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@fausto26493 жыл бұрын
More videos about harmony, please! Love them!
@MusicMattersGB3 жыл бұрын
Will do. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.
@RichardMooreMusic593 жыл бұрын
Excellent presentation, Gareth! Thank you!
@MusicMattersGB3 жыл бұрын
A pleasure. Glad it’s helpful.
@carlstenger58933 жыл бұрын
Excellent video. Thanks so much!
@MusicMattersGB3 жыл бұрын
Thanks.
@winterdesert12 жыл бұрын
"The Jupiter!" I'm kind of surprised you said "has a funny name" but didn't explain. Those four notes are the main theme to the fourth movement of Mozart's Jupiter Symphony. When you played those four notes I recognized it immediately.
@MusicMattersGB2 жыл бұрын
😀
@rchandos2 жыл бұрын
So did I. Wondering if Mozart inspired the name, or vice versa.
@winterdesert12 жыл бұрын
It's funny I was just looking at this again and I actually made a mistake when I wrote that. The main theme was CDFE, but he's playing CBFE which is also played during the developmental section. Yes, you can hear the rolling, frolicking, even dance-like "Galant" style with Mozart. Not sure who inspired it.
@MusicMattersGB2 жыл бұрын
😀
@russellbaston974 Жыл бұрын
@@MusicMattersGB Great video and explanation. The 'four note theme' of the "Jupiter" is a quite ancient motif it occurs in plain chant. J S Bach used it in his "Saints in Glory" fugue. My theory? is that Mozart consciously used it as a deliberate reference to 'the past', as I feel Mozart's Symphony 41 is very much a janussary work, looking back to the classical forms and forward to what was to come.
@scne31753 жыл бұрын
Hei, i want to thank for this lessons, and you always replay to our questions, i really dont knew how to thank you, I love you so much as i love my father,
@MusicMattersGB3 жыл бұрын
That’s very kind of you. Thank you.
@iwright6213 жыл бұрын
Very interesting . Triad inversions and extensions are very powerful if used methodically and imaginatively . Seems to work for me anyhow ,and awkward connections can sometimes produce surprising effects . Thanks again Gareth 👍
@MusicMattersGB3 жыл бұрын
A pleasure. Hope all well.
@benthepen33363 жыл бұрын
Could you do a video on some harmonic progressions of the Romantic era? Chopin specifically if you could! I would really appreciate it.
@MusicMattersGB3 жыл бұрын
Ok. Will do.
@claudefazio3 жыл бұрын
That would be wonderful because Chopin's harmony is often considered to be the most interesting aspect of his oeuvre. It is certainly audacious at times.
@benthepen33363 жыл бұрын
@@claudefazio I agree!
@kofiLjunggren2 жыл бұрын
PLEASESE
@MusicMattersGB2 жыл бұрын
😀
@lindamcdermott22053 жыл бұрын
Very familiar to my ears...which is exactly how I hear/play...but it is so good to know the naming and numbers and hear that wonderful word "resolution"...Thanks so much!
@MusicMattersGB3 жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.
@keithjohnstone34463 жыл бұрын
Wonderfully resolving.
@MusicMattersGB3 жыл бұрын
😀
@lawrencetaylor4101 Жыл бұрын
Third time looking at this, and it's beginning to make sense.
@MusicMattersGB Жыл бұрын
Keep going!
@lawrencetaylor4101 Жыл бұрын
@@MusicMattersGB I've been practicing the Rule of the Octave and it's helped me finally get a basic grasp of ear training. I probably have Aural Aphantasia, but I'm now singing (badly) and staying (badly) in tune. I've got psychological baggage with singing so that's a major accomplishment.
@MusicMattersGB Жыл бұрын
You’re making great headway
@bryonharper76602 жыл бұрын
Thank you so very much for this exposition/lesson, Gareth. I love this sort of thing. Very useful indeed. Keep doing what you do. Cheers.
@MusicMattersGB2 жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here kzbin.info/door/8yI8P7Zi3yYTsypera-IQgjoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.
@HanStanwell3 жыл бұрын
Robert Gjerdingen's (and his teachers) work keeps inspiring
@MusicMattersGB3 жыл бұрын
😀
@oritderi2 жыл бұрын
thank you very much! These videos are great for learning, use them to study for B.A. exams at the University. More orderly information than the lecturers give.
@banoffibear3 жыл бұрын
As a piano noob I'm finding this an excellent resource for practicing chord voicings in different keys. Many thanks for posting!
