My Top 5 COLOR Features - DaVinci Resolve 19

[@Coatsey007]

Darren, your video may have been fast and furious, but your eloquence in teaching made me understand all of it, especially the Node Stack. 👌🏽

[@DarrenMostyn]

Im pleased to hear it - as thats the hardest part to explain! Glad it worked then!

[@joshcullum88]

Darren there’s a lot of people using the Mac Studio M2 Ultra. I think a video on how to optimise Davinci for your Mac for the smoothest play back, the most efficient caching, back up etc would be really handy

[@DarrenMostyn]

OK, with 9 thumbs up so far maybe!! Please hit the like button if you want this and I'll keep an eye on this comment! Thanks for suggesting. I have a Mac M2 Studio Ultra in the suite

[@spidif2544]

Same here. Would love that

[@StevieRichardsFitness]

I have a M2 Max Mac Studio and that tutorial would be a huge help. Thanks in advance.

[@jfscott100]

I was going to ask the same question, as someone thinking about the M2 Ultra it would be great to hear what you think of it

[@DarrenMostyn]

OK, I'll try and do this episode soon - thanks for liking!

[@outdoorsinontario3037]

Why anyone would use another editor is beyond me! This company is doing things right! They don’t make one thing , than slack. They keep on killing it, over n over! Well done BMAGIC

[@GabrielPassarelliG]

I just love to love Resolve. Best software, best company. And still free.

[@rawcreative]

Sadly rumours are down the line pay subscription for AI features or use base studio version.

[@rano12321]

@@rawcreative all ai features are in studio only and there's no subscriptions and most likely will never be considering the BM ceo is against it.

[@rawcreative]

@@rano12321 I can only hope so. Google for the first time are considering subscription to pay for their own AI search engine.

[@GabrielPassarelliG]

@@rawcreative There is no need for subscription, because the AI runs locally.

[@bigsnap5]

I feel like that color slice tool is a direct response to some of the DCTL's that have come out over the last year or so, giving people the ability to make more granular changes. I think blackmagic is keeping their ears to the street.

[@hexrockstar]

It's basically the tetrahedral interpolation DTCL, where by syncing the rgb sliders in a certain way, you can obtain effects of density, hue shift an saturation. it's funny that as I write this comment I am modifying the DCTL to have those controls and this video pops up in my feed!

[@imDonDiestro]

That’s exactly what I was thinking. This looks like it works way better than the DCTL version too.

[@Karats_Alexander]

I agree! Always listening always updating

[@penelopecrouteprod9676]

I am so glad I found your channel. Everything is understandable, clear, and fast at the same time. You are a great teacher. Thank you!!

[@Z05HY]

You just gotta effin love Davonci!! The ampunt of development, benefits for the industry are off the charts!

[@pabloserranomusic]

I'm sooo glad I didn't buy the over-priced dehancer software. I'm actually excited about the film simulation and now it's included in a software I already bought DR. Nice update

[@DarrenMostyn]

Just to clarify - Dehancer has film stock emulation, film look creator doesn't. They are quite different.

[@StuartHetzler]

I'm an audio engineer and I'm blown away by the music remixer. Judging from this short demo, it wrecks just about everything on the market right now with the exception of LaLaAI, which is similarly game-changing. However, the real test is determining how clean it can extract a vocal from a mix. Looking forward to trying it out!

[@DAF21films]

The DaVinci team saw dehancer and mononodes and said...yes!

[@gerardomorales151]

This is what I’m saying!

[@warfaceindiablackburnfire330]

Dehancer is still supreme though but mononodes they are finished. Neat video is also still supreme

[@jaykellett7693]

haha so true!

[@DAF21films]

@@warfaceindiablackburnfire330 agreed! I still prefer dehancer.

[@blurr.videos]

This DaVinci Resolve update is just unbelievable. Remix tool just too smooth to be true. And can't wait to check the accuracy of the skin tone wheel on color slice panel

[@lombardy3274]

Film Look tool just put a lot of DCTL / plugin / LUT people out of business!

