Massenet Elegie - Alice Sara Ott, Camille Thomas and Fatma Said

  Рет қаралды 79,144

CelloLover

CelloLover

Күн бұрын

Пікірлер: 64
@errudimini
@errudimini 2 жыл бұрын
Vous tous qui regardez ces chefs d”Oeuvre Partagez ces merveilleux moments le plus possible . C est immense !
@antoniocotzia8622
@antoniocotzia8622 6 ай бұрын
Siete fantastiche 👏👏👏🌹🌹🌹😘
@valentinekizito661
@valentinekizito661 4 жыл бұрын
Ooh what I'd give to be in that room! Magnificent and talented ladies, and beautiful, encore!
@annerosekirchner7783
@annerosekirchner7783 3 жыл бұрын
Wundervolle Musikerinnen und die Sängerin - großartig! So gefühlvoll alle drei aufeinander abgestimmt. Beautyful!!!!!!!!!
@opusquatre
@opusquatre 3 жыл бұрын
Il y a tellement d'émotion dans cette performance. Une profonde empathie. Il y en a dans toutes (ou presque) les apparitions de Fatma, mais Alice et Camille ne sont pas de reste, loin de là.. Trois petites boules d'âme hypersensibles..
@jonathanteller6550
@jonathanteller6550 9 ай бұрын
The three of them entered into an emotional revelry ,each enhancing the others. Captivating!!
@johnmathers6159
@johnmathers6159 Ай бұрын
Agreed, but there were four of them - Massenet's music is really emotional, especially if you know the ballet.
@cesarelamberti5044
@cesarelamberti5044 3 жыл бұрын
Cosa dire. Tre angeli della musica scesi tra noi poveri mortali.
@jacquesh
@jacquesh 2 жыл бұрын
Les trois muses de Massenet. Magnifique !
@SilvioNobre
@SilvioNobre 3 жыл бұрын
What a wonderful trio! Simply gorgeous.
@georgescancan7503
@georgescancan7503 3 жыл бұрын
Turn off the sound and watch this "clowning"! This is a real circus! Let's talk on a very topical topic: "Equal Rights", equal rights between a man and a woman. Imagine: a male pianist plays this work, in the same hall, with the same orchestra. To attract the attention of the public, this male pianist followed Alice's example and stepped on the stage barefoot. Nature gave him feet of size 12 (46). Dear ...167, what do you write in your comment? And if a pianist - a man enters the stage with a bare back? Alice Sara Ott & Deutsche Grammophon: Money, Money, Money ABBA "...Money, money, money Always sunny In the rich man's world Aha aha"
@georgescancan7503
@georgescancan7503 3 жыл бұрын
INDEPENDET Culture > Classical > Reviews Khatia Buniatishvili, Wigmore Hall (*****) / Alice Sara Ott, Royal Festival Hall (**) Michael Church Wednesday 13 February 2013 12:01 Classical performer Alice Sara Ott Khatia Buniatishvili and Alice Sara Ott have more than their youth and keyboard skill in common: they both enjoy the dubious privilege of being their record companies’ pianistic pin-ups. Buniatishvili is a fiery Georgian who made her name with Liszt. ..... German-Japanese Alice Sara Ott made her name with a phenomenal recording of Liszt’s Transcendental Studies. She opened her Southbank recital with Schumann’s seldom-performed Allegro in B minor Opus 8, but her lack-lustre account meant that the case for this Cinderella piece wasn’t made. And what she did - or didn’t do - with Schubert’s Sonata in D major D850 was even more of a let-down, with the mysterious twists and turns of its musical thought scrambled and trivialised. The slow movement should have a Lied-like expressiveness, but here it was coldly detached, and the Scherzo had no fizz. With Mussorgsky’s ‘Pictures at an Exhibition’ she did at least let in some colour, but her basic approach to that work was heavy-handed and mechanical; only in her encore did she reveal a flash of her original Lisztean brilliance. The hall was full - vigorous marketing, plus her trademark bare feet and scarlet ball-dress, had seen to that - but the performance itself was miserably charisma-free.
@k2024-b8n
@k2024-b8n 3 жыл бұрын
@@georgescancan7503 Turn off the *sound* for a piece of music? And then judge it based on what is left? What an idiotic thing to do. You should wash out your ears and leave the commenting to those with a brain.
@清水美恵-f3i
@清水美恵-f3i 2 жыл бұрын
楽器も歌っているようです素晴らしかったです⛳ありがとうございます💗
@MusicLover-oe3ig
@MusicLover-oe3ig 2 жыл бұрын
Beautiful soulful collaboration.... thank you all!!
@alasdairjohnston7355
@alasdairjohnston7355 2 жыл бұрын
What a wonderful and competent trio. More please........
@arper3618