@MusicMattersGB3 жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.
@jameshighmore3 жыл бұрын
Great video, thank you
@MusicMattersGB3 жыл бұрын
That’s most kind. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.
@virnaalbasi23133 жыл бұрын
Hi Gareth, great video (as usual)! I'm realizing I might have used some of these schemata in harmonization exercises without even knowing they exist, or I might have used some awkward progressions to try and reach this effect. I have learnt so much with this video. Thanks a lot! ☺️
@MusicMattersGB3 жыл бұрын
That’s great. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.
@timdovecool72023 жыл бұрын
More of this plz.....very good harmony lesson.
@MusicMattersGB3 жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.
@davidwhite29493 жыл бұрын
I like how these musical basic ideas are given proper names
@MusicMattersGB3 жыл бұрын
Yes it’s good.
@CommentaryCentral3 жыл бұрын
Great stuff as usual :)
@MusicMattersGB3 жыл бұрын
That’s most kind. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.
@lawrencetaylor410111 ай бұрын
Ever since you talked about the Rule of the Octave, my approach to the keyboard has completely changed. I'm sure you know of Robert Gjerdingen since you seem to be an old-fashioned Italian maestro. I have started doing the exercises from Kellner and it's putting a whole new light on how to move my fingers. As I was practicing cadenzae I saw this was reinforcing chord inversions.
@MusicMattersGB11 ай бұрын
Brilliant
@afafsalem56003 жыл бұрын
Excellent lesson thank you
@MusicMattersGB3 жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.
@tastrs71213 жыл бұрын
Thanks!
@MusicMattersGB3 жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.
@Grivendal3 жыл бұрын
Amazing content. The most useful channel for composing music.
@MusicMattersGB3 жыл бұрын
That’s great. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.
@MrMikomi2 жыл бұрын
Truly wonderful stuff! Many thanks.
@MusicMattersGB2 жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here kzbin.info/door/8yI8P7Zi3yYTsypera-IQgjoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.
@caterscarrots34073 жыл бұрын
I am writing a Theme and Variations based on another famous progression, La Folia. I will try to write as many as I can possibly think of including but not limited to: - Rhythmic intensification(usually in Variations 1-3) - Syncopation - Time signature change - Canon - Possibly a fugue I'm writing it for Solo Piano, so I have no idea how many variations I will get, but I'm sure it will surpass my previous maximum of 9 variations.
@MusicMattersGB3 жыл бұрын
That sounds like an exciting project and La Folia is great to work with. Have you thought about joining our composers group on Maestros level three? See the link at www.mmcourses.co.uk for more information.
@caterscarrots34073 жыл бұрын
@@MusicMattersGB You know, I might if I could afford it, but I can't.
@MusicMattersGB3 жыл бұрын
Sorry about that.
@johnjacquard8632 жыл бұрын
top notch video information here
@MusicMattersGB2 жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here kzbin.info/door/8yI8P7Zi3yYTsypera-IQgjoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.
@pathaks1Ай бұрын
Subtle principles on harmony ❤
@MusicMattersGBАй бұрын
😀
@arashabolhasani75963 жыл бұрын
Excellent lesson, but also interesting stuff about history. thank you.
@MusicMattersGB3 жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.
@juliafarber61703 жыл бұрын
Another great video, thanks! I would love to see you show the harmonic analysis of your theme music, please 😊
@MusicMattersGB3 жыл бұрын
Ok. Will try to include that. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.
@michaelcalder90892 жыл бұрын
The Jupiter example has the same thematic opening of Mozart Symphony 41 final movement ( nickname Jupiter).
@josephinebrown6631 Жыл бұрын
Thank you kindly🤍
@MusicMattersGB Жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk
@brucetheukuleleteacher9008 Жыл бұрын
This is great thank you so much 🙏
@MusicMattersGB Жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk
@luxinveritate33653 ай бұрын
Its good to ote for the pastorella how the hidden 5th there is an exception to the paralell 5th guideline.
@MusicMattersGB3 ай бұрын
😀
@francisliu92023 жыл бұрын
The Jupiter sounds like the opening of 3rd Mvt from Mozart’s Jupiter Symphony
@MusicMattersGB3 жыл бұрын
😀
@petermerelis3 жыл бұрын
surprised how few noticed this...
