My Top 5 COLOR Features - DaVinci Resolve 19

[@Coatsey007]

Darren, your video may have been fast and furious, but your eloquence in teaching made me understand all of it, especially the Node Stack. 👌🏽

[@DarrenMostyn]

Im pleased to hear it - as thats the hardest part to explain! Glad it worked then!

[@joshcullum88]

Darren there’s a lot of people using the Mac Studio M2 Ultra. I think a video on how to optimise Davinci for your Mac for the smoothest play back, the most efficient caching, back up etc would be really handy

[@DarrenMostyn]

OK, with 9 thumbs up so far maybe!! Please hit the like button if you want this and I'll keep an eye on this comment! Thanks for suggesting. I have a Mac M2 Studio Ultra in the suite

[@spidif2544]

Same here. Would love that

[@StevieRichardsFitness]

I have a M2 Max Mac Studio and that tutorial would be a huge help. Thanks in advance.

[@jfscott100]

I was going to ask the same question, as someone thinking about the M2 Ultra it would be great to hear what you think of it

[@DarrenMostyn]

OK, I'll try and do this episode soon - thanks for liking!

[@outdoorsinontario3037]

Why anyone would use another editor is beyond me! This company is doing things right! They don’t make one thing , than slack. They keep on killing it, over n over! Well done BMAGIC

[@GabrielPassarelliG]

I just love to love Resolve. Best software, best company. And still free.

[@rawcreative]

Sadly rumours are down the line pay subscription for AI features or use base studio version.

[@rano12321]

@@rawcreative all ai features are in studio only and there's no subscriptions and most likely will never be considering the BM ceo is against it.

[@rawcreative]

@@rano12321 I can only hope so. Google for the first time are considering subscription to pay for their own AI search engine.

[@GabrielPassarelliG]

@@rawcreative There is no need for subscription, because the AI runs locally.

[@Z05HY]

You just gotta effin love Davonci!! The ampunt of development, benefits for the industry are off the charts!

[@bigsnap5]

I feel like that color slice tool is a direct response to some of the DCTL's that have come out over the last year or so, giving people the ability to make more granular changes. I think blackmagic is keeping their ears to the street.

[@hexrockstar]

It's basically the tetrahedral interpolation DTCL, where by syncing the rgb sliders in a certain way, you can obtain effects of density, hue shift an saturation. it's funny that as I write this comment I am modifying the DCTL to have those controls and this video pops up in my feed!

[@imDonDiestro]

That’s exactly what I was thinking. This looks like it works way better than the DCTL version too.

[@Karats_Alexander]

I agree! Always listening always updating

[@shorerocks]

Thx Darren. As a musician all I can say: This rocks!

[@DAF21films]

The DaVinci team saw dehancer and mononodes and said...yes!

[@gerardomorales151]

This is what I’m saying!

[@BlackburnZ_INDIA]

Dehancer is still supreme though but mononodes they are finished. Neat video is also still supreme

[@jaykellett7693]

haha so true!

[@DAF21films]

@@BlackburnZ_INDIA agreed! I still prefer dehancer.

[@The0riginalDavid]

Love these new features and really want to play with the node stacking. Can you possibly do a future video going over how you use groups and the best way to optimize your workflow with pre and post clips? Thanks a lot for your amazing tutorials as always!!

[@DarrenMostyn]

of course! My LIVE 4 day masterclass will be announced in the next few days so I'll be covering it in that for sure.

[@filipinovines]

Wow, it's getting more exciting. Thanks, bro

[@NathanHoang]

The node stacks is definitely a game changer for me, before this i constantly have to disable certain nodes and copy/paste grade, then go into those nodes and start tweaking them again… This node stack feature saves so much time.

[@richardstirling5799]

Amazing - thanks so much for your insights and teaching - best on the web

[@DarrenMostyn]

Glad you think so!

[@blurr.videos]

This DaVinci Resolve update is just unbelievable. Remix tool just too smooth to be true. And can't wait to check the accuracy of the skin tone wheel on color slice panel

[@richardrem]

As usual Darren, you are definitely the champ off explanation. Brilliant.

[@DarrenMostyn]

Appreciated Richard.

[@penelopecrouteprod9676]

I am so glad I found your channel. Everything is understandable, clear, and fast at the same time. You are a great teacher. Thank you!!

[@RonnyWiesauerguitar]

I love your channel! doing all my music videos on my own, your channel is gold for me! THANKS!

