MIC Shootout: Shure KSM32 vs Neumann TLM103

The Shure KSM32 compares favorable to a mic twice its price!
Shure KSM32: geni.us/NaIj6 (Amazon)
Neumann TLM103: geni.us/8IflCl (Amazon)
Headphones: geni.us/IjyhMN (Amazon)
Interface: geni.us/ljSFyL (Amazon)
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[@IkeMann100]

My KSM32 is 22 years old. It travelled the world. Still my main microphone, never had a problem except at customs.

[@kennethgithinji5631]

That is the age of my inexistent child

[@dieterjones7402]

@@kennethgithinji5631 I'm your inexistent child and I'm furious you clearly forgot how old I am. 22 lol... That does explain why you didn't call for my birthday, though.

[@kennethgithinji5631]

@@dieterjones7402 nah fam. That baby don't look like me

[@gamingultracheap-budgetgam8541]

That KSM32 sounds really nice. It's not a microphone I had really thought about before, but it could easily go on my list.

[@johnnyb357]

I bought the KSM32 because of this video. Thank you MIke!

[@Anonymous-dh4fl]

what are somethings that you don't like about it ?

[@johnnyb357]

@@Anonymous-dh4fl nothing so far

[@user-uj6yu1jk2b]

@@johnnyb357 how are you ksm 32?which is better ylm 49 or shur ksm 42?

[@grahamnolte4800]

This was a super helpful comparison. Thanks for much for pairing these together.

[@mikestephens180]

This is the video that convinced me to get the KSM 32 over a year ago. Still want to get a Neumann (U87) someday, but loving this mic! Thanks for the video!

[@user-uj6yu1jk2b]

How are you shur ksm 32 ?which is better ylm 49 or shur ksm 42?

[@zone3tv]

I´m a KSM 32-Fan since nearly 25 years!!

[@MarkGFL]

I have never even heard/read that mic being discussed anywhere on forums or KZbin, but it sounds fantastic! I couldn't tell any difference between them, and being $500 cheaper and having the utility of a bass roll off makes it a very attractive offering.

[@ZioGiGi]

WOW they sound so similar but yet so different. I think the Neumann still has that tad warmth to it and more crisp! Maybe its just me psychologically thinking. They are both excellent mics!! Great vid again. Im liking these vids you create.

[@angerhead2004]

Owned the KSM 32 for years. WHAT a killer, sleeper mic...one of my fav's over a lot of more expensive mics. Never thought i would have said that

[@noahloganvo5901]

I love my KSM32 so much! It is the first one I used when I got into voiceover. Thank you for this video! It really helped me understand how to use the settings on my mic better!

[@garrywindshield1]

I really enjoyed your demos. Can you tell if you think this mic is really suited for VO?

[@macdaddybill]

Good comparison. Years ago I wanted a good mic for home and went with the AT2035. Then I wanted to compare it to my 103 at work. So did a comparison recording same sentence on Pro tools. The sound was almost identical except the AT mic had slightly less bottom end but waveform was identical. Played for multiple people whose ears I trust and they couldn't tell the difference. Best $150 I ever spent, it is my daily driver for VO.

[@KontrolStyle]

I'm not even a voice over guy, but these videos are amazing. Thanks for these awesome videos. :)

[@darsmatias]

great review! Shure mics has always lived up to it's name.

[@recordheatstudios4601]

Way sweet vid my man! Never heard of that sure before today. Its great! I need a set for overheads!

[@RobinMackAremcee]

Man I Thank you for that video, I got that KSM32 and I really like it. But was also a bit interested, how my voice recording would sound with a Neumann. So I'm really appreciate and more than happy to own it :)

[@676bun]

Got a Shure KSM32 over the summer used from Guitar Center for $200. I have been using it for mostly Acoustic Guitar recording and it has been amazing for that.