[@AndreSjoberg]

So true, good news for us though :)

[@Eyeofkamau]

Blackmagic saw folks making workaround for things dvr didn’t offer and they took it personally 😂. Happy they continue to offer features like this that eliminate the needs to rely on other purchases

[@alvinrizkiyadi4691]

almost paid that one overpriced dctl, now boom! 😂

[@chakk0]

@@alvinrizkiyadi4691same here 🙈

[@smepable]

​@@alvinrizkiyadi4691Same here, was planning to get DCTL and dehancer soon 😅

[@filipinovines]

Wow, it's getting more exciting. Thanks, bro

[@RasMarty_]

This is outstanding!!!! BMD just stepped it many notches up, thanks for the quick skimmer Darren👍Great break down on the different sectors on how to use a node tree more efficiently

[@team2films]

Another great video Darren! Awesome job. Hope you have a great time at NAB.

[@evandux]

I'm stoked on the new panel they announced.

[@hawaiirealmedia5610]

Love the new audio feature, although it also gives editors a new way to F up a music mix!

[@londonztoa6359]

Thx Darren, an exciting upgrade. Lots of tasty and ££ plugins around are now integrated (more or less). Grreat! Have a lovely NAB..

[@DarrenMostyn]

Thanks. Should be in vegas next hour

[@hexrockstar]

it seems to me that color slice is basically the Tetra DCTL with some code under the hood to automatise the rgb slider offsets to get the effects of density , hue shift and saturation. The funniest thing is I am modifying the tetra DCTL code myself (as i write this comment! ) to obtain the same effects on the RGB sliders and this video pops up! :D

[@MatthiasKlingner]

Wow, incredible and unexpected, I'm currently on the blackmagic page reading about all the new features in Resolve 19! Thanks for the insights in the color grading regards. One thing I would like to make you aware of: I think you are almost to good, so when you are correcting, you make amazing subtle changes. Only problem is, most of that stuff gets lost on youtube (and to the untrained eye), so I would encourage you, if you show stuff like the copying of grades, be more dramatic and overcorrective on your changes. We know that your ability to grade is amazing, but for a short demo, I think it's more helpful to be able to quickly understand what is happening. The demo on the color slice was easily noticable and great, but the grade change when you copied the node/grad during the Node Stack segment got completely lost for me, I couldn't see and difference 😅 Thanks as always for your amazing videos!

[@DarrenMostyn]

Thanks. A fair comment - noted.

[@ErikWerlin]

Love these new features. I was really considering buying some DCTLS for this exact color control but now its going to be built right in! Love these updates but the one thing I am still waiting for is the music remixer like in premiere pro where I can make a song longer or shorter.

[@adedoyinadebukolaadetayo1625]

This new tool looks awesome already

[@Kaotix_music]

Still no ProRes RAW to Davinci. Guess us Ronin 4D users still have to keep transcoding.

[@nickjohansen9038]

I just bought the DCTL's that do color slice last year. lol

[@FilthyBadger]

Me too!

[@BenjaminAllenEdwards]

Me too. Dang it.

[@AndreSjoberg]

So looking forward to this, both color page as well as fairlight, but maybe also seeing what’s happening in the cut page :)

[@fjouper]

This is fantastic 🤓

[@graemetowner7257]

all looks amazing....look forward to your more in-depth reviews...

[@DarrenMostyn]

They will come - I'm in USA right now.

[@948ccm]

I see a lot of updates coming into the online classes and certification paths of BMD. Cool new features. 👍

[@liarspeaksthetruth]

The audio remxing is old news for audio editors. But, baking it into Resolve means less round-tripping...lots of sound editors are going to lose work due to AI magic.

[@DoppaD]

This is amazing! Can't wait for the non-beta version to come out. I'm working on some projects right now, so I'm sticking with 18.6 until then. Any estimate on when the non-beta will be released?

[@DarrenMostyn]

No idea when. Usually quite a few months.

[@GeorgiosElianos]

Thanks Darren, you take us by surprise with the new version. My favorite must be the color slice 😃

[@DarrenMostyn]

Node stacks actually!

[@SamuelJamesVideos]

Can you possibly go into detail about what's actually happening when you color space override in the FLC effect? I'm having trouble visualizing what's actually happening and what it's for.

