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How does Miu change her Saree in-between? Any theories? ;) comment below!
This is the later style Cholkettu, choreographed by Kalamandalam Leelamma, we can see the modern influences in dance and stage movement progressions. The two shlokas used Are "Vakratunda Maha Kaya" in the beginning dedicated to Ganesha, and "ella palungu niramotha vidagda roopi" in the last stanza dedicated to Saraswathi
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