Marc Acardipane on Hardcore Techno, Aliases and Longevity | Red Bull Music Academy

[@RBMA]

You can learn more about Marc Acardipane here... www.redbullmusicacademy.com/lectures/marc-acardipane

[@boylagerwaard]

This guy dropped so much amazing music.. a real genius.. Slaves to the rave was the track that hooked me and made me visit 350+ raves

[@djvoid1]

I can't imagine being at a warehouse in 1990 listening to friendly, bleepy acid house music grooves then suddenly 'We Have Arrived' comes on and just blows your fucking ears off with it's intensity and aggressiveness. Miles ahead of his time

[@ruurd1978]

Legend! Everything he had made is fantastic!

[@THEMOVER-rr7cu]

24:10 i am still in love with his tracks and love how simple and effective is his original sound. No bullshit or piepkick of nowdays. 4 elements and hard of the core is here. I love this man. Love the real original hardcore. Start goin to rave in 99 and when i hear his song i goin and mad still now. When he mix he choose tracks that perfectly bond each other but man, when he do live with mpc is always the same track and no one time he play exactly at the same. Everytime he make variation with a semplicity that blow me away. Damn.stereo murder, atmos fear, 6 million ways to die,return to zero... Too many classic for only one man. Still number one for me.and very humble. Everytime i wrote to him he respond. Meet him at number one in italy, shake hands toghether, autograph my aca2017 shirt bought in 2000 in switzerland. A true hero and inspiration. Thank you marc acardipane

[@thelovelaw]

One of the most interesting interview I ever seen.

[@AW-Services]

Epic video incredible interview of a great man. Very humble and comes across quite shy yet honest. English isn't his first language yet he delivers a universal explanation and understanding of the scene. Just what we needed to add into the techno, hardcore gabber archive

[@robertroxxor]

massive respect to him for cancelling his bookings. i was fully in the scene when that happened but didn't know the details until know. and he explains why the scooter collab happened out of it. an eye opener. great interview!

[@brongers3000]

Amazing producer! I was (still am) a huge fan in the 90's! Songs over 25 years old dont sound dated at all. Amazing! He had an MPC because dr Dre used one, i bought my first MPC because Marc used one.hahahaha

[@network909]

How can you come up with this epic interview and cut out all the musical parts?

[@GabREAL1983]

copyright crap but the the titles are linked in the subscription to find them on youtube.

[@joozemane9894]

@@GabREAL1983 Copyright bullshit, they really taken it too far, when the man himself can't do an interview with his own music, without some greedy manager twats flinging copyright this and that in every direction, because the interview is produced by a 3rd party. You already know, they've sent or advised Red Bull MA on paying royalty for using the samples, even if its the man himself doing it... But FFS, it's free advertisement in a completely fair context, and could never have value besides free advertisement for Acardipane (and thus also the record companies behind), moreso every damn track is on youtube already, and these are mostly all 20-30 years old samples, so what's the effing point ?

[@Giftedtib]

Ikr

[@nynkeiest5726]

Exact...bullshit

[@ohjajohh]

How can a legend like this only have 5000 views?

[@eddykohlmann471]

It was underground. I think the audience haven't even heard of him.

[@ohjajohh]

@P X-101 Acardipane is not underground in Germany and the Netherlands

[@hischransen8069]

@@ohjajohh And Austria

[@flaw3dgenius222]

Because hardly anyone under 40 knows who he is?

[@ThehakkeMadman]

I am so GOD DAMN EXCITED about this!!

[@tearsoffuryofficial]

Such a nice interview ! you are such a big inspiration to me ! Thx for your music legend ! hc4l

[@kablehead]

Freakin dope interview! I wonder why it's suddenly over though. Also seems like it had some cuts in there. Aber egal. Supercooler Typ alter!

[@LeroyTDF]

Love you marc, godfather of hardcore. glad this music is normalized in my country lol

[@evole73]

Godfather of Hardcore.

[@darconincnl]

L-E-G-E-N-D! Amazing interview!

[@Casketkrusher_]

What a legend!