[@ToXball]

I'm shoked how the KSM32 manage the high frequencies without producing that jumping "sizzz" or "shh" tipical in most microphones and in TLM103 too, I like the way it release middle frequences and body without becoming muddie or booming, the overall texture is alive without unwanted crispness. The KSM32 was the first love in 1999 and today I'm seriously thinking to buy it again. Thanks for this review ;)

[@DuroSamples]

KSM32 Been on those since they came out.. my Swiss army knives... Drums, Vocals, Ac. Instruments, Anything...

[@gmjones2001]

Don't feel bad Mike, I had not heard of this mic before this video either! Great comparison video! Thank you!!! This KSM32 is on my "mics that make me go hmmm" list! (my CAD e100s arrives Friday!!!! Hope I get a quiet one!) ;)

[@gmjones2001]

:( My e100s arrived early on Wednesday ... very bad hum when I touch the -10db pad switch plus it looks like a refurbished unit ... likely done with CAD ... jury is still out on MassDrop ...we'll see how they handle this situation ...

[@estudiotamboril6025]

Great comparison I think I'll buy the KSM 32

[@karlsjoberg9097]

I have one.. and cannot go back to anything else. This thing is Awesome!

[@stevezelaznik5872]

Btw, 2:00 NPR does use some processing on its microphones. They have a bass rolloff at about 140 HZ. This is, of course, just the network shows. Local stations do whatever they want with their studios.

[@MartinHughesmidimarty]

I have always loved the KSM32! It and the AKG 414 are two of my favorites in the studio. Because they are not to bright and they seem to work on everything.

[@eaudiorecordings]

Hi Mike! Thanks for your reviews, they are very useful, I've learned empirically very much with your review and comparison videos, well done and keep up the excellent work! Now, I don't know if you have made a review about this mic, (if you have please send the link, thanks in advance!!), but if you haven't I would be grateful if you could review 2 mics of the same brand which are inexpensive and seem to be good (low self noise), they are the STUDIO PROJECTS B1 and the B3. All My Best

[@johnheiser2604]

OOOOhhhhhh they are both nice. I have a TLM103 but want to get the Shure.

[@russelldawkins3408]

It would be interesting to hear the off-axis sound of each to make a judgement on how it would colour room sound. Each mic would probably have to be hand held and rotated while trying to keep it at a constant distance from your mouth as you spoke. I find the high frequencies of the TLM 103 to be a little coarse and splashy.

[@PaulIsbell]

My two favorite microphones right now are the Neumann TLM49 and Shure KSM44A.

[@DankLordvsGames]

Would you mind discussion how to get consistent audio levels through recordings? Got anything to say about LUFS? I'm having issues with varying audio levels no matter what I do..

[@Luchodela]

Hi Mike! thanks for your videos. I had fun watching 2 so far. Just a question. KSM32 is almost double the price than a SM27. Do you think it is twice as good? Is it worth to pay the difference? thanks.

[@troygroff4512]

Hi Mike, Could you do a review between the Shure KSM32 and the EV RE20? I really like both mics allot and would like to buy one of them. Thanks!

[@Godzillah]

Thank for telling me what that roll off button does, Ksm32 anyday heck buy a pair.

[@bennyfarinacci1340]

They both sound great .. The Neumann sounds sweeter on the extended highs.

[@ChrisThomasBone]

I've got a pair of KSM32s so I can use them as stereo drum overheads. They're freaking great

[@MostafaEhab]

Another great video Mike thanks ^_^ I think we need a test for the self noise produced by the ksm32 as you always do in the comparisons and IF you can do a comparison between ksm32 and CAD e100s that would just be awesome

[@GunnarsFilmTips]

Awesome vid as always :)!!! (Cant wait for the Rode ntg2 comparison :))

[@kennethgithinji5631]

I've also enjoyed listening to the t12 Mic Parts as well. It might just be my next microphone for 699 that's for the Platinum edition, which does have that extra low-end we are talking of

[@musar03580]

Very impressive. What about self-noise? I thought there might be more noise behind the Shure KSM32, but I could be mistaken.

