NEVER Color Balance using Temp & Tint !!!

[@B-FOTO]

Man this just opened my eyes to more stuff I need to learn, I always felt that temp and tint didn’t cut it but didn’t know why. Thanks for sharing this!!!

[@VladislavNovickij]

Thank You, glad it helps 🤗

[@derrharr77]

Completely agree with this.

[@timovepsalainen4927]

Originally Resolve was made for "correcting" telecine that was shot 709 colorspace. Temp and tint expect 709, not logarithmic footage. This is the reason why many of the tools don't work well with log-like footage. Auditioning different tools for balancing is a good idea. OFFSET, HDR global wheel, linear node's gain wheel, OFX Chromatic Adaptation. Alternative way is to prioritize balancing subjects skin (like he does in the video with offset). After that use curves on a node after to hue v hue and hue v sat the rest of the image. I prefer to do as much as possible with primaries as possible and after use curves to mold the image in line.

[@TotalRADandMORE]

Dude, THANK YOU for saying that. Makes sense 😮😮😮

[@GabrielPassarelliG]

@@timovepsalainen4927 The Temp and Tint sliders didn't even exist before DaVinci 12.5, so clearly were not "designed for telecine" nor Rec709. They are just gain with predefined vectors, and should be done in linear. If you set correctly your timeline colorspace and are color managing properly your clips, then changing the node where you're gonna use Temp and Tint to Gamma > Linear is enough for them to behave correctly.

[@99Plastics]

I legit assumed a lot of my footage was unusable becuase temp would not fix this. This is actually amazing. Thanks!

[@VladislavNovickij]

@@99Plastics Thank You too, happy to help 🙌

[@EverMendez_]

What a difference, very clean image and so will the vectorscope!!!

[@VladislavNovickij]

👌

[@shebbe]

Nice demo. It would have been useful to explain why temp/tint create an undesired effect. They are just gain operators on two axis. They aren't designed to serve as balancing tool on log data but rather normalized SDR images. Offset or HDR temp controls work for log but he most accurate balancing would be to convert to linear and then apply only gain changes with primary temp/tint or the gain wheel, then convert back to log.

[@VladislavNovickij]

Thanks, this comparison is more like beginners would do with the temp and tint. Your method would go for a pro level 🤗

[@mikechen121]

Hi there, appreciate your input. I'd like to try your suggest method but didn't quite get the last part: So you would 1.Convert to 709 2.Adjust the RBG in only the gain wheel 3.Adjust temp/tint Is that correct?

[@shebbe]

@@mikechen121 If you're working with log footage, convert from your current log space to the same space but linear gamma, then use the gain wheel, convert back to log afterwards. So for instance DaVinci WideGamut / Intermediate to DWG/Linear and the back after the adjustment. When using a CST to convert make sure tone mapping is set to none. If you use RCM or manual management with proper timeline tagging of your working space you can actually set a node itself to linear gamma (rightclick it) which removes the need for extra set of CST nodes.

[@odessitfromshz]

@@VladislavNovickij Владислав, но ведь такое вмешательство, я имею в виду грубое вмешательство с изменением ползунков +/- 10 единиц возможно, только при условии, что вся нужная информация имеется в наличии как в RED 3D RAW если, взять ролик снятый в 8 битах или даже 10 бит лог, такого чистого результата добиться не получится

[@VladislavNovickij]

@@odessitfromshz По поводу 8 бит согласен там все по другому, легко сломать кортинку, но даже в 8 бит работая с колесами можно многое сделать и сохранить чистый результат. А что косаемо 10бит, я в своем следущем ролике показал как скопировав все что делал тут 10бит также идеально выглядет 👌 там более чем достаточно информации.

[@moonlitemedia]

Clean Tutorial ❤ Expecting More Videos

[@VladislavNovickij]

Thank You, new video with full color grading process of this shot is in my channel already 🙌

[@SolidBlueBlocks]

You're right. When I graded my last film, I used the Temp too and it made my image just as purple-orange and washed out as yours at first! This is an eye-opener!

