Richard Strauss: Also sprach Zarathustra /Herbert von Karajan · Berliner Philharmoniker

[@giuseppemariaperego8937]

"Felicissimo incontro tra il Genio di Strauss e il Genio di Karajan!!!" ❤❤❤❤❤❤🎉🎉🎉 Giuseppe

[@MehdiD.Ardebili]

Thank God for the composer Strauss and the conductor Karajan!

[@andreasmittelstaedt591]

We will never forget Günter Wand and Anton Bruckner.

[@OdinLimaye]

One of the greatest pieces of music ever written!

[@MadKingOfMadaya]

*_Inspired by one the most famous philosophers interpretation of the most influental man in history, Zarathustra._*

[@MAURICIORAVEL-uh6co]

THE TOUCH OF KARAJAN MORE THAN PERFECT❤

[@giuseppemariaperego8937]

"Rest in peace Grande Maestro Herbert Von Karajan!" ❤❤❤ Giuseppe

[@kingdiamond1993]

I've never this perfective perform zathustra live at this point. Super perfective charisma karajan power !!!! With full members BPO !!!! 5 trumpet 6 tronbone !!! 8 horn !!! 10 kontrabaß

[@cmauer1658]

Well. Karajan is Karajan. He is really bringing to shine each beautiful and magnificent detail in this majestic composition. Strauss, well, unsurpassed in the 20th century. For me far the greatest of the great composers in the last hundred years.

[@thebigstink7472]

He was the last great composer in my opinion. Brings a whole new kind of weight to his 4 last songs. The last of a grand tradition.

[@giuseppemariaperego8937]

"I'm crying. Ci sono fenomeni che non si possono spiegare con la sola ragione"... ❤❤❤ Giuseppe

[@3BK235Y]

A man who doesn't cry when he listens to Zarathustra will never a real man.

[@unitno.16limited63]

So romantic, thrilling, rich, complex. I go to impossible places in my mind when I listen to this. Thank you.

[@fernblicker6480]

Thank you, Friedrich Nietzsche.

[@claudiobernola9400]

Tutto ritorna sempre uguale e io voglio che tutto ciò che è stato ritorni per sempre. Così parlò Nietzsche-Zarathustra

[@lbnoronha]

Fair enough, but Richard Staruss also did a good job hum?

[@bozmanjohn2507]

He is like a huge old bird of prey, flapping its wings and hovering over the orchestra, squeezing its claws, in these pupils there is an evil reflection, that is, a mixture of anger and horror, as Brodsky said. This is the autumn call of the hawk. This is a triumph of will!

[@carnivaltym]

Triumph is the word.

[@giuseppemariaperego8937]

Grazie, Maestro Karajan, per questo Dono! ❤❤❤❤❤❤🎉🎉🎉 Giuseppe Perego Monza 16.2.1962

[@marcelojsilva8214]

Fantástico: o romantismo, a estética musical e a filosofia numa só obra.

[@giuseppemariaperego8937]

"Karajan era ispirato mentre la dirigeva questo capolavoro!!!" ❤❤❤❤❤❤🎉🎉🎉 Giuseppe

[@giuseppemariaperego8937]

"Questa interpretazione è un atto d'amore!"❤❤❤❤❤❤ Giuseppe Perego Monza 16.2.1962 Grazie

[@giuseppemariaperego8937]

Anche i "Berliner" Straordinari !!! ❤❤❤❤❤❤🎉🎉🎉 Giuseppe

[@aristideduplessis8151]

Did the camera start shaking at 1:53 ? Like an earthquake? AMAZING........

[@youdi-trucks]

I guess thats because of very long zoom and no anti-shaking in the old camera haha.

[@giuseppemariaperego8937]

'"Non esistono parole che possano esprimere ciò che sento nel cuore ❤️ Giuseppe

[@HolgerBrüggemann]

romantik pur...und Karajan war schon einzig und zum glück gar nicht artig...danke, holger brüggemann

[@giuseppemariaperego8937]

Maestro Herbert Von Karajan, stendi la tua mano potente dal Cielo e benedici tutti noi! Giuseppe Perego Monza 16.2.1962

[@Dray_von_Vallia_Prescot]

Ein gigantisches Werk! Zu seiner Zeit (Karajan) gigantisch in Szene gesetzt! Auch heute noch ein Meilenstein der Klassik, sowohl des Komponisten als auch des Orchesters samt seinem Dirigenten!

[@ootamanabu]

zarathustra를 암보로 지휘하는 사람은 거의 없습니다. 카라얀이 1940년대에 직접 슈트라우스에게 배관편성을 타진해 승인받아 악보 지정된 관악기수를 늘려 압도적 사운드를 끌어냈죠. 그는 이 곡을 5관편성하고 트럽펫5, 트롬본5, 를 늘려서 콘트라바쓰까지10명, 제1바이올린도 18명이고 베를린 휠 하모니 홀 스테이지에 단원으로 꽉 찼더라구요. 제가 중3때 도쿄 그의 비창을 들었는데 이때도 배관편성이었습니다.

