Mozart - Nozze di Figaro - Finale II "Esci omai, garzon malnato" (score)

[@zacharywest6322]

Some of the greatest twenty minutes of music ever written!

[@Mariosergio61]

40 years after hearing this opera for the first time, I can only agree with you.

[@airpanache]

Truly one of the most miraculous music pieces ever written. Just cant stop marvelling at it every time listen to this

[@danielromero4858]

Le Nozze di Figaro: The Best Opera of All Time 🍷

[@maximilianbjorklund6544]

Il Conte: Simon Keenlyside La Contessa: Véronique Gens Susanna: Patrizia Ciofi Figaro: Lorenzo Ragazzo Marcellina: Marie McLaughlin Bartolo/Antonio: Antonio Abete Basilio: Kobie Van Rensburg

[@Tommxp]

I can't stop listening to it

[@PDXGregor]

18:43 to the end... Every time I hear that last forty seconds, I can hardly breathe, it's so beautiful!

[@scoottoujourspret743]

me it's from 18:10 to 18:27

[@PDXGregor]

@@scoottoujourspret743 yes. He was such a magician.

[@danielknapp9218]

Wow, I've never heard a version quite as quick as this, but it really captures the chaotic scene well, and the singing is on point.

[@rossini9mozart10]

Listen to Currentzis's version, all figaro cosi and don giovanni are mind blowing !

[@TimothyCHenderson]

Indeed, which makes the slow stretta a little jarring. I think they missed the piu allegro direction.

[@tombias9489]

These Mozart works are like movies that when you rewatch them and see something new each time. I just heard the section around 2:32, just popped out.

[@peterrealangel]

Very beautiful, heart touching, the best. Can’t stop listening, repeatedly 🥇🏅🎖 🙏🏽💞❣️

[@Fm-xu9id]

Wow Incredible! Mozart great genius!

[@franciscosanchez1976]

Amazing work. Saved a lot of ink and time. Truly appreciated! Thank you.

[@zoez7741]

8:38 is so beautiful

[@airpanache]

Yes and especially when the double bass joins in the repeated session

[@danfitzgerald655]

Thanks so much for posting this, I bet it took a lot of time to line up the sheet music. I'm working on a musical analysis of the Act II Finale so this video is incredibly helpful for study.

[@ioche_au]

Dan Fitzgerald No one gives a shit DAN

[@avelinewingfield7359]

This is the most helpful video. Thank you XD

[@donalfonso2]

9:13 is the ultimate tear-jerker

[@mirandarecursosmusicales]

Alguien podroa confirmarme si la forma mosical de esta aria es A-B-A? y si las tonalidades son Mi b Mayor en A y sol menlor en B?

[@josephk3607]

Best recording

[@dominikaszapar510]

2:25 Susanna Susanna 6:24 Da questo momento 9:45 Scena X 10:54 Ma signore, se in lui parla 13:18 Lascialo

[@bravoryno]

Oh I love Opera

[@st14]

The tempo’s very quick. What recording is it? Who are the singers? Thanks.

[@rossini9mozart10]

It's René Jacobs CD version

[@gingersonny74]

восхитительно.

[@giulianosantangelivalenzan1203]

Tempo's very very fast, but extraordinarily executed nonetheless

[@JoshFreilich]

Is the tempo not supposed to be very very fast? Keep in mind, the final tempo marking reads "Prestissimo," which, if I recall correctly, is translated to: "VERY... VERY... FAST."

[@Hyerim_Byun_Pianist]

00:00 Esci omai (Allegro) 02:30 Signore, Cose quel stupore (Andante molto) 03:39 Susanna, son morta (Allegro) 06:46 Signori di fuori (Allegro) 07:47 Conoscete signor Figaro (Andante) 09:45 Ah Signor, cosa stato (Allegro molto) 12:30 Vostre dunque saran.. (Andante) 15:23 Voi signor che giusto siete (Allegro assai)

[@scoottoujourspret743]

In many version at 18:10 bartolo sing Conte's part...

[@decodesc7744]

Why do they do that?

[@Tico4president]

Wonderful Il Conte and Basilio! Such a shame that their names aren't posted.

[@FacePaster]

conte sounds like keenlyside to me

[@josephk3607]

My favourite bit is 1:01-1:04

[@jean-naymar602]

My favorite bit is 0:00-0:01

[@decodesc7744]

My favorite bit is 11:12 - 11:16

[@KyleAnimates]

the definition of insanity

[@ARCtheCartoonMaster]

Silenzio, Bruno!

[@PhysiqueQuantique]

Why all the added appoggiature I wonder...

[@neo5982]

PhysiqueQuantique too much...

[@gonzalocuadra8657]

Historical performing practice. Every singer must put some apoggiature to convey or highlight a certain feeling (affetto) or to follow the melodic design.

[@Slider-y2d]

02:30 03:39 05:39 06:43 15:24 18:59

[@zeroblizero]

Anybody here preparing an audition as opera coach?

[@paololucca1495]

It’s so difficult

[@catherinesiddle3848]

Is Il Conte performed by the wonderful Rodney Gilfry?

[@FacePaster]

sounds like keenlyside to me

[@gingersonny74]

Кинлисайд . !!!)))

[@st14]

Is it Thomas Allen as Il Conte? Thank you for posting!

[@FacePaster]

sounds like keenlyside to me

[@carlosmoraisbaritono]

6:46 7:46

[@carlosmoraisbaritono]

9:47 15:22

[@neo5982]

lebhaft

[@la_la_landism]

mozart's been really quiet since charli dropped brat...