[@VladislavNovickij]

Thank You 👌

[@victorpavlovschi]

The main difference is that when using the offset wheel you are basically offsetting the different color channels while the inclinations and shapes of the curves stay unchanged. this has the advantage of affecting the white balance equally at all levels but it also alters the white and black points which is why he had to redo it later. the tint and temp sliders are also not affecting the shapes of the curves but they adjust the angle starting from the black point keeping it intact. the downside is that they are configured for rec709 signal and thus a rec709 blackpoint. nevertheless they are a good compromise if you want a more straight forward adjustment with less tweaking.

[@Milan-cf1xe]

So i guess if the image is almost balanced and only needs a bit of tweaking its ok to use temp and tint?

[@JoaoSilva22222]

The first time i tried resolve i didnt like the results of the temp picker and intuitively i did exactly what you did. Thanks for proving that this is not unorthodox at all.

[@VladislavNovickij]

Thanks 👌

[@Tommy_Beal]

wow. this was amazing and super helpful for me! thank you Vladislav!!

[@VladislavNovickij]

Thank You Tommy 🙌

[@AmaraARW]

I've found this to be helpful balancing my photography funnily enough

[@VladislavNovickij]

Great 🤗 Thanks for Your response 👌

[@Sk8luv33]

thanks for the breakdown. attempting to learn this art of color grading is challenging but this helps to simply the approach for color balance.

[@VladislavNovickij]

Thank You 🙌 Glad it helped 🤗

[@Sk8luv33]

@@VladislavNovickij You're approach in explaining things are great. Keeping it simple but effective along with showing options for more controls.

[@VladislavNovickij]

@@Sk8luv33 Thanks for Your feedback, it means alot to me ❤️

[@FunProjects-pi7jb]

you are incredible! one of my favorite tutorials ever!!

[@VladislavNovickij]

Thank You 🤗🙌

[@voidboi0]

I was skeptical at first. But the results are undeniable. Looking forward to that next video! Great content. Maybe a little bit more explanation on what you were looking for in your waveform. If I were to repeat this process, I’m not sure if there’s a rule of thumb for the waveform or if it’s just up to the eye. But other than that great job.

[@VladislavNovickij]

Thank You for Your response 🙌 Yes I’ll try to learn explaining more 🤗

[@timovepsalainen4927]

Never let waveform dictate what you should and should not do. "Keep blacks black and whites white" is not what it is about. Look at the photo, if you see something, verify your guess from scopes. I use 99% only histogram and vectorscope.

[@Freemusic623]

Thanks for the video. That’s a very good way to balance up the footage.

[@VladislavNovickij]

@@Freemusic623 Thanks for watching 🙌

[@LeafOfAutumn05]

Wow... Have watched around 20-30 videos but didn't find it as helpful as this one... Well explained

[@VladislavNovickij]

Thank You 🤗

[@brainkideous]

Thank you for this tip!

[@VladislavNovickij]

@@brainkideous Thank You for watching 🤗

[@Twentyfirstdigital]

Awesome bro, just got into davinci and this is helping a lot!

[@VladislavNovickij]

Thanks for watching 🤗

[@pollloxxx]

Good lesson. I usually dont like any tutorial on KZbin, but this is the correct way to work Nice for the young colorist

[@VladislavNovickij]

Thank You 🙌

[@brandonwatsonmedia]

Game changing tutorial! Thank you! Liked and Subscribed!

[@VladislavNovickij]

@@brandonwatsonmedia Thank You 🤗

[@liberfilms]

BIG THANKS..!! Like and follow from Ecuador..!!

[@VladislavNovickij]

Thank You 🤗

[@andymcquade]

Wow. This is something I'll watch more than once! Thanks so much.

