Mozart: Sinfonia concertante ∙ Noah Bendix-Balgley ∙ Amihai Grosz ∙ Bergmann ∙ argovia philharmonic

[@barbarosdemirtas278]

Superbe intérpretation..Brava a tutti!

[@ЛевМусихин]

Прекрасное исполнение Спасибо !!! Альтист просто фантастический Звук фееричный Настолько благородно звучит Что словами не передать !!! Браво !!! Брависсимо!!!

[@chuaycamm]

Mr Balgley's technical assurance is impeccable - He would never go wrong - it always hits the spot!

[@saint-albanrita6935]

Mozart a cet art d'une sublime Maestria où l'on ne voit jamais aucune phrase musicale écrite par lui, rester inachevée où sans réponse... De là l'extrême perfection de ses œuvres.

[@Trava56]

The Berlin Philharmonic Orchestra made the right choice of concert master and principal solo viola player in Noah and Amihai. What wonderful musiscians and how together they are! Wonderfully played!

[@bertcarter6176]

Indeed so!!!

[@fredcostas1945]

Absolutely stunning performance, old school touch, no one plays this way anymore. Bravo!!!!

[@jackplaysviola6428]

2nd mov 13:39 3rd mov 25:31

[@richardjohns8617]

Excellent performance and recording of this masterpiece in Eflat (always a happy key). Such exhilerating passion!

[@christianbrodiez5287]

Enfin ! une superbe interprétation dans laquelle tous les musiciens sans exception sont heureux de jouer en connivence avec le Maestro Bergmann , sans omettre les émotions que l'œuvre procure .

[@DaestrumManitz]

One of the first pieces by Mozart that I fell in love with. Years later, still enjoy it. He is such an incredible composer.

[@johnhill762]

Just discovered it two days ago. Huge Mozart fan….. where has this been all my life? It’s so emotional and beautiful.

[@andreashotzel1875]

Unfassbar wunderbare Solisten! Der 2.Satz überirdisch sensibel interpretiert! EIN TRAUM!!!

[@BenBoatman848]

The 3rd movement is super fun and has allot of excitement. I love it all.

[@florenceshen1555]

Bravo, Noah, Amihai, Bergmann wonderful collaboration!!

[@roystewart4386]

Just excellent. A melodious flowing composition.

[@TheStealthDawg]

This piece along with Quintet k452 and the great mass in c minor are masterpieces

[@andrewashdown3541]

and the K563 String Trio, and the Clarinet Quintet, the Haffner & Posthorn Serenades, Divertimento K334, Statler Divertimenti/ basset-horn trios ...

[@tedwallenberg2666]

Beautyfull!!!

[@galinakrivulin6767]

What an incredibly beautiful performance! Blind luck browsing! Charming Noah Bendix-Balgley, Amihai Grosz and Argovia philharmonic conducted by Rune Bergman, thank you. Bravo!

[@mehmetiksel3081]

This has nothing to envy in the best interpretations of this wonderful work.

[@shin-i-chikozima]

We profoundly know how awesome Mozart is Mozart‘s music is an inspirational gem that transcends sorrows and joys of our transient lives less than 100 years

[@prabhudhasivanson7110]

Excellent performance; the slightly faster tempo (than usual) adopted for the last movement enhanced its vivaciousness.

[@suziewan7474]

Das ist aber wirklich sehr super.

[@ferdinangenius]

simply fantastic.....

[@weiweipeng3633]

Beautiful !! Love it !! ❤

[@nikollmerdhoci2018]

Wanderful orchestra..Mozart most performanced in the world...among thousands Classic composer....

[@bertcarter6176]

This is totally wonderful 👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽

[@MrRafaelgeraets]

Wonderful 👏 👏 👏 thank you

[@AquaFonic]

BEAUTIFUL 😍

[@schoene_klang]

Bravi~~~~❤❤❤❤❤

[@brutusalwaysminded]

Thank You! ❤

[@picoboha]

17:39 only a genius like mozart can do that

[@hitomiyamahata7721]

how beautiful✨✨✨

[@soulonground4008]

두마디 넘기는것도 왤케 힘든지요 ㅋㅋ큐ㅠ 실력은 다르지만 넘나 공감해요 오늘도 악보 한줄도 겨우했어요ㅠ

[@hoifa77]

❤❤❤

[@binodsingh4929]

Thank yu

[@jubeltr]

I didn't know where is Argovia... I had to search in Wikipedia...

[@binodsingh4929]

Than you

[@alastairboles4437]

Extremely fine

[@plamenapavlova4937]

16:57

[@alanhearty]

🐸

[@ralfnoltensmeier8355]

Kein besseres Solistenduo jemals - nicht einmal Brandis/Cappone oder Kussmaul/Kussmaul.

[@liviarobustellisaudan6913]

Sehr schöne Interpretation, leider Bratschenklang im Vergeich zu Geige zu dumpf 😢

[@BestAmateurViolinist]

A nice spirited performance, but guys, pull your hands back a little bit. You need to be listening to the bass line for the pitch. If the bases are playing an A at 110, you need to be playing your A at 440. You don't play at 445 in order to sound more brilliant. Gingold once asked the master class, what was the most important prerequisite to great artistry? Nobody could come up with the answer, but I was muttering under my breath, perfect intonation. The other students around me heard me, but nobody repeated me because they didn't think it was correct. He finally turned to the class in disappointment and stated "perfect intonation". This class included William Preucil, Andreas Cardenas, Yuval Yaron, and Joshua Bell, and several others who all have major careers now. The brilliance needs to come from your placement of the bow in regards to the proximity to the bridge. That's your projection, not the intonation. You are looking for resonance. It will come from having your intonation matching with the natural resonances of the instrument. You can increase the tone of the instrument in an octave by having a completely in tune. But what happens when it's in tune? It becomes a timber. What do I mean by that? It means that the top note will disappear and vibrate in synchronicity with the bottom note. Fiddles love that because then they can vibrate more freely. It's the same thing with your sixths , thirds, tenths, and so forth. You have to get them so perfectly in tune, the violin actually resonates in a different manner. Experiment with it and you'll see. How do you do it? You set the bottom pitch and then you add the top note. If you are playing sixths, first note will be the top note. You have to listen for any dissonance in the pitch and then you will find a resolution spot. But this is completely based and precluded by having your strings tuned in very open fifths. You have to listen for the same resonance as you're tuning it. When that dissonance calms down and goes away, that's when you know you have it right, but you have to base it upon the main pitch of the key you're playing in. And then you have to make it match with the open strings. The violin is not a tempered instrument and it should not be played as such. But today, everybody plays sharp, particularly the little Asian girls who use it in order to help them with their projection of tone. It doesn't create volume of tone, it provides an edge to be heard above the others, and it's a shame. It's terribly distracting. Pull the hand back. If everything else is perfect: why shouldn't your intonation be first?

[@polikun2884]

but how come you still play out of tune

[@charlestimberlake5522]

Reminds me of being in rehearsal playing in a good regional orchestra when the conductor turned to the violins and said, "Violins, this would be a good place for those open A strings to be in tune" Ouch!

[@charlestimberlake5522]

Tommy Dorsey used to play his trombone a little sharp. It works. BTW, vibrato can cover up minor sins. As a clarinetist, I couldn't use it.

[@BACHGOLDBERG]

🧡🧡🧡🧡🧡🧡

[@amilcarcarfi]

Too fast!

[@tenor8734]

Too slow!

[@mendaco_docodocousagi]

above all, it is perfect tempo😂