[@wavensdorvad]

WOW! I love everything but, stacks… 😍

[@TomKnudsen]

Dear Darren, greetings from Norway. I would like to appeal to your expertice and informative knowledge. When it comes to colour you are for sure one of my absolutely favorite channel for Davinci, I love all your episodes. As a novice/beginner colourist for professional underwater video's I often struggle with knowing/determinate what is the correct colour. Example: How blue is the ocean, how green is it. Expanding on this, how do you tell if the colour red is correct red, how yellow is yellow etc. Or how do you tell if grey is 18% percent and so on. I find adjusting colour difficult as I tend to lean more on estetics than what might be correctly defined. I am working on an Asus ProArt pa279cv monitor, so the colour calibration and nits I think is good enough. When it comes to underwater photage, you may not know this but colours disappear with depth. First goes red, then orange, then yellow then green and so on. So colouring underwater photoage can be difficult, but it basically comes down to adding color back in to the mix. Question is, when is blue water correct, green water green or even how much magenta and red should I add in. Is there a golden way to understand defined colors correctly? I am a fan of @joannakustra and learned a lot from her, but that is more in line of photography. So do you have any videos on this topic or could you make one Darren? It would really help to understand and perhaps get a more solid base.. Thank you in advanced.

[@JasonLorette]

Great video…every time I watch one of your videos I realize how little I know about DR…and I’ve used it for four years, lol.

[@DarrenMostyn]

Hi Jason! Hope you are well my friend.

[@JasonLorette]

@@DarrenMostyn well enough dude, I hope things are great on your end! 📸😎

[@abi219]

Fantastic upgrade 😊👌👍👍

[@_carsonjones]

Testing out tne new Colour Slice feature and found it was adding noise / breakup to the edits. DCTL's that achieved the desired affect were not creating noise / damage to the clip like this. Needs a blurring or roll-off slider to compensate.

[@allenpayne9182]

Same.

[@hylkeknot6624]

Ass always! Love your videos! The node stack is going to be so nice to work with.

[@JimRobinson-colors]

I guess you were provided an advance copy or you are extremely fast - love all the new stuff. I just downloaded and one of the things that I have been mentioning to Resolve team over and over is for them not to forget fixing the face refinement tool - I saw Daria scratched the surface on it in the preview and it looked as though she was able to edit the tracking. The tool I always thought had a lot of potential but made me stop trying to use it was that the tracking wasn't editable. So fingers crossed. have fun in Vegas - say hi to everyone for me. Cheers.

[@DarrenMostyn]

Thanks Jim. Yes im fast! Just landed Vegas!

[@ayoubthegreat]

Lots of great features !

[@chrisbogart687]

Still recovering from having my mind blown today by Blackmagic and what they announced - WOW!

[@NowyKurs]

"... This is a very simple note here..." 🧐 Man. You have 16 notes in the single picture like you are designing at least an electronic map for a house. I still don't get it all the fuss with notes if you literally can do most in one or two. Must be a habit of workflow.

[@KNUSPERTAINMENT]

I feel the same, I am getting so confused if I have all the basic editing in 10 nodes.

[@ashishjatiani3356]

This update looks too good to be trueeeeeeeee 🥶🥶🥶🥶🥶

[@dario.explore]

This is amazing, i feel like they got inspired by dehancer and some dctls, the music mixer will be next level too :)

[@DarrenMostyn]

Dehancer has film stock emulation - this is for filmic look development.

[@dario.explore]

@@DarrenMostyn Yes, but what i mean when i say they got inspired it like having all the tools in one node. similar structure to get that film look like :)

[@ethelquinn]

Man just get a proper dedicated graphics card top of the line Nvidia or amd. and replace that Mac studio ultra, And all your playbacks will be butter smooth. Thanks for great content 🙌

[@DarrenMostyn]

you are welcome but to get me on to Windows is a big ask!! id rather render!

[@thebobbymisner]

Bro is the coloring Jedi Master

[@samt9097]

Had no idea this thing is coming out. Hopefully it’s still free upgrade for us studio owners.

[@DarrenMostyn]

Yes it is as always

[@AndreSjoberg]

Davinci Resolve Studio updates are always free :) One time fee for the win :)

[@samt9097]

Oh it's beta. That's why it doesn't show up for me.

[@leeevans1874]

God bless Grant Petty and his merry men .

[@pixelrancher]

Love the stems feature for audio. There are a number of audio plugins and online apps that'll split audio but I have a feeling Blackmagic's stem extractor is going to be superior. Hopefully.

[@TaranjietSinghNamdhari]

Thanks Darren - Q - do you suggest we upgrade or wait for the final version? I'm in between episode edits - a new Eps starts next week after we close the current one?

[@DarrenMostyn]

Dont upgrade during jobs IMO. Its first version beta. Id wait at least for a 19.1 or 19.2 and then only after a job is complete. Back up everything first of course.