[@metaiconic4557]

Fantastic walkthrough of the color-slice tool. Thanks, Darren!

[@DarrenMostyn]

Glad it was helpful!

[@oo0Spyder0oo]

Very slick presentation without the shenanigans others do, thanks. Going to enjoy all the other tutorials.

[@DarrenMostyn]

Glad you like them!

[@DaneBrammage]

Nice to see you and Alex at NAB this year.

[@DarrenMostyn]

Good to see you too!

[@ScruffyMisguidedAndBlue]

Good video as always. Wasn't expecting to see BeardMeatsFood in there!

[@DarrenMostyn]

Ive graded two Beard Meats Food jobs now!

[@JoshGloverMedia]

My thoughts when Beard popped up!

[@skiddlybatch]

You’re my favourite educator, Darren. Thank you.

[@DarrenMostyn]

Appreciated. Thank you.

[@equisetuminc]

Same! Makes me wish I did this for a living❤

[@StuartHetzler]

I'm an audio engineer and I'm blown away by the music remixer. Judging from this short demo, it wrecks just about everything on the market right now with the exception of LaLaAI, which is similarly game-changing. However, the real test is determining how clean it can extract a vocal from a mix. Looking forward to trying it out!

[@armando.visuals]

I LOVE The film look feature so much! It basically layers everything for you as if you were doing it in the Color Page. I can't wait!!!

[@GeorgiosElianos]

Thanks Darren, you take us by surprise with the new version. My favorite must be the color slice 😃

[@DarrenMostyn]

Node stacks actually!

[@pablolearningmusic]

I'm sooo glad I didn't buy the over-priced dehancer software. I'm actually excited about the film simulation and now it's included in a software I already bought DR. Nice update

[@DarrenMostyn]

Just to clarify - Dehancer has film stock emulation, film look creator doesn't. They are quite different.

[@brianrogers549]

Holly Molly the best just got a whole lot better. Thanks Darren 😎👍

[@team2films]

Another great video Darren! Awesome job. Hope you have a great time at NAB.

[@thomascharleston4045]

That remix tool is crazy!

[@AquashiiMusic]

Excited to hear your deep dives on the new features! I have a question about the new film look FX. Do you know if we still need to do a CST to Cineon Film Log before the FX please?

[@DarrenMostyn]

no. It works in any chosen colour space.

[@AquashiiMusic]

Perfect, thank you! So if I'm correct it should be best to place last in the chain right before using the CST to change from Davinci Wide Gamut to Rec707 Gamma 2.4 so that any changes made are within the wider colour space?

[@DarrenMostyn]

@@AquashiiMusic correct. near the end would be good advice.

[@AquashiiMusic]

Thank you so much for clarifying. 🙏

[@skyking95]

Awesome update. I’m looking forward to more tutorials from you on the new features!! What you showed; however, look awesome I do a fair amount of music videos and The music editing is going to be awesome for me!!

[@DarrenMostyn]

enjoy! Its a fantastic update

[@_carsonjones]

Testing out tne new Colour Slice feature and found it was adding noise / breakup to the edits. DCTL's that achieved the desired affect were not creating noise / damage to the clip like this. Needs a blurring or roll-off slider to compensate.

[@allenpayne9182]

Same.

[@FiletOvFish]

Thanks for all the info Darren! Super stoked on the organizational/workflow options the Layer Stacks open up. Also excited to play with the Color Slice tool and I'm curious how it compares to the Mononodes Color Shift DCTL and other similar DCTLs that can be used to manipulate color density. I was hoping that BMD was going to introduce native density adjustments so I'm excited about this and looking forward to testing it...once I feel it's safe to upgrade of course.

[@clintclarkson1325]

I am curious for a comparison between color slice and Mononodes DCTL too. Darren would you do a comparison?!

[@TheNaughtyOtsel]

Agreed on wondering about a comparison - I think a lot of people are wondering! I was super close to buying the Mononodes DCTL and curious if that is pointless now.

[@jmoravec]

thanks for this; especially for the split hue bit - as (i think) will be most value/speed worthy tool, if properly attached to the control panels

[@Deaddinoproductions]

Been jonesing for the Mononodes DCTLs ever since your video about them, but haven’t been able to justify the cost. So color slice and film look creator are making my dreams come true.

