00:25 -1st mvt Introduction 06:53 -2nd mvt Chant d’amour (First Love Song) 15:11 -3rd mvt First Turangalîla 21:00 -4th mvt Chant d’amour 2 (Second Love Song) 32:00 -5th mvt Joie du Sang des Étoiles (Joy of the Blood of the Stars) 39:00 -6th mvt Jardin du Sommeil d’amour (Garden of Love’s Sleep) 50:20 -7th mvt Second Turangalîla 54:50 -8th mvt Développement d’amour (Development of Love) 01:05:50 -9th mvt Third Turangalîla 01:11:00 -10th mvt Finale
@harrylande954010 жыл бұрын
I love this composition. In my opinion, Messiaen is one of the greatest composers ever. His style is distinctive and innovative. I admire him too for his catholic faith.
@smsummerlight9 жыл бұрын
I have loved this piece ever since I saw Michael Tilson Thomas lead the L.A. Philharmonic in a performance in 1972 or 1973. The crescendo that ends "Joie du Sang des Etoiles" built so relentlessly that I thought the theater might collapse. One of my all-time favorite listens.
@AndrewHalladay9 жыл бұрын
My sentiments exactly, Harry Lande. The NYO did a top notch performance of it, as well.
@Ana_crusis6 жыл бұрын
you're a bit bonkers, aren't you?
@tamprecision10 жыл бұрын
SUPERB! heard it on radio 3 and my ears went into some sort of cosmic overdrive.... HUGE ATMOSPHERIC VIBES
@jochanaan589 жыл бұрын
The orchestra is much more numerous than usual! It looks like they doubled all the woodwind and brass players, and augmented the string section proportionally. They must have wanted to give as many young musicians as possible the chance to play this great, ecstatic music. :)
@scottgilesmusic5 жыл бұрын
I think you’re right. It’s very, very cool!
@kernowcoasteering4 жыл бұрын
Messiaen's commission was quite vague, so he really went to town and wrote for an immense ensemble for this piece. And why not! :)
@paulybarr4 жыл бұрын
The orchestra is almost doubled in size for every concert, every year- and for the reason you mention. If you haven't already, check out their thrilling performance of The Planets, under Gardner, or the Symphonie Fantastique ( with Bychkov) or the most moving Mahler 8 you've ever heard under Rattle- it's thrilling to hear that many players, although it rather spoils you for regular-size performances.
@louise_rose Жыл бұрын
Yes, this is a massive, thrilling and exuberant work - it relates to "normal" mid-19th century symphonies like Tales From Topographic Oceans relates to....Good Vibrations, maybe? 😼
@Nullifidian9 жыл бұрын
That was breathtaking! I've heard this (on CD) many times, but this was by far the best version I've ever heard. Astonishing, brilliant, and bound to go down in my musical memory as one of the great performances I've ever heard. How I envy anyone who was there to hear this live!
@jaidelly60183 жыл бұрын
Im a 50 year old from a rough estate in Newcastle and until I came across a video abaout the junkyard orchestra from Paraguay Ive never listened to classical, Maybe Air on a 'G' string from the Hamlet advert. Well I'm completely hooked , Im not ashamed to say i've been in tears of every emotion and couldn't give a fk x
@christophercampion42104 жыл бұрын
A very special diversion from some of the recorded versions I have - at 24:45 - very special. My favorite symphony by far... worth the listen if you invest the time.
@Alandix11 жыл бұрын
A maelstrom of surging attention to expert focus, and a sound of orchestral shout.
@2714moyston10 жыл бұрын
stupendous; so over the top that its really quite easy to surrender its lyricism and ecstatic trance LOVE music, this is psychedelic cartoon music with a great blast of divinity.
@killianoshaughnessy11747 жыл бұрын
Thank you, Futurama.
@dannythomas4173 жыл бұрын
And Katey Sagal too. She voiced Leela. If this symphony is not played at her funeral, don’t even bother bringing her casket. In case you never heard of Katey, she was the hot housewife Peggy Bundy from Married with Children and the evil queen bitch Gemma Morrow from SOA.
