Vous tous qui regardez ces chefs d”Oeuvre Partagez ces merveilleux moments le plus possible . C est immense !
@antoniocotzia86226 ай бұрын
Siete fantastiche 👏👏👏🌹🌹🌹😘
@valentinekizito6614 жыл бұрын
Ooh what I'd give to be in that room! Magnificent and talented ladies, and beautiful, encore!
@annerosekirchner77833 жыл бұрын
Wundervolle Musikerinnen und die Sängerin - großartig! So gefühlvoll alle drei aufeinander abgestimmt. Beautyful!!!!!!!!!
@opusquatre3 жыл бұрын
Il y a tellement d'émotion dans cette performance. Une profonde empathie. Il y en a dans toutes (ou presque) les apparitions de Fatma, mais Alice et Camille ne sont pas de reste, loin de là.. Trois petites boules d'âme hypersensibles..
@jonathanteller65509 ай бұрын
The three of them entered into an emotional revelry ,each enhancing the others. Captivating!!
@johnmathers6159Ай бұрын
Agreed, but there were four of them - Massenet's music is really emotional, especially if you know the ballet.
@cesarelamberti50443 жыл бұрын
Cosa dire. Tre angeli della musica scesi tra noi poveri mortali.
@jacquesh2 жыл бұрын
Les trois muses de Massenet. Magnifique !
@SilvioNobre3 жыл бұрын
What a wonderful trio! Simply gorgeous.
@georgescancan75033 жыл бұрын
Turn off the sound and watch this "clowning"! This is a real circus! Let's talk on a very topical topic: "Equal Rights", equal rights between a man and a woman. Imagine: a male pianist plays this work, in the same hall, with the same orchestra. To attract the attention of the public, this male pianist followed Alice's example and stepped on the stage barefoot. Nature gave him feet of size 12 (46). Dear ...167, what do you write in your comment? And if a pianist - a man enters the stage with a bare back? Alice Sara Ott & Deutsche Grammophon: Money, Money, Money ABBA "...Money, money, money Always sunny In the rich man's world Aha aha"
@georgescancan75033 жыл бұрын
INDEPENDET Culture > Classical > Reviews Khatia Buniatishvili, Wigmore Hall (*****) / Alice Sara Ott, Royal Festival Hall (**) Michael Church Wednesday 13 February 2013 12:01 Classical performer Alice Sara Ott Khatia Buniatishvili and Alice Sara Ott have more than their youth and keyboard skill in common: they both enjoy the dubious privilege of being their record companies’ pianistic pin-ups. Buniatishvili is a fiery Georgian who made her name with Liszt. ..... German-Japanese Alice Sara Ott made her name with a phenomenal recording of Liszt’s Transcendental Studies. She opened her Southbank recital with Schumann’s seldom-performed Allegro in B minor Opus 8, but her lack-lustre account meant that the case for this Cinderella piece wasn’t made. And what she did - or didn’t do - with Schubert’s Sonata in D major D850 was even more of a let-down, with the mysterious twists and turns of its musical thought scrambled and trivialised. The slow movement should have a Lied-like expressiveness, but here it was coldly detached, and the Scherzo had no fizz. With Mussorgsky’s ‘Pictures at an Exhibition’ she did at least let in some colour, but her basic approach to that work was heavy-handed and mechanical; only in her encore did she reveal a flash of her original Lisztean brilliance. The hall was full - vigorous marketing, plus her trademark bare feet and scarlet ball-dress, had seen to that - but the performance itself was miserably charisma-free.
@k2024-b8n3 жыл бұрын
@@georgescancan7503 Turn off the *sound* for a piece of music? And then judge it based on what is left? What an idiotic thing to do. You should wash out your ears and leave the commenting to those with a brain.
@清水美恵-f3i2 жыл бұрын
楽器も歌っているようです素晴らしかったです⛳ありがとうございます💗
@MusicLover-oe3ig2 жыл бұрын
Beautiful soulful collaboration.... thank you all!!
@alasdairjohnston73552 жыл бұрын
What a wonderful and competent trio. More please........
@arper361810 ай бұрын
Quel magnifique trio!