[@RasMarty_]

This is outstanding!!!! BMD just stepped it many notches up, thanks for the quick skimmer Darren👍Great break down on the different sectors on how to use a node tree more efficiently

[@sridharreddy3853]

That remix tool is crazy!

[@wa1no137]

Absolutely mind blowing update

[@hardymedia]

Darren, I think it's great that Blackmagic adds these tools. How do you decide on when to use a certain grading method over another? Between Primaries, HDR, color slice? Does the hardware Blackmagic sells essentially point to what is foundational? Do the DaVinci Resolve Panels interact with all software-based methods? I'm asking in the context of buying the new Blackmagic Design DaVinci Resolve Micro Color Panel and whether learning it is the best path for someone to get good a color grading.

[@DarrenMostyn]

Thats a lot of questions not easy to answer in a few words. All covered on my beginners masterclass!! courses.darrenmostyn.com/aopcg-2024-may/

[@hardymedia]

@@DarrenMostyn Good luck with your event! 👍

[@FredTrevinoColor]

Great video! I love all of these, in particular the node stacking will make things so much easier!

[@westwoodmanorfilms7779]

Definitely, some exciting new tools here Darren. Thanks for the quick and dirty breakdown.

[@DarrenMostyn]

very welcome - quick and dirty?

[@jordanbeckfilms]

Color slice and film look creator just made my jaw hit the floor honestly.

[@MrJhmw01]

Wow agree that the stacks looks amazing. So well organising. I use pre and post group more than timeline since you can adjust the look at a scene by scene basis.

[@Kaotix_music]

Still no ProRes RAW to Davinci. Guess us Ronin 4D users still have to keep transcoding.

[@tfiddler]

I'm just learning how to use Resolve Studio, but as a musician I see a couple things already I could have explored a few weeks ago trying to edit fan videos of our shows. 19 is full of surprises. This new Remix tool might be helpful when you only have one or two camera audio tracks of a music show you'd hope to archive. Gives you the opportunity to tweak things a little more than you could before. One or two steps beyond simple EQ ya know? Look out Peter Jackson, here we come! Ha! Ha! But I digress... this was about Color.

[@bramvanworkum]

Never been much of an audio guy but the substractive saturation is giving me buttefly feelings in my tummy. Lots lf Ansel Adams things in those effects

[@Bo_Hazem]

Saved on my reference videos among other great videos from you! Always showing top quality tutorials! Thanks a lot, Darren.

[@DarrenMostyn]

Thanks. Appreciated

[@8KHDRVideoBySittipong]

Thanks for sharing these new features.

[@DarrenMostyn]

No problem

[@benderocks788]

Darren, can you show examples of how we could combined the new Film Look Creation tool, with the older film emulation LUTs in resolve? Do these separate tools actually improve the film look when combined?

[@MrFullshot]

this is similar On the _ pre resolve console like toybox days secondary color was called kilovectors with 4 maybe 4 windows. so its nice to see this back . Their was kind of a page like this . Kilovectors was just a angle or a degree. it was so on film to tape. and we graded live as we had no hardrives. now it so nice to see millions of users.

[@marcwielage92]

Great work as always, Darren!

[@DarrenMostyn]

Thanks Marc

[@londonztoa6359]

Thx Darren, an exciting upgrade. Lots of tasty and ££ plugins around are now integrated (more or less). Grreat! Have a lovely NAB..

[@DarrenMostyn]

Thanks. Should be in vegas next hour

[@AbcAbc-br5uz]

Thank you very much for putting all the effort into your videos. Really appreciate that thanks to your videos I am able to learn more and more abour color grading even some topics that I initially thought were too complex for me (e.g color management). Helps me to improve step by step!

[@DarrenMostyn]

You are very welcome

[@nickjohansen9038]

I just bought the DCTL's that do color slice last year. lol

[@FilthyBadger]

Me too!

[@BenjaminAllenEdwards]

Me too. Dang it.

[@TimUhler1977]

Thanks for the great video! Question, the title "music remixer" can you do a tutorial on that text block? I love the glow, font and way the individual letters appear.

[@ProwlaManPresents]

Wow. These are some awesome upgrades and I'm only half way through the video.

[@SamuelJamesVideos]

Can you possibly go into detail about what's actually happening when you color space override in the FLC effect? I'm having trouble visualizing what's actually happening and what it's for.

