How To EASILY Color Grade SLOG3 Without LUTs in Premiere Pro

[@whoismatt]

❗ Save time color grading with my presets for SLOG3: whoismatt.com/luts

[@cinqo7]

@Mohsin Alvi He isn't saying that they are free...

[@homewithgarbiejoan]

can i use your presets on capcut?

[@boicebanda184]

I need those luts

[@dbaza618]

I need this luts

[@dkvlogs3791]

hello im new is this work with sony a7c slog 3 ? ur presets?

[@BTayache]

No one on KZbin, NO ONE explains things better than you. Not just photography and editing. Any subject ever. What a talent you have of teaching and keeping every second interesting.

[@therealjordanhedges]

Strongly agree with this comment!

[@danjseif]

I just got an A7SIII and your videos have been a blessing. I’m coming from a Canon 80D, so editing in LOG is totally new to me.

[@VideoJTS]

2 years later and this video is still helping people out. Thanks for the useful tips! The curve adjustments were clutch. I never knew that the low end was for shadows and the tip end was for highlights. Super helpful :)

[@therealsimonyip]

I wish my lecturer explained things like you do

[@danillonft]

Thank you very much, you saved my day, I just bought an A7iv and I had never worked with Slog3, you just gave me a light in life. ❤

[@ChrisKaplan]

Im here because this guy is absolutely awesome in explaining

[@SOAIVLOGS]

You are really good at what you do, I learned, I was entertained and now I will be better, cheers from 🇯🇲

[@TraveliandoCo]

Hello, question.. So it is not necessary no make color space transform?

[@nataliekathryn67]

Your videos are saving my life rn the way you explain things is better than anyone I’ve ever seen on YouRube

[@explorebound]

Such a helpful video! Just filmed my first professional video and decided to shoot SLOG instead of Sony’s PP for the first time and was a bit daunted by the colour correction - I normally start with basic correction then move into the other realms but it just wasn’t working for me so went looking for answers and found your video. Thanks for the awesome tips 😊

[@dolcemedia.]

I feel like I always struggled grasping color grading, I always found it VERY difficult to understand. Your one video had me understand it better than all the videos I've watched prior combined. Love the content man, definitely gained a new subscriber with this one!

[@drakegreatest3050]

DUDE your my new teacher , defff very impactful in your teaching

[@brendanwood2745]

Well done! I followed your video on how to shoot properly for S-Log3, and then this for grading. Ended up with the best looking shot yet on my A7siii. It's a nice confidence boost going into a shoot next month.

[@b1uec0ren51]

the most recommended video for the explanation, I am very grateful for explaining in this detail. please keep it up.

[@vonihrproductions]

Such a great video! Love how you explain everything so easy, so even beginners understand all the things you are saying. Thank you so much!

[@PointerShotPaintball]

This is the video I have been searching for. Thank you so freaking much for spelling out slog for me. I feel like my filming just got upgraded!

[@followthevind]

Man you are changing my filmmaking life with your videos, thank you!

[@PRARTS.]

Saw this video last year and my grading has really changed all thanks to you Matty. Please which camera did you use for this? I use an 8 bit sony A7RIII and it’s difficult to get back contrast and colors in post

[@netposerx]

Shot my pup catching Freisbees today in the bright sun using S-LOG 3 and this helped a ton. 👏👏👏👏 Semper Fi

[@JasonBroaddus]

I really appreciate your videos man! I always pick up something that speeds up my workflow. If you're ever in Chicago I owe you some cocktails!

[@beyondframesproduction]

Amazing video my friend! You're explained this process perfectly. The one thing I wanted to ask is, what do you think about using the rec. 709 LUT? I see everyone using s-log3 then rec709 and then they do the color correction etc. But after watching this video I was wondering if rec.709 is necessary or not...

[@yusuki7093]

this is the best explanation of color grading i've ever watch

[@vanessahuneault31]

THIS IS EXACTLY WHAT I NEEDED!!! Thank you so much 🙏🙏🙏🙏🙏

[@IshSitzo]

i always add a adjusment layer and do my correction in there along with my money shot. great video man than you.

