Modes with Friends: Lydian!

[@mattycraw]

Really love the dialog you guys insert. This "conversation lesson" format is really great. MOAR!!!!

[@seandaniel23]

Thanks so much Matt!

[@kungfumonkeyfluff]

I'm learning loads from yours and Ian's channels, and think they're inspiring and really approachable. I've learnt more theory in the last few weeks without falling asleep than I have done in years of playing, and has linked together lots of stuff that I've not understood how to use properly. Greetings from SE England, and cheers for the top work dudes!

[@seandaniel23]

I'm happy to help :) Glad I didn't put you to sleep! Thanks for the support.

[@itsjustaride12]

Wow the videos are on another level. Thanks so much Sean. I've been in a band focused on releasing music and playing out and learning sometimes takes a back seat. These have reinvigorated me.

[@seandaniel23]

Happy to help out! Thank you for watching!

[@chrissoares23]

LOL, nice one guys! As someone who makes video games for a living and being a thrash metal head I can't explain why I enjoy yours and the Stitch Methods vids so much. I'm not even a jam band fan and still I'm hooked. Thanks for making music theory so palatable.

[@seandaniel23]

Happy to help Chris and thank you for watching! So cool you do games, bring back Lydian!!!!

[@divadgnol67]

Seriously, best vids out there! You two together, make it really fun to learn.

[@seandaniel23]

Thanks so much David, we're hoping to do one every Sunday for a bit.

[@ThomasMegabezemboy]

Genius way to tackle this concept, and the banter is too real. You subbed me hard, bro

[@seandaniel23]

Haha, thanks so much for watching!

[@Higgzmusik]

I fell asleep with my iPhone and it was still going and I woke up, heard this lesson in my dream.... absolutely love it

[@seandaniel23]

Ian and Sean by osmosis!

[@crumb5756]

I love this channel SO MUCH! Keep up the great work! These videos always help me wind down and put me in a creative mood

[@seandaniel23]

Thanks for watching Cole! We'll keep em coming.

[@junglebarry1238]

Sean you are a genius. Your videos have made music theory make sense to me! Thanks so much for doing these

[@seandaniel23]

Man thanks so much for reaching! Always happy to help and I'll keep em coming!

[@stinkwhistle756]

Really like the more complex theory and application for it. More of this please!

[@seandaniel23]

Thanks Dillon, we'll keep em coming!

[@Higgzmusik]

Amazing how just chilling and clowning around can lead to gold

[@seandaniel23]

Thanks so much!

[@Higgzmusik]

Sean Daniel no thank you... it’s really opened my mind... I never knew about these scales ... I’m a rapper/ producer fascinated in music ... it sounds wonderful when you guys play together ... here’s a link to one of my songs m.kzbin.info/www/bejne/fpy0f6RjitOcqrs please carry on doing what you do... it’s inspirational

[@thegeektarist6239]

Sean thank you so much...I had a lot of trouble understanding modes of major scale! Can't wait to see more of your modes with friends :')

[@seandaniel23]

Hopefully we're gonna have a new one every week :)

[@OldManSprinting]

Greetings from Bahrain guys! Awesome stuff you guys are doing. Makes it all so easy and relaxed.

[@seandaniel23]

Thanks so much Brian! We'll keep em coming!

[@Kkdsemon]

Heck yea, bring on the mode series!!!

[@seandaniel23]

Every Sunday for awhile!

[@DocDanTheGuitarMan]

thanks for putting this content out there; its helping my get better

[@seandaniel23]

So great to hear Daniel!

[@vilempospisil5847]

Great idea! Looking forward to see the next part

[@seandaniel23]

Coming Sunday!

[@educostanzo]

Wow, you really have a nice strong channel here dude. Educational but so relaxed, not an overload of information and very practical. Oh, and cheers from Brazil!

[@seandaniel23]

Thanks so much! Cheers from the US!

[@johnboyer903]

"Heavy Lydian friendship" should totally be cut to vinyl, I'd buy that for a dollar! hahaha. Seriously though, your videos are so great.

[@marcustriton6978]

Great series. Looking forward to the other modes. TY. :)

[@seandaniel23]

Coming every Sunday for awhile!

[@randalldanger91]

Best lessons on the internet. I dont sub cuz theres advertisements anyways, but this guy is the shit!

[@seandaniel23]

Thanks so much!

