Misty (E. Garner) Tutorial & Analysis | The Jazz Pursuit

[@vivfaydonahue687]

Most thoughtful, exacting analysis...( therefore doable) I have ever seen... Just ordered all the pdf printouts you so generously offer for $9 ... I will be able to thoroughly assimilate correct theory - which has been my goal.. Such a blessing to us that you have chosen EG's beautiful "Misty" - I love your style.. right to the exact point.. no opinion, no fillers, no fluff. ❤ The comment section is intelligent too... Thank you one & all for the "color" background!

[@ThaoLe-sn6zu]

so many things to learn in just one video.... tks for your sharing

[@TheJazzPursuit]

Thanks very much!

[@fortissimoX]

Wow, amazing! Highest quality of information on many levels! This video certainly took a lot of effort, thank you very very much and I wish you all the best!

[@TheJazzPursuit]

Thanks for the kind words!

[@Squirrel_eater]

My lord, that is gotta be one of the most informative channels I've seen in a while. One question. Would you consider making a guide on soloing over chord progressions on pieces such as this one?

[@TheJazzPursuit]

Thanks for the comment! Yes an introduction to improvising is on our list!

[@edgarsnake2857]

Great lesson. Thanks.

[@TheJazzPursuit]

Thanks Edgar!

[@mrdjangofreeman5560]

Many thx, now i can tackle this lesson and explanations 😊, not yet possible a year ago, lol

[@TheJazzPursuit]

Great work!

[@AMitrovic1]

This is so helpful. You guys are great!

[@TheJazzPursuit]

Thanks Al!

[@soo8154]

Gosh....this is the best explanation I've ever heard. Thanks million 😊

[@TheJazzPursuit]

Thanks!

[@kaueoliveira7224]

Great video. Thanks!

[@TheJazzPursuit]

Thanks Kaue!

[@man0sticks]

Regarding the melody in bar four (what you are calling phrase three) of the B section, many singers--Ella, Sarah Vaughn etc.--have the third note as A flat, not G. Nat Cole sings it the way you have it. Erroll Garner himself often played six notes here--Eb, F, G, Ab, Bb and C instead of the second triplet.

[@lukepurnell3906]

Thanks for the great tutorial. I think There’s a mistake in the first bar of the B section. Your notation gives a D natural in the melody when it should be a D flat.

[@jonasbergman11]

Thanks for a great video! I bought the PDF handout. Is there anywhere I can listen to arrangement that's included in the PDF without you speaking on top?

[@ankitsagar8174]

Isn't there is Db chord in bar 4 also ?

[@aidanokashi4019]

I was wondering the same thing

[@SoChilledOutGuy]

Gotta watch to the end lol

[@gongjuuuuuu]

0:25

[@brianmason9803]

Beautiful analysis, but could somebody explain the rationale on the fourth bar where the melody is sits on the 9th/2nd of the Abm chord. Sounds beautiful, but why isn't is a sus2 chord?

[@pez1870]

a sus2 chord is when you suspend the 3rd and play the 2nd instead (normally the 2nd would resolve to the third) here we aren't suspending the third, rather we're adding the 9th as a chord extension. it's also important to note the difference between a 9th and a 2nd. the add9 comes above the other notes while the add2 is smooshed inside of the voicing

[@gongjuuuuuu]

0:26