@arper3618 10 ай бұрын
Quel magnifique trio!
@jkgou1
@jkgou1 3 жыл бұрын
Thank you very much What a team
@koichimiyoshi2005
@koichimiyoshi2005 4 жыл бұрын
Simply beautiful!! Almost perfect for me!!
@sevenoctave88
@sevenoctave88 3 жыл бұрын
Great weeping face Trio! Bravo~
@theressamurphy2996
@theressamurphy2996 3 жыл бұрын
Wonderful wonderful What a voice, cellist and pianist..excellent
@vitocortesi9389
@vitocortesi9389 4 жыл бұрын
What great trio!
@antoniofurnari9558
@antoniofurnari9558 2 жыл бұрын
Superbe artiste 👏👏👏👏🌹💐💐🌹💐💐
@nanard111
@nanard111 4 жыл бұрын
Bravo les filles !! magnifique !!:)
@mhastenreiter6291
@mhastenreiter6291 3 жыл бұрын
Élégie Ô, doux printemps d'autrefois, vertes saisons, Vous avez fui pour toujours! Je ne vois plus le ciel bleu; Je n'entends plus les chants joyeux des oiseaux! En emportant mon bonheur, mon bonheur... Ô bien-aimé, tu t'en es allé! Et c'est en vain que revient le printemps! Oui, sans retour, Avec toi, le gai soleil, Les jours riants sont partis! Comme en mon coeur tout est sombre et glacé! Tout est flétri pour toujours!
@enryclaptone1668
@enryclaptone1668 Жыл бұрын
Beautiful...... Bravi!
@johnmathers6159
@johnmathers6159 2 жыл бұрын
An interesting venue. What a shame we don't get this type of recital in the UK.
@forestiercharlotte3172
@forestiercharlotte3172 4 жыл бұрын
Superbe trio. J'aime beaucoup
@jackmcnutt9638
@jackmcnutt9638 3 жыл бұрын
Awesome music selection. Bravo!❤
@T.Shimura
@T.Shimura 5 ай бұрын
Brava ❣
@sandrahatch5587
@sandrahatch5587 2 жыл бұрын
Beautifully done!
@juanpabloorallanagarcia526
@juanpabloorallanagarcia526 4 жыл бұрын
Que bello !!!!! Gracias 🙏
@anthonylopezgallegos2682
@anthonylopezgallegos2682 3 жыл бұрын
Love the ensemble.
@henrihorstmann9832
@henrihorstmann9832 2 жыл бұрын
Que trio maravilhoso!!!!! Bravo!
@janpi27800
@janpi27800 4 жыл бұрын
Quel trio d'enfer !!!!!!!!!!!!!!!!!!!
@josephbasha2941
@josephbasha2941 Жыл бұрын
What a dream ticket SHUKRAN
@cinziavidali411
@cinziavidali411 3 жыл бұрын
Interpreti eccellenti
@virginieelsa5363
@virginieelsa5363 Жыл бұрын
Je suis fan ❤
@alderdelacruz6215
@alderdelacruz6215 2 жыл бұрын
¡ME FASCINA SU MÚSICA!💕🥂🌹🎊
@manuelvazquez5973
@manuelvazquez5973 3 жыл бұрын
Perfect for me!!!
@marigold7025
@marigold7025 Ай бұрын
My favorite ladies in the world 🤎
@ptatmsu
@ptatmsu 3 жыл бұрын
The cellist is new to me, but I have no doubt of her excellence since she is partnered with these other incredible artists!
@waltuh2.3bviews3secondsago3
@waltuh2.3bviews3secondsago3 Жыл бұрын
I might be two years late, but I just wanted to point out her performances of Ständchen by Schubert, Elgar concerto and les learned des Jacqueline. I think they are all very amazing
@aysaraktimur2064
@aysaraktimur2064 5 ай бұрын
What a sharply broken logic! An artist’s mastery is independent of his/her partners. It is solely based upon and direct reflection of the art, he/she is producing. Of course, partnering with equally accomplished artists might enhanced the beauty and success of the end product, although not necessarily and not always so, we can and must judge the artists based on the quality of their productions. Over here, Camille Thomas is herself an accomplished cellist, independent of her partners. Thank you. 🤗
@raulrperezhdz3205
@raulrperezhdz3205 7 ай бұрын
Bravoooooooooooo ❤❤❤
@FranciscoFerrerGaliana1930
@FranciscoFerrerGaliana1930 Жыл бұрын
una belleza
@pierrefournier4183
@pierrefournier4183 3 жыл бұрын
Merveilleux trio, je trouve dommage que Camille et Alice Sara se tournaient le dos car elles ont montré à plusieurs reprises qu'elles avaient besoin de se regarder pour communiquer. Elles dégagent toutes les trois quelque chose de fort et je les encourage à pouvoir renouveler cette expérience sur un ou deux autres morceaux.
@opusquatre
@opusquatre 3 жыл бұрын
Je ne trouve pas ça dommage, j'aime voir comment elles se cherchent et se supportent ou se soutiennent mutuellement.. Ce que j'aime chez Camille, c'est ce sentiment qu'elle est dans l'écoute tout autant que dans l'interprétation.. Toujours ce besoin de chercher l'autre du regard, mais aussi de l'oreille. C'est une évidence, par exemple, dans sa participation au quintette avec piano de César Franck, visible ailleurs sur cette antenne, avec entre autres, "son" Julien Leeb..