[@danzonthebass]

That intro from the Bbmaj7 to Fmaj7 is the same as David bowie's "Starman". Great vid!

[@seandaniel23]

Didn't even realize that!

[@patrick764]

Very nice, guys. This is the first time I really, very clearly heard and understood the distinctive Lydian sound. Looking for to watching the Mixolydian one next. This is gonna make me late for work.

[@seandaniel23]

Thanks for reaching out Patrick!

[@netron896]

these videos with Ian are so nice and relaxed, keep them up ! do you have some theory videos about these things u talk about ? im self-taught and i dont know anything about what is a scale etc.

[@seandaniel23]

Thanks so much! Theory is always a big part of a lot of my lessons, I'd recommend you go back and watch 'The Difference between major and minor' and all the chord building ones.

[@jesswilson8687]

Lydian has always been my favorite... Guys like Joe Satriani and Steve Vai use it a lot, as well as a lot of Mixolydian, Phygian Dominant etc etc... Some of my favorite scales

[@seandaniel23]

Lydian for the win!

[@ZackRamsey14]

If you want to hear perhaps the most obvious Lydian sound, go listen to Lost Woods Theme from Zelda Ocarina of Time

[@seandaniel23]

Totally agree

[@ZackRamsey14]

If you want to see a high quality studio cover of said Theme, check out the latest video on my channel (:

[@paulbureau65]

Exactly what I was thinking...Zeldalydian!

[@Higgzmusik]

Zack Ramsey that whole game had legend music actually

[@joelspinale8681]

Thank you for this video!! I had been searching StichMethod videos for a Lydian video and thankfully came across this clip; like you, my favorite mode is also Lydian. CANNOT get enough of that #4. Sort of along this same vein, would you guys please consider doing a Flamenco (or major Phrygian) mode video? Thank you guys for everything you do!!

[@seandaniel23]

+Joel Spinale Lydian buddies!!!

[@nguyendangphuoc8601]

From Vietnam. 🇻🇳 you are the best and most inspirational guitar player on youtube that I found so far. I cound not understand why people have more favor toward typical guitarists who only teach some basic chords and strumming pattern. You gave us viewers so much stuffs to have fun with and load of shits to practise and get good at our playing. Hope you'll do great!!! Please make cover videos of popular songs such as Sunday morning(maroon 5), I won't give up (Jason Marz) or perhaps some eminem songs. Thanks!

[@seandaniel23]

Thanks so much for reaching out and saying so! I'll keep them coming and thanks for the song ideas!

[@jmanxoom]

Best video yet!!! Keep Up the Good work

[@seandaniel23]

Thanks so much for watching!

[@johanndelrioworldmusic]

you guys are great, good job greetings from italy

[@seandaniel23]

Thanks so much for watching. Cheers from the US!

[@efazsafwan7804]

This video was very helpful. Will you be making more such videos on modes?

[@seandaniel23]

Yup! Every Sunday for awhile

[@toby1kenobe]

yes, its a sharp 4 not a flat 5

[@seandaniel23]

:)

[@stevelundgren2938]

+ Toby Hodkinson -- You are correct; it's a #4, not a b5. Because the Lydian Mode ALREADY has a Perfect 5th. You can't have duplicate intervals.(usually) There is an exception, I think, but this isn't it. Can anyone remember what it is? Another revelation for guitar players: G# isn't a key. (Ab is though)

[@christiansk]

Thanks for spelling this out! I was wondering what the heck was the difference!

[@stevelundgren2938]

Christian Kern +++ You are welcome. My pleasure. The basic rule is that you cannot have two of the same interval numbers or letter notes in any single scale. They even use double sharps and double flats where needed to avoid this problem.

[@martinpalmer3575]

Indeed, diminished RE: double flats., 1, b3, b5, bb7.... Definitely no b5 in the lydian, contextually speaking, a b5 is incredibly dark, an augmented 4th is not dark at all.

[@gavinmcg2100]

That bit about video game music loops blew my mind.

[@seandaniel23]

So true!

[@JCloyd-ys1fm]

This is great. Are you guys ever going to talk about the melodic or harmonic minor modes?

[@seandaniel23]

Yes absolutely, I might actually do a standalone video on that.

[@dougp2917]

Not since "Modes no more Mystery" with Frank Gambale has anything else I've found be clearer (and fun!). Thanks guys!.