@jkgou13 жыл бұрын
Thank you very much What a team
@koichimiyoshi20054 жыл бұрын
Simply beautiful!! Almost perfect for me!!
@sevenoctave883 жыл бұрын
Great weeping face Trio! Bravo~
@theressamurphy29963 жыл бұрын
Wonderful wonderful What a voice, cellist and pianist..excellent
@vitocortesi93894 жыл бұрын
What great trio!
@antoniofurnari95582 жыл бұрын
Superbe artiste 👏👏👏👏🌹💐💐🌹💐💐
@nanard1114 жыл бұрын
Bravo les filles !! magnifique !!:)
@mhastenreiter62913 жыл бұрын
Élégie Ô, doux printemps d'autrefois, vertes saisons, Vous avez fui pour toujours! Je ne vois plus le ciel bleu; Je n'entends plus les chants joyeux des oiseaux! En emportant mon bonheur, mon bonheur... Ô bien-aimé, tu t'en es allé! Et c'est en vain que revient le printemps! Oui, sans retour, Avec toi, le gai soleil, Les jours riants sont partis! Comme en mon coeur tout est sombre et glacé! Tout est flétri pour toujours!
@enryclaptone1668 Жыл бұрын
Beautiful...... Bravi!
@johnmathers61592 жыл бұрын
An interesting venue. What a shame we don't get this type of recital in the UK.
@forestiercharlotte31724 жыл бұрын
Superbe trio. J'aime beaucoup
@jackmcnutt96383 жыл бұрын
Awesome music selection. Bravo!❤
@T.Shimura5 ай бұрын
Brava ❣
@sandrahatch55872 жыл бұрын
Beautifully done!
@juanpabloorallanagarcia5264 жыл бұрын
Que bello !!!!! Gracias 🙏
@anthonylopezgallegos26823 жыл бұрын
Love the ensemble.
@henrihorstmann98322 жыл бұрын
Que trio maravilhoso!!!!! Bravo!
@janpi278004 жыл бұрын
Quel trio d'enfer !!!!!!!!!!!!!!!!!!!
@josephbasha2941 Жыл бұрын
What a dream ticket SHUKRAN
@cinziavidali4113 жыл бұрын
Interpreti eccellenti
@virginieelsa5363 Жыл бұрын
Je suis fan ❤
@alderdelacruz62152 жыл бұрын
¡ME FASCINA SU MÚSICA!💕🥂🌹🎊
@manuelvazquez59733 жыл бұрын
Perfect for me!!!
@marigold7025Ай бұрын
My favorite ladies in the world 🤎
@ptatmsu3 жыл бұрын
The cellist is new to me, but I have no doubt of her excellence since she is partnered with these other incredible artists!
@waltuh2.3bviews3secondsago3 Жыл бұрын
I might be two years late, but I just wanted to point out her performances of Ständchen by Schubert, Elgar concerto and les learned des Jacqueline. I think they are all very amazing
@aysaraktimur20645 ай бұрын
What a sharply broken logic! An artist’s mastery is independent of his/her partners. It is solely based upon and direct reflection of the art, he/she is producing. Of course, partnering with equally accomplished artists might enhanced the beauty and success of the end product, although not necessarily and not always so, we can and must judge the artists based on the quality of their productions. Over here, Camille Thomas is herself an accomplished cellist, independent of her partners. Thank you. 🤗
@raulrperezhdz32057 ай бұрын
Bravoooooooooooo ❤❤❤
@FranciscoFerrerGaliana1930 Жыл бұрын
una belleza
@pierrefournier41833 жыл бұрын
Merveilleux trio, je trouve dommage que Camille et Alice Sara se tournaient le dos car elles ont montré à plusieurs reprises qu'elles avaient besoin de se regarder pour communiquer. Elles dégagent toutes les trois quelque chose de fort et je les encourage à pouvoir renouveler cette expérience sur un ou deux autres morceaux.
@opusquatre3 жыл бұрын
Je ne trouve pas ça dommage, j'aime voir comment elles se cherchent et se supportent ou se soutiennent mutuellement.. Ce que j'aime chez Camille, c'est ce sentiment qu'elle est dans l'écoute tout autant que dans l'interprétation.. Toujours ce besoin de chercher l'autre du regard, mais aussi de l'oreille. C'est une évidence, par exemple, dans sa participation au quintette avec piano de César Franck, visible ailleurs sur cette antenne, avec entre autres, "son" Julien Leeb..