[@KenNguyen92]

Please make video how to color grading SLO3 S Gammut on Davinci Resolve Matt.

[@KYGYoga]

You are an amazing teacher. Thank you for making this tutorial

[@DanielGrovePhoto]

Thanks for this! Starting with the black and white points on the Curves is such a big first step in the right direction.

[@danielzb]

Really helpful sir. I’m trying to do an unboxing of the new iPhone 14 and I filmed it in slog and really trying to show the colors accurately. Messing around with all the different settings you provided helped a lot.

[@nadine-tan]

Never been able to colour grade an S-Log footage for as long as i could remember. Thankyou for the brilliant guide through! I was surprised that I could finally colour grade the footages!

[@filmkorea]

Nowadays I am trying to take a shot with slog3. Your video is really helpful. Thank you.🥰

[@adrionallen]

Bookmarked forever. You Sir are a great teacher. Thank you!

[@vipdesign9]

Hello Matt, very nice presentation. You are very good teacher. Do you have luts available that can be used with the IPhone Pro 13?

[@SnyderFilsAime]

Hi Matt, I watched the video on how to shoot on a SLOG 3 properly and you mentioned using an ND filter; what filter would you recommend to us?

[@whoismatt]

Prismlenxfx variable nd

[@Alexanderboost]

I just started filming videos with my camera. This explanation is insane. Eventhough i use davinci resolve, this helped my basic understanding a ton.

[@whoismatt]

Awesome! Glad to help Alexander!

[@DronieBoy]

Great video Matt!! Can you use this luts in the real estate field??

[@gaby13lt]

You're doing gods work here my man! thank you so much

[@KennyHamilton-iu2qk]

great explanation. so many others are so confusing. you're a great teacher

[@Janine-dn3kk]

What are your exact camera settings here? S-Log3 und S-Camut3.Cine? Have you changed anything on saturation or details? I'm shooting with a A7IV

[@urbanmakerYT]

Do you film your slow mo footage in s&q or do you slow the speed down in premiere ?

[@willowmatt6850]

From one Matt to another, thank you so much for this tutorial. This is the first video of yours I've watched but you've earned yourself a subscriber. Can't wait to check out more of your content!

[@kawinchoobal5746]

This help me alot man. The simplest tutorial ever!!

[@lukplanetario]

Thanks so much for this Matt! I really need it. Greetings from Buenos Aires, Argentina.

[@MohameedemaraTk]

Love you It's the best tutorial I have ever seen this year

[@PeaLoop]

Excellent tutorial. I began on your filming in S-log tutorial, then came here for the grading insights. Amazing progress made! Thanks so much.

[@AboodDani]

Im so Lucky that I found your channel matt, your tutorial videos are super awesome and informative as well as your way of explaining is really satisfying to watch, Thanks a million!!

[@ThisKory]

Hey Matt! At 18:04 when the groom was using his hand to hold his coat, his hand looks very green (probably from the grass you mentioned out of the window). Is this something which was overlooked, or is this not possible to fix? Love your tutorials so far, thanks for the time you put into this to help us all! Much love!

[@whoismatt]

Hey! Overlooked that due to not wanting to get too nitpicky with the tutorial :) this could be fixed

[@cooperb8650]

this is a really good youtube video

[@Sujith_Nexis]

Really amazing explanation!!!Love from India 👍👍👍👍

[@HarryMander]

thanks for making it simple.

[@JackyLi]

Love this tutorial Matt! I would be interested in how you would properly white balance and shoot during the reception/church, which usually has mixed lighting, which I struggle with shooting properly.

[@whoismatt]

Hey thanks! Watch my white balance explained video on my channel. That should provide a bit of insight :)

[@JackyLi]

@@whoismatt Awesome will do!

[@rafatenangel]

Amazing man, thanks. Your explanation helped my footage to reach the sky!