@babicz8910 жыл бұрын
I think that celesta player should be the third highlighted person :)
@kyotokid411 жыл бұрын
...I have the Seji Ozawa Toronto Symphony performance of this on LP (2 discs) which Mr Messiaen approved of back in 1967 and this totally blows it away.
@aarondvorak810010 жыл бұрын
I love the pianist. At one point you can see her counting silently..."one...two...three...four..." and the face she makes after that is priceless.
@davidgriffiths72157 жыл бұрын
Even the mighty Joanna MacGregor needs to have the music in front of her and count the beats for this!
@nasrosubari4911 жыл бұрын
Orchestra is about double as large as actually specified by Messiaen, but that's a common thing with youth orchestras.
@AydarAkhmady7 жыл бұрын
why is t a common thing with them?
@johnmiller577412 жыл бұрын
00:00:25 -1st mvt Introduction 00:06:53 -2nd mvt Chant d’amour (First Love Song) 00:15:11 -3rd mvt First Turangalîla 00:21:00 -4th mvt Chant d’amour 2 (Second Love Song) 00:32:00 -5th mvt Joie du Sang des Étoiles (Joy of the Blood of the Stars) 00:39:00 -6th mvt Jardin du Sommeil d’amour (Garden of Love’s Sleep) 00:50:20 -7th mvt Second Turangalîla 00:54:50 -8th mvt Développement d’amour (Development of Love) 01:05:50 -9th mvt Third Turangalîla 01:11:00 -10th mvt Finale
@MrMichaelDevlin11 жыл бұрын
That was always my favourite bit with Petrenko in rehearsals! :)
@juangfedz11 жыл бұрын
Brutal. Tendré pesadillas esta noche...
@mAnutrApala9 жыл бұрын
Pesadillas planetarias de placer.
@fusa1611 жыл бұрын
Amazing!! I saw it in Girona perform by JONC. Thank you uploading this!
@quetiomasbueno11 жыл бұрын
Messiaen is one of the few -very few- athonalist musicians that I can hear without feel completely and utterly sleepy,besides Webern,some Berg and the first Schonberg. By the way,I have seen the left handed trumpetist.Amazing!
@AKoribut5 жыл бұрын
manuel damian, this piece is far from being completely atonal. There some parts which are purely atonal but the whole symphony is perfectly balanced mixed of tonal and atonal
@robertlee22623 жыл бұрын
@@AKoribut Easy tiger - don't jump down her throat - she didn't SAY it was completely atonal.
@EASYTIGER107 жыл бұрын
Cynthia Millar must spend her entire life playing Ondes Martenot in performances of Turangalila
@ramprasada74514 жыл бұрын
messiaen wrote pieces for solo ondes martenot as well
@henrygingercat3 жыл бұрын
About as cushy a number as you can get. I wonder how much she earns compared to the pianist.
@henrygingercat3 жыл бұрын
@@ramprasada7451 But they understandably never get played.
@ColinWrubleski-eq5sh8 ай бұрын
If so, she is in good company--- did not Jeanne Loriod, with her sister on piano and brother-in-law Monsieur Messaien sphinx-like wielding score in hands, tour the world doing this symphony many times over?^^ P.S.: In light of that fact, it is all the stranger to think that Bernstein only conducted the premiere and then seemingly never touched the work again.
@MaestroGlanz11 жыл бұрын
This makes me grinning like an idiot. Love it.
@ejohnthoresen11 жыл бұрын
i like this version more than most others i've heard. SO well done. chills all the way through the first and second movements
@pianomanhere11 жыл бұрын
Oh my god, what an astonishingly fine performance of this great work. Thank you for uploading this..
@paulfreeman49005 жыл бұрын
It's as mad as a box of frogs but I love it!!
@marujacaruncho3659 жыл бұрын
Es la primera vez que he escuchado esta sinfonia y la verdad es que te engancha ,.. Es sobrecogedora y muy completa Fantástico el segundo movimiento canción de amor .