@4444Byrd2 жыл бұрын
I feel the artists' feeling the Massenet. Exquisitely touching.
@noupot3 жыл бұрын
3 superbes femmes !!
@t007sher52 жыл бұрын
brilliant
@henrykwojcik2715 Жыл бұрын
Wapaniale😊
@edwarddejong80253 жыл бұрын
Three minutes of a trio is about the right amount. Gets you into the mood, but doesn’t drag it out, as so many concerts do, because you pay so much for the ticket they feel obligated to bury you in music. Concerts should last only about a half an hour IMHO.
@jazznolimit39742 жыл бұрын
🖤💙🥺
@Pedalareversoilcielo3 жыл бұрын
Top Top 👏
@mariaalejandrasolano86622 жыл бұрын
❤
@fernandopinheirobb3 жыл бұрын
ANNA SHCHERBAKOVA Ao som de O Doux printemps d'autrefois, de Massenet, A atleta Anna Shcherbakova foi consagrada a campeã, Com a transmissão de Estocolmo, pela televisão Net, Em 2021, em figure skating, patinando para o amanhã. Na temporada 2020-2021, a música pela atleta exigida No programa "free skating" tem sido a Forgiveness, De Panu Aaltio, a trilha sonora da filmagem dirigida Por Dome Karukoskique, no belo território finlandês. No tempo de pandemia, assunto de todos: o perdão, Imprescindível em toda a relação difícil de se manter Uma boa vizinhança, até mesmo dentro do lar, senão Serão arrastados às gemônias nas regiões de mundo De truculências, igual ao inferno daqui que lá irão ter, Sem presença dos que estarão em ambiente fecundo. (*) (*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - ANNA SHCHERBAKOVA (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.
@lilly28563 жыл бұрын
🙋🇦🇹👌👌👌💯👏👏👏♥️♥️♥️
@Arentjansz Жыл бұрын
Attonishing pretty, delicate,
@jkgou13 жыл бұрын
💐😅
@georgescancan75033 жыл бұрын
Turn off the sound and watch this "clowning"! This is a real circus! Let's talk on a very topical topic: "Equal Rights", equal rights between a man and a woman. Imagine: a male pianist plays this work, in the same hall, with the same orchestra. To attract the attention of the public, this male pianist followed Alice's example and stepped on the stage barefoot. Nature gave him feet of size 12 (46). Dear ...167, what do you write in your comment? And if a pianist - a man enters the stage with a bare back? Alice Sara Ott & Deutsche Grammophon: Money, Money, Money ABBA "...Money, money, money Always sunny In the rich man's world Aha aha"
@georgescancan75033 жыл бұрын
INDEPENDET Culture > Classical > Reviews Khatia Buniatishvili, Wigmore Hall (*****) / Alice Sara Ott, Royal Festival Hall (**) Michael Church Wednesday 13 February 2013 12:01 Classical performer Alice Sara Ott Khatia Buniatishvili and Alice Sara Ott have more than their youth and keyboard skill in common: they both enjoy the dubious privilege of being their record companies’ pianistic pin-ups. Buniatishvili is a fiery Georgian who made her name with Liszt. ..... German-Japanese Alice Sara Ott made her name with a phenomenal recording of Liszt’s Transcendental Studies. She opened her Southbank recital with Schumann’s seldom-performed Allegro in B minor Opus 8, but her lack-lustre account meant that the case for this Cinderella piece wasn’t made. And what she did - or didn’t do - with Schubert’s Sonata in D major D850 was even more of a let-down, with the mysterious twists and turns of its musical thought scrambled and trivialised. The slow movement should have a Lied-like expressiveness, but here it was coldly detached, and the Scherzo had no fizz. With Mussorgsky’s ‘Pictures at an Exhibition’ she did at least let in some colour, but her basic approach to that work was heavy-handed and mechanical; only in her encore did she reveal a flash of her original Lisztean brilliance. The hall was full - vigorous marketing, plus her trademark bare feet and scarlet ball-dress, had seen to that - but the performance itself was miserably charisma-free.