@MusicMattersGB3 жыл бұрын
😀
@superblondeDotOrg3 жыл бұрын
This type of material is totally skipped in current college music education. Learning many types of very good progressions is like learning new, good vocabulary words in a language. When I ask about progressions or how to write better harmony the answer is always the same: "use the ears, try writing out some notes, how does it sound." But fundamentally what is needed is more & better material on the vocabulary of music, like this video, and applying the vocabulary in new writing, which makes for richer compositions.
@MusicMattersGB3 жыл бұрын
I completely agree and many people approach me for consultation lessons on this very subject because they’re frustrated with the ‘try it and hear if it works’ approach.
@r5u26d3 Жыл бұрын
A bit like Professor Hill’s ‘Think System’ in the Music Man
@MusicMattersGB Жыл бұрын
😀
@uhoh0072 жыл бұрын
Would you be talking about Galant Schemata without Dr Robert Gjerdingen's 2007 "Music in the Galant Style"? Perhaps it's time for a book review, considering the influence of the work presently. Maybe a field trip to Napoli? There is a treasure trove of musical tools in the current "Italian Revival". Learn them, share them, please.
@MusicMattersGB2 жыл бұрын
All good stuff
@cantabilius59453 жыл бұрын
I guess the Jupiter progression gets its name from its use in the finale of Mozart's last symphony (though this dates it a bit later than the Galant period)?
@MusicMattersGB3 жыл бұрын
More a coincidence but an interesting observation.
@goodcyrus3 жыл бұрын
@@MusicMattersGB A lot of these were named much later. Robert Gjerdingen admits having named some .
@MusicMattersGB3 жыл бұрын
Indeed.
@Tyrell_Corp20192 жыл бұрын
So the aesthetic movement of Galant Schemata was driven by the similar impulse that we saw in 20th century minimalism. Everything in cycles.
@MusicMattersGB2 жыл бұрын
An interesting parallel
@carlstenger58933 жыл бұрын
In your first example of the Jupiter sequence, shouldn't the figured bass be simply "6" rather than "6 5"?
@MusicMattersGB3 жыл бұрын
65 makes sense because it’s a 7th chord in first inversion ie 5 is the melodic F and 6 is G the root of the V7 chord.
@roses21553 жыл бұрын
@@MusicMattersGB The first of the V chords (your V'b") is reflected as a V7 in your figure bass (6-5). It's simply a contradiction in notation.
@MusicMattersGB3 жыл бұрын
Indeed. It’s making the point that so often in figured bass in real music numbers are missing or are added and that we sometimes have to make musical judgments. In this case of course 6/5 means a 7th chord in first inversion from the original figures while a later editor is suggesting the possibility of a possible Vb.
@hansbendixen54302 жыл бұрын
This is why i just use the roman numerals so much easier imo.
@stephenbashforth8257 Жыл бұрын
Hello Gareth - disconnected to this specific video, but a music theory question. If I am writing a piano part in C maj (as an example) and I have a treble clef (say) and introduce an accidental (say a Bb middle line of staff) in beat 1, then change clef (to bass clef) write some notes and on beat 4 revert to treble clef and have a B on the same middle line of the staff, does the rule that accidentals apply on the line or space through out the bar apply? or would a B without explicit accidental be read as natural? (It's a bit academic - in practice I would write a flat if I expected the note to be flat - but I feel I should understand how the basic rules work. Any help welcome.
@MusicMattersGB Жыл бұрын
In that example the Bb would still stand but this is a good example of where one might well use a cautionary accidental.
@laffikdcaps3 жыл бұрын
My options would be: the meyer: c(I) b(III) f(IV) e(VI) the jupiter: c(I) d(V) f(II) e(VI, III) the aprile: c(I) b(III) d(V) c(I) the pastorella: e(III) d(V) f(II) e(VI, III) sol-fa-mi: g(V) f(II) f(IV) e(VI, III) the romanesca: g(V) g(I) c(VI) g(I, V) the prinner: a(VI) g(I) f(IV) e(VI, I, III) Is this wrong? For my taste it's cleaner. Without all these bloody 7ths and VIIs. This is according to Laffik's schemata: Keep the tone in prime or fifth, rarest the third and change as little tones from chord to chord as possible. If melody and bass is given there is no much choice. Just to add third voice to fill up the chord. Regards.
@MusicMattersGB3 жыл бұрын
If you find it easier to see it that way go for it!