[@TroyQwert]

Many users may only need to perform basic color correction and grading tasks, such as adjusting exposure, contrast, saturation, or applying creative looks. In these scenarios, a simplified interface that consolidates common color adjustments into a single node or panel could be more user-friendly and efficient. One potential approach could be to introduce a "Basic Color Grading" mode or panel that consolidates common adjustments into a single interface, while still allowing users to switch to the traditional node-based workflow for more complex grading tasks. This could strike a balance between simplicity and advanced functionality, catering to both novice and experienced colorists.

[@graemetowner7257]

all looks amazing....look forward to your more in-depth reviews...

[@DarrenMostyn]

They will come - I'm in USA right now.

[@fjouper]

This is fantastic 🤓

[@hexrockstar]

it seems to me that color slice is basically the Tetra DCTL with some code under the hood to automatise the rgb slider offsets to get the effects of density , hue shift and saturation. The funniest thing is I am modifying the tetra DCTL code myself (as i write this comment! ) to obtain the same effects on the RGB sliders and this video pops up! :D

[@Creationous]

Node stacks will be great for on the go editing.

[@omerbulbul8185]

Color slice looks like ligtrooms color mixer , works like that ! Cool feature 👍🏽

[@ErikWerlin]

Love these new features. I was really considering buying some DCTLS for this exact color control but now its going to be built right in! Love these updates but the one thing I am still waiting for is the music remixer like in premiere pro where I can make a song longer or shorter.

[@yinon_tal]

Thanks for this review!

[@DarrenMostyn]

Glad it was helpful!

[@kubo.maninec]

Thanks for video, amazing as always :

[@DarrenMostyn]

Glad you enjoyed it!

[@TomKnudsen]

Dear Darren, greetings from Norway. I would like to appeal to your expertice and informative knowledge. When it comes to colour you are for sure one of my absolutely favorite channel for Davinci, I love all your episodes. As a novice/beginner colourist for professional underwater video's I often struggle with knowing/determinate what is the correct colour. Example: How blue is the ocean, how green is it. Expanding on this, how do you tell if the colour red is correct red, how yellow is yellow etc. Or how do you tell if grey is 18% percent and so on. I find adjusting colour difficult as I tend to lean more on estetics than what might be correctly defined. I am working on an Asus ProArt pa279cv monitor, so the colour calibration and nits I think is good enough. When it comes to underwater photage, you may not know this but colours disappear with depth. First goes red, then orange, then yellow then green and so on. So colouring underwater photoage can be difficult, but it basically comes down to adding color back in to the mix. Question is, when is blue water correct, green water green or even how much magenta and red should I add in. Is there a golden way to understand defined colors correctly? I am a fan of @joannakustra and learned a lot from her, but that is more in line of photography. So do you have any videos on this topic or could you make one Darren? It would really help to understand and perhaps get a more solid base.. Thank you in advanced.

[@924PHOTOGRAPHY]

Hey Darren it was good meeting you at NAB. I have DaVinci 19 studio, but my music remixer isn't there.

[@DarrenMostyn]

good to meet you too. Goto Edit page...click on audio tracks and its in inspector.

[@924PHOTOGRAPHY]

That’s where i was at and mine is missing. I double checked. I am on DaVinic 19 Studio Beta. Wish we could share images here

[@MatthiasKlingner]

Wow, incredible and unexpected, I'm currently on the blackmagic page reading about all the new features in Resolve 19! Thanks for the insights in the color grading regards. One thing I would like to make you aware of: I think you are almost to good, so when you are correcting, you make amazing subtle changes. Only problem is, most of that stuff gets lost on youtube (and to the untrained eye), so I would encourage you, if you show stuff like the copying of grades, be more dramatic and overcorrective on your changes. We know that your ability to grade is amazing, but for a short demo, I think it's more helpful to be able to quickly understand what is happening. The demo on the color slice was easily noticable and great, but the grade change when you copied the node/grad during the Node Stack segment got completely lost for me, I couldn't see and difference 😅 Thanks as always for your amazing videos!

[@DarrenMostyn]

Thanks. A fair comment - noted.

[@TaranjietSinghNamdhari]

Thanks Darren - Q - do you suggest we upgrade or wait for the final version? I'm in between episode edits - a new Eps starts next week after we close the current one?

[@DarrenMostyn]

Dont upgrade during jobs IMO. Its first version beta. Id wait at least for a 19.1 or 19.2 and then only after a job is complete. Back up everything first of course.