[@VladislavNovickij]

Thanks for watching 🤗

[@MrKokom]

This is abit controversial. I dont think NEVER is the right word to put. Since the you are adding more step to the original tempt and tint adjustment. Maybe if u make same steps or lesser; the title will make more sense.

[@the_headlesschicken]

Wow! A nicer approach on balancing the colors. Definitely trying this technique on my next grade. Thanks for this Sir!

[@VladislavNovickij]

Thank You 🙏

[@UstozAIEditor]

please, more tutorials like this!!!

[@VladislavNovickij]

Thanks, will post a full color grading of this shot, node by node soon 🙌

[@sebastian_trzaska]

Great demonstration! The one thing I wish you had also shown is how the primaries result compares to actually setting the appropriate WB in raw.

[@VladislavNovickij]

Thanks. Yes I had to show that too. It is 99% same as primaries it was 2000 kelvin difference in raw settings.

[@sebastian_trzaska]

@@VladislavNovickij I definitely like the result!

[@hamradiowithkevin]

I had not idea, Thank you for showing this method, I just tried your technique on 2 cameras with baked in color and WOW it worked and it blew me away. If you do not more like this for beginners like me, be sure to show how you switch between saved versions and how get the scopes like have in your presentation. The examples and the pace it which you teach was perfect for me. Thank you for the video

[@VladislavNovickij]

Cool thanks for Your feedback 🫶 Sure I’ll be showing more and explaining more in the next videos 🙌

[@nigelianzamora]

Brilliant. Thank you so much! God bless!

[@VladislavNovickij]

Thank You 🙏

[@tonywhitmarsh]

Great video Vlad! Easy and straight forward, gonna do this for my grades from now on, look forward to more content like this!

[@VladislavNovickij]

Thanks 👌

[@blackydread]

Increíble ! Saludos desde colombia !

[@VladislavNovickij]

Thank You 🙌

[@domehouse79]

Brilliant video. Amazing result.

[@LaMakinaFotonika]

thakyou so much for this ! 🙌🙌

[@VladislavNovickij]

Thanks. I’m happy if it helped You 🤗

[@dumontbeeldmakers]

This has opened a new pathway to master! Good explanation🤘

[@out.of.service]

This is the colour grading video I've been looking for. Thank you

[@Soriimo]

Incredible tutorial, really impressed👏👏👏

[@VladislavNovickij]

Glad You like it 🙌 Thanks

[@ssneg]

So you are saying that if we use multiple controls for different aspects of the image, we get better results as compared to using just a single control? That is truly mindblowing. I am going to go and try using all pedals in my car now instead of just one. Hope the result will also be great! ;)

[@VladislavNovickij]

😁 I’m saying that we should just understand how to use all pedals and use them when ever we need. Yea its like a rally driver in You example. Uses all but professionally 🤗

[@TutuOnTheBeach]

That was absolutely amazing. Thank you!

[@VladislavNovickij]

Thanks. Glad you enjoyed it.

[@SakisPallas]

excellent tutorial thx

[@rushikeshpawar2275]

Thanks a lot !! ✨

[@jr.coffeeman]

Hello Blad, the info you are sharing is very helpful and easy to understand, I am a beginner and I can follow your teaching very well, very much looking forward to more Videos like this. cheers

[@VladislavNovickij]

Thank You 🙌 I’m glad You find it helpful 🤗

[@Photoclub_]

Love your channel

[@VladislavNovickij]

Thanks for watching👌

[@Moscizwysokosci]

ohhhh dear! You are really good! Well done 🤩

[@VladislavNovickij]

@@Moscizwysokosci Thank You, hope it will help You 🤗✊

[@scenemode2967]

Thank you so much for the tutorial, i was having bad times on my color grading and i dont know what to do, then i saw your video, very big help for me

[@VladislavNovickij]

Happy if it helped, thank You 🙌

[@scenemode2967]

I was new in videography, everytime i shoot, i dont know how to color grade😅

[@VladislavNovickij]

@@scenemode2967 Stay here I’ll be sharing my experience 👌

[@scenemode2967]

@@VladislavNovickij i will, i want to improve my color grading, thank you very much🙌

[@richardsisk1770]

Interesting ideas. Obviously you know what you’re doing. Personally I use a color temperature meter when shooting which gives me a better starting point and don’t need to use temp and tint anyway. Thanks.

