Martern aller Arten (W.A.Mozart - Die Entführung aus dem Serail) Score Animation

Edda Moser
Orchester der Bayerischen Staatsoper München
Leopold Hager, cond

[@shantanupanda1650]

Ten minutes of ghastly scales wizzhing up and down like fireworks at the fairgrounds

[@Vanchy58]

Too many notes your majesty! Which notes you have in mind to withdraw your majesty? AMADEUS hahaha

[@shantanupanda1650]

@@Vanchy58 Wolfgang! Wolfgang! Your majesty! *Hits soldier with fan* let me up there!

[@hagenbutte]

Aaaah, the hero we need but do not deserve!

[@adityapurohit8232]

One of the finest opera of Maestro Wolfgang Mozart

[@hobbybacker5227]

@@adityapurohit8232 Saw it a few years ago at the "Staatstheater am Gärtnerplatz" in Munich, Germany. The orchestra and the singers were excellent but the direction - horrible!

[@Vanchy58]

Mozart con esta aria puso en prueba el virtuosismo y versatilidad de la soprano ligera. Toda la técnica vocal heredada del barroco previo con la galantería del rococó dieciochesco se resume en este pasaje uno de los más difíciles roles para la soprano que se han compuesto a lo largo de la historia de la música vocal occidental. Simplemente colosal y supremo !!

[@lesforestiades9606]

Lol this aria has a full overture of its own !

[@manolis.799]

And it should NEVER be cut!

[@SoloFalcon1138]

It's called a prelude.

[@ludix711]

"It'S CaLlEd a PrElUdE"

[@merianaki1]

Incredible!! The great Edda Moser! Brava, Brava, Bravaa!!

[@claudiosalaris4842]

It couldn't be by anyone else but Mozart.

[@jjh2456]

Edda Moser is perhaps the greatest Mozart dramatic soprano ever. You see why here. In the Mozart dramatic roles there is a level of intensity that no one can match. She sang those roles so well with a big voice and perfect coloratura.

[@gert-janoosterveer8009]

Jose Hill mMoser is good but have you heard Christina Deutecom?? She is the best but that is my opinion

[@lifeisnice23]

@@gert-janoosterveer8009Deutekom?! With that ridicoluos chicken coloratura?

[@manolis.799]

@@gert-janoosterveer8009 absolutely not

[@francoisedelaquis4853]

@@lifeisnice23 Chicken Coloratura, damn, she is good but her technique is suitable when playing the roles like The Queen of the Night from The Magic Flute

[@lifeisnice23]

@@francoisedelaquis4853 sorry but I can't stand her , I find this way of singing disturbing and it's a shame cause she had a beautiful tone.

[@martyrrt]

Wow! Outstanding! Brava !!!

[@Lyrik-Klinge]

Herrlich und erfrischend zugleich, ganz große Tonkunst!

[@paolomartinelli3119]

Gorgeous....

[@einzeln.surtzimann]

Uma música tão bonita que a gente nem sente o tempo passar.

[@hobbybacker5227]

It must be incredibly difficulty to sing this aria so beautifully!

[@melmario6145]

I can sing D6 in head voice beautifully in this opera song.

[@jjh2456]

You should hear Ach Ich Liebte…Kostanze’s first aria. That one is a doozy.

[@brunofatalot3808]

Extraordinaire

[@claudiosalaris4842]

Il precipitato di Mozart.

[@JoseFlores-xf4xy]

Gracias edda👏👏👏👏👏👏desde 🇦🇷🇦🇷🇦🇷

[@dreamphoenix]

Thank you.

[@feeltheforce7922]

wooooooow!!

[@jackthompson7170]

No christian would ever come up with something like this. Truly, Mozart was a diabolical little man. Sent to us from hell, to torture us with this impossible music. Nearly, anyway. Cristina Deutekom managed to slay this aria. So great was her determination.

[@lucasmoreaux2020]

4:54 you came here for this

[@lesforestiades9606]

What happens between 7:07 and 7:45 ? She is singing another text and there are some score continuity problems during the agilities.... still thanks for the wonderful work!

[@vivaelphaba]

I'm glad someone else commented on that! I thought I was going crazy.