[@seandaniel23]

Happy to help Doug!

[@Addy-1636]

You guys are awesome, keep em coming

[@seandaniel23]

Will do! Thanks for watching!

[@VForbes]

This was an awesome video, I was laughing at the unintentional comedy!

[@seandaniel23]

Thanks for watching Ovando!

[@petrilacosmin7743]

A Sub is in danger? Have no fear Super Sean is here! Awesome video, looking forward for this series !

[@seandaniel23]

Never fear Petrila, I'll always be close by.

[@redwalrustmnc52]

Theory lessons are my favourites...thx guys.

[@seandaniel23]

Happy to help, more coming soon!

[@Ryan_Perrin]

Great video! If you haven't done it, I would love to see a video on changing time signatures. I am having trouble flowing from 6/4 to 4/4. Thanks!

[@seandaniel23]

Great idea, I'll have to do a vid on that.

[@juliusalbe2070]

oh man i would love the mixolydian with friends, my favorite :) love the sound of that flat7 afraid of locrian though :o

[@seandaniel23]

You know it! Coming soon!

[@ParsevalMusic]

Sorry guys another little question the chords were from the major scale harmonization not from the lydian scale (The 4 th chord would have been diminished isn't it?) so it's a little clash with 5 and #5 note degrees between scale and chord... hope that's right

[@seandaniel23]

Good question, if I understand it correctly, that's the main difference between a #4 and a b5. Because in Lydian, even though a tritone exists on the 4 chord, it still has it's regular perfect 5th interval, and to make a triad you use the 1, 3 and 5. So the fact the it has a #4 and not a b5 (even though they'd be the same note) means you build the chord with the regular 5th, meaning it would be major and not diminished. hope that made sense!

[@ParsevalMusic]

Dear Daniel I read for the Lydian scales we have I II chords major, iii minor, iv° diminished.. here's the point.. so perhaps you didn't mean to play the lydian harmonization but some others chords over your friend scale if i don't get wrong... anyway tnx again great guys you are :))

[@TheShoreman1]

I think that Sean was calling the chords by the numbers relative to the parent major (F major) scale. But I think looking at it strictly as B Flat Lydian. the B flat chord would be the I chord and the F chord would be the V chord.

[@CapitaineBuisson]

Great lesson! I really like this kind of tutorial. It's seems much concrete for me. Thank's you !

[@seandaniel23]

Happy to help!

[@apatia777]

Great sync between you two :D!!!

[@seandaniel23]

Thanks so much for watching :)

[@ComedyCuts-x8v]

Your videos are awesome cause you are awesome dudes!

[@seandaniel23]

Thanks so much Ehsan!

[@rafuxec]

Great lesson I love you guys. By the way what is tritone? Sure I'll look it up right now but your take on it is always appreciated

[@seandaniel23]

So a tritone is the distance between a note and the flattened 5th note of its major scale. So for example, on one string of a guitar, it would be 6 frets difference, or 3 steps, hence the 'tri'tone

[@saulinuxxx]

Hi Sean. Everytime I watch your videos, youtube plays that Yousician commercial. What do you think about that teaching method? Cheers!

[@seandaniel23]

Thanks for watching Saulo, you know I really don't know anything about Yousician, I might have to investigate.

[@EdevardHvide]

AWEESOMME from Norway!!

[@seandaniel23]

Thanks for watching Edevard!

[@andromydous]

24 years (off and on) of playing guitar and I still have problems wrapping my head around modes. Some say only use the mode over corresponding chords. Others say you can use it over any chord within the chosen key. Then, there's the question of which chords within the key best fit the mode. For example, Fmaj vs F7. I seen another video using lydian by someone else. His sounded soulful, dreamy, and slightly haunting, while yours sounds upbeat. What makes the difference on how that mode affects your emotions?

[@delcapslock100]

Random question: Have there been any particular exercises you've done (or still do) that resulted in a substantial improvement in your overall speed/accuracy?

[@seandaniel23]

Yes! Definitely for me it was doing minor scale or arpeggio runs to a metronome! I'll have to do a video on that soon.

[@skaterandy13]

Since you are using the lydian mode would you make the 4 chord a #4?