[@darren05]

Very good documentary, respect to this legend, would love to meet him sometime

[@038bastard]

Acardipana jonguhhh

[@laurentmialon2594]

The real key to longevity in The Mover's case : after being a real and undisputed pionneer, which was more than 20 years ago in his case, start releasing the same stuff again and again. Other musicians have chosen to be forever creative and refused to lazily sleep on their laurels. Some of them managed to go through, and are unfortunately very rare. The vast majority of the passionate pionneers have fallen into oblivion following their solitary quest, with other dudes just motivated by fame capitalizing on their initial finds. Such pioneers are like solo climbers lost in that nameless peak in the Karakoram. Eventually the seracs will fall and the glaciers will melt, revealing dead bodies no one gives a fuck.

[@DjStinger]

Hero! Period.

[@christiansmith347]

very well researched interview!

[@eddykohlmann471]

Researched? I think she knows her stuff. Probably DJ ing also. Bought the records back in the day or whatever.

[@eduardoroses294]

ME ENCANTA LA ENTREVISTA!

[@fonkemoller]

Oof, he isn’t the easiest man to interview. She actually did a good job here.

[@hischransen8069]

Die Legende!

[@re-jector]

Good interview!

[@Megaraver81]

Lebende Legende! Hc4l

[@bassbanger87]

you should get Scott Brown on here, massive hardcore legend and had many styles of his own

[@nynkeiest5726]

Finaly someone who said it....thanx

[@myxanoz9742]

Very good interview.

[@RAMDH]

Why have all the films and music been removed? I hate the name Hardcore Techno. Germans who just call everything Techno. Is just Hardcore or GabberHouse (Gabber) as we called it in the Netherlands in 1991. Hardcore and techNO are 2 different genres. In 1990 and 1991 it was still close, but from 1992 the difference was so big. I know that Marc's record is now seen as the first Hardcore record. That the members of PCP made Techno songs and Hardcore songs and sometimes crossovers between these two genres. Like most German producers at that time. Thunderdome didn't start with the first Hardcore/Gabber parties. It was Rave The City in 1991 (organized by Stad Den Haag Records, Rotterdam Records and Radio Stad Den Haag). I was at the first party in 1991 in the Houtrusthallen in The Hague, about 10,000 people were there. At the third Rave The City party, the founders of ID&T came to see how such a party was organized because they wanted to do that too. The first Thunderdome party in 1992 was a flop. Too few people, so they lost money on it. From 1993 onwards, when they also started throwing parties in the "randstad", it became a hit. Gabber is 100% Dutch. The word Gabber is Dutch slang for friend or buddy. Which is a corruption of the Hebrew word 'chaveer'. People who went to Raves in the early 90s like me dressed differently than people who went to clubs. The people who went to raves called themselves Gabbers. The House at Raves was also louder and rawer than in the clubs where the House was more Mellow. The people in the club didn't like that harder, rawer and faster House. They said that " house was for Gabbers". This is how the name GabberHouse came about in 1991. Literally "House (music) For Gabbers". A little later the name GabberHouse was used less and became Gabber.

[@labiloboss82]

🙌 living legend

[@totalwaremouse4916]

if you notice none of the RBMA videos have music in them i believe due to the high prices and complex music licensing between all the organizations (rbma/youtube/labels/etc). im sure they *want* to keep the music in but there's a legal reason why they dont

[@funkmachine9094]

btw just a small detail here, the alkoholiks hip hop group that they talk about is not from new york but L.A. their sound is east coast but they're west coast

[@osirissyco4276]

Nice 😊 the girl in white Sweater in the audience is Teckno Djane from Poland Martyna Maya aka VTSS 😉🕺🏻

[@reazallykhan]

Tell her I say hello for me ✌🏼❤

[@Brainkiller007]

Korrekte Interview

[@MaximJeFfrix]

we need translate this at russian language(also other) cuz its a big part of history electronic music. see you in 2017 Marc Acardipane

[@akudimovable]

Можно.

[@pawelpablo898]

27:00 i bought 3 versions of that tune on hardtunes.

[@Casketkrusher_]

Damn, a lot of females are interested in Marc! Nice!