[@DaveSoltura]

I use a KSM42, Shure's Vocal's Specific High-End Mic. Wonder how it would fare in this comparison

[@TheKwaze]

Thanks for a very helpful review, but why not compare the Neumann TLM 102 that is a closer match in price to the Shure KSM32?

[@konradhoroszko255]

Thanks for this one, Booth Junkie

[@klimtyeung4735]

I wonder how much you could try to compensate for the ksm's comparative lack of top end with just digital EQ. And would that may be create a sibilance problem. Can anyone with experience with all this clarify that for my please. Thank you in advance.

[@LostCompositions]

You should try the Studio Projects C1 to compare with the TLM103. It's a /quarter/ of the price and it's got quite the following, so it'd be a very interesting match up.

[@nmbr1ctrman]

I had a KSM32 for years. It's a very well-rounded mic. Not overly bright and well suited for rock vocals without too much harsh highs.

[@jaydee816]

What about for rap vocals??

[@killsplaque]

You are really good at controlling your plossives! Nice job! I mean, that comes will your role and TONS of practice - but really tho, nice job!

[@EM-km8em]

Hey Bro i kinda notice an oomph on the TlM103 a bassy response, do you feel the ksm has this same amped bass lower tone ? Also sometimes the TLM103 has bright slight highs is this also noticeable on the ksm ?

[@carsoncoots984]

Maybe the price difference has something to do with the build quality/longevity/warranty? Also, would the KSM32 "internal" shock mount perform as well as the TLM103 with external shock mount which comes with an additional cost? I doubt the internal shock mount is enough but wanted to throw that thought into the discussion. All that said you could get 2 KSM's for the price of one TLM and be on your way to a nice interview setup so I am definitely sold on KSM.

[@walterwilliams1323]

If it makes you feel any better Mikey D I hadn't heard of that mic either even after nearly 40 years in this industry. Mate it sounds great even up against your beloved Neumann. Food 4 thought.

[@Drallastadir]

Find it funny i have watch on your video for some time to learn and i know alot about ksm32 and i thougt all pepole in studio rec world knew this mic but i have use it alot and for me it is one of the best mic you can buy for your studio.!

[@gameplay_tv835]

Have you ever tested the Audio Technica AT4050?

[@ThisHandleIsInteresting]

How would the Sennheiser MK 8 stack up against the KSM32?

[@martinekman]

I got them both. KSM is more flat. TLM has more shine on top. Hard to say which one is best. Usually I think KSM is the winner for my voice, but I’m sure Neumann is better for others. I’m glad I have them both but if I could only keep one it would be the KSM.

[@jebatman756]

Would you pick this KSM32 over an AT4047? Or would the 4047 still win?

[@videntemusic2465]

You recommend for hip hop vocal the ksm32 or the tlm02

[@cameraramblings4107]

In the uk the current price difference is £580 for the ksm or £699 for the TLM so an easier choice to go for Neumann. But the Shure sound close. Looking and the data sheet it has a low bump in the eq but other than that the frequency responses are very similar so i can see a compelling reason to get the Shure for the extra features although the TLM will hold it’s value down the road and may even increase in price depending on the market. Thanks for the vid.

[@psiga]

Not that I'm feeling buyer's remorse, since the differences are slight, but considering they go on ebay for about the same price, I think I shoulda gotten a KSM32 instead of an E100S. Integrated pop filter and smoother blooming bass even at a distance. C'est la vie!

[@ricardoprieto6401]

I am listening to this through a rare pair of Adam SV5 Monitors at close to $15,000 a pair for two 12" monitors and I can say I give the edge to the Shure KSM32's. They sound dead silent with a realistic tone that is pleasant on the ear and easier to listen to long term whereas the TLM-103 sound a bit bright and harsh with noticeable sibilance. This isn't as noticeable in the beginning which makes most people prefer the 103's but the KSM32's sound more appropriate for a lack of a better term. You have an amazing voice which I can hear all day long on the KSM32's whereas I can feel a bit fatigued with the 103. Shocked right now as I also have a 103 but not the KSM32's. A word of caution, brighter doesn't always mean better.

