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@teodorb.p.composerАй бұрын
This is so massive and epic!! I love how Hamelin practically sacrificed his fame to playing some great forgotten composers. He is a real artist, he is playing music for the music, not for the fame, money, or exhibicionism!!
@unnamed_boi Жыл бұрын
it's funny how he does this massive forgotten concerto and then just proceeds to encore k545 first movement
@davidxpopescu6 ай бұрын
What a breathtaking piece What a breathtaking performance P. S. His Encore Minute waltz transcription is so hilarious, it also made the public laugh 😂😅👍
@aotng1404 Жыл бұрын
thanks for uploading this amazing performance
@mbrough27995 ай бұрын
I heard M-A H play this concerto live in Eastbourne three or four years after this recording was made. You won't hear the long cadenza in the first movement (part of it is optional) done any better than this. There is, however a major and unintended moment of confusion at 8:40 in this broadcast from Moscow ; these things happen occasionally - everyone recovers, happily. Another lapse occurs toward the end of the Romanza, by which time any pianist would be feeling fully out of sorts with himself, the piece, and his accompanists. These things are so intensely annoying for the performers when they happen that these irritations come across now and then later on as agitation in a performance. Some of the greatest players in history have been similarly afflicted now and again. Occasionally, they have turned up at the hall thinking they were about to play a different concerto.. It is not unknown. One of the things that amazes me about Medtner is that, given 24 major and minor keys to go at he would write two sensational piano concertos in the same key in succession (not in quick succession, I admit but even so in succession (1918 and 1926) - the 3rd, years later, is in E minor) and make them so completely different from each other. The op.33 concerto is a barnstorming, turbulent, heroic piece in one movement using C minor in its familiar epic 19th century guise : Beethoven would have understood what it is saying ; the op.50 concerto, in complete contrast, is full of 1920s' whimsy and bittersweet touch and tell; it constantly teases and entices with sheer loveliness and with a twinkle in its eye. For a fully rhapsodical experience you must progress to number 3, the 'Concerto-Ballade' and swim along with Medtner's, (or rather Lermontov's) guiding water sprite and eventually reach the composer's most heaven-sent melodic passages of the three concertos - unforgettable.
@pianolover3977 Жыл бұрын
I love the Romanza
@カスペギ Жыл бұрын
One of the best performances of this concerto! Bravo!
@TheBiskitsnGravy8 ай бұрын
as always, superb. thank you
@1fattyfatman Жыл бұрын
He was in really fine form here.
@TheBiskitsnGravy8 ай бұрын
you shoud listen to his other Medtner. stunning, he's really turned me on to some quieter works
@teodorb.p.composer7 ай бұрын
@@TheBiskitsnGravy I think that hamelin is the best medtner pianist (actually it's the same with Godowsky Feinberg, Scriabin, Liszt and Alkan, this guy is the legend)
@TheBiskitsnGravy7 ай бұрын
i know lol. but we have to get others to apperciate his music as well