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What do "The Descent" and "Dead Calm" have in common? And what do they have in common with the Chris Hemsworth vehicle "Extraction" and the Bruce Willis/Richard Gere awful-fest "The Jackal"? Is every film trying to be "Citizen Kane"?
In this video essay, I'll tell you! And through a parallel analysis of "The Taking of Pelham One Two Three" and its remake, "The Taking of Pelham 123" (people forgot how to spell numbers since then, I guess), we'll see how screenplays changed from the 1980s forward.
Just remember: backstory is NOT personality and non-drama films don't need drama.
00:00 The Descent
01:15 Dead Calm
02:21 The Gray Man
02:49 Extraction
04:08 The Taking of Pelham One Two Three
06:22 Denzel Washington's Garber
08:57 Walter Matthau's Garber
10:17 The Taking of Pelham 123
11:21 Robert Shaw's Ryder
12:26 John Travolta's Ryder
14:04 Model Ending
14:54 The trouble with "motivation"
15:37 The Day of the Jackal X The Jackal
17:18 In defense of non-dramas
Rosebud (verb): to shoehorn a sad backstory into a character's life for no reason other then to manipulate the audience into rooting for the character. Usually used negativelly in relation to non-drama films that have no need of such contrivances.
Ex.: "Did you watch that new Netflix film, man? Can't believe they rosebudded another dead child into a good old fun adventure flick!"
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