[@VladislavNovickij]

Thanks. Sure, agree 300%, if the footage is balanced in camera the colorist just go for creative looks. In this case I show how to deal with not ideal balanced shots. So its always possible to make it better 🤗👌

[@richardsisk1770]

Thank you. I appreciate your skills!

[@VladislavNovickij]

@@richardsisk1770 Thank You too, I really appreciate You response. Really hope to see Your comments on my future episodes 🤗

[@marshalljvanderhoofphoto]

Wow! What a great explanation, I have totally been doing color wrong. Thank you for the detailed explanation.

[@VladislavNovickij]

Thank You 🙌

[@tedcruzinusa]

You should take a peek at the "Chromatic Adaptation" node on the color page. It's given me unbelievable results quickly. You set it first in the chain, before the CST in, and set "Luminant Type" to "Color Temperature" for both "Source Illuminant" and "Target Illuminant" and then you can change the source kelvin to what the actual scene temperature is and it adapts the colors in a very natural way. Lifesaver!

[@VladislavNovickij]

Thanks 👌

[@Josh-dk1ex]

Love this! Straight to the point!

[@hanspeterwagner5881]

Thanks very much for this great input. Such a great difference!

[@TejasThakare]

will definitely be trying this from my next project onwards!

[@SHmediade]

Great video, easy to understand the steps 🙏🏼

[@VladislavNovickij]

Thank You 🙏

[@dodmedia]

Fantastic demonstration!

[@VladislavNovickij]

Glad You like it, thanks 🙌

[@ahmedjuffairi]

woow i like this way is better , thank you for the video

[@VladislavNovickij]

Thank You for Your feedback 👌

[@chrisgoldenproductions]

Super helpful. Will be using this on my next video thank you!

[@VladislavNovickij]

Thanks 🙏

[@CartyCantDance]

This was very impressive. Would love a full node tree breakdown soon. My film emulation powergrade used temp and tint until I changed to HDR mapped Log TEMP/TINT…. But now I will use your method and never go back

[@VladislavNovickij]

Thanks alot. I have a full node tree breakdown in my las video. Welcome to watch it 🙌❤️

[@mrkumaran]

Never knew this technique. I have subscribed sir. Thank you for the valuable info

[@VladislavNovickij]

Thank You for watching and Your subscription 🤗

[@dumspyrospero]

Wow the difference is huge. It would be also nice to explain the logic behind those changes, ex why you decided to drop the reds in Lift etc so we understand how to apply those edits in various situations. But great video overall ❤

[@VladislavNovickij]

Thanks alot, please check my last video of full color grading of this shot. I explain there more “why” 🤗👌

[@milanmasnikosa7050]

Thank you Vladislav, big respect for this really good tip!

[@VladislavNovickij]

My pleasure, thanks

[@denzilmartis6767]

wow this is just amazing. But we need to understand whats really happening with the colors as we might have to use this trick in other situations . A detailed explaining video would be very good

[@VladislavNovickij]

Thanks, I’ll try to explain more in the next video when I’ll be showing the full color grading of this shot from start to finish.

[@etiennevogelproductions]

This was amazing! Thank you for this video

[@VladislavNovickij]

Thanks for Your feedback 🙌

[@piotrstaniek84]

Good tutorial. I don't do colour balance in videos but it made me think that maybe there's a better way to to colour grade photos in Lightroom and/or Photoshop.