@4444Byrd
@4444Byrd 2 жыл бұрын
I feel the artists' feeling the Massenet. Exquisitely touching.
@noupot
@noupot 3 жыл бұрын
3 superbes femmes !!
@t007sher5
@t007sher5 2 жыл бұрын
brilliant
@henrykwojcik2715
@henrykwojcik2715 Жыл бұрын
Wapaniale😊
@edwarddejong8025
@edwarddejong8025 3 жыл бұрын
Three minutes of a trio is about the right amount. Gets you into the mood, but doesn’t drag it out, as so many concerts do, because you pay so much for the ticket they feel obligated to bury you in music. Concerts should last only about a half an hour IMHO.
@jazznolimit3974
@jazznolimit3974 2 жыл бұрын
🖤💙🥺
@Pedalareversoilcielo
@Pedalareversoilcielo 3 жыл бұрын
Top Top 👏
@mariaalejandrasolano8662
@mariaalejandrasolano8662 2 жыл бұрын
@fernandopinheirobb
@fernandopinheirobb 3 жыл бұрын
ANNA SHCHERBAKOVA Ao som de O Doux printemps d'autrefois, de Massenet, A atleta Anna Shcherbakova foi consagrada a campeã, Com a transmissão de Estocolmo, pela televisão Net, Em 2021, em figure skating, patinando para o amanhã. Na temporada 2020-2021, a música pela atleta exigida No programa "free skating" tem sido a Forgiveness, De Panu Aaltio, a trilha sonora da filmagem dirigida Por Dome Karukoskique, no belo território finlandês. No tempo de pandemia, assunto de todos: o perdão, Imprescindível em toda a relação difícil de se manter Uma boa vizinhança, até mesmo dentro do lar, senão Serão arrastados às gemônias nas regiões de mundo De truculências, igual ao inferno daqui que lá irão ter, Sem presença dos que estarão em ambiente fecundo. (*) (*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - ANNA SHCHERBAKOVA (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
@lilly2856
@lilly2856 3 жыл бұрын
🙋🇦🇹👌👌👌💯👏👏👏♥️♥️♥️
@Arentjansz
@Arentjansz Жыл бұрын
Attonishing pretty, delicate,
@jkgou1
@jkgou1 3 жыл бұрын
💐😅
@georgescancan7503
@georgescancan7503 3 жыл бұрын
Turn off the sound and watch this "clowning"! This is a real circus! Let's talk on a very topical topic: "Equal Rights", equal rights between a man and a woman. Imagine: a male pianist plays this work, in the same hall, with the same orchestra. To attract the attention of the public, this male pianist followed Alice's example and stepped on the stage barefoot. Nature gave him feet of size 12 (46). Dear ...167, what do you write in your comment? And if a pianist - a man enters the stage with a bare back? Alice Sara Ott & Deutsche Grammophon: Money, Money, Money ABBA "...Money, money, money Always sunny In the rich man's world Aha aha"
@georgescancan7503
@georgescancan7503 3 жыл бұрын
INDEPENDET Culture > Classical > Reviews Khatia Buniatishvili, Wigmore Hall (*****) / Alice Sara Ott, Royal Festival Hall (**) Michael Church Wednesday 13 February 2013 12:01 Classical performer Alice Sara Ott Khatia Buniatishvili and Alice Sara Ott have more than their youth and keyboard skill in common: they both enjoy the dubious privilege of being their record companies’ pianistic pin-ups. Buniatishvili is a fiery Georgian who made her name with Liszt. ..... German-Japanese Alice Sara Ott made her name with a phenomenal recording of Liszt’s Transcendental Studies. She opened her Southbank recital with Schumann’s seldom-performed Allegro in B minor Opus 8, but her lack-lustre account meant that the case for this Cinderella piece wasn’t made. And what she did - or didn’t do - with Schubert’s Sonata in D major D850 was even more of a let-down, with the mysterious twists and turns of its musical thought scrambled and trivialised. The slow movement should have a Lied-like expressiveness, but here it was coldly detached, and the Scherzo had no fizz. With Mussorgsky’s ‘Pictures at an Exhibition’ she did at least let in some colour, but her basic approach to that work was heavy-handed and mechanical; only in her encore did she reveal a flash of her original Lisztean brilliance. The hall was full - vigorous marketing, plus her trademark bare feet and scarlet ball-dress, had seen to that - but the performance itself was miserably charisma-free.
@magnuszielbergstein2500
@magnuszielbergstein2500 3 жыл бұрын
Damn, you are high
@waltuh2.3bviews3secondsago3
@waltuh2.3bviews3secondsago3 Жыл бұрын
What are you on 💀
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