[@ScruffyMisguidedAndBlue]

Good video as always. Wasn't expecting to see BeardMeatsFood in there!

[@DarrenMostyn]

Ive graded two Beard Meats Food jobs now!

[@JoshGloverMedia]

My thoughts when Beard popped up!

[@ResizeFilms]

What sorcery is that remixer tool?! I guess it will damage in some way the instrumental parts by removing the similar frequencies shared with the vocals but still, truly amazing.

[@benderocks788]

I suspect iZotope Rx technology in there...

[@SabelotodoTango]

Oh man ... that is crazy!

[@flootb]

so this came out of nowhere, did Davinci Resolve 19 fully release??

[@DarrenMostyn]

Public beta

[@flootb]

@@DarrenMostyn ah i see :) thx for the fast insights!

[@AndreSjoberg]

Nope, Beta Release first, the proper release later :)

[@Travel_Talkz]

Omg amazing ! 🫶

[@RonnyWiesauerguitar]

I love your channel! doing all my music videos on my own, your channel is gold for me! THANKS!

[@spikewilliam]

Great additions! Like many other colorist I was using the Tetra DCTL and the Color Slice is really great! The Film creator is also very cool for those who did not purchase Film Convert or Dehancer Pro. Subtractive saturation at last! No more HSV single channel node to add ^^. What would be amazing is the capacity of making very accurate 1/48 motion blur effect out of a higher shutter speed by simply analysing the sequence or just indicate the shutter speed manually. The update is only showing the 18.6.6 version. Maybe that's because I'm in France and is not available yet?

[@wa1no137]

Absolutely mind blowing update

[@literallykevin]

Definitely purchased that look lab print last week. I might be his only other sale after today. Poor dude. That set is masterful...but not worth the price anymore.

[@0juliamuniz]

Love youuuu thank you

[@anneboyer6359]

Some of these color page features will give dctl sellers a hard time. Especially the colorslice density modifiers. Mononodes and others. It will only keep getting better from here

[@UraFlight]

Darren please ! I can’t attend this event in USA .Could you please ask Black Magic developers if they gonna improve planar tracker in Fusion ? I’m using a planar tracker a lot and I think it’s needed a good update 😊

[@MarkusFinholt]

The democratization of color grading is here. Time to learn more skills than relying on paid tools

[@johnnycashlesscomedy8616]

would love a video how some of these new tools integrate with the Advanced Panel and mini. Hope the new slice tool has dedicated controls on the panels.

[@DarrenMostyn]

It does! I tried it on my advanced panel.

[@jmalmsten]

I do wonder how mononodes feel about this update. I mean... the color slicer, it looks mighty similar to the density dctl tool. :)

[@SiHargreaves]

Wow, Ai music separation just casually thrown in there like it's nothing!

[@andronmeda]

Woah, I thought blackmagic might present some new atems and converters at best.. But woow, they are nailing it, especially that music remixer

[@GizmoMaxx]

Hi Darren, I have a Beta Studio 19, the Music Remixer & Ducker is not showing on the inspector Edit page, any tip? Great Video as always Thank you

[@DarrenMostyn]

You need the Studio version.

[@DarrenMostyn]

You need the Studio version.

[@924PHOTOGRAPHY]

Hey Darren it was good meeting you at NAB. I have DaVinci 19 studio, but my music remixer isn't there.

[@DarrenMostyn]

good to meet you too. Goto Edit page...click on audio tracks and its in inspector.

[@924PHOTOGRAPHY]

That’s where i was at and mine is missing. I double checked. I am on DaVinic 19 Studio Beta. Wish we could share images here

[@HspncAt7heDisco]

Hey Darren, I've just learned to be color-space aware in Resolve and I'm really struggling with how to make skin-tone adjustments in a Group workflow, when the rec.709 conversion is the last node in the stack. I want all skin-tone selections to be on the Clip level, but with my DWG>709 node being the very last node, I'm forced to use Log for selections, which has proven difficult. How do you typically go about correcting skin-tones when using a workflow that incorporates Grouped Node stacks? Any help you could give me would be really appreciated! Currently, I have my node tree as follows: Group-Pre Clip> Noise reduction then Converts to DWG Clip > Primaries and individual adjustments Group Post Clip > Look DNA and additional creative adjustments Timeline > DWG into Rec.709

[@const2401]

RIP MonoNodesDCTL RIP Dehancer RIP NeatVideo

[@falcodoebler]

Don't think that's its better than NEAT tbh.