@123must11 жыл бұрын
A masterpiece, beautiful rendition ! A lot of thanks
@GojuBob11 жыл бұрын
Wow! What a wonderful performance!
@alasdairlinn80456 жыл бұрын
My favourite work of art
@jordanesewals7 жыл бұрын
This so good !!!!!
@EASYTIGER1011 жыл бұрын
Turangalila is mad as a bike. That's why I love it. :o)
@cordeiropascoal11 жыл бұрын
Thanks for the markers!
@krzysiekaikis-42 жыл бұрын
Extraordinaire 💚
@kyotokid411 жыл бұрын
..someday i hop our local symphony performs this.
@ryanthecomposer11 жыл бұрын
it's called an "ondes martenot" which is a very similar to a theremin, but with a keyboard element... very cool.
@davidgriffiths72157 жыл бұрын
Stupendous performance by all concerned particularly since the average age of the orchestra must be about 17. The first time I heard this symphony live I thought the hall balcony was going to collapse with the audience cheering and stomping at the end. Glad to see that the Prommers were equally enthusiastic although I wish people wouldn't clap between the movements.
7 жыл бұрын
Joie du Sang des Étoiles - What words doesn't the conductor understand in this title?!?
@TombstoneLizard5 жыл бұрын
So where is the holophoner and the Robot Devil?
@dannythomas4173 жыл бұрын
And where’s Katey Sagal?
@sorabji110 жыл бұрын
Wait, did they play this before? I remember seeing another video of the National Youth Orchestra of Great Britain performing this work with a different conductor and pianist, also at the Proms.
@MrBohuslav6 жыл бұрын
Andrew Davis and Jean-Louis Thibaudet, probably.
@musicofracasao9311 жыл бұрын
Great! Absolutely great! But people, please, don't clap the fuck between movements...
@kdj2437011 жыл бұрын
What's the big deal? They liked what they heard & clapping is a way to show appreciation.
@musicofracasao9311 жыл бұрын
Yeah, of course... and also a great way to destroy the atmosphere created by the composer through his Symphony itself. I know some traditions have no solid fundaments at all, but I really think that this one is specially meaningful in order to mantain the coherence of the work and, therefore, let the composer transmit what he wants more accurately. And, no, my friend, I strongly believe it isn't the same situation when you are in a rock concert, for example. The attitud of the performers and the public, the way (proportion) you listen or hear the music, the meaning of "silence", the average loudness... Nevertheless, with just a little "artist's empathy" it becomes very clear.
@pbzp11 жыл бұрын
musicofracasao93 these are all valid arguments you've made, but it for a bit of fun backstory, see the wikipedia article entitled concert etiquette: "...Mozart expected that people would talk, particularly at dinner, and took delight in audiences clapping at once in response to a nice musical effect ... With the arrival of recording technology in the twentieth century, applause between the movements of a symphony or suite came to be regarded as a distraction from the momentum and unity of a work." so, symphonies did used to be somewhat like a rock concert, to some people!
@musicofracasao9311 жыл бұрын
pbzp Well, that's fun. I mean, Mozart used to play very happy and dynamic pieces in general, but I'm not specially sure he would appreciate applauses in the middle of his requiem "in response to a nice musical effect". There are situations and situations. Believe me, I'm extremely liberal talking about tearing social norms, but I also think that the best way to break away from rules in general is not the action of denying them all (I think that's really really really stupid), but understand that they exist, they can be invented, they can be even discovered, they can be changed, they can have sense or not for you and, the most important fact, they're not fixed: they're just variables. And this relativity is given uniquely by the context. And silence is great to preserve unity, listen actively better, understand or feel the sentimental message of the piece much better... etc, specially when these are, conciously or unconciously, fundamental blocks in the work of the author, which is a very common thing in classical music in general.
