Рет қаралды 3,628
I really like the 3.0 update for the MicroFreak. This video is a sound design walkthrough of 5 new patches (2 that use Unison mode, and 1 for each of the 3 new Noise Engineering oscillators). I decided to name the presets/patches in this video (quotes and caps) - it makes it easier to keep track of things and discuss them. Details for all of the patches are in the timeline below.
TIMELINE
00:00 STARTER ("ARCADE" patch)
OSC [BasicWaves, 25, 0, 0]
UNISON [on]
FILT [none, default]
ENV [0s, 1.5s, 100%]
UNISON SPREAD [1.0]
ARP [ON, RANDOM, 120 BPM]
LFO [SQUARE, 10 Hz]
GLIDE [18 ms]
MOD MATRIX [LFO, UNISPREAD = 100]
00:24 INTRO
06:00 "TUBA" patch
T.U.B.A. (Triangle Unison Bass Arp) - it doesn't sound like a tuba...
OSC [BasicWaves, high, 0, high]
UNISION [on]
FILT [sweep, 82%]
ENV [0s, 2.0s, 100%]
UNISON SPREAD [0.123]
ARP [ON, RANDOM, SPICE 1/3, 120 BPM]
GLIDE [25 ms]
MOD MATRIX [none]
12:10 "SWIG" patch
OSC [Chord, m11, 0, 0]
UNISON [on]
ENV [0ms, 9s, 100%]
UNISION SPREAD [0.4]
MOD MATRIX [ENV, UNISPREAD = -30]
"TAPE" patch variation of the above (may need higher octave and volume)
OSC [Chord, m11, 0, 57]
MOD MATRIX [ENV, UNISPREAD = -20]
Bend Range =1 (in utility/preset/ )
I am really amazed at how the Unison tied to an envelope really seems to emulate a reverb soundscape!
20:10 "MIAMI" patch
OSC [BASS, 0, 0, 0]
PARA [on]
OCT [-1]
ENV [0s, 2s(adjust), 100%]
CE [ENV mode, 0ms, 150ms(adjust), 40% sustain(adjust), 25% amount(adjust)]
ARP [HOLD, RANDOM, SPICE(1/3), ARP_OCT(adjust)] or suchlike
MOD MATRIX [CE, WAVE = 100]
MOD MATRIX [CE, TIMBRE = 100]
MOD MATRIX [CE, ASSIGN1(SHAPE) = 100]
27:27 "DOME" patch
OSC [SAWX, 15 sawMod, 6 shape, 26 noise] - zero before playing
PARA [on]
OCT [0] explore higher and lower
ENV [0ms, 7s, 100%]
LFO [UNSYNC, TRI, 1.2Hz, LFO RETRIG ON - in utility/preset]
MOD MATRIX [LFO, WAVE(sawMod), 15]
MOD MATRIX [ENV, ASSIGN1[LFO-WAVE MOD AMOUNT], -15]
33:54 "CHARM" patch
OSC [HARM, 0, 50, 25]
PARA [on]
OCT [-1]
ENV [0s, 10s, 100%]
CE [LOOP mode, 150 ms, 0 ms, 520 ms, 70% - SMALL WINDOW ON AMOUNT (to get the beats)!]
MOD MATRIX [CE, WAVE = 15]
FILT [HPF, 20 Hz, 70%]
MOD MATRIX [PRESSURE, CUTOFF = 50 - consider changing to make less sensitive, or possibly the pressure response curve]
41:53 OUTRO ("COUNTDOWN" and "LAUNCH" patches)
This uses the LFO to count down. Does anyone ever use the SPEECH oscillator? It's worth thinking about how the lowpass filtering emulates the distance of a rocket launch. Why is that? Not precisely sure why the atmospheric sound transmission works that way... some sort of dispersion based on the low-level physics. Anyway, GO PERSEVERANCE!
42:57 ENDER ("FLIGHT" patch)
OSC[HARM, 0, 64, 35]
PARA [on]
ENV [0s, 20s, 100%]
OCT [0]
CE [LOOP mode, 5s, 5s, 0s, 5%]
MOD MATRIX [CE, WAVE, 7]
FILTER [LPF, 3.5kHz, 70%]
GLIDE [50ms]
MOD MATRIX [PRESSURE, PITCH, -0.6] //this is just barely enough to give it some instability.
The MF and the PO-32 are going into the Volca Mix, and I'm using the Zoom MultiStomp (Plate Reverb setting) as a send/return effect on both. No sync between them. Start with low volume (some of the transients on the PO-32 are pretty intense), but this is best in headphones - for the dissonance between the two devices and especially for the PO-32 bass sounds. This is pretty experimental in terms of the tunings...
LINKS
www.arturia.com/