[@mcwornex2123]

that mononode guy should issue reimbursement, let’s be honest ahahha

[@cinematools9621]

There's nothing better than Neat Video on the consumer market right now.

[@cinex5114]

Rip izotope rx

[@johnnycashlesscomedy8616]

In looking at the BMD demo Grant rolled into the live event, I could see softening around the edges of objects, which I feel Neatvideo doesn't do. Neat isn't expensive and still seems like the best option right now. So glad I didn't spend the money on Dehancer. I did buy the expensive diffusion plugin Scatter, so wonder how long before BMD has that built in. I dont think Izotope is yet dead. I use RX10 Advanced all the time and while Resolve's built in tools will handle many situations, it's still not RX. And hopefully Izotope put in some development for RX11 that will bring new features or performance.

[@ahappyreindeer3383]

so mononodes dtcl density but more accurate and official?

[@DarrenMostyn]

DCTL' s are not unofficial or less accurate.

[@NathanHoang]

The node stacks is definitely a game changer for me, before this i constantly have to disable certain nodes and copy/paste grade, then go into those nodes and start tweaking them again… This node stack feature saves so much time.

[@Sagar_G_Sharma_ContentCreator]

Wohooo awesome 😎, i should say the entire tut is just diamond wrapped in gold wrapper , nothing's can be ignored out if this... The example case study itself talks a lot! Darren is going around throwing diamonds 😅😅

[@DarrenMostyn]

Love to share!!

[@OfficeofthePacific]

Darren, I'm a little confused on something. What do you do if you are trying to edit a music video and some footage needs to be color-graded from SLOG 3, but the B-Roll has already been color-graded? If your color space transform is set to SLOG3 S-Gamut3.Cone; won't that mess up the already color-graded footage? I'm a newbie, I just don't want to screw this up. Super important.

[@DarrenMostyn]

you can assign each clip its own colour space. kzbin.info/www/bejne/eaW2c4mBoq2eoLc kzbin.infoR-5jSLkHZSI?feature=share

[@eddyjuillerat835]

Thanks mate.

[@TotalRADandMORE]

Great video thanks for going through this! The Color Splitter seems to be going straight for a lot of the DCTL plug ins, I've really loved my color density saturation tool but this looks WAY better. Node Stacking is going to be soooo great for working on complex node trees on my laptop, breaking it up nicely so I'm not struggling to move things around. Can't wait to try this!

[@guillaumevfx]

I just switched to the davinci resolve 19 beta and I don't see the Music Remixer tool?? and i don't see the new features?

[@naima6858]

HI Darren, I am enjoying watching your well produced video as I am transitoning from Premiere Pro to Davinci. Though one feature I really enjoyed, not to say was essential to my workflow, was the ability to customize my workspaces and the windows for when I am working with 1, 2 or 3 monitors. And I am not seeing this feature in Davinci, I have been searching on YT but all I see is something about dual screen, Which is ok, but it still has a set layout and doesn't give me a possibility to personalize it to my liking. Is there a secret about it you can uncover? Especially when color grading, I do want to expand my clip and have occupy half of my screen.

[@imcrimson8618]

I like the new tools that have came into resolve. Tho I don’t really see myself using the color splicer much. At least for the time being. Still so many tools to get used to and master first.

[@stehume]

Hi Darren hope you're well. Good to see your subs really going up. Looking for a bit of help if poss I have 19 and am sure that if I had a clip in fusion and I went to the colour page changed the colour then it would up date in the fusion page.....pretty sure it was doing this only today then all of a sudden it stopped updating any changes made in the colour page , will only show up in the edit and colour page. was I imaging this or have I turned something off to stop this, I thought this got added to DaVinci 19, if not what is all the talk about fusion now updates the colour page many thanks Steve

[@hustlehosh]

how do you get the preview screen to show entirely on the left side? I still have the "stills" tab there occupying space, so my thumbnail appears too small

[@TroyQwert]

Many users may only need to perform basic color correction and grading tasks, such as adjusting exposure, contrast, saturation, or applying creative looks. In these scenarios, a simplified interface that consolidates common color adjustments into a single node or panel could be more user-friendly and efficient. One potential approach could be to introduce a "Basic Color Grading" mode or panel that consolidates common adjustments into a single interface, while still allowing users to switch to the traditional node-based workflow for more complex grading tasks. This could strike a balance between simplicity and advanced functionality, catering to both novice and experienced colorists.