[@VladislavNovickij]

Thanks. Maybe, but with the photos its different because we usually deal with a true RAW photos when temp and tint works as on camera. 🙌 But I also edit photos in Davinci Resolve now, maybe because I’m get used to it more 😅

[@piotrstaniek84]

Still inspiring 😋

[@sonidojamon]

Wow!! Very helpful! Thanks! I saw some other tutorial where the guy said he liked to switch to linear to make this adjustments and adjust exposure as well. What are your thoughts on this?

[@VladislavNovickij]

Thanks, there are alot of different ways, so everyone choose its own 🙌

[@Vazilic]

Ohhh now I know why I never nailed the WB. That was amazing. Subscribed!

[@VladislavNovickij]

Thanks 🙌❤️

[@prislander55]

Well, I was obviously doing it wrong as I was using Temp to balance. THANK YOU so much for this insightful video!

[@VladislavNovickij]

Thank You for Your response 🤗

[@JamesRicarte]

Best tutorial for color balancing 👏

[@shv3t]

Music goes hard 🔥

[@VladislavNovickij]

Fixed in my next episodes 🙌

[@prassannaasukumar]

this is actually a great help.. Thanks..

[@HakimZziwaTips]

Yo this is such a life saver for all those that do not shoot RAW. Thank you so much bro, well broken down, of course requires some practice too.

[@VladislavNovickij]

Thanks so much bro 🙌

[@hautehussey]

Except part of the reason this works well is BECAUSE this is raw footage! The real question is why he didn’t use the temp/tint in the raw section first.

[@HakimZziwaTips]

@@VladislavNovickij would the results be the same for non RAW footage? guess I would have to try it, thought I would ask.

[@VladislavNovickij]

@@HakimZziwaTips Yes it works the same with 10bit footage. Its hard to break an image If You make corrections in the Primary Wheels 👌 but You can break it easy with the secondaries if You push them to much.

[@jeroenbeuk6585]

A very useful and basic technique. Thanks!

[@Jaxplode]

I think you are mixing to different things here. Temp/Tint have the same function as in photography - just to get the correct white balance. And what you‘re aiming for is a certain color look that no professional would realize using Temp/Tint. You either use the primaries, HDRs or for example the color warper.

[@VladislavNovickij]

Thanks but in this case not. In photography we are dealing with Raw image settings of temp and tint which are the same as on camera, In this case temp is backed in the image. This is different. This was done specially to show that its still posible to correct that later. While this was a RAW file before CSTs, if I do changes in Raw settings with Temp slider then it gives the same result as my Primary wheels. Its just an example of how to deal with such incorrectly shot files 🙌

[@AnastasTarpanov]

That's very interesting, definitely will try it!

[@fsb5370]

you got me on this one... I cannot wait to see the full version

[@VladislavNovickij]

Thanks, adding it soon

[@TotalRADandMORE]

Im sorry can you repeat that? I was too busy vibing to that beat.😎 😜 Interesting method, I wonder what it looked like when they were shooting on set. How is it that the light in the BG was so much cooler with your method vs temp and tint? Ive always felt unsatisfied with temp and tint’s results. If Ive got this right your primary adjustment order is: Offset, lift, gamma and then fine tune from there?

[@Myndsetfilms]

Pls post more long form tutorials for us 🙏 I love it, it's simple to understand.

[@VladislavNovickij]

Thanks, will post my full color grading process of this shot soon

[@johncrisoctaviano9156]

Greatwork, may i know if did you color manage this footage/clips?

[@VladislavNovickij]

Thank You. No, I use Color Space Transforms in my node tree.

[@satyanarayanamurtysaladi8312]

worth enough and eye opening.. thnx to vladislav

[@VladislavNovickij]

Thanks for watching ❤️🙌

[@kevin-haggerty]

Let’s go baby! First video and subbed right away dude. Color grading is my biggest challenge as you can see in some of my videos.

