My 2nd Ultimate

[@KhrisRoyal]

Man you are a master teacher. To often cats try to separate J*zz cell from the funk. Thanks for showcasing the connection.

[@Temumusic]

@@KhrisRoyal It really is an issue. Even I tried to avoid it. I had to accept that the Funk is like the little wild cousin of Jazz. The problem is that it implies actual WORK and STUDYING, that’s the hard part. Thank you for watching!

[@DreckigerDingo]

Love from Berlin! Cant thank you enough for sharing your knowledge ❤

[@dbg115]

Stank U Smelly much bro !!! I appreciate you !!!

[@Madd3e]

Waiting for it 🙏🏼

[@ryshpanmusic]

For locked hands/block chords, I'd also recommend checking out Red Garland (especially his famous solos on Miles Davis' "Bye Bye Blackbird" and "Straight No Chaser"). Erroll Garner's version of "The Way You Look Tonight" and his "squabbling" technique on organ is also another related technique to check out. THANK YOU for reiterating that "jazz theory" is not exclusively for swing and bebop music, it is the fundamental way to understand how all tonal Black American Music is organized.

[@Temumusic]

@@ryshpanmusic Red Garland is also a good one. His specialty was really swinging supporting chords on the left hand. In a way you can also look at his approach like the doo wop element behind the lead singer.

[@Temumusic]

@@ryshpanmusic Yes man the Jazz theory part people try to run away from it. Hell, the terms ‘funk’ and ‘stank’ were used in reference to Jazz before James Brown came along

[@paco2466]

Tuned in🔥🔥🔥

[@Temumusic]

@@paco2466 bro you getting a talkbox? 😂

[@paco2466]

​@@TemumusicNo lol but good information is better then nothing and its you bro know know ill support 💯 👏🏽👏🏽👏🏽

[@Temumusic]

@@paco2466 my man! Now you can go to a talkbox show and if they suck, show em this video 😂

[@WeHoBo]

Folks, when you return from the rabbit hole in two years all disheveled, emaciated, and humbled, just remember: 1) jazz theory and your instrumental technique is a lifelong learning process that never ends; 2) it’s all about how you get to the V chord, what you do while you’re within that V chord, how you exit that V chord, and how you get back to the I chord (whether you’re the same or diff key now); 3) to make your entry into the rabbit hole more of a gentle slide than a base jump, try analyzing the theory behind familiar songs first. Maybe start with “Just the Two of Us”, then proceed to MJ’s “I Can’t Help It”, and then maybe Jill Scott’s “Golden”.

[@WeHoBo]

🤓 🤓 ❤❤❤