[@armando.visuals]

I LOVE The film look feature so much! It basically layers everything for you as if you were doing it in the Color Page. I can't wait!!!

[@TimUhler1977]

Thanks for the great video! Question, the title "music remixer" can you do a tutorial on that text block? I love the glow, font and way the individual letters appear.

[@cinematools9621]

Color slice is essentially a set of pre-defined keys. It is convenient but not on the level of Baselight or Mistika.

[@soraaoixxthebluesky]

Now everyone can create their custom look or show LUT with ease without relying on expensive third party plugins.

[@lorenzonarwhal]

Which of those will be available for the free version?

[@Aleksandar.D]

Resolve is now an OS 😂 Installation file size is 4,7 GB ! Windows is smaller than Resolve 😂

[@GuoNuoMinGGG]

Hello, the word DaVinCi Resolve studio will appear in my color palette page and there will be white dots. I can only close it when I close all color palette effects. How can I close it?

[@hassanbulbul8891]

I want to start using da vinci resolve, however the laptop I currently have does not seem up to spec for it to run smoothly. . What would you recommend the minimum specs should be for a laptop to run da vinci resolve smoothly?

[@derekterceros9068]

I was about to buy the mononode for color density that Darren made a video about not too long ago, I wanted to ask if i should still buy it or just stick to the color slicer that is now in Davinci ?Same with dehancer now that Davinci has a film look creator ?

[@DarrenMostyn]

Hi. Both monondes and dehancer are different to the colour slicer and the film look creator. The colour slicer is very similar but dehancer is different to film look creator in that it emulates real fim stocks - FLC is gving you a filmic look with tolls but not based on real film stocks. Id say in a nutshell, these tools all complement each other.

[@shorerocks]

Thx Darren. As a musician all I can say: This rocks!

[@2calzinifilms]

Does music remixer work like this because it is applied on steams or because from a mixed file it manages to separate the tracks in steams? Thanks 🙏

[@frantzvisual507]

How to get 19 sir, i dont have a new update right now..

[@FiletOvFish]

Thanks for all the info Darren! Super stoked on the organizational/workflow options the Layer Stacks open up. Also excited to play with the Color Slice tool and I'm curious how it compares to the Mononodes Color Shift DCTL and other similar DCTLs that can be used to manipulate color density. I was hoping that BMD was going to introduce native density adjustments so I'm excited about this and looking forward to testing it...once I feel it's safe to upgrade of course.

[@clintclarkson1325]

I am curious for a comparison between color slice and Mononodes DCTL too. Darren would you do a comparison?!

[@TheNaughtyOtsel]

Agreed on wondering about a comparison - I think a lot of people are wondering! I was super close to buying the Mononodes DCTL and curious if that is pointless now.

[@MrFullshot]

this is similar On the _ pre resolve console like toybox days secondary color was called kilovectors with 4 maybe 4 windows. so its nice to see this back . Their was kind of a page like this . Kilovectors was just a angle or a degree. it was so on film to tape. and we graded live as we had no hardrives. now it so nice to see millions of users.

[@oo0Spyder0oo]

Very slick presentation without the shenanigans others do, thanks. Going to enjoy all the other tutorials.

[@DarrenMostyn]

Glad you like them!

[@tomaskonvicka4135]

I'm usually a little skeptical about new things. I always prefer to wish they would fix the flaws in the basic ones, but I think the Resolve team really delivered and totally surprised me! I think that thanks to Color Slice, DCTL developers will have to cheapen their plugins. There's still a lot to work on and since they decided to go the route of splitting colors by skin, they should have continued to do that and made the grass that is between yellow and green and the sky that is between blue and cyan. this is what I keep running into when working with HUE curves.

[@Deaddinoproductions]

Been jonesing for the Mononodes DCTLs ever since your video about them, but haven’t been able to justify the cost. So color slice and film look creator are making my dreams come true.

[@RChildVision]

R.I.P. to most of my DCTLs

[@The0riginalDavid]

Love these new features and really want to play with the node stacking. Can you possibly do a future video going over how you use groups and the best way to optimize your workflow with pre and post clips? Thanks a lot for your amazing tutorials as always!!

[@DarrenMostyn]

of course! My LIVE 4 day masterclass will be announced in the next few days so I'll be covering it in that for sure.