[@TheKwaze]

That's very helpful thanks, as I was thinking of having a TLM -103 but my voice is deep and yet sibilant so I'm crossing the TLM-103 off my list as you mention the sibilance. I know all the procedures to prevent sibilance, but I would prefer having a microphone that doesn't exagerate it in the first place. The Shure is now top of my list.

[@bobbymehta1006]

well said, I think this is spot on. I saw another review saying that the TLM 103 is great for attention-grabbing short commercials or voice over type stuff, but not long term program material, as the keyword is fatigue. It's too hyped for, say, a 45 minute listening session. I owned the TLM 103 for about 1 year and sold it. It's not bad, just wasn't for my purposes. Still on the hunt for a great well-rounded LDC mic that can record rock vocals, guitar cabs, flute and light auxiliary percussion (tambourine, shakers, tabla, etc.) with satisfactory results and have that somewhat 'expensive sound'. Any suggestions welcome alongside this KSM32!

[@ertatta]

@@bobbymehta1006checkout the venerable AKG 414 variants along with the Austrian Audio mics. They’re like the Swiss Army knife of mics for their versatility.

[@therealherbzy]

They sound exactly the same to me to be honest. Been trying to hear some differences with my good headphones on. MAYBE there is a bit more bass on the Shure and a little more treble on the Neumann. But i could be imagining that.

[@godoggo407]

What pre amp are you using?? Nice video.

[@SinisterSkip]

In my opinion, both sound NEAR perfect. Very natural, balanced, clear sound across the whole frequency spectrum. The only difference really is a tiny bit of EQ.

[@probademoa]

Heloo Can you tray rode class II microfon and send some review

[@atahate]

Which one have less presence peak? That boosted upper mid thing. I want to buy tlm102 and I love the tone, but I need multi pattern feature. In the same price range there's Shure ksm 3x and 4x series. Also AKG C414XLS. For reference, I love Shure sm81. I'm recording acoustic guitar ^^

[@iamwe7035]

i can def tell one is louder than the other in texture. they are both good. i can tell the neumann is warmer and probably better for louder sounds.

[@kirbymurdstone4925]

As far as self noise goes, The spec sheets for the two mics do not use the same standard to measure the noise, so it makes it a little hard. The Shure Noise figure is at 13dB. The Neumenn noise is measured two different ways, the results being 7dB the other 17dB. The lower the number the better. Either way both of these microphones are VERY quiet, anything below 20 is very good. Anything below that, the noise of your pre-amp is the major contributor of noise in the system. Just for reference, The CAD E100s Says its self noise is 3.7dB, however it does not list what standard was used for testing. This can mean they didn't use a standard measuring technique and the results really can't be compared. But it is also a very quiet mic. All 3 of these are quieter than even the quietest Pre-Amps.

[@JimmySlacksack]

was expecting the change at 11:02 but alas...would have been good to hear it at that point

[@BRANDONMUNROMUSIC]

I have 3! I use them as Tom mics and a mono over head on drums They have a very natural sound , it almost sounds boring in a good way. I often find myself preferring this mic over a lot of others

[@kevindarrah1969]

You can hear a better presence and clarity in the Neumann.... It's not huge but the highs and the clarity beat out the Shure, and on the proximity effect test, the Neumann had a better low end response. It would be interesting to see the Neumann TLM 103 and Neumann TLM 49 in a head to head comparison with your voice Mike. I wish I had an extra TLM 49 to send you. That being said, the Shure is certainly no slouch and surprised me. 6:20 vs. 8:54 for the proximity test between the 2 mics. With some really good speakers or headphones you can hear the clarity and articulation go to the Neumann.