[@Marakao16]

That's nice! Can't wait to see the coming scales in the next videos :) It's just hard to follow for me, cause I'm german and lacking at some spots with the translation :p Is there the possibility that you would fade in tabs or the chord progression while you're playing? Would be great and easier to follow :)

[@seandaniel23]

Thanks for the feedback man, I'll try and see if I can make up some tabs.

[@ruiibanez]

when will the new vids be coming out?

[@seandaniel23]

We're shooting for one every Sunday :)

[@Qchmqs]

nice job guys, now i wanna see you jamming to a jazz standard xD

[@seandaniel23]

Thanks man! Someday :)

[@RealBobStovall]

Next thing you know you two will be making Sonic Drive-In commercials.

[@matthewlebish]

You guys are like Cheech and Chong, Jägermeister and Red Bull, you guys go together!

[@seandaniel23]

Haha, thanks so much man! It's exhausting making Ian look good though.

[@verandi3882]

that was an awesome lesson , the lydian sounds happily unstable,but I have a question , isn't a flat five called tritone? and as you mentioned before a flat five is also a sharp four so in this case which notes do you play? and by that I mean do you play the 4 and the b5 and skip the 5 or you play 3, then #4 and after it 5 ? and thank you :)

[@seandaniel23]

Great question. So in Lydian, you still have a regular 5, essentially I would think about it as 'skipping' any one note, but instead take a regular 4, and just alter it by moving it one fret (or semitone) higher, everything will be exactly the same as the major scale :)

[@verandi3882]

Sean Daniel thank you,

[@samfar28]

If I play G lydian scale what chord progression should I use?bec it has a C#..if i follow your progression i would go from a G to a D..Also G to Amin to Bmin to D..should i use C#dim to encorporate the lydian effect?hope i make some sense Sean

[@seandaniel23]

Really just pick any chord from the key of D. So just choose any of D, Em, F#m, G, A, Bm or C#dim

[@samfar28]

Thank you so much Sean!!

[@andromydous]

Please correct me if I am wrong. Been having ups and downs with modes. Frustrated because I feel I should be understanding it. I believe it's starting to click. Other than the Ionian and maybe the Aeolian, if you avoid the tonic chord (G) in the parent major scale (G major) and start with the tonic chord (C) of the mode, then (C)Lydian sounds good. I only surmise this, because anytime I throw the parent tonic chord (G), the lead feels like it wants to resolve to that. Which would make it sound more Ionian than Lydian.

[@avaron100]

I was jamming along with the backing track but most of the time it just sounded I was in the F major scale... What can I do?

[@seandaniel23]

My advice would be to really get into that Bb Lydian shape and hammer home the notes Bb and E. Hopefully then you'll be able to hear a little bit of the dissonance of that interval.

[@avaron100]

What if I jam to a track that is in the key of B flat rather than in F? Would that work? Thanks a lot.

[@AlexStrabala]

Philip Pirrip no. They are using the chord numbers incorrectly in this video. In Bb Lydian, F is the IV chord. In the Ionian mode the ii chord is minor, but in Lydian the II is major due to the #4. So if you play Bb Lydian over a regular Bb progression the #4 will sound really out of place.

Sean, when you said "if you play the Bb Lydian mode by itself, you're essentially just playing the Fmaj scale", is that something you happen to know, or did you make some kind of quick 'calculation' on the notes that are in F maj and how theyre simular to Bb Lydian. Thanks!

[@nicktaylor1902]

Lydian is a fourth (five semitones (five frets)) higher than the relative major. So for example A major's relative lydian mode is five frets higher (a a# b c c# d), so the relative Lydian mode is D Lydian> Hope this helped!

[@seandaniel23]

Great explanation! Definitely always to of every mode in relation to the major scale, eventually you'll start seeing the notes as how far away they are from the main root note and the calculations just become second nature.

thanks guys

[@cheeseburger1884]

Nice! Also, when will Ian do the rhythm? Some solo monopoly going on over here.

[@seandaniel23]

Starting tomorrow!

[@lancelotlink6545]

Sean, I notice you chose to play a Fmaj7 for the I chord on the jam. That seems to be the perfect choice because it contains the E which is the sharp 4 of the B Lydian scale .Was that intentional to get the modal feel? Would it work just as well with a regular F Maj. I'm trying to work backwards and figure out when to go modal in a jam. Is it based on the chords? IE if we are jamming a maj7 then Lydian works best etc?

