The friendly ghost of MoMA's lobby | Philippe Parreno | UNIQLO ARTSPEAKS

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The Museum of Modern Art

The Museum of Modern Art

Күн бұрын

"Not a lot of people know who she is. She's like our little, friendly ghost." Alaina Boukedes, a guest specialist in MoMA's Department of Visitor Engagement, talks about the “unpredictability” of her favorite piece in the Museum, Philippe Parreno’s installation Echo: “She’s always talking, she’s always interacting...she’s never the same.”
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The comments and opinions expressed in this video are those of the speaker alone, and do not represent the views of The Museum of Modern Art, its personnel, or any artist.
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Пікірлер: 14
@shreeyatyagi
@shreeyatyagi 3 жыл бұрын
Cool surveillance
@michellecornum5856
@michellecornum5856 3 жыл бұрын
That is just the coolest thing EVER!!! How fun!!!
@stvp68
@stvp68 3 жыл бұрын
Very cool!!!
@janie7242
@janie7242 3 жыл бұрын
An open-mind and creative Ghost, not bad! Interesting! Time to meet the real 'thing'! 🤓🙂
@Delta888ful
@Delta888ful 3 жыл бұрын
Wow! Fascinating! I'd love to see that piece in person. Does she ever repeat herself? Great clip!
@ronsmith1364
@ronsmith1364 3 жыл бұрын
an algorithm/app for folks with the led app controlled rope lights might have fun with an "Echo" based function. Nice that a sky snapshot also influences output.
@maibritton2882
@maibritton2882 3 жыл бұрын
She is beautiful!
@brvndxxxn
@brvndxxxn 3 жыл бұрын
💋❤️💋
@Mrajtheartist
@Mrajtheartist 3 жыл бұрын
💕💞💕💞💕💞💕💞💕💕💞💕💞💕💞💕💞💕
@richardedward123
@richardedward123 3 жыл бұрын
Casper? That you?
@bigfoot9405
@bigfoot9405 3 жыл бұрын
me, a hacker: I'm in.
@kithraholmes6088
@kithraholmes6088 3 жыл бұрын
My names Echo 👁👄👁
@fernandoventura2696
@fernandoventura2696 3 жыл бұрын
Look in youtube.....filosofía cara caras baratas...
@yehonatanlevartovsky4820
@yehonatanlevartovsky4820 3 жыл бұрын
I don't understand why the curators are willing to sacrafice the mental being of the underpaid staff in the lobby just for the sake of showing stupid art. If it annoys the staff, it should be removed.
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