[@melodychest9020]

The KSM32 and KSM42 are more for voiceovers, speech and backing vocals with great proximity effect control. I own a KSM42 and it does not do well as a lead singing mic except female vocals may be. The TLM103 is aimed as an allround musical studio mic and so definitely not worth the extra price for voiceovers and speech compared to a KSM32 or a KSM42. Cheers.

[@D40Oz1]

Not a big difference but the shure is like Akg mic’s in a similar way, it enhances every little siblance and mouth noises , so the 103 is just a tad bit more open less harsh

[@viberge]

Shure KSM32 have more bass in voice if your singing depends on bass vocal, Neumann TML103 less bass, but more hight and middle to hight range. So again which one depends on what you need to get from your voice for record.

[@SoundSpeeds]

Depending on the manufacturing processing, parts used, country of manufacturing, et al... the same "class" of microphones will be priced within about 35-50% of each other. The Neumann brand is known as a standard for VO microphones so it'll have a bit of a premium price associated with that too pushing the upper end of the price point. Shure is known for it's affordability so they'll push the lower end of the price point. Both make great microphones but for microphones of the same "quality", they'll be a price difference. In this case, two different microphone manufacturers at two different extremes of the price point assuming that the average price of a mic at this quality is around $800. KZbin isn't a high enough quality environment to really hear the differences between capacitors inside of similar microphones much less different brands. I can't hear the difference either, if you're wondering. A nearly identical component could carry with it a much higher price on Neumann than Shure but because one manufacturer tweaks to the finest detail and the other goes for affordability.

[@CzornyLisek]

Neumann doesn't tweak and what not rly. Go search for they quality. They are using whatever random parts they had aces in older Neumanns You will be insanely lucky to find even same board and transformer. Nowadays it's bit better but still they don't use any special hi quality parts. They never did. Back in a day they just became famous brand name because of few recordings and also they were one of few microphone brands in the world. Also Nuemann is ONLY a brand name. Company(owner and manufacturer) behind all of those microphones nowadays is Sennheiser. They can just put insane premium for name that's all. Also Geffel is more of Neumann successor.

[@totallyfrozen]

Affordability or not, Shure is a time tested PROFESSIONAL mic brand. Many models of Shure mics have been used by major labels and professional acts for decades. I wouldn’t hesitate to use a Shure mic (I’ve performed plenty of live gigs with my Shure SM58). It’s a well known, respected brand with a familiar sound. Like a Fender Precision bass through an Ampeg B-15 amplifier, it’s a classic quality and tone. I say that because while Shure may be priced competitively, it’s not an off-brand.

[@tedgerard333]

I had I a ksm32 and sold it, regretted it. So I bought ksm 42, and it also is a great no frills microphone. I put it through a Daking micpre one, and a little compression. Sounds great. Thanks for the video, you have a new subscriber.

[@user-uj6yu1jk2b]

How are you shur ksm 42 ? which is better ylm 49 or shur ksm 42

[@tedgerard333]

@@user-uj6yu1jk2b they are both very clean sounding to me. Hope that helps.

[@user-uj6yu1jk2b]

@@tedgerard333 have you listened to or worked on a neumann tlm 49?

[@tedgerard333]

@@user-uj6yu1jk2b no

[@andrewhigdon8346]