@moo6393 ай бұрын
One improvement I would make is for the minor chords to be in small Roman numerals: I ii iii IV V vi viiº That way you can also make it clear when there is a major second degree (II) or a minor fourth degree (iv) for example.
@MusicMattersGB3 ай бұрын
By all means use Extended Roman. I use Basic Roman on these videos to keep it simple.
@willianbatista90822 жыл бұрын
Aula fantástica
@MusicMattersGB2 жыл бұрын
😀
@scottweaverphotovideo2 жыл бұрын
A different era, but Chopin worshipped JS Bach. I'd be interested in your analysis of the coda of Chopin's first Scherzo.
@MusicMattersGB2 жыл бұрын
😀
@chrissansum3 жыл бұрын
Very interesting, thank you for the informative video! Are there any contemporary treatises where all of the the galant schemata can be found in one place? Or do we need to look to modern writings to find them listed together?
@MusicMattersGB3 жыл бұрын
Hi. Many thanks. There are collections eg Feranolli.
@mechanussunrise3 жыл бұрын
Excellent and helpful! Where should I look to find many more of these?
@MusicMattersGB3 жыл бұрын
Have a look for the Feranoli collection.
@mechanussunrise3 жыл бұрын
@@MusicMattersGB Thank you very much!
@MusicMattersGB3 жыл бұрын
😀
@GeodesicBruh3 жыл бұрын
:) thank you
@MusicMattersGB3 жыл бұрын
That’s great. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme.
@Stemma33 жыл бұрын
Do they keep the same names if you do it in minor? They sound pretty good too.
@MusicMattersGB3 жыл бұрын
Same for minor.
@Stemma33 жыл бұрын
@@MusicMattersGB Amazing, thanks
@MusicMattersGB3 жыл бұрын
😀
@AlexSimesky3 жыл бұрын
The melody of the Jupiter progression reminds me of the synth riff from Tina Turner's version of "The Best" :)
@MusicMattersGB3 жыл бұрын
Interesting connection.
@AlexSimesky3 жыл бұрын
@@MusicMattersGB I wonder if the songwriters took a hint from that.
@MusicMattersGB3 жыл бұрын
😀
@petergreen18692 жыл бұрын
Also last movement of Mozart's Jupiter symphony.
@StephenB_LE93 жыл бұрын
Hi Gareth, In 2. The Jupiter, has there been a typo in the second chord - isn't a simple triad chord in first inversion 6 3 in figured bass not 6 5 which implies a 7th chord (as per the third chord)?
@MusicMattersGB3 жыл бұрын
The figures are per the original but it is interesting that the original figures do raise questions such as this one.
@pjny1233 жыл бұрын
Outstanding video - thank you so much!!! I'm wondering whether these Schemata are related to (or perhaps drawn from?) the "Rule of the Octave" I've heard about recently, which seemed like a brilliant method of learning harmony & composition in Classical times. From what I've read Mozart and others used the Rule of the Octave both in teaching and in their own works . . . It might make another wonderful Music Matters course, if you'd consider it! :-)
@MusicMattersGB3 жыл бұрын
The Rule of the Octave is indeed a significant factor in relation to the Schemata. We could run a video on that subject. Good suggestion.
@pjny1233 жыл бұрын
@@MusicMattersGB Oh thank you so much! I've learned a great deal from you over this past year - both from these KZbin videos (such a generous gift!) and from your superb Music Matters Courses. You are truly a light in dark times, for which so many of us are deeply grateful.
@MusicMattersGB3 жыл бұрын
That is so lovely of you. Thank you so much.
@pjny1233 жыл бұрын
@@MusicMattersGB You are so very welcome. :-)
@MusicMattersGB3 жыл бұрын
Bless you
@edwardp.gannon93202 жыл бұрын
The second chord in the Jupiter has figured bass 6-5, so the 7 is there already. I presume this is just a typo.
@MusicMattersGB2 жыл бұрын
Yes. It’s a first inversion V7.
@gspaulsson3 жыл бұрын
Is the Jupiter named for the symphony, or the other way around?
@MusicMattersGB3 жыл бұрын
These came before the symphony.
@jsw02783 жыл бұрын
Any videos on how to elaborate these schematas to create music? Is it mostly a matter of adding lots of inessential notes?
@MusicMattersGB3 жыл бұрын
Exactly correct
@keithparker13462 ай бұрын
Change the chords to arpeggios then use them as bases to apply a few changes to rhythm or change note pitch, add passing notes etc
@MusicMattersGB2 ай бұрын
@keithparker1346 😀
@Timrath3 жыл бұрын
Where those names used back in the 18th century, or are they recent inventions?