[@basilio8178]

The score used here jumps directly to the very final coda, where in the original version there is a reprise of the "laerme! wuete! tobe!" part - first heard at about 5.00 - followed by a much longer coda part. In the recording, this original version is performed (cutting out the longer coda in favor of this more concentrated one). These cuts are often made for theatrical or practical reasons, and to not to exhaust the singers too much.

[@tashwhimpey8114]

@@basilio8178 Could you please tell me what the lyrics are at 4:55? I've spent over an hour looking at some german and I've failed

[@basilio8178]

@@tashwhimpey8114 Try activating the English Subtitles. They are very accurate to the german text. Also, the words are repeated a lot (its an Aria after all :-) so whenever this happens the subtitles are not repeated.

[@tashwhimpey8114]

@@basilio8178 I do not hear 'Doch du bist entschlossen', so I wonder what she is singing?

[@marcomicheletti9957]

3:48, tr p. 85 4:10, tr p. 86 prima riga

[@user-hp7xx6jq7d]

노래시작 1:53

[@user-cg1hj2kc9p]

1:54

[@pedrocarrillo5644]

What's the name of the opera?

[@speddygonzales5]

The Opera is Mozart’s “Abduction from the Seraligo”

[@hollowchatter7429]

Too many notes.

[@S.Lijmerd]

What a great original comment! I have *never* seen this before under a Mozart/Amadeus video! /s

[@gwang_jinna596]

Mozart: too many notes? ????

[@adrianapartida5888]

Hurt me Break me Kill me

[@alfredoihldausend4093]

Ha muchos weones dando vuelta!

[@musicstudent116]

Yum

[@neilwalsh3977]

Echoes of Beethoven 9?

[@EdMcF1]

This was prior.

[@purisermonisamator]

К сожалению, Хагер не прочувствовал цельной "архитектуры" великой моцартовской арии: у него она распадается на отдельные, не связанные органически фрагменты, так и не сросшиеся друг с другом. Это, на мой взгляд, помешало и Мозер спеть эту сложную арию лучше, чем у неё здесь получилось. Жаль.

[@bouznouz]

too many notes ...

[@wallshootout5616]

I believe you missunderstand Mozart totally.Unfortunately.Mozart understood the feelings of a heart and of a woman.This aria is the best example for that.Wonderful.

[@bouznouz]

@@wallshootout5616 i refered to the movie " amadeus" i'm not Mozart expert

[@iama8537]

@@wallshootout5616 Josef II the Emperor

[@ClassicusHomo]

... and Mozart answered: "Just as many as necessary, your Majesty."

[@norbertbrinkmann7061]

Mozarts Musik ist für mich überirdisch, ein kleiner Mann spricht zur Welt durch seine göttlich schöne Musik. Sein Grab ist unbekannt, hat man ggf damals schon Gott wieder bestraft, weil er anders war? Wurde er doch ermordet, weil er nicht hineinpasste in der Welt der Denkenden und Klugen? Schade, er hätte noch so viel bewirken können. Allein mit Geld konnte er so gar nicht umgehen 😢

[@jasonhurd4379]

People who can only feebly quote Joseph II should go away and leave true music lovers alone.

[@murrimirschka3390]

Who else has to watch this for school? 😕😟😴

[@pedrocarrillo5644]

You are bored? Means you're not heraring, you think you are

[@ColoringAHouse]

That's a great assignment

[@horstkerth4545]

Too many notes

[@morganchan2465]

This soprano ruin this aria, sing it with no grace, rushing the notes, sounded like some have too much coffee. I found this clip quite annoying ~ (Recommend: Gruberova / Callas)

[@brookeggleston9314]

Auger!!

[@anthonyehrenzweig1635]

I would delete this comment if I were you. I regret you only display your ignorance.

[@lifeisnice23]

Callas rendition of this aria despite it's in Italian is absolutely mind blowing! Her fraseggio, legato, pianissimo and coloratura are sublime, she sang Mozart with the same intensity and precision she reserved to Bellini or Verdi! We have the 1954 version, I just can imagine what has been her Konstanze from 1952 when she still was on super vocal power!

[@manolis.799]

Maybe try looking at the text and just thinking about it for a bit and then come back. Gruberova and Callas are great and so is Moser, Auger, Rothenberger....

[@wilsonwatt9283]

Moser is singing at the tempo the conductor has used from the first note. This was evidently a joint determination of the singer and conductor. If you were defying a powerful man who wanted to rape you would you be graceful about telling him where he can go which essentially whatrthis aria is