[@VladislavNovickij]

Very appreciate that 🙌 I have nice stuff in my plans to show 👌

[@meek1ns]

Great video, short and yet full of good infos! You mention at one point, that if you push in Lift you have to counterbalance the Gamma - is that a certain rule? Or when exactly do you have to counter balance the image like this?

[@VladislavNovickij]

Thanks, just look at Your waveform. Lift affects the gamma too, so changes done in the lift always affects gamma and if You want to keep the mids/gamma in place You have to go counterbalance. The same happens when You adjust the gamma You affect the lift and gain a bit, When You go with the gain You are affecting the gamma to but not lift, thats why these adjustments are more natural than standard shadows, midtones, highlights wheels that are affecting only their values. I use the last ones just for some small corrections only.

[@quynhbupbe.official]

This way is better,thank you Vladislav!

[@VladislavNovickij]

Thank you too!

[@ausdoug974]

very helpful. I learned a lot from your video. Thank you

[@kaansuudsert]

Really really good video! Straight to the point with nice examples. Keep it up! 🔥🔥🔥

[@VladislavNovickij]

Much appreciated 🙌

[@ViziaFilms]

Great video, could you explain in another video, what exactly you do for CST in - CST out , if you have the will and time 😊 thanks

[@VladislavNovickij]

Yes, I’ll do the full color grading of this shot, node by node in the next video 👌

[@ViziaFilms]

@@VladislavNovickij Amazing, thank you so much Vladislav! 🙏

[@VladislavNovickij]

@@ViziaFilmsThe new video is ready with all explanations 👌

[@Demaxy83]

Thanks man!!! I love your toutorial 🙏

[@legrandamineofficial4184]

Woow, this is insane 🔥🔥🔥🔥

[@VladislavNovickij]

🤗

[@galachiev]

Очень красивый цвет 👏 Причем на вашем видео он мне понравился ничуть не меньше, чем на примере. В процессе просмотра появился вопрос: при работе с RAW материалом, вы используете его полный функционал? Я понимаю, что сегодня был пример без него, но если бы вы работали для себя? Можно же установить баланс белого и экспозицию по вкусу для получения более пригодного исходника.

[@VladislavNovickij]

Спасибо. Конечно, если есть регулировки RAW так это меняет все 🤙

[@DKiaulakis]

Amazing! Thank you for good tutorial! ❤

[@VladislavNovickij]

Ačiu 👌

[@SegnoongeS]

Hey great tutorial, why is the video so warm at the beginning?

[@VladislavNovickij]

Hi, thank You. It was pushed so to simulate bad white balance in camera to show how to deal with that 🤗

[@React104]

This is jaw-droppingly good. So well done. Subscribed.

[@VladislavNovickij]

Glad You like it, thank You

[@learnwithabe]

Looking forward to more videos! Super Clean

[@VladislavNovickij]

Thanks, I have new video about full color grading of this shot, step by step, welcome to check it out 🙌

[@426Studios]

I think there should be an explanation on why we should not use Temp and Tint. The best method to show this is by using Grayscale image. Its better to show it and explain its behavior and explain why the dos and donts as not to mislead. As for my test, I arrived to a conclusion that its okay to use temp and tint controls on the Log palette. I think its pretty accurate basing on its behavior that I have seen on the scopes using a grayscale. I read that the tools on Log and HDR palette are color space aware so if correct, I think its okay to use it.