[@seandaniel23]

You're right on! It definitely works well with an F major isn't of the major 7 chord, but I think in a two person jam, the rhythm player hitting that F major 7 just leads the lead play that much more into a Lydian type thing if that makes sense.

[@timothyrice1621]

Hey guys! I'm a big fan of you both and I have a complaint. It is incorrect to say there is a flat 5th if a perfect fifth also exists. Sharp 4th is the correct answer because lydian mode is the Ionian with a different 4th interval. Tl;dr 5b and 4# are not synonymous!

[@nicktaylor1902]

well, they are, but it's just grammar

[@timothyrice1621]

But that is to imply that the seven interval Lydian Mode has zero 4th intervals and two 5ths. It is improper grammar, I agree, and therefore should be changed. Proper grammar is important for musicians so that they can accurately communicate with one another.

[@nicktaylor1902]

You're totally right there. I think they did correct it later in the video, though.

[@seandaniel23]

Right on man! I guess I just meant it as the spacing (tri-tone) is the same, but I do need to be more careful about articulating the difference. Thanks for the feedback!

[@jonathancolindres7539]

Sean daniel, I see you getting them subscribers, nicee

[@seandaniel23]

You know it! #sublife

[@slickwillie3376]

Are those the new Martin strings Ian?

[@seandaniel23]

Haha, no.

[@jacobmccracken6784]

Hi friends. I would love it if you could show me what's going on in White Rabbit by Jefferson Airplane

[@seandaniel23]

Great suggestion!

[@maureenpcn5321]

awesome

[@seandaniel23]

Thanks Maureen!

[@pijawa2000]

Waiting for next episodes of this series! Greetings from Poland ;) (BTW: Czechoslovakia doesnt exist anymore :P)

[@seandaniel23]

Coming soon! Thanks for watching :)

[@chadmartin8254]

is eyes of the world in lydian?

[@seandaniel23]

I'll have to direct this one to Mr. Stich, not too familiar with the Dead stuff tbh.

[@CoolEditz]

I always explain lydian as playing the major scale of the 5 chord.

[@JeremyKroeker]

Czechoslovakia doesn't exist anymore. And hasn't for over a decade. Otherwise ... love this content, guys!

[@seandaniel23]

I need to start fact checking you.

[@evanboyd6903]

I can't wait till y'all cover my personal favorite mode, Locrian. I find that people over exaggerate it as being hard to use when it really isn't that hard. Staying in the key of F like y'all did and taking E as the new tonal center you can easily use an Em7b5 chord in 2nd inversion and remove the third to imply that locrian tone for a start. I Find that to be an easy and relatively simple approach to it. Maybe I'm using it wrong but that's how I view it and if I am I guess I'll find out how it's supposed to be used when y'all cover it.

[@seandaniel23]

Oh it's coming! But in the meantime there's no wrong way to use it, if it's working for you keep at it!

[@ParsevalMusic]

Fantastic !! I missed a think why the I chird is F ? Isn't B flat sorry guys for sure I wasn't paying attention

[@RASTAxSKATE]

ParsevalMusic Bb is the four chord of F major

[@seandaniel23]

Exactly right! Bb is the 4th note of F, hence it's the 4th chord in the progression, hence it the 4th mode, Lydian.

[@ParsevalMusic]

woops sorry you're right.. so your friend was playing Bb lydian scale.. tnx!

[@pogchamp7983]

I subbed when you said most of you are subs and glared at the camera haha

[@seandaniel23]

+Pog Champ I'm glad I was able to guilt you into it. Welcome to the party!

[@BonafideJones]

Wait so if you're calling F the 1 chord, how is this any different than playing in F major? Asking for a friend...

[@seandaniel23]

You're right, there would be no difference BUT I was more talking about treating the F major AS the 1 chord in the key of C. Which would bend the tonal center to F, even though you're playing in the key of C, kind of forcing the chord progression to go to F when normally C would be 1, that gives kind of a lydian sound.

[@andromydous]

So you use a mode from the Cmaj scale but over the key you're in.....I'm confused. Aren't you just using the key's scale? Using your example, you're just playing an Fmaj scale over the key of Fmaj. Right?

[@moadot720]

0:22 Me too! That's also why I clicked on this video! EDIT: 1:28 I just realized... ...That guitar says "Taylor"... ...My name is Taylor XD

[@seandaniel23]

Thanks for watching Taylor!

