Newfangled Audio EQuivocate - HOW TO MATCH EQ - from Eventide

[@retsmej]

holy cow ! beautiful matching !

[@Charlyfromthenuclearcity]

Failure - Daylight. Now that's referencing, excellent choice !

[@Trainingsnacks]

You know it!

[@johnplainsong9769]

The feature would be much more useful if it was not limited to real-time matching. Newfangled folks, please allow the user to create and save eq match "curves" to recall later so a new reference track does not have to be sidechained/learned in real time. The EQ Match feature in Pro-Q is a good example of this type of workflow. In effect, the user can create a library of reference tracks. I do prefer the end results with EQuivocate more than using Pro-Q or any other plug-ins that I've tried. Thanks for the video.

[@NewfangledAudio]

Thanks for the feature request. I agree that this would be nice. We'll have to take a look at this at some point.

[@NucleaPowerIsTheShit]

I agree. IK Master Match (less powerful than EQV though) has this feature where you can upload a WAV file as a reference. If EQVO had this, it would be awesome !

[@YungstarProd]

@@NewfangledAudioplease do! Game changer!

[@davidpachecoegido]

​@@NewfangledAudioplease!

[@NewfangledAudio]

@@davidpachecoegido 😉

[@pgmorrow]

I'm not familiar with that DAW. I'm using ProTools 11. I don't see how to get the desired audio side-chained into the channel that will take the match. Also, if I can manage to get this working, it seems that it only works for matching audio that is playing at the same time on another track. Can you get an EQ match from elsewhere on or off the timeline? Like EQ Match in Izotope RX?

[@pgmorrow]

Thanks, I spotted the key icon on the AAX version and I got audio into the EQ match input. And I temporarily copied the audio with the desired tone onto another track. It does a nice job of matching the EQ as long as the input level is close to the level of the sound that you want to process.

[@Vrekaro]

What a good reference song, love Failure :)

[@Trainingsnacks]

Good catch! We love that album!

[@TheGarageRecordingSC]

Was just going to say the same thing!!

[@Paradroidx]

ahh that's how it's done. thanks for sharing

[@1988dongiovanni]

Can anyone suggest software which allows the user to match the eq in realtime - like the way Match eq is analysing the track here - but which instead allows this to be done throughout the entire track rather than simply for a few seconds to plot an average? Thanks :)

[@Trainingsnacks]

Not sure but with EQuivocate you can play the entire track through the Match EQ. It just doesn't take an average. Its dynamic and will change as the track plays.

[@1988dongiovanni]

Thanks for your reply! I also thought that might work but I have been getting mixed results. Although the matching is dynamic the response is a bit slow for what I am trying to achieve: Match EQ spotted when the reference signal was boosted but was not sensitive enough to react when that signal was subsequently cut shortly after.

[@HEGuitarTracks]

i have Cubase Essential 5 and downloaded 1.0.6. version, maybe I´m too stupid, but matchEQ don´t work....

[@mr.mikehunt4286]

no way to drag and drop a file to match it? and why does it not work in Catalina OS X?

[@NewfangledAudio]

Hey Mike, it does work in Catalina, if you're having problems you can hit up Newfangled Audio support and we'll figure out what the problem is. Unfortunately, it is real-time matching only at the moment.

[@mr.mikehunt4286]

@@NewfangledAudio I found out what I did not see in it my audio units, its cause its not listed under eventide lol

[@NewfangledAudio]

@@mr.mikehunt4286 Well that's because it's not an Eventide plug-in 🙂. Glad it's working.

[@rewire4247]

Equivocate does not create a sidechain send or output in Cubase 9 on PC. I checked one compressor and it immediate;y crated a sidechain. Nothing appears as output or send for another track to send to the track Equivocate is on. I reloaded many times and toggled the Match EQ to nothing happening.

[@BenvelMusic]

Newfangled Audio Thanks a lot :) I Appreciate it

[@saardean4481]

only too bad for ableton users. I have the feeling Live will support vst3 when blade runner 5 comes out

[@BenvelMusic]

Saar Dean Don't mix on Ableton... FL Studio , Ableton , Bitwig etc can mix but making a proper mix it's better to use DAWs like Pro Tools , Cubase , Reaper , Studio One... This is my opinion at least.

[@saardean4481]

Based on what exactly do you base this?

[@BenvelMusic]

Saar Dean Efficient workflow and much more abilities to with audio.

Seems nice ... i'll test.

[@keysajbeats7996]

how do You use the match EQ in DAW like, logic pro and studio one pro

[@Trainingsnacks]

It should work like any other plug-in that employs a side-chain. Most likely it's similar to the bussing example we did in this video.

[@leslyremy6002]

We're asking because it's not a simple as YOU seem to think it is. So please, how does this work in Logic Pro X? For us "slower" ones.

[@RodneyD]

Place the eventide eq on the channel that you matched. Turn on the match eq on then go the side chain box on the top right. Then in the sidechain box scroll to the channel you want to match. Play both channels at the same time to analyze the source channel. Id suggest playing until the source channel for about 20 seconds or until it ends. If it’s really short I’d copy and paste it to make it a little longer so the match eq can get a good analyzes of it. (Don’t forget to delete the pasted section afterwards). Then turn off the match eq (not the plugin)... You’ll hear the matched curve on the channel you wanted to match. You’re welcome

[@MiCKEYTheKiDxlYLPlx]

Am I interpreting the word "compliment" wrong or should it really be the opposite of what's been done in the video ?

[@Trainingsnacks]

Great observation but we didn't mean "compliment", we meant "complement". It's a different word although they sound the same. blog.oxforddictionaries.com/2011/04/compliment-or-complement/

[@MiCKEYTheKiDxlYLPlx]

Oh, I just copied the spelling from the vid not even thinking about it, but I understood what you meant. What I was hinting at was that it looks (and sounds) as though you're actually raising the lower frequencies on the synth, although I would expect you to do the exact opposite in order to complement the drum & bass and "cover all frequencies of the spectrum in the song".

[@Trainingsnacks]

.mtk yeah it's weird that in this particular example the drums and bass didn't occupy the lower frequencies as much as traditional tracks. Good catch on the video though. Sorry for the inconvenience, auto-correct blows.

[@MiCKEYTheKiDxlYLPlx]

Nitpicking aside, thanks for the vid, it was helpful

[@Trainingsnacks]

Thank you so much for checking it out! We hope you enjoy the plug-in.

[@Atem_S.]

talk about a freebie

[@amadoukuyateh4507]

Its free till the 31. October www.eventideaudio.com/promo/equivocate :)

[@HermanvanGelder]

talk about taking the words right out of my mouth. ;-D

[@Atem_S.]

don't worry am not jealous!

[@FluidITGuy]

Studio One - kzbin.info/www/bejne/f3ibn5R9lt12gJI