[@426Studios]

Also I think its good to mention that color balancing is not always correcting whites to become pure white, but rather correcting the whites on what it should look like in relation to the light source, or rather what the light source should have been. If its intended to have tungsten light source, or a daylight source, then the final grade should reflect that. Not all the time the whites will be pure white because white objects will reflect the light source. It also holds true for the skin color. Even skin color will not always be pure red, and sometimes it will have a tint depending on the environment the subject is in, and if its intentional, colorists should not correct that, unless the cam op captured the scene wrong or the budget is somewhat limited and the production was forced to use a low SSI lights

[@VladislavNovickij]

Thanks for Your detailed comment 🙌 Temp and tint are the tools I personally sometimes use for final look creation but not for balancing the shot. The main rule of understanding the white balance is the white point. Its about how we as humans see the world, where blacks are black and whites white. Its the correct starting point for every creative look. Otherwise while I don’t have balanced image, my look creation could damage whole colors even more. Temp and Tint understanding in my opinion comes from RAW photography, where raw settings appear to control that as in a real world camera settings. In this case we have damaged picture with backed warmth in it. And I show the way to deal with that in primary wheels which are the most affordable tool for everyone. Yes in this case this is a Red RAW file and I can go to RAW settings and change white balance which gives me the same results as my primary wheels but I have pushed it specially to the warmer side to deal with that as it is backed in, like in Log image. In my last video I show that this method works on 10bit log footage too, where you have no RAW settings. 🤗

[@_thewatcher27]

Around 3:43 where you adjusted the lift. What is the guide so you know youre pushing a value to the right direction?

[@VladislavNovickij]

@@_thewatcher27 Thanks for Your question. Usually I also watch on my waveform. I see that theres way too much blue and so on in my shadows so I go down with it and go even further down because I know that I will be going in an oposite direction in gamma that will compensate that difference. Just don’t be afraid to experiment and You’ll get that feeling of how strong You can push any of the colors. But theres still also a way to do it little by little by lift - gamma, lift - gamma.

[@EditorAnmolBhangu]

First time watching this workflow

[@MaurideHaro]

Great video Vladislav! Loved your method for balancing. (My only suggestion is the music, maybe try to use something lighter, less dark and lower the volume, it was a bit distracting) Keep up the good work!! 👊

[@VladislavNovickij]

Thank You alot. Yes other guys told me about the music already 🫣 will fix that in the next video. It’s my first that kind of talking video so not perfect 🤣

[@MaurideHaro]

@@VladislavNovickij It is a great video regardless, dw about it we are all improving every day

[@gusthecanonrebel]

Thank you so much for this tutorial 🔥 instant sub

[@VladislavNovickij]

Thanks 🙏

[@KairiHelmanan]

Actually this is good video, something miss in this video you need to give information about how the first method work on scope, I mean you can simply use the grayscale and put some adjustment on it, so the audience understand why the second method look better, and give the information how the camera read the light, it will make your statement on the title feels better Much love❤

[@VladislavNovickij]

Thank You will keep that in mind for the future videos 🙌

[@sebasfilmedit]

@@VladislavNovickijyeah can you make another video on this with the grayscale? I see how this looks better but I don’t understand why it resulted like this vs using tint and temp. Great video!

[@shayrealestatephotography]

Yes, better skin tone....but the background is very blue at the final. I doubt that it was that color in reality at time of video capture. How would you address that issue?

[@VladislavNovickij]

Thanks, please check my new coming video about the full color grading of this shot next wewk. Will talk more, will show more 👌

[@johnsaxz]

Exactly OFfset first, then you can do anything. I usually go to log wheels and adjust the shadows from there cuz it;s more granular.

[@VladislavNovickij]

@@johnsaxz Thank for Your response 🤗

[@jamescameronheron]

Super helpful mate! Thank you !

[@s7evenTV]

wow! you sir have definitely earned my sub! amazing work, very detailed and well explained.

[@VladislavNovickij]

Thank You 👌

[@EdgarVenzor]

Wow that looks crazy good. Looking forward to trying this out now

[@VladislavNovickij]

Thank You 🙌

[@uttarayoga]

Interesting

[@VladislavNovickij]

Thanks 🤗

[@CadenzFilms]

This was really good! Hopefully you make a video about how you use your nodes .

[@VladislavNovickij]

Thanks. Sure, I’ll make the full color grading of this shot in the next video