I used to provide PA and mix my local symphony orchestra. I was offered the job and THEN had to go research and buy a bunch of mics. They had requested area mixing, but really a few as possible. I did a ton of research, and was about to spend money that I did not have. One little gem for the toolbox is the AT Pro 37. Very comparable to mics 4 times as expensive, takes a beating(kind of), very forgiving, never harsh, never muddy, full range. I ordered 10 of those as utility. They were about $100 apiece wholesale at the time. Then I was determined to NOT use Shure 81’s. I had used them for rock n roll overheads for years, and sometimes for utility. They just never sounded, .......good. So I got the modern and far superior version with a much more modern and trim design and absolutely killer sound. They can do anything. And I mean anything. I got 4. Then the KSM 32, It seemed like the nicest big Shure for a reasonable price, and I have never been let down. I used them for 1st violins, aimed over their shoulder behind and between each pair of musicians. But I started with 2 and even though pretty much a bit of an expense, and hard to justify, they have paid for themselves many times over. I’ll use two KSM 32s with Latin. Percussion Claws in a grand piano, Awesome. Full. One (1!) for a drum OH placed oh so just right for jazz drums is the stuff of beauty. I have claimed that no one with no matter how many mics they used could equal the sound of ONE beautiful OH mic on an excellent drummers kit. Then I got two AT 4033. Very nice. Used them on basses, one on a short floor stand between two double basses, about an equilateral triangle form the front edges of the two basses. Phasing is important with bass. Cellos got whatever was laying around, and later on I used extra Pro 37s on the cellos, but believe it or not, I had an excess of Sennheiser 609 mics. I placed those on short stands between each pair of cellos, a cranked them up, and since they were supercardioid, they hated to feedback, and then off axis rejection of the harsh highs of the bow of a cello up close were naturally negated. It was fun. I talk too much. They folded. KSM 32 are awesome and incredible bang for the buck. I have never had them do things I hated. AT 4033 is right behind them, albeit a little warmer and less glassy top end, which I ultimately wanted for the double basses.

[@modernwize]

I used the ksm32 for voiceover in my last 2 videos. The extra features of the ksm32 came in handy during a shouting scene. Btw I have a client that need a VO artist. How do I send them your way?

[@BoothJunkie]

Thanks! you can send them over me via [e-mail]

[@kluzz]

The KSM32 is ever so slightly warmer (more bass?), but it's not something I would ever notice outside of a direct comparison situation like this.

[@MelodiousEtude]

I've been using a KSM32 for years and I absolutely love it. I'm upgrading to a TLM 103 shortly because it just has a *little* more of a shimmer in the high end and a smoother proximity effect (in my opinion). HOWEVER, if you're on a budget or you just want an all around workhorse mic for a great price then the KSM is perfect - solid build and just really reliable.

[@TheMillionDollarDropout]

Thanks G. I think i'm going to go ahead and just work the extra month for the TLM 103 right off the bat. It's such a legend. I can't wait to have it in my arsenal.

[@joanne_stuff9336]

This is insane! I truly cannot hear a big difference, at least like you said not a $500 difference. Great video!

[@TheZeroSbr]

That's thanks to KZbin compression.

[@KingStudiosCollective]

32 is warmer. Not as shrill as the nueman as well. Glad i bought a pair

[@kesamek8537]

TLM102 would be a closer comparison soundwise and I might still prefer the Shure personally. Good video thanks.

[@yoericktv9610]

Love your show buddy.

[@slacksmeridian]

Awesome, There's definitely a difference but it's not a negative difference. In fact, I think I prefer the tone/quality of the Shure!

[@speciae]

great review! thanx!

[@ericdano]

Everyone needs to know about this channel

[@DuroSamples]

TLM has a contour sound to it and silky top end... KSM is warmer ( less boost on the top end )... Just so you know.. Mics are pre-EQd sometimes.

[@maxxrkboitlung3602]

Wow. exactly as my ear. It gives me more self confidence.

[@xyzct]

Actually, the NPR sound is the Neumann U87 _with the high pass on._

[@johnf5752]

The TLM is softer to the ear, while the Ksm32 has little more bass

[@TheZeroSbr]

KSM32 seems to have more bass and less of a presence boost. Definitely a muddier, muted sound. I disagree with Booth Junkie; these mics aren't similar at all.