[@skyridge8465]

Haha heard some Simpsons Theme teasing.. break into that Lydian Dominant!!

[@seandaniel23]

Haha, next time!

[@stefromfortworth]

Sharp 4. Flat 5 would imply that there is a natural or flat 4th in the scale with it.

[@toddfagan7703]

i think you guys need a manager .to connect you with your favorite guitarists. an be able to jam with them. an have them share the theory s behind songs .you guys rock . .id love to see you jam with your favorite icons..you are so worthy so worthy.

[@seandaniel23]

Man that would be so awesome!

[@8bitheroes86]

Good stuff dudes, yeah the zelda games use a lot of lydian :)

[@seandaniel23]

Yeah Zelda is such a great example of that.

[@guillotinedeath]

Weird dr levin has a whole zelda/lydian series great stuff

[@trufisp1]

Alway perplexing to hear guitarist stating a ''favorite key'', there is no difference between A major or B major or any major key , nor a minor or b minor keys etc. the ''intervals'' between notes, which is the heart and soul, and ''key '' to understanding western music are the same. A's B's and F sharps do not ''exist'' in the world, intervals do.They usually mean its just easier to play/finger.There are however substantial differences in sonic states conjured between major vs minor key progressions, which are sociocultural constructs, epigenic to music theory. So with all that rambling introspection out of the way , thank you, both, for these uploads and sharing you're love of this mysterious realm.

[@seandaniel23]

Oh ho ho! Excellent point! But for a guitar in standard tuning, the key of A offers a lot really beautiful chord voicings you can make with the help of the open strings combined with higher voicings. So that's why it will always be my favorite!

[@DanSZiegler]

Very nice! I've not played with Lydian yet. This mode sounds like a girl-magnet mode! ;-)

[@seandaniel23]

+Daniel Ziegler That's why it's my fave!

[@gAmmaween]

I'ts hard to get greetings from Checoslovaquia because it doesn't exist since 1992 :p anyway great video, greetings from Spain :)

[@seandaniel23]

Haha, Ian is kind of still living in 1992 in a lot of ways.

[@miikamessi]

cool topics coming then :)

[@seandaniel23]

You know it! Modes with Friends!

[@garyjford1981]

I love me a C#m or F# key! 🔑

[@storm3380]

It sounded minor...but not Satriani or Vai...so yeah...I like it.

[@seandaniel23]

My fave mode!

[@storm3380]

@@seandaniel23 Sean I was told by a music teacher to form chord progressions around 1,2 and 7 chords and "highlight the 1,3,4,and 5 notes in the scale when soloing over these chords. Does this make sense to you...and if so is there any other advice you could offer? thank you, love both you guys channels.

[@XXIcenturyblood]

greetings from india ;)

[@seandaniel23]

Cheers from the US!

[@CompoundInterest-SG]

Giving up your perfect fourth for a tritone seems like a terrible deal to me.

[@seandaniel23]

But it’s soooo good!

[@jvanb231]

Sorry friends, I choose modes

[@seandaniel23]

I understand.

[@kierenmoore3236]

#4, not b5 ... that is kinda important ...

[@seandaniel23]

Definitely is.

[@albertomuniz1822]

you sound like Lawrence Welk!

[@seandaniel23]

Taken as a compliment :)

[@ferminpascual9550]

30 - 10 - 2016.

[@ferminpascual9550]

saludos... gracias.

[@gadielfarrel4552]

you guys should just make a channel together

[@seandaniel23]

Thanks Gadiel! we'll keep it up!

[@chhtony1190]

sounds like a zelda song

[@seandaniel23]

Yeah Zelda for sure uses a lot of Lydian.

[@PearlJamR]

yeah i like Sean, but ain't too keen on Ian's sneaky smile!

[@seandaniel23]

Thanks!

[@pherickniartallagh2813]

hold music!

[@philosoraptor6355]

Hahahah!! it sucked, but the idea was right. Guys are awesome...

[@seandaniel23]

Thanks for watching :)

[@SteveWilliams-uh6sz]

VERY informative, ,,,,,but I have to say .....a little bit gay....not that there is anything wrong with that. ..

[@seandaniel23]

Haha, well lydian is a little gay to begin with.

[@StankoAx]

Cringe. Pretty illustrative, though

[@seandaniel23]

thanks for checking it out