@pbzp10 жыл бұрын
yes, i agree clapping oughter be somewhat verboten for religious/contemplative performances. although i wouldn't mind a bit more rock to my classical, i agree on the etiquette you posted above, and do solemnly swear to stop wolfwhistling between movements ;)
@Sploooks5 жыл бұрын
An excellent performance but that final chord should have been much much longer.
@ColinWrubleski-eq5sh8 ай бұрын
Contrariwise, it seems my ears are still ringing from a Chung / Seoul P.O. / Seoul Arts Center late-2000s performance.^^ Chung (it should be transliterated as Jung, but that is an argument for another time...) held the last chord seemingly forever---> apparently the universe is roughly in Bb, 57 octaves below middle C, but for a while it seemed to be in F#, the key of that final chord.
@bassionbean11 жыл бұрын
The trombones!!!
@calebgoldsmith12302 жыл бұрын
Last note needed at least another 10s after that fantastic performance
@organist280811 жыл бұрын
The 5th movement is a little slow, I'm missing the passion. The title is "Joy of the Blood of the Stars", not "The friendly smile of the stars".... Just listen to (e.g.) the KZbin-Video "Tv67YkOWJNA" ... and you'll know what I wanted to say.
@cordeiropascoal11 жыл бұрын
1:06:51 Low note priority? I thought the Ondes had the oposite.
@kazimierzijadwiga6 жыл бұрын
Yes, in oryginal Ondes Martenot there low note priority. In new Ondomo you can switch between low/high note priority but in oryginal ondes its impossible.
@martinofford48247 жыл бұрын
Yes, a certain section of the audience are idiots. They think everything must be clapped. I think the conductor should have made a 'shoosh' sign with his forefinger to his lips the first time that happened. The audience might then have got the message. I'd be very put out, as I sense this conductor was, by the inopportune clapping.
@MultiRingo20007 жыл бұрын
Martin Offord oh stfu at least they're enjoying the music and not trying to be eccentric self-righteous tossers like some people :/ they're not talking, they're not throwing rotten fruit at the conductor, they are just enjoying the music Christ almighty
@davidgriffiths72156 жыл бұрын
My father was in the audience for an Edinburgh Festival concert conducted by Sir Thomas Beecham sometime in the early 1950s. A few idiots started clapping after the first movement of whatever they were playing. Beecham rounded on the audience, called the clappers "a bunch of savages" and threatened to stop the performance if they did it again. They didn't.
@robertlee22623 жыл бұрын
@@davidgriffiths7215 A HA HA! Great story! Bit harsh though!
@ryanthecomposer11 жыл бұрын
agreed.
@projectmolcos7 жыл бұрын
hated it when the audience clap between movements - so annoying!
@laburgy5 жыл бұрын
Perhaps it would have been an instruction to give them. Inexperienced listeners can be confused by silences. No need to hate . XXX
@aponysus76874 жыл бұрын
@@laburgy It also happened in the turangalila-symphonie live concert in Los Angeles last year. I guess it was just because the performance was too astonishing.
@pakheiching9226 жыл бұрын
did some body know what is the new instrument name ?
@MrViolist10111 жыл бұрын
Does anyone know what type of keyboard is that at 8:03?
@harryk68076 жыл бұрын
It’s called an “Ondes Martenot”
@MaestroBabs10 жыл бұрын
What is that other instrument up front with the piano? Some sort of modified celesta?
@sorabji110 жыл бұрын
It's an Ondes Martenot, an early 20th century hybrid electronic-acoustic instrument. It's what makes that high-pitched whistling sound that glissandos up and down.
@MaestroBabs10 жыл бұрын
sorabji1 Thank you!
@jonathanbell33847 ай бұрын
Hogwartz band killing it!
@cristyho33110 жыл бұрын
!!!!
@chaoshead7711 жыл бұрын
The conductor seems to emphasize on the details...
@riteasrain8 жыл бұрын
My ears are hurting.
@alejandrom.46804 жыл бұрын
What’s the need of doing this kind of comments? I don’t know nor will know ever. This is a masterpiece for people who actual know about music.
