Marcus Miller with Kazumi Watanabe To Chi Ka Reunion - Tokyo Jazz Festival 2010

Manhattan Flu Dance
Kazumi Watanabe - guitar
Marcus Miller - bass
Omar Hakim - drums
Warren Bernhardt - keyboards
Mike Manieri - vibes

[@dagostinoification]

MARCUS AND KAZUMI ! with other great musicians ! Omar, Warren, Mike ! MAGNIFICENT FRIENDS !

[@stilllife4520]

渡辺香津美はやっぱりこのレベルのメンツとやるべき　素晴らしい

[@mwyatt222]

saw Kazumi in the late 80's amazingly under rated guitar player!!!!!!!!!!!!!!

[@trumpzilla7095]

Kazumi is Amazing. Great player.

[@ΚώσταςΦιλάρετος]

Excellent music from excellent organists.... thanks!!!!

[@dezziwood555]

A real pleasure to hear Marcus playing a more supportive bass than a melodic. He is just a monster!! Thank you for posting this video as I can listen to what an incredible bassist does. But did you steal that T Shirt from MarloweDK?

[@Star1Jingle]

Excellent video!!!!!!

[@fathead5081]

wow fantastic pure class

[@Atamayama]

It’s awesome!

[@Star1Jingle]

Tell Warren love his piano playing on this video.

[@danyelle8856]

artisti serissimi mostruosi !

[@analiadamianich8203]

AMAZING

[@patcee371]

Oh yeaaaa...

[@PURPLEMARBLE4]

香津美さん、どうかどうか😭

[@slowerhan]

Kazumi Watanabe 汉字是否是 渡边香津美？ 音乐太棒了！！

[@TheCrappyZipper]

Manhattan Flu Dance is the name of the track.

[@JetEarlewood]

MIKE MAINEIRI!! Warren Bernhardt KiloWat (KW) and Miller.. wow!

[@jiyujizai]

貫禄ある🎵

[@SUPER5DESTROY]

若えな香津美さん

[@恙恙]

渡辺香津美さんがアガってる動画とか珍しい‼︎🤣

[@CharlieK-nz9ek]

MarcusはなぜDistortionをかけるのか？勿体ないです。

[@icemangg6582]

香津美さん チョット外してる感じがします… 自分はTo Chi Kaの頃の香津美さん大好きですが、coolなマーカス・ミラーより、ノリノリのトニー・レビンとの組合せが良いな…

[@Yasuyuki-Kawazoe]

渡辺香津美さんのギターのトーンがまろやかになってる。年の功かな。

[@markvalla7268]

balls to the WALL!!! Kazumi plays it all.... make Scofield look like the tired ass he is.... Sco used to play with kind of energy but then got away from Gramavision and started playing sparse quirky bullcrap lines. Kazumi will kick your ass any day of the week John. Wish Kazumi would tour heavily in the US to show off... he has alot to show off!!

[@Bix12]

. Both guitarists are excellent...extraordinary, in fact. I've been listening to Kazumi since the mid-70's, years before he was on Gramavision, and you could only get him on Japanese imports. I've been listening to Scofield even longer. Judging from your comment about Scofield's "sparse quirky bullcrap lines", it is apparent to me you lack the capacity to understand or appreciate Scofield's incredible playing. Having a wide musical horizon povides me the ability to appreciate much more than merely the gymnastics of playing an instrument.

[@MrLittlepump1]

I take it your not a Scofield fan. You must be an amazing guitarist to speak in such a critical tone

[@TheCrappyZipper]

@@MrLittlepump1 7:33 - 7:42 that's how babies are made

[@真野倖富美]

マーカスミラーの音が生きてない。この組み合わせ、あってないんじゃない？

[@kensoshibata]

マーカスミラーのアイディアがブルースに寄り過ぎてモコついてません？ トニーレヴィンだと、スカしててPing bassもキレがあったかと。 思うに原曲のトニーレヴィンはピーターアースキンに寄り添うジャコをイメージしてNight Passage風に弾いていたのではないかしら？ オマーハキムもそれっぽく叩いてますし。

[@challenge0001]

ベースが生きるってどういうこと？

[@中村耕太郎-f7m]

こんにちは。宜しくお願いします。単なる顔見せ興行だけのライブですね。リラックスして楽しんでいる雰囲気もないし。みんな衰えてしまって、特にマイニエリはひどい。

[@SUPER5DESTROY]

ファンクのイメージが強いマーカスミラーだけどバックボーンはビバップだからね。

[@臺賢一]

渡辺香津美だけが一人だけ頭重心でバックとリズムが合っていない。マーカスはじめバックは皆バックビート。リズムの重心が違うんだ。原曲から同じ。ビルブラッフォードとかとやっているのも同じ。