[@RobertDoosh]

I think the interview gets cut off early.

[@rouardkevin5057]

No maybe ... You're just wonderful, you've been making me vibrate since the age of 17 years !! Good continuation 🔊🙈🎉🎶 pill driver 💪🤭♥️

[@GabREAL1983]

the alkoholiks were from L.A. ;)

[@ARCHVILE_DRS]

Wait THAT'S how you pronounce his name? I've been calling him "Marc Acardipane" with "pane" pronounced like "window pane"

[@Mitigma]

why did you cut the music out? wow

[@ainoyabou]

gabber / hardcore techno / abrasive music / whatever you may call it... it was a youth culture in .nlland land back in the early to middle of 1990s. The establishment hated it, it was OURS and we loved it... Then the big money came and we became rats fleeing from a sinking ship... #HARDCOREWILLNEVERDIE

[@nosferatuflo]

does someone have the link with the uncutit video please

[@thanoz]

There is none I think

[@thanoz]

Wow, so annoying that you don't let us, the people you put this video online for, hear any tracks. I especially would like to see and hear the class' reaction the first seconds you put on each track.

[@mselizabethsteel]

So interesting to hear him chat but unfortunately the conversation feels really forced on the part of the interviewer!

[@chrissymoltisanti1892]

5:08 is that vtss?

[@dylanwynne-osullivan1720]

yep, she remixed one of his tracks with randomer this year

[@rvdv3976]

👑👑👑👑

[@thelovelaw]

So sad that you remove music listening moments. I’m about reaction.

[@038bastard]

17 -18 min whene u say thr dude with justin haha thats nice paid a lot but würst a lot 😂👌

[@waldemarschulz805]

Whats the name of the interviewer ?? Who is she ??

[@eddykohlmann471]

A septic tank

[@smithwerben1894]

Xixixi

[@ReubenRiverdance]

Terrible interviewer. Imo really know connection at all and she didnt get his sarcasm at all

[@dizisnotavailable]

43:50 "we were planned for 15 minutes, we asked for 20 and they cut at 11". well, i've watched the mayday live video on youtube - pcp was cut at 15 minutes, just as it was planned. sorry marc.

[@fakeinc]

You are still missing the point.... i was there and as soon as the hit of the year "Nine is a Classic" started, they cut it off. This was so annoying, for the fans and for PCP.

[@dizisnotavailable]

​@@fakeinc they cut it off because pcp's predetermined set time of 15 minutes was over. the schedule on a rave like mayday is tight, with so many artists playing on the same floor, hence you can't allow artists to play longer than they were supposed to. any minute pcp plays longer than they were allowed to would mean the following artist in the timetable has their set cut. pcp should have pre-planned their set according to these requirements properly and play shorter version of the tracks, so they can fit in all the tracks within their 15 minutes set time slot.

[@VeganCossack]

So he agreed to do that collab with Scooter just because he needed money?

[@chrischrissn5606]

What is the point in talking 126 minutes about music, and not hearing anything they talk about, because it was cutted out? Red Bull Cut the music out Music Academy. This is sad.

[@WaddleDooProductions]

Can you count

[@HanMono]

See you in 2027

[@thanoz]

Ok, so I'm at 20 minutes in and turning this off now. Not hearing the music they are talking about having just played, is messing with my mind.

[@williamross2088]

Detroit Not Hot Enough? Pay Homage!

[@eddykohlmann471]

I thought the same about Detroit back then. It's not the same.

[@eddykohlmann471]

Beside Detroit producers were influenced by UK synth and kraftwerk. Nothing hard about that. Quite the opposite really.

[@THE_ACIDIZER...est.1993]

You misunderstood what he said. He paid hommage to Detroit Techno! Marc didn't say "...not hot enough...", he said "not HARD enough". Obviously referring to the typical sounds often used in (especially 80's) Detroit Techno, like lots of not very dark sounding strings and stuff. In my own words: He pointed out, that he really liked the groove (and probably drum machine sounds) of Detroit Techno, but preferred the (harsher) synth sounds used in (european) Electronic Body Music. That's why he wanted to create a mixture of both genres.