[@antalszabolcs2439]

Your way of explaining is funny. Entertains me. I like yoi 😆😎

[@michaelbourquin9814]

Thank you for sharing this great video. Incredibly helpful.

[@juneadmemon]

Brother you are a great teacher 🇮🇳❤️

[@cheekywekaproductions6816]

This is so great Matt. One Q....does the ISO for SLOG3 change between models, ie A7siii vs A1? Struggling to find info anywhere online for it

[@gemwebb]

Thank you. First good color correct tutorial for my first time try of sLOG on my new #sonyA7iv - worked out in Adobe Prem!

[@3bdo218]

You are the best, Man thank you all the best 👏🏼👏🏼

[@Allen7]

as far as i remember most of the youtubers start with basic correction..and then curves and then hue vs hue etc etc :)

[@miketheglassguy7568]

Thank you so much for taking the time to make these videos! Been a huge help with me getting started. Can’t thank you enough! 👏

[@whoismatt]

Thanks Mike!

[@ernestorubiostudio]

Hey, great content... Do you have anything related in Davinci....?

[@huntstyle]

You don't need to go to the effects panel to copy the Lumetri color. Just right-click on the clip and click copy. Then when you go to paste it you specify that you want to paste Lumetri color (if you've added other effects, you can uncheck those boxes).

[@mihaiualin889]

Hello , do you have a new export settings for a7sIII in premiere pro for weddings ?

[@pianopressofficial]

Amazing video Matt, thanks for sharing your tips. Can any camera shoot in SLOG3?

[@asdstudiosllc]

Thanks, Matt. I changed my original color grading from s-log 3 to how you suggested, as my model was looking a little smurf like lol

[@monishm.l5941]

Hey Matt! Please share the best picture profile for Sony a7sii.

[@lawrencechatton4765]

Isn't the curve tool just a different interface to adjust the aspects shown in basic correction?

[@WeddingHome-he8pe]

Thanks For the Tutorial🥰

[@hassenzouari2479]

Thank you for this tuto 😍👍👍👍👍👍👍

[@DanielePorceddu-lq1ew]

great explanation!! Thanks Matt

[@austyn5686]

Very clear and helpful !!!! Thank youuu !!!!

[@shweshwa9202]

Faster way: copy clip, select another clip and shortcut: option+command+V (paste attributes) and voilà you pasted Lumetri color.

[@marcushembroff3303]

Thanks

[@rengokusats]

Ayy you trimmed your beard, looking fresh!

[@DaltonKennerly]

Love this. Reassured me on a lot of things and taught me some new things about curves. Really enjoyed watching it

[@whoismatt]

Thanks Dalton!

[@jonemmettsailing]

Do you have any luts optimised for Rec 2020 ?

[@312media_]

Man you’re so good thank you

[@mervun29]

have you tried color grading insta360 one r 1 inch log?

[@MusicGalaxyy]

content is very funny and so much things to learn this humorous guy heads up!

[@mtn2coast_outdoors]

Matt do these pre made luts work for clog 3 footage off a canon r6 ?

[@whoismatt]

Yes use the standard luts and they should work great for clog3

[@S1nGuLariTY_]

I'm shooting Apple Log footage. It's the same right?

[@shanemora6234]

hi Matt, thanks for this! Question: what do you think of setting Exposure Compensation to +1.7 on the Sony A7siii when shooting SLOG3?