[@giuseppemariaperego8937]

Praticamente una Fuga dodecafonica... ❤❤❤ Giuseppe

[@jeki6035]

A conductor that actually reads the score. Bravo. The opening rhythm of the "ta-da" is played incorrectly most of the time.

[@giuseppemariaperego8937]

"Sono commosso!" ❤❤❤ Giuseppe

[@JordanMilev-il8sm]

Grand awesome music!

[@graciela2086]

Karajan uno de los más grandes ❤

[@renato45222]

Si tratta del concerto eseguito per i 750 anni della fondazione di Berlino nel 1987, nella prima parte venne eseguito il Divertimento KV. 334 di Mozart, nella seconda parte questo magnifico Also sprach Zarathustra op. 30 di Richard Strauss. Mozart e Strauss geni assoluti dell'umanità. Il colore degli archi nel K. 334 è qualcosa di indescrivibile, sovrumano. L' audio del concerto venne registrato per conto della DG, il video a cura di Sony Classical in laser-disc. Si noti lo splendido timbro di Leon Spierer, primo violino in questa esecuzione.

[@poncione]

Ricordo che fu trasmesso dalla RAI in orari ancora "civili", e fu davvero bellissimo osservare il Grande Leone ferito in maggior forma rispetto al memorabile (ma sofferto) Concerto di Capodanno viennese di pochi mesi prima...

[@nathaliecardin6470]

Merci

[@giuseppemariaperego8937]

Fantastica la sonorità degli archi...Giuseppe

[@MegaSilva53]

Che meraviglia❤

[@brighidclaire]

Thanks for uploading this, Zeong.

[@giuseppemariaperego8937]

"I'm crying" Giuseppe Perego Monza 16.2.1962

[@m.papini3753]

Sensacional

[@3BK235Y]

Does anybody know the date of this recording?

[@johntaylor8271]

Performed and recorded in 1973 and released in 1974. However, the version used in the film 2001 A Space Odyssey was recorded in 1959 with the Vienna Philharmonic also with Karajan conducting. This version is considered the best of the two.

[@leonfelipepenanieto]

¡Tremendo!

[@giuseppemariaperego8937]

Ipnotico...Giuseppe

[@tietjen666]

Wow! Thanks for uploading!

[@AndresCanive]

knowing the tone poem narrative made me understand it.

[@detectivehome3318]

20:51 23:00 29:10 30:55

[@giuseppemariaperego8937]

"Ogni nuova aurora mi domanda: a quale velocità vivi?" Giuseppe

[@김기숙-r2l]

🇰🇷🇰🇷🇰🇷👍🙂😇🙏

[@andreasmittelstaedt591]

Ein alter, schmerzgeplagter Herr entfesselt einen Klang, der bis heute keinen gleichwertigen gefunden hat. Herbert von Karajan und Richard Strauss -die beiden hat Gott zusammengefügt.

[@luismeviyu28]

19:27 Graso error!!!

[@김한식-b2c]

카라얀의 전설은 스트라우스를 만남으로 광채를 발한다~~~^^

[@TruthSurge]

Either this vid is way out of sync with the audio or my sense of timing is FKD.

[@merrittkwarner8475]

I was thinking the sa.e thing !!

[@andreaguarino8207]

I prefer his 1974 recording.

[@detectivehome3318]

Everyone does

[@skatecraig2536]

1:50 지휘자의 표정이 마치 무언가 범접할 수 없는 위대한 것을 보고 있는 듯하다는 생각이 들었습니다.

[@Toyama.kasumi]

Wo0o0o0o0

[@ashleyupshall7641]

No women present in the BPO at least we have moved on. Great music however.

[@수영로교회-s4k]

릭플레어 테마곡 보신각종 음악

[@jamespaine7152]

Not as good as Karajan's 1973 DG recording, but better than the 1983 digital remake.

[@barney6888]

So at 36:30 RS chooses to use fast notes in the double bass... that don't work. Why didn't do 2 16gh note triplets, ascending and leave the turn in the middle of this mess out. No one plays it right and I'm left thinking I need to speend 10, 20, 30 grand on audio equipment that will probably not resolve it either. Muffled parts (viola especially) drives me nuts. I think that some rich person out there should donate very hi end equipment to me so I can listen to this, and Mahler. I feel like I'm behind a translucent glass, despite seeing the score, so much is still missing in todays home audio. Besides, who benefits by denying a music lover, their music?

[@sfkeating]

Isn't this a bit fast?

[@pdunderhill]

Richard Strauss left Germany because of the Nazis, Karajan stayed and became a poster boy.

[@semperdolens]

Preposterous statement

[@AlexandreRibeiro18121978]

oof

[@miguelsuarez8010]

90 % of the time focusing on the conductor. I couldn't stand it.

[@eveaslan1001]

Are u sure we looked at the same video🤔

[@LeoWalzel]

I'm sorry, I can't really appreciate Karajan. What can I say..., he was a Nazi and lied about it. That's a fact.