]

Imagine doing all of that without proper sampling software. Try it on the Amiga and not the PC!

[@blueskin1978]

Jim is that you?

[@martinloopchick]

how long does it take to get this nearly perfect remake?

[@CanyonHill]

This one took me about 4 years. 95% of the time I’ve spent looking for the original samples. The track itself isn’t that difficult at all.

[@colbillington]

​@@CanyonHillHow do you know where samples are from?

[@ВадимПарфентьев-ц5н]

Было бы круто посмотреть making с mftjg

[@liverpoodlian]

How do you manage to get the Xylophone and Strings sound?

[@CanyonHill]

jinxy The xylophone originally comes from Roland U-220, but I sampled an oneshot from Celestial Bodies Mix. The strings were recreated manually using some samples and a VST.

[@liverpoodlian]

Canyon Hill Ah great! Thank you!!

[@manical90]

@@CanyonHill can you provide a link to the xylophone? thanks :D

[@tr-d3ivin211]

What is the name of this song? 3:27 pls

[@CanyonHill]

You must be kidding

[@tr-d3ivin211]

@@CanyonHill ?? No bro, i want this first part of this song. I like that part

[@CanyonHill]

@@tr-d3ivin211 The strings were played by Liam on Roland U-220. It’s not a sample.

[@tr-d3ivin211]

@@CanyonHill so, can i found this "sound" in anywhere? or can not?

[@tr-d3ivin211]

@@CanyonHill Something like that kzbin.info/www/bejne/hWjae3WPptGNmtU (Background music)

[@boleaandrei]

are you sure you are not Jim Pavloff?

[@CanyonHill]

I’m pretty sure I am not him, haha :)

[@arrtemfly]

римейк настолько чёткий, что ютуб его посчитал оригиналом, судя по копирайт клейму

[@the_newvoice]

You did not use a separate panning?

[@CanyonHill]

No, why?

[@the_newvoice]

@@CanyonHill IDK, maybe it'll be more precise. Otherwise I heard that it simply cutting off one side instead of using panning law like on consoles or something. But it is unnecessary as far as I can see here with the result. Everything is alright.

[@PolishCat2000]

Если на эту работу потрачено 4 года, то сколько же потратил Лиам, находя эти семплы и выдумывая из них музыку

[@CanyonHill]

Роман Янушевский Не думаю, что он потратил много времени. У меня много времени ушло именно на поиски сэмплов-оригиналов, а Лиэм, возможно, трек за неделю написал. Ему было проще - он руководствовался принципом «подходит - не подходит» и использовал те сэмплы, которые хорошо ложились в трек.

[@ВладимирЗверев-о5о]

точно точно , трек испечь можно и за сутки , а вот повторить процесс - это совершенно другая тема , сам повторял , и то не до конца все звуки собрал

[@TheShveyn04]

What's the name of the program???

[@CanyonHill]

Ableton Live

[@TheShveyn04]

@@CanyonHill Okay!

[@stepheng5659]

What was you trying to achieve?

[@WhatsInAName718]

they were trying to achieve exactly what they did achieve, to remake the song, what else?

[@Klaeyn]

я думаю что это видео не автор канала , делал , иначе где , часть ,видео, вырезки вокала ....

[@CanyonHill]

NelzEro CyberPunk о чем ты? Видео мое.

[@Klaeyn]

Canyon Hill а как вокал вырезал ?

[@CanyonHill]

NelzEro CyberPunk из первоисточника. Если бы я показывал все нюансы, видео длилось бы несколько часов.

[@IvanIvanov-zi1ox]

Слава Джима Павлова не даёт покоя? )

[@DYABILIN]

Автор как бы и не скрывает, что Джим его вдохновил :) за что и благодарит

[@CanyonHill]

Ivan Ivanov Именно реворки Джима вдохновили меня вообще заниматься музыкой, ему лютый респект за это. Когда начинал, не думал, что через несколько лет тоже буду реворки на The Prodigy делать :)

[@DYABILIN]

@@CanyonHill это действительно круто, тем что хоть маленько приближает к тому, что творилось в голове у Лиама. И насколько его семплирование гениально

[@wmonk5642]

@@CanyonHill Павлов теперь делает семпл паки и даже целые синтезаторы с продиговыми звуками, так что сейчас реворки должно быть делать проще..

[@nubepurpurea3157]

it all started with Jim Pavloff. KZbin and Whosampled have ruined all the joy of finding samples, editing and making music in small rooms. Goddamn porcodio