Probably the best interpretation of this masterpiece to be found on KZbin. The solo soprano passage is particularly well sung.
@klassikswrkultur2 ай бұрын
Thank you very much for this great compliment. We are happy to pass it on to the SWR Vokalensemble :)
@voiceover21913 жыл бұрын
Very good performance, one of my favourite pieces by Feldman, it's etremely difficult to sing as all of his music is. I sang it almost 30 years ago, many great memories. It's in many ways so Webernian and still ... just perfect beauty. Goosebumps, thx for this.
@hyseo11212 жыл бұрын
What a astonishing sound world of feldman!
@tommorrissey99637 жыл бұрын
Incredible performance. The world needs more Feldman.... Kudos to this amazing ensemble.
@wavechamber Жыл бұрын
I am in tears...
@jamesjoycean2 жыл бұрын
I've sat in the chapel several times. I wish I could hear this there. Mesmerizing.
@perry155910 ай бұрын
The Chapel is in New Mexico, isn’t it?
@klassikswrkultur7 ай бұрын
@@perry1559 the chapel ist in Speyer, a city in Rhineland-Palatinate in Germany.
@dieterammann44 жыл бұрын
Sehr präzise Interpretation, fein austarierter Chorklang, und all dies in einem Raum, dessen Akustik der Informations“dichte“ ;-)) dieser Musik entgegenkommt. Bravo!
@MichaelConwayBaker2 жыл бұрын
Music from another world!
@BELDERBOS4 жыл бұрын
Unbelievable delicate and inaugural. What a power!
@mariacefala4 жыл бұрын
Wonderful! Thank you for sharing🙏
@hectorcavallaro6 жыл бұрын
The best live performance I've heard of this piece. Bravo
@TheStockwell7 жыл бұрын
This is an absolutely astonishing performance. Thank you, SWR!
@Daniel_Zalman5 жыл бұрын
A very moving performance. You really got the spiritual essence of the music.
@marcocech7226 Жыл бұрын
meravigliosa interpretazione: bravissimi. 👏👏👏
@Cosmogalacto7 жыл бұрын
Sehr schön vorgetragen, was für ein Klang! Wirklich eine tolle Aufführung dieser Komposition
@gotzpahl63026 жыл бұрын
This emphatic performance by the SWR Vokalensemble, under Marcus Creed, of Morton Feldman's composition reflects the intense minimalism of Mark Rothko's painting and Philip Johnson's architecture.
@natigrossman91314 жыл бұрын
Music for all times but more than ever for the corona age. Magnificent performance.
@NovicebutPassionate4 жыл бұрын
"In Feldman's serene and contemplative ritual, 'Rothko Chapel' (1971), a sense of the surroundings that led to its commission is fundamental to the listening experience. Intended as an environmental soundscape for the fourteen huge canvases of the Rothko Chapel in Houston, Texas, the work's blend of declamation, lyricism, and delicate color (soprano, chorus, viola, tympani, chimes, and vibraphones) releases a quiet grandeur that gives rise to a new connotation to the word Minimalism. The attendant simplicity, solemnity, and stasis were not newly found, however, but had been refined over a career." Soundings, Music in the Twentieth Century, Glenn Watkins, Schirmer, 1995, P. 669.
@conradclipper6 жыл бұрын
Absolutely wonderful. The climax to movement 5 at 21:40 is magical. Reminds me a little of the slow, strange, almost punk burn of Messiaen's Jardin du sommeil d'amour.
@voiceover21913 жыл бұрын
Interesting comment. I would never have linked those two composers, but I guess both pieces have this meditative state. By the way if you ever have the chance to hear Turangalila live, don't miss it. It's a unique experience. I have been lucky to hear it live twice and it was unforgettable. Last time Yvonne Loriod played the Ondes Martenot and Messiaen himself was in the theatre. He came to the stage to receive the standing ovation afterwards, but clearly wasn't very keen on the limelight.
@andrewhalliday9078 Жыл бұрын
I saw it once, I think with Yvonne Loriot, at the Royal Festival Hall, maybe in 1967 or 1968? An unforgettable experience, even after all these years