Michel Corrette - Motet à Grand Chœur "Laudate Dominum" (D'après le Printemps de Vivaldi) (c.1770)

[@theressamurphy2996]

yes Thank you very much for sharing this light lovely

[@riccardosabatini353]

4:29. The confirm that Vivaldi's "La Primavera" was a hit for a lot af time, despite the daring events suffered by Vivaldi’s scores over the centuries.

[@user-le4sb8is4i]

@Divergent Integral "most of Vivaldi's scores survived" I wish to to live in your timeline, where most of Vivaldi scores survived. In mine timeline, sadly, most of Vivaldi's operas are lost :(

[@stefanstamenic3640]

@dddhgg Handel has only one worthy rival in operas, and that was Vivaldi.

[@bobh5087]

Delightful - with all those courtly French dance forms and trills everywhere! 👍👏🌹

[@notaire2]

Wunderschöne Interpretation dieses perfekt komponierten und fein arrangierten Meisterwerks mit herrlichen Stimmen beider genialen Solisten und gut harmonisierten Stimmen des ausgezeichneten Chors sowie gut vereinigten und perfekt entsprechenden Tönen aller Instrumente. Der intelligente Dirigent leitet das kompakte und perfekt trainierte Orchester im lebhaften Tempo und mit möglichst effektiver Dynamik. Danke fürs wertvolle Onlinestellen!

[@philipkamau597]

A masterpiece among the highly acclaimed musicals

[@etherealnate]

Very cool to hear a well-tread piece be recontextualized. Makes it very engaging. This also exhibits the French knack for harmony the way he’s able to carve out so many additional voices that don’t trip over the originals of Vivaldi’s. Super neat.

[@corelliander918]

Thank you for uploading such less well-known pieces let us peasants can enjoy.

[@Tijaxtolan]

Your profile pic matches perfectly your comment

[@captebbtide]

Exactly. Most fine music aficionados only know Mozart's 'Laudate Dominum'. It's an added delight to know that Corrette used Vivaldi's 'Spring' from the 'Four Seasons' for his inspiration.

[@wiesiakrol2260]

Cuggini do kampania

[@shin-i-chikozima]

Her singing voice is out of this world This splendor is undisputed

[@adrimellet3964]

What a delight, thank you!

[@jf7243]

Such joyful music which surely makes heaven and earth rejoice!

[@marcosoliveira481]

Estou estarrecido com esta versão,e arranjo!!! Ficou maravilhoso !!! Sou Marcos Oliveira de Olinda, Pernambuco, Brasil !

[@eduardogow]

Oxi, Pernambucano não é apenas frevo. Sou Eduardo França, Recife PE.

[@colincachard1727]

Exceptionnel !😍

[@danielschechter8130]

Wonderful piece! Thanks for posting. I did a double-take when I recognized the tune, but then I looked at the title and saw "apres... Vivaldi."

[@canamus1768]

this is delightful, and a real find, at least for me, as i have always loved and admired the french baroque grand motet as a genre. a lovely and stylish performance to boot. thanks so much for sharing.

[@olgaluciajimenez7661]

Extraordinaria ! Muchas gracias por compartirla

[@csababekesi-marton2393]

Nice italo-franco cooperation on Ps 148. Exceptionally beautiful, there's nothing 'flat' in there only 'high places'.

[@maresolaris]

Very highly appreciate this upload of yours. Incredible, never thought of this piece being sung! Thank you for letting us enjoy this beautiful piece.

[@marcosPRATA918]

A primavera, de Vivaldi..., encantando um compositor magnífico, como Correte. Laudate Dominus.

[@akanda50]

Bartje, thank you for the wonderful upload. It was fabulous to follow the score in this famous music. It made my day!

[@mphilippova]

Danke_ hochinteressant!

[@bag3lmonst3r72]

İncidentally İ was playing some of his violin sonatas this evening, so thanks for the upload! İnteresting composer, if not a bit old-fashioned for his era.

[@bartjebartmans]

"old fashioned" is a highly overrated term these days. It also stigmatizes. No need for that. Corrette was an excellent craftsman, his brilliant arrangement of Vivaldi's primavera gives ample proof of that assertion.

