Nikolai Petrov: Robert Schumann - Symphonic Studies Op 13 (Symphonic Études)

[@Fortepiano9467]

Слушание этого пианиста достовляет мне огромное удовольствие ❤

[@bruno-cf7py]

Deep understanding of this music... Enormous means... So moving...

[@ili9187]

Incredible! 不可思議的好! For me, it's the most outstanding Symphonic Studies.

[@raymondgood6555]

Thoughtful, imaginative, passionate. A pianist who understands Schumann!

[@ГульсумУмбеталиева-ф5о]

Великий ! Светлая память!...

[@ГульсумУмбеталиева-ф5о]

Роскошно Звучит Рояль ! Всегда слушаю затаив дыхание. Светлая Благодарная память!... Алма Ата Казахстан 🇰🇿

[@alejandrodecastro]

Schumann Symphonic Etudes op 13 (1852 version): Thema: 00:07 Étude I: 01:33 Etude II: 02:44 Posthumous variation III: 05:41 Étude III: 07:28 Posthumous variation I: 08:40 Étude IV: 10:19 Étude V: 11:08 Posthumous variation IV: 12:18 Étude VI: 14:43 Étude VII: 15:32 Posthumous variation II: 16:40 Posthumous variation V: 18:42 Étude VIII: 20:48 Étude IX: 22:40 Étude X: 23:27 Étude XI: 24:39 Étude XII (finale)*: 27:43 *: Interestingly, Petrov chooses to play the first version of this etude (the one from 1837).

[@PrincePhilippe1]

Petrov, my Hero ! Outstanding performing as always from this Titan !

[@pandiatonizm]

Wow!! Where were those pearls hidden, absolutely fantastic playing, supplement used, passion, love, tone, vibrations, chapeau bas!!!

[@durugultepe4218]

Favorite interpretation of them all!

[@Nodalema]

Extraordinary! I'm not sure it's possible for non musicians to appreciate what a herculean feat this is intellectually, technically and physically. And superb inclusion and placement of the posthumous variations. Remarkable.

[@tatianaandro4554]

Какое изысканное и грациозное исполнение! Николай Петров - гениальный пианист! Великолепно! Браво!

[@ManorHouseMusic]

This great performance deserves wider recognition. There are so many sublime moments and his wonderous touch brings out subtleties that are often overlooked. As has been previously noted, his placement of the posthumous variations is well judged. A true titan of the piano.

[@zvezdinki7998]

Очень хорошее исполнение. Я уже слышал здесь три или четыре версии, включая Рихтера... пора самому разучить, все время играет в голове эта прекрасная музыка...

[@XavFranz]

Excellent!

[@laspiano765]

Maravilhoso video e som, obrigado por postar e sempre bom ouvir Schuman eu gosto de + , O Pianista se foi mas deixou o que de melhor sabia fazer e transmitir.

[@ИринаП-н6ь]

Великолепно!!!

[@adyrsebastiaoferreira5572]

Imponente! Perfeito!

[@Betinasara1]

Эталон!

[@gerdlindlar1980]

marvellous

[@АртемийСталобыть]

Pride of russian school he was. Interesting swing in the final)

[@paolofranceschi6874]

Madre mia, che bravo pianista...

[@ВладимирЛебедев-щ6з]

мне понравилось очень

[@anachreon01]

Thank you so much! Exquisite!

[@paolofranceschi6874]

18:42: lacrime agli occhi...

[@madalinadanila_piano]

A true hero of Russian pianism

[@romualdsztern9928]

Asolute genius playing . Total lack of posturing . Passion from within and great pianism.

[@AlbertoVerrini]

Absolutely agree... It's rare to listen to such a clean execution of this difficult piece of music

[@AndreyDubov]

on 30:18 he plays new music in e flat minor. I didn't hear somebody else plays this episode. But it sounds even better, than in original.

[@marcelproust3]

+Andrey Dubov : It's 1° version ( 1837 ) !

[@AndreyDubov]

!Grazie tanto!

[@minkyukim839]

18:40

[@Qwerty-hj1ml]

13:46 Ghost of Schubert Impromptu op. 90 n. 4 trio appears..

[@paolofranceschi6874]

19:08: please, listen the 'innere stimme'...

[@AndreyDubov]

What version did he play on 30th minute? New episode detected.

[@LOFTmusicChannel]

+Andrey Dubov What do you mean? You mean he plays another piece from 30:00 on? Doesn't look like.

[@MrSerebrjanik]

It is the 1st version by Schumann. In the second edition he changed it

[@Qwerty-hj1ml]

Andrey Dubov 1837 version

[@klassikpunk_]

Sehr interessant. Der Anfang komplett anders ausgelegt als zBsp Kissin oder Sofronitsky. Während die beiden energetisch akzentuieren und extrem dramatisch werden, beinahe den Weltuntergang herbeischwören, interpretiert Petrov viel gelassener und eher melancholisch breit fließend. Eigentlich dachte ich, Sofronitskys Spiel wäre das einzig "richtige", um Schumanns innere Zerrissenheit, diese geplagte Seele darzustellen. Aber Petrovs beinahe schon Beethoven'sche Atmosphäre wie beim Adagio der Sonate Nr. 31 hat auch etwas.

[@ΔΗΜΗΤΡΙΟΣΞΥΔΗΣ-π5λ]

Για να είμαι ειλικρινής επειδή τις Studies opus τις έχω ακούσει και από τον Emil Gilels είμαι λίγο συγκρατημένος,όχι μεγάλη διαφορά ελάχιστη στην απόδοση.