@MusicMattersGB3 жыл бұрын
Most of these follow the names given by the more modern musicologist Gjerdingen.
@Nick-ui9dr2 жыл бұрын
What was that harmonic progression that we use to learn in algebra during school days I wonder. Something that deal with reciprocality? I mean geometric or arthematic progressions I remember clearly but what was the harmonic one. Cant remember exactly but something to do with reciprocal or or what u say one by values. Okay let me google it first. 😀
@MusicMattersGB2 жыл бұрын
Sounds like fun
@SebastianAmmerlynd2 жыл бұрын
Which onscreen piano keyboard tool do you use?
@MusicMattersGB2 жыл бұрын
Synthesia
@markchapman68003 жыл бұрын
3:34 Should the figured bass for the second chord include a 6, or is that taken for granted because of the 4? Also, taking the F in the third chord down the octave means replacing a diminished 5th with an augmented 4th, and resolving outside the interval, which ones harmony teacher might frown on 😇
@MusicMattersGB3 жыл бұрын
43 is a standard abbreviation for 643. There are a number of standard abbreviations in figured bass so players don’t have to cope with too many numbers
@MusicMattersGB3 жыл бұрын
Fair point about the bass movement. I’m just using the original exercises.
@markchapman68003 жыл бұрын
@@MusicMattersGB Thanks.
@demolicionesdemexico3 жыл бұрын
After watching a few class videos from you i composed a little melody wich will be great if i can send to you
@MusicMattersGB3 жыл бұрын
😀
@divinodayacap33132 жыл бұрын
I keep hearing Mozart's "Leck Mich Im Arsch".
@MusicMattersGB2 жыл бұрын
😀
@jaydenhoward86703 жыл бұрын
Can anyone please list the chords in the progressions ??? I’m kinda new.
@MusicMattersGB3 жыл бұрын
It begins I IIb Ic V in the first bar.
@jaydenhoward86703 жыл бұрын
@@MusicMattersGB I don’t fully understand the Roman numerals
He skipped the do-re-mi, which is very 1812-esque.
@MusicMattersGB3 жыл бұрын
😀
@mt-nv4jd3 жыл бұрын
l should add I meant no disparagement to this gentleman's fine lecture.
@MusicMattersGB3 жыл бұрын
😀
@moo6393 ай бұрын
Yes, there is nice counterpoint in the first one, but there is also a skip of a tritone in the melody.
@MusicMattersGB3 ай бұрын
Yes that makes it even more engaging
@moo6393 ай бұрын
@@MusicMattersGB Engaging is one way to put it, but I believe tritones and augmented seconds are believed to be "against the rules" for writing a good melody. In other words, difficult to sing. Bernstein, of course, was notorious for using several in his score for West Side Story. But it was clear that he was setting out to purposely "break the rules."
@MusicMattersGB3 ай бұрын
@moo639 Absolutely
@nicolevich63583 жыл бұрын
un esquema se llama jupiter por la sinfonía 41 de mozart jajaja
@MusicMattersGB3 жыл бұрын
Absolutely
@nicolevich63583 жыл бұрын
@@MusicMattersGB su canal es de los mejores que he encontrado, gracias por hacer este contenido
@MusicMattersGB3 жыл бұрын
😀
@DGaryGrady3 жыл бұрын
Pedantic point: "Schemata" is the plural of "schema."
@MusicMattersGB3 жыл бұрын
Absolutely
@nettpolice5 ай бұрын
is this A level music or gcse music?
@MusicMattersGB5 ай бұрын
More A level but useful for both
@davidschnittman79543 жыл бұрын
What do the “b” and “c” mean after chord labels?
@MusicMattersGB3 жыл бұрын
b is first inversion c is second inversion
@davidschnittman79543 жыл бұрын
@@MusicMattersGB has this nomenclature replaced traditional figured bass? I’d never come across it before.
@MusicMattersGB3 жыл бұрын
It’s not replaced it. There are two systems that sit alongside each other, with emphasis on one or the other often varying according to which part of the world you’re in.
@politereminder62842 жыл бұрын
@@davidschnittman7954 I grew up with the a b c method of denoting inversions. You can imagine my shock when I encountered figured bass in Uni. 😅
@MusicMattersGB2 жыл бұрын
😀
@Lalulalala8242 жыл бұрын
Why is this called V7c? 11:32
@MusicMattersGB2 жыл бұрын
Dominant 7th in second inversion
@Lalulalala8242 жыл бұрын
@@MusicMattersGB shouldn’t it be V7d? Thanks so much for the great content.