[@rafsanrabby1189]

bro i like your rection ...love from Bangladesh

[@ujjalpreetkaurhayer1905]

Hi Matt, I have been trying to shoot in picture profiles and your videos given me the confidence to do so more often. But I am struggling with a setting while shooting in manual exposure to be able to use all of my settings manually my Sony a7iii doesn’t let me change my metering to +0.7 like yous suggested in your other video from the dial. Please help I have been trying to change few settings but still not working

[@OliverWolter]

Hi Matt, I have waited for this a long time, because there is nothing quite like it. So, thank you very much. I also do like your word creations, like "Hero-Shot" :-) I have just a few questions, if you would be so kind to answer: - In the intro you display Gamma: S-Log3 and Color Mode: S-Gamut3.cine. I do know that this is your preferred Picture-Profile when it comes to 8bit video. Since it can not be stretched too far, befor you are loosing out. So here is the question: Was this made in 8bit, or does it only apply to 10bit? - I was surprised to see that you are working the clips directly. Was this for demonstration purposes? Why not make use of the adjustment layers? Or do you see an advantage in applying the process directly to the clips. Thanx again - you are my Post-Production Hero!

[@asaduzzamanomi1423]

Learn a lot from you. Love from Bangladesh 🇧🇩

[@tmonkeypunch]

First off, great tutorial. Thank you Matt, always a fan, even though I use Final Cut. But question: What are the advantages of shooting in S-log in low light scenarios? My understanding of the advantages of log profiles in general is that it can capture more dynamic range between the highlights and the shadows, so I totally understand using S-log outdoors during the day. But what about in low light, like the reception scene in your tutorial? There's obviously no bright sky in the background, and I personally feel like all the information can be captured sufficiently enough in Cine4. Cine4 has more range than the default PP, doesn't require a higher ISO to overexpose, and doesn't require as much time to color grade. So... am I missing something here?

[@whoismatt]

That’s a good option as well. For my filming style where I’m filming run and gun very quickly, I don’t necessarily want to add having to change the picture profile as well (and remember what I am in). :)

[@faithful_films_official]

Thanks matt! This exactly what I was looking for

[@СтасГрищук-ц7б]

Which PP in A7s3 would you recommend in low light (night city)?

[@ifilm6746]

this video is good but unable to know which is the metric to decide if its perfect.. can you make a video how to use your LUTS or any other luts.

[@pastorlisandronavarro]

Amazing!!!!!!!!!!!!!!!!!!!! thank you Matt!!!

[@HiFocusedCinematography]

Thanks for sharing! So you think it's best to do SCurve, then color then saturation? Do you use scopes as well or just the waveform?

[@whoismatt]

I usually use the curves first because it makes it easier to see the effects of shifting the colors. There are lots of other scopes but I was trying to keep this as easy as possible :)

[@HiFocusedCinematography]

@@whoismatt Got it thank you for the help!

[@ConnorMcCord2112]

Hey Matt another fantastic video! Have you ever recommended what you use to color calibrate your monitors? I haven't done a google search so if you have just ignore and I'm sure I will find it. Thanks for creating awesome content!

[@whoismatt]

Hey! I use a spyderx color calibrator :)

[@jensfox]

Hi Matt. Thx a lot for your tutorials - they are awesome! And I really like the way you present them! I at least bought an A7S2 and just learned from you to take pp8 with cine. That’s what I did - and as it is not that flat, it yet looks pretty good… You know, it’s my first real cam - I come from iphone cinematography… 🤪 Now my question: is the colorgrading-process shown here the same for my cine-MattFlat on my A7S2? Or do I have to do anything else for getting these results? Cheers, Jens

[@MrLandbrot]

Good work Matt! Your Aircooler is very loud! Doesn't this get on your nerves? Realized its mine🤣🤣🤣

[@whoismatt]

😂😂 glad it wasn’t me

[@CatchUpMEDIAdxb]

HI Matt, how are you? Do you have any offer for SLOG3 color present. If so , let me know - wish to purchase , USD97 is out of my budget. Thank you

[@jullenpicturestvcapturinga7077]

But me I am using Sony a3000 and nikon d7100 how do I get there.

[@jmartinianovlogging1482]

Thanks Matt! 🙏

[@MoserUno]

amazing!!!

[@europhile2658]

what if you wanted blue sky on the here shot? is that possible?

[@Alxposure]

Do you usually color grade your footage without a conversion lut ? Just got the a7siii and I'm starting to experiment more with slog3. Thanks for the tips. Help me not be as intermediated.