[@gottfried-o8k]

@@bartjebartmans Old fashioned for me is a compliment. I like old fashioned. This piece is in the Baroque style rather then Classical that was written in the time. I prefer Baroque

[@sergiotapia9299]

BELLISIMO

[@edithcifuentes9079]

Grandioso grasias👏💐🎶🎵

[@southfloridaarcheryguy114]

What a fascinating piece. I’m surprised it’s not more widely performed.

[@Blue0cean]

Beautiful

[@MintLeaf19]

Hermoso. Gracias. Saludos.

[@macminator3000]

don't know much about this kind of music but i think i like this. it came up in my recommended :)

[@thomasdastillung4097]

Thank you for sound quality.

[@damiaosilva2817]

Linda obra de arte

[@christianwouters6764]

Much better than the recent Vivaldi pastiche by Zimmer.

[@leandrogasperi3669]

Buenísimo!!!

[@albertogonzalezt904]

Que super obra y las voces excelentes, embelesa y adicciona esta obra. Como se le hace para darle 1000 likes?

[@mahmoodawaji2222]

that's a holly cross one .🌠💙💚🌈🌸🎀💓☘️🍰

[@paradiddleday]

excellent soprano

[@nirinaramangasalama3265]

💓

[@Helen-hh7fh]

Really beautiful! How can I find his masses for two voices?

[@syroyid]

very surprising to hear quotations of Vivaldi

[@spiderlime]

did he also adapt the other concerti?

[@artfuldodger4850]

Brilliant when the days of Copyright didn’t exist, why waste a good tune when you hear it😁

[@serenissimus1678]

Great upload, but unfortunately the sound quality seems to be unsatisfactory (owing to distortion), at least on my PC. In case, would it be possible to reupload the video with a better sound quality? Thanks in advance!

[@bartjebartmans]

If you have a better sound quality you can upload it.

[@serenissimus1678]

@@bartjebartmans Thanks for your reply. I wish I had the original CD, but unfortunately I don't have it. On youtube it is possible to find another performance of the same piece: it is an older (Erato) recording, without "original" instruments, but the sound quality seems to be better.

[@aattallah]

Abetter studio recording by Erato kzbin.info/www/bejne/gKaTqGRueNylgcUsi=ZXbyFgXj5zHuBdq2

[@Shatyia]

👏👏👏👏🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷

[@aattallah]

It's not rare for French composers to use Italian melodies. When a copied composition was very similar, they didn't sign it. It was a way to morally respect the copyright. An example is the -French national hymn, almost identical to Giovanni Battista Viotti' s - Tema e variazioni in do maggiore (best known as "La Marseillaise"). Viotti composed it in 1781, just eleven years before that "La Marseillaise" was created by Claude De Lisle - who never signed the score as usual. kzbin.info/www/bejne/sKnGkKqmmLV5orMsi=5caCh1VAgYLx32wl In 1792, when De Lisle changed the original score into "La Marseillaise" and gave it to the major of Strasbourg, Viotti was in England to escape the revolutionaries, because musician at the court of the queen Marie Antoinette. He died in London in 1824.

[@valerytaubin8728]

Some parts sound like Four Seasons of Vivaldi

[@TheTheos68]

Volupté et grâce….

[@utepock7748]

Das

[@olavtryggvason1194]

If this really is written in 1770 it was extremely old fashioned and out of date. The style would fit better for Bach or Händel 40-50 years earlier.

[@bartjebartmans]

Corrette worked for conservative churches. His style made him good money. Composers needed to survive like everybody else, and he knew how to. That his style was out of vogue by 1770 is a no brainer. But, time periods aside, he was an excellent composer and arranger. That should suffice.

[@olavtryggvason1194]

@@bartjebartmans I have no intention to question Correttes musical skills. I just compared in mind what Haydn and the only 14 year old Mozart did at the same time. Quite a number of their works were also produced for the catholic service. Mozarts employer was archbishop.

[@bartjebartmans]

Not sure what Corrette has to do with Mozart and Haydn. He lived in totally different country and circumstances.

[@olavtryggvason1194]

@@bartjebartmans Of course, but the development of new styles crossed the borderlines also at that time, often surprisingly quickly in spite of the slow communications in old times.

[@olavtryggvason1194]

@@bartjebartmans But you can compare to the contemporary composer Johann Schobert, living in Paris 1761-1767. His style was much more modern than Correttes, and he also influenced Mozart.

[@miguelykaris7869]

❤