@MusicMattersGB2 жыл бұрын
This is definitely a V7c because it’s in second inversion. V7d would be third inversion with the 7th, F, in the bass.
@rjlchristie3 жыл бұрын
6:50 second chord is six three not six five.
@MusicMattersGB3 жыл бұрын
It depends if it includes the 7th or not.
@rjlchristie3 жыл бұрын
@@MusicMattersGB Your commentary makes it clear that it doesn't contain the 7th. The label is wrong.
@MusicMattersGB3 жыл бұрын
I’m using the labelling from the original text. There are some inconsistencies but this is one of a few examples in which one has to decide if the 7th is intended or not. You’re right to identify an inconsistency here.
@SolarMumuns3 жыл бұрын
I swear some people cruise KZbin simply to criticise others with no care about whether they are rude or not.
@MusicMattersGB3 жыл бұрын
Unfortunately it happens but we are very grateful to the vast majority who make positive comments.
@patrickcunningham6183 жыл бұрын
!!!!!!!!!!!
@MusicMattersGB3 жыл бұрын
😀
@michaeltroke72393 жыл бұрын
These schemata sound like Beethoven!
@MusicMattersGB3 жыл бұрын
They certainly appear in Beethoven.
@kofiLjunggren2 жыл бұрын
The meyer sounds like mozarts lich mich im arsch
@MusicMattersGB2 жыл бұрын
Indeed.
2 жыл бұрын
It is pointless to learn about the Galant schemata without examples from real music. The only way to appreciate the schemata is to learn to recognise them in real music, and once you do, you them you hear them in almost every music piece written between 1680 and 1820 (and in many pieces before and after that). They change the way you think about music. But if you just show the dry prototypes, that's a complete waste of time.
@MusicMattersGB2 жыл бұрын
I think showing the prototypes is an essential starting point to being able to recognise the schemata in real music. That’s the point of the video.
2 жыл бұрын
That's putting the cart before the horse. Memorising a bunch of boring prototypes is useless in itself. A proper way to learn schemata is to listen to music that has them in common. For example, you listen to Pachelbel's Canon, and then you listen to the opening of C. P. E. Bach's Magnificat, and after that you listen to Beethoven's Sonata No. 30, Op. 109. And you ask: "what do they all have in common?" The answer is: Romanesca, which is a Spanish 15th century tune called "Guárdame las vacas". After that, you don't need to remember the boring formula, it is engraved in your musical memory.
@MusicMattersGB2 жыл бұрын
You don’t need to memorise them but to know what they look like and sound like is surely helpful.
@luismolina82573 жыл бұрын
I dont understand the symbols at the bottom of the notes hahaha
@MusicMattersGB3 жыл бұрын
We have other videos that explain
@sapiensfromterra51033 жыл бұрын
I know I won't make any friends with this opinion, but I don't care... I think the classical style was a clear downgrade to the baroque, not even a question to me frankly. Complexity out of order has never been done again after the baroque period, only complexity out of chaos or complete simplicity.
@Pladask3 жыл бұрын
It's a totally fair opinion, I think plenty will agree. :) Have you ever dug deep into C.P.E. Bach's works, though? If not, I highly recommend it. It's like a terribly underrated, weirdly colorful eccentric mix of both worlds.
@MusicMattersGB3 жыл бұрын
I think it’s simply a matter of seeing both periods from different starting points but of course one might have a preference.
@MusicMattersGB3 жыл бұрын
I agree re CPE Bach. Wonderful music.
@MusicMattersGB3 жыл бұрын
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@superblondeDotOrg3 жыл бұрын
That's why 80's rock & metal guitarists (extravagant, ala baroque) don't like 90's and current grunge guitarists (stripped to basics, ala classical). History repeats itself..
@zpicypanda54873 жыл бұрын
First
@MusicMattersGB3 жыл бұрын
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@bart42773 жыл бұрын
Whoever started the Galant movement sounds like music's first punk 😆
@MusicMattersGB3 жыл бұрын
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@AzadRatzki2 жыл бұрын
Thanks!
@MusicMattersGB2 жыл бұрын
A pleasure! Thank you very much for your generosity and support for the channel! musicMatters