[@HspncAt7heDisco]

Hey Darren, I've just learned to be color-space aware in Resolve and I'm really struggling with how to make skin-tone adjustments in a Group workflow, when the rec.709 conversion is the last node in the stack. I want all skin-tone selections to be on the Clip level, but with my DWG>709 node being the very last node, I'm forced to use Log for selections, which has proven difficult. How do you typically go about correcting skin-tones when using a workflow that incorporates Grouped Node stacks? Any help you could give me would be really appreciated! Currently, I have my node tree as follows: Group-Pre Clip> Noise reduction then Converts to DWG Clip > Primaries and individual adjustments Group Post Clip > Look DNA and additional creative adjustments Timeline > DWG into Rec.709

[@whousefilms]

Thank you for the video. Great tutorial.

[@evandux]

I'm stoked on the new panel they announced.

[@pixelrancher]

Love the stems feature for audio. There are a number of audio plugins and online apps that'll split audio but I have a feeling Blackmagic's stem extractor is going to be superior. Hopefully.

[@UraFlight]

Thank you Darren for this review, very informative 😊

[@hawaiirealmedia5610]

Love the new audio feature, although it also gives editors a new way to F up a music mix!

[@TotalRADandMORE]

Great video thanks for going through this! The Color Splitter seems to be going straight for a lot of the DCTL plug ins, I've really loved my color density saturation tool but this looks WAY better. Node Stacking is going to be soooo great for working on complex node trees on my laptop, breaking it up nicely so I'm not struggling to move things around. Can't wait to try this!

[@naima6858]

HI Darren, I am enjoying watching your well produced video as I am transitoning from Premiere Pro to Davinci. Though one feature I really enjoyed, not to say was essential to my workflow, was the ability to customize my workspaces and the windows for when I am working with 1, 2 or 3 monitors. And I am not seeing this feature in Davinci, I have been searching on YT but all I see is something about dual screen, Which is ok, but it still has a set layout and doesn't give me a possibility to personalize it to my liking. Is there a secret about it you can uncover? Especially when color grading, I do want to expand my clip and have occupy half of my screen.

[@GizmoMaxx]

Hi Darren, I have a Beta Studio 19, the Music Remixer & Ducker is not showing on the inspector Edit page, any tip? Great Video as always Thank you

[@DarrenMostyn]

You need the Studio version.

[@DarrenMostyn]

You need the Studio version.

[@tomaskonvicka4135]

I'm usually a little skeptical about new things. I always prefer to wish they would fix the flaws in the basic ones, but I think the Resolve team really delivered and totally surprised me! I think that thanks to Color Slice, DCTL developers will have to cheapen their plugins. There's still a lot to work on and since they decided to go the route of splitting colors by skin, they should have continued to do that and made the grass that is between yellow and green and the sky that is between blue and cyan. this is what I keep running into when working with HUE curves.

[@LeoKeli]

First thing after watching the livestream was to stream your take - and once again you don’t disappoint. I understood many of the features a lot better with your explanations! Would love to know your view on the new Micro Color Panel. Seems like a great option for enthusiasts? Hopefully they have on show at NAB. Have a brilliant time in Vegas (I did many CES events in my time) and look forward to your follow-ups.

[@DarrenMostyn]

I appreciate that thank you.

[@mr.shutterz5348]

Hi mate, awesome video as always! Hope you’re having a good time! I’ve just got back from birthday celebrations and trying to type is challenging but couldn’t wait for your video on this update. Seems BM have pulled out some awesome features with this update. Thanks again! Mark.

[@DarrenMostyn]

Happy birthday! this version has some amazing features! Hope your head not too sore in the morning!

[@mr.shutterz5348]

@@DarrenMostyncheers, pal. I’m not not hopeful for the morning 🥴

[@koushikbhattacharya832]

Sir Node Stack feature is great but it wouldn't be great if we can use display node graph and drag the node or node adjustment to the multiple clip in a exact numbering position? plz suggest your opinion

[@andronmeda]

Woah, I thought blackmagic might present some new atems and converters at best.. But woow, they are nailing it, especially that music remixer

[@JohnnyBouchier]

Thank you for the heads-up on some of the new features.

[@lombardy3274]

Film Look tool just put a lot of DCTL / plugin / LUT people out of business!

