Mozart Piano Sonata No.1 In C Major K.279(189d)/Maria João Pires

1. Allegro [0'00]
2. Andante [6'59]
3. Allegro [15.59] ~ [21'20]
Maria João Pires
Recording : 1990

[@sharonanthony7429]

Such an absolutely gorgeous Mozart Sonata that is not heard enough. Beautifully performed with all its gracefulness and technique that is required with delicate nuances and clarity true to the classical sounds of that elegant era of music. Thank you for your true artistry and sharing your talents with all of us who appreciate those rich sounds available on an excellent instrument..

[@ianhodge8709]

this Sonata is absolutely divine delicate subtle vigorous totally enjoyable,,but why oh why does KZbin have to interrupt at their will with wretched ads :( shame on you KZbin

[@pengz5510]

Maria is a legend!😮

[@stelastic]

What a brilliant and nuanced performance.

[@tomgarza1355]

How does this not have any comments? This is an amazing piece played a truly talented maria pires.

[@shreyaskaushal1657]

tomgarza1355 Completely agreed. Well, now it has two :D

[@jcher0]

three!

[@assns90]

This woman makes magic with the smallest most delicate and poetic hands. It's truly miraculous

[@IoannaMoudanioti]

Amazing!!! My favorite interpretation by far!!!!

[@texwiller4029]

Grazie.

[@johnhernan9238]

Love it - A Gentleman in Moscow brought me (back) here

[@nickyork8901]

The second movement is heavenly

[@alessandrazedda1020]

Che meraviglia ♥️

[@korpollema7433]

Indeed very artistically played. The best of all performances.

[@WalyB01]

. Allegro [0:00] 2. Andante [6:59] 3. Allegro [15:59] ~ [21:20]

[@hugovejar6960]

a masterpiece!!! great played

[@GazmendCeno]

Superb

[@texwiller4029]

This could be a "forgotten early Beethoven sonata".

[@charlottewhyte9804]

very fast may be too fast. Like this sonata very underated yea

[@reubensimp5348]

Who else is watching this to get it up to speed (quick flex)

[@amyjanealberts7186]

Me haha! It still doesn't goes really fast but I keep trying until I got it on the right speed.😁

[@reubensimp5348]

@@amyjanealberts7186 me to 😂

[@hueguy]

I'm trying but the ornaments make it 3x more difficult >:(

[@amyjanealberts7186]

@@hueguy keep trying, it wil become fast! I already finished this song, and I love it!

[@reubensimp5348]

@@hueguy I completely agree

[@emanuel_soundtrack]

Never underrate C Major.

[@caterscarrots3407]

Really? I avoid C major for the most part outside of modulations, because with C major, I just get this feel of: _I'm going to get out of key way too fast here if I introduce chromaticism. Bb is going to bring me to F major in seconds, not just the chord but the key. F# is going to do the same but for G major. Eb is going to do the same but for C minor. I'm going to end up with a boring diatonic melody if I avoid chromaticism. Either way it feels wrong to have a C major tonic. C minor though, no problemo. A minor, no problemo._ And given how common C major is in *all genres* of music, I feel that it is an overused key. Believe me, I'm more likely to write in Db major than C major.

[@emanuel_soundtrack]

@@caterscarrots3407 Me too, but never underrate it :) Where is the quote from?

[@caterscarrots3407]

Emanuel Magalhães Fróes That quote that you say, that’s my own thoughts about composing in C major.

[@emanuel_soundtrack]

@@caterscarrots3407 ah nice! well, c major is the first key , just this, is the tonic of all tonics, the scale of the old modes

[@WRETCHEDAVION]

@@caterscarrots3407 'Try'-[A]-Minor ie [Cnat.4, A4,C#4] >>> [A3, E4, Ab3] >>> [E3, A3, C#3] >>> [Cnat.3 E3, Ab2] >>> [C3, A2, E2, C#2] >(*U^)

[@peterkahan4897]

No