[@demon-ll9eg]

@@TheZeroSbr i agree with you

[@matthewblake2258]

both useable for sure. 103 is thinner with more top end. 32 is more low mid or what some think as being the "Neumann Sound". does it matter... nope

[@sarahlight7726]

thanks so much for sharing your a legend

[@matthew.datcher]

I always worry what the KZbin audio compression does to the sound. Is the compression enough to hide subtle differences in mics?

[@iwannacuddleurbutt]

On the highest quality settings there's not really any loss that you could hear.

[@michaelcaplin8969]

Roger Nichols, probably if not the greatest, than certainly one of the greatest audio engineers since the late 70's had access to every mic in the world, and he said time and time again that the only mics he used daily outof all his Sony's, C12's, U47's, U87's etc was the Shure KSM32. He had four of them, and they were used for almost everything he did. Lead vocals, overheads, horns, piano... you name it. Great mic that EASILY rivals any u87 I've ever heard.

[@CatDieselPwr]

Then how would the much more expensive Shure KSM44a stack up against them all?

[@989fred]

I sold my 103 and keept the KSM 32 . whats go in too it goes out faitfull.

[@Otromundoparalelo]

Please somebody help me I’m trying to decide between Neumann Tlm 02 and shure Ksm 32. And I need to know overall wich one I better ?

[@ArtVandelay592]

I’d go with the KSM32 personally.

[@underpressureman]

difference isnt always just in the immidiate sound!

[@ClaireWyattVoiceActor]

Hey gorgeous. Hope you're well. Thanks as ever for all the great content. Just a quick question for you. I'm rebuilding my booth at the moment and want to get my lighting right. I currently use overhead leds. But I want better lighting for when clients want to video conference in, or for making video content like you do. So I need front lighting. What do you use? Sound/buzz is an issue ofcourse. Cheers. C xxx

[@BoothJunkie]

Hi claire, I use Viltrox LED video lights for my videos. Maybe thouse would work for you. Pretty inexpensive.

[@ClaireWyattVoiceActor]

Thanks lovely. C x

[@ondot99]

I love KSM32!!!!

[@DavidMcCoul]

Both sound great, but the TLM103 has more detail and more of a presence boost than the KSM102. The U87 is thought to be better because it has the same detail (and capsule) as the TLM103, but less of a presence boost so it sounds less harsh..

[@rickywaynehunt]

I've had both the TLM is much better IMO. This is probably because of the frequency response of both mics. The Shure is pretty flat while the TLM has a nice curve especially in the high end. Both are good though. But for (my) voice, TLM hands-down.

[@D.Bunker]

*Just bought my first Neumann TLM103 on Ebay today !!! I can't wait to get it. I got it used for $650 !!!*

[@mrtheluckybucket]

Wide Awake! Productions eBay is great, I’m about to buy a used ksm32 for 200

[@robertzebrowski5429]

Hey, When are you getting the CAD back? The show ain't the same without it!

[@fairyebisingh]

TLN 103 low noise and more headroom KSM is little bit noisy when compare with TLM with little less headroom ... 103 sounds very clean without any background noise

[@themindunset]

Hey Mike! I just stumbled upon your channel while searching for a new voiceover mic. YOU are a Godsend. Your channel is incredibly helpful. Every single video I've watched thus far has been fantastic. Thank you. Thank you. Quick question: Does this Shure exhibit the same "low gain" issue as the SM7B? Would you need a cloudlifter on this thing?

[@SKY_DWELLER333]

Hey, I realize this comment was from a year ago so maybe you’ve already found your answer, but typically cloud lifters are used to boost the gain of dynamic mics (Like the SM 7B,) as opposed to condenser microphones which operate using phantom power. To answer your question though, no. I have this microphone and haven’t experienced any issues with low gain. I am a musician who has been looking into starting a voice over business and absolutely bought the mic because of this video. To my ears there is really no appreciable difference between the KSM 32 and the TLM 103. Or if there is and I missing it, it’s certainly not worth the extra $500. Especially with the bells and whistles you get on the KSM. Hope you are well. Take care and stay safe.