[@andresjoberg]

So true, good news for us though :)

[@Eyeofkamau]

Blackmagic saw folks making workaround for things dvr didn’t offer and they took it personally 😂. Happy they continue to offer features like this that eliminate the needs to rely on other purchases

[@alvinrizkiyadi4691]

almost paid that one overpriced dctl, now boom! 😂

[@chakk0]

@@alvinrizkiyadi4691same here 🙈

[@smepable]

​@@alvinrizkiyadi4691Same here, was planning to get DCTL and dehancer soon 😅

[@chrisbogart687]

Still recovering from having my mind blown today by Blackmagic and what they announced - WOW!

[@UraFlight]

Darren please ! I can’t attend this event in USA .Could you please ask Black Magic developers if they gonna improve planar tracker in Fusion ? I’m using a planar tracker a lot and I think it’s needed a good update 😊

[@heinrichstroh533]

Hi Darren, thanks for all the informative videos and tutorials. I have watched alot of your videos and learning as I go, from your videos. I am still a beginner and with all your videos I have managed to be more familiar with Davinci. I am however still having difficulties... My videos looks great on Davinci but when I export them to KZbin,and then watch them on KZbin, its as if all the colours are blown out( if thats the correct term). Is there any way that I can maybe reach out to you? Email maybe? I would like to send you a link to the video, the node tree that I use, the original footage and if you dont mind, maybe tell me where I'm going wrong. At the moment I have no idea what to do to fix the issue. Thanks for all the great videos.

[@ahappyreindeer3383]

so mononodes dtcl density but more accurate and official?

[@DarrenMostyn]

DCTL' s are not unofficial or less accurate.

[@ResizeFilms]

What sorcery is that remixer tool?! I guess it will damage in some way the instrumental parts by removing the similar frequencies shared with the vocals but still, truly amazing.

[@benderocks788]

I suspect iZotope Rx technology in there...

[@JimRobinson-colors]

I guess you were provided an advance copy or you are extremely fast - love all the new stuff. I just downloaded and one of the things that I have been mentioning to Resolve team over and over is for them not to forget fixing the face refinement tool - I saw Daria scratched the surface on it in the preview and it looked as though she was able to edit the tracking. The tool I always thought had a lot of potential but made me stop trying to use it was that the tracking wasn't editable. So fingers crossed. have fun in Vegas - say hi to everyone for me. Cheers.

[@DarrenMostyn]

Thanks Jim. Yes im fast! Just landed Vegas!

[@JohnGiskes]

Looking forward to the stable version!

[@snapjacksonphotography]

When I adjust the hue, it works, but anytime I use the saturation bar, if I move it at all, my image goes completely black. Any ideas as to what I’m doing wrong?

[@adedoyinadebukolaadetayo1625]

This new tool looks awesome already

[@DoppaD]

This is amazing! Can't wait for the non-beta version to come out. I'm working on some projects right now, so I'm sticking with 18.6 until then. Any estimate on when the non-beta will be released?

[@DarrenMostyn]

No idea when. Usually quite a few months.

[@thebobbymisner]

Bro is the coloring Jedi Master

[@JasonLorette]

Great video…every time I watch one of your videos I realize how little I know about DR…and I’ve used it for four years, lol.

[@DarrenMostyn]

Hi Jason! Hope you are well my friend.

[@JasonLorette]

@@DarrenMostyn well enough dude, I hope things are great on your end! 📸😎

[@stehume]

Hi Darren hope you're well. Good to see your subs really going up. Looking for a bit of help if poss I have 19 and am sure that if I had a clip in fusion and I went to the colour page changed the colour then it would up date in the fusion page.....pretty sure it was doing this only today then all of a sudden it stopped updating any changes made in the colour page , will only show up in the edit and colour page. was I imaging this or have I turned something off to stop this, I thought this got added to DaVinci 19, if not what is all the talk about fusion now updates the colour page many thanks Steve

[@Snider-Films]

Thank you, Darren! I know these take a lot of valuable time, but you've taught me and others tons. Any idea whether these new features will be reflected in the Mini Panels? Hoping so.

[@DarrenMostyn]

Yes some are i believe

[@abagatelle]

Just downloaded the new studio version - amazing! Looking fwd to your future tuts Darren!

[@buzzedge]

Be calming down ...its in beta mode 😹😹

[@imcrimson8618]

I like the new tools that have came into resolve. Tho I don’t really see myself using the color splicer much. At least for the time being. Still so many tools to get used to and master first.