Mridangam Practice Techniques |Sai Shiv | Part 15

In this video i have discussed a very special phrase Tha ka tha ka Dhi na Tha ka which is played as Nam Ka Nam Ka Dhin Ka Nam Ka
There is a very special technique to playing this phrase which you may find intersting.

[@biribiri78]

loved it!..u r the only one going to these details at this level..not too beginner, not too advanced..just right..pls support us by providing more of similar sort sir

[@saishivmusic]

yes definitely will be posting more videos.

[@varadarajannarayanan5639]

Can yu please refer this practice lesson in the description.. 🙏.. Full lesson...

[@udaykrishna3238]

Very nice

[@mudhrabhaskar9440]

Excellent and very useful. Appreciate your efforts 👍🙏

[@saishivmusic]

thank you 🙏

[@kumargangadharan5808]

Great explanation...looks simple but tough to play..well explained Sir. Thanks

[@venky1973]

Great Sir. Thanks so much for obligingly creating this tutorial.

[@raamraghav2633]

Hello Shiv Sir. Requesting more high speed nadai tutorials. Thank you so much for this 🙏🏼🙏🏼

[@gurusisyanbeats6719]

Great teaching...sir...

[@s.rengamannarkesavan360]

Ram ram. Very nice sir...it is very useful for me... thank you so much. 🙏

[@saishivmusic]

i’m glad you found it helpful

[@kalyankumarchatragadda9247]

Very nice sir

[@hariformusic]

Very nice. Finely explained. Very Beautiful phrase. I would like if you could please explain "na ka-dhi dhi mi- dhi dhi mi". Here mi after dhi is again middle finger I have seen umayalpuram sir plays this at high speed. How to strengthen the middle finger? Can you please give some practice steps? In fact, it's very common in Tabla fingering, to play middle finger. Ustad Zakir Hussain is master in this.

[@veeraswamykvs5413]

Very Neatly Explained Thank You So Mich 🙏🏻🙏🏻🙏🏻

[@saishivmusic]

Glad it was helpful!

[@veeraswamykvs5413]

@@saishivmusic yes it was

[@balukrishnan1459]

Thanks

[@globalplayer5679]

Very helpfull video Thanks

[@saishivmusic]

welcome

[@psychophysics23]

excellent

[@narasimhamurthykrishnamurt2126]

🙏🙏🙏

[@pavankishore1987]

Namaskaram sir.. appreciate your teachings … I started learning Mridamgam since two months trying to adapt to speed . What are the tips to have fingers adapt to the speed ??

[@saishivmusic]

we should never try to play fast for the first year of learning. everything should practiced at slow speeds

[@rajeshsbpowdikonam2101]

🙏👍🏻

[@SrivarshanR-h6o]

Sir can you please upload how to create a nadai patterns

[@saishivmusic]

which nadai are you referring to?

[@SrivarshanR-h6o]

@@saishivmusic I need a fast rolling pattern in adi thala for example thadhi thadhin thadhin thadhin this is one nadai. In this nadai how to show variations for the same nadai

[@SrivarshanR-h6o]

@@saishivmusic especially I need to know more nadai to play for song in adi thalam

[@govindannarayanan6510]

Sir how to get practice 3 speed. 2 speed clarity is there, 3rd speed hand becomes rugged not easy movement! Any tips ?.

[@saishivmusic]

it takes time to master this. you’ll need atleast 6 months practice

[@dileeptalents2099]

Good one

[@saishivmusic]

thanks

[@sundareswarans2197]

Awesome.. Can the kha after dhim be played using ring finger alone?

[@saishivmusic]

no it has to be played using middle finger. but if you're using middle finger as the supporting finger for num (like sri patri satish kumar) you have to play ka using ring finger

[@bobbybringi]

Wonderful and important exposition! I have been playing the ka after dhin with my middle finger, but I play the ka after nam with my ring finger, which currently is quite a bit stronger than the middle finger. Thank you for sharing!

[@hariformusic]

kzbin.info/www/bejne/in-YgJ-Jl8eanK8 UKS explains at 1:50

[@venky1973]

Different sollu kattu