@robertlee22623 жыл бұрын
@@alejandrom.4680 What's the need of doing this kind of comments? I don't know nor will know ever. This is horrible for people who actual don't like it.
@TravisHardiman11 жыл бұрын
Ondes Martenot
@Kosworth11 жыл бұрын
I don't think I could ever sit through it....it, how do I say it......scares the living shit out of me...like extreme panic WOOOOOOOOO made it to 5:40 NEW RECORD!!!
@sorabji110 жыл бұрын
Try another movement, particularly the 5th.
@ChrisNonyminus9 жыл бұрын
This symphony is a cyclops.
@davidparrish25344 ай бұрын
If so moved. What's wrong with showing audience approval?
@juan311888 жыл бұрын
ésto es música?
@karlpoppins7 жыл бұрын
si
@juan311887 жыл бұрын
P. Marios Christodoulou mozart, liszt ,rachmaninov, scharwenka deben estar revolcándose en sus tumbas.
@karlpoppins7 жыл бұрын
no
@juan311887 жыл бұрын
P. Marios Christodoulou creo que si.
@juan311887 жыл бұрын
Jean Fonsse para ti, para mi son un conjunto de notas desordenadas.
@dantaylor300911 жыл бұрын
One of the trumpet players doesn't have a right hand.
@kazimierzijadwiga3 жыл бұрын
26:43-27:15 playing on keyboard with ribbon? Uncomfortable. That place can be played whole on keyboard. There is no need to play "love theme" on ruban - just here.
@cecilelartigau-ondesmarten962110 ай бұрын
She is an autodidact, she does many mistakes like that. It has no consequence here but sometimes she is out of tune because of that
@kazimierzijadwiga10 ай бұрын
@@cecilelartigau-ondesmarten9621 ??? She studied ondes Martenot with Jeanne Loriod. What are talking about?
@cecilelartigau-ondesmarten962110 ай бұрын
@@kazimierzijadwiga définitely not : she only met Jeanne Loriod.... If you observe her left hand technic, you can see she presses the expressive touch with her finger only. The real technic (from Ginette Martenot and Jeanne Loriod then Valérie Hartmann) is playing with the whole arm... That is the first thing we learn, from the very first lesson and during the following months and years. Playiing by rolling the forearm is the most important aspect of ondes technic
@cecilelartigau-ondesmarten962110 ай бұрын
she is a good autodidacte playing by ear. This is not a criticism, it's a fact, an observation (I attended several of her concerts)
@kazimierzijadwiga10 ай бұрын
@@cecilelartigau-ondesmarten9621 Well I don't know. I only can tell that I don't like her vibrato - almost semitone.
@muslit2 жыл бұрын
Dudamel's is better.
@davebarclay4429 Жыл бұрын
Turangalila is above Dudamel's pay grade. Try Paavo Järvi to hear how it should be done.
@MrBohuslav6 жыл бұрын
Excellent performance by these (very) young musicians but the orchestra is much too numerous. The result is therefore much too thick.
@ColinWrubleski-eq5sh8 ай бұрын
Actually, considering what an acoustic soup the RAH is (reference Sir Thomas Beecham's saw about a young composer's world premiere in the hall getting its first two performances at once), the sound is to my ears remarkably clear. After all, if any piece benefits from excess, this one is it...
@morganradice5 жыл бұрын
00:25 -1st mvt Introduction 06:53 -2nd mvt Chant d’amour (First Love Song) 15:11 -3rd mvt First Turangalîla 21:00 -4th mvt Chant d’amour 2 (Second Love Song) 32:00 -5th mvt Joie du Sang des Étoiles (Joy of the Blood of the Stars) 39:00 -6th mvt Jardin du Sommeil d’amour (Garden of Love’s Sleep) 50:20 -7th mvt Second Turangalîla 54:50 -8th mvt Développement d’amour (Development of Love) 01:05:50 -9th mvt Third Turangalîla 01:11:00 -10th mvt Finale