My piano teacher belonged to a trio which recorded this. When my grandmother died I played the recording over and over and got some solace, some sense of rightness in the world.
@Elle-ok9ti4 жыл бұрын
omg this hit deep, I've thought about this comment a lot now
@benjammin66924 жыл бұрын
Wow.
@MM-ii9ef4 жыл бұрын
drama queen
@kerencanelo85803 жыл бұрын
@@MM-ii9ef Queens like Proust
@requlus3 жыл бұрын
i understand nothing that everyone is talking about in the comments, i just think this is very beautiful and i am gonna listen to it a lot.
@bio65883 жыл бұрын
There's nothing wrong with that! Enjoy the music!
@requlus3 жыл бұрын
@@bio6588 thank you i just felt very uneducated in this reply section hehe
@bio65883 жыл бұрын
@@requlus Yeah I was in the same boat until I went to music uni. But, music is music, regardless of how complicated it is! If it's good, It's good! Listen on!
@jamesjordan47963 жыл бұрын
That just means you have excellent taste in music! If your not a musician and still enjoy this kind of music it purely means you have good innate taste in music
@aurelio3532 Жыл бұрын
@@jamesjordan4796 so true man, so true, wise words there
@cowlikesbeef6 жыл бұрын
The second movement is sublime! They really took their own time with it - relishing every phrase, respecting all its nuances, and bringing out its bittersweet character!
@njshwarbs49874 жыл бұрын
I completely agree - most recordings play it slightly faster but I do love this interpretation
@marcmitchel254 жыл бұрын
What a sublime world we would have in which this music were the most serious cause for contemplation.
@kerencanelo85803 жыл бұрын
Magnific coment
@gaetanoparente7183 жыл бұрын
@@kerencanelo8580 0
@leoinsf3 жыл бұрын
If there is anything more heavenly and beautiful than the main theme of the first movement, I have not heard it yet. When it came to themes, Mendelssohn was right up there with Beethoven and Brahms. I love his chamber music!
@Ogurets1232 жыл бұрын
100 points!
@mukilnarayanan Жыл бұрын
I agree!
@rationalistssj6540 Жыл бұрын
I think he's up there with them in everything! I rate him as one of the top 7 or 10 composers of all time.
@H.Sofia-Ugalde260810 ай бұрын
TOTALLY AGREE!!!
@ayushrudra86009 ай бұрын
maybe the second movement
@aramkhachaturian80434 жыл бұрын
These are the types of melodies that get stuck in your head!
@kerencanelo85803 жыл бұрын
Heart
@cp0bo5933 жыл бұрын
Man, I am a great fan of yours.
@Nooticus3 жыл бұрын
Mendelssohn was incredibly good at that!
@axolotlpie Жыл бұрын
It didn’t get stuck in my head tho
@webstergilessmith69475 жыл бұрын
I absolutely LOVE Felix Mendelssohn! When I was younger I painted with Fabric acrylics Aubrey Beardsley's portrait of Mendelssohn on the back of my blue jean jacket. I've ALWAYS been very artsy/crafty besides being a musician.
@lunar.60915 жыл бұрын
That’s actually really cool
@webstergilessmith69475 жыл бұрын
@@lunar.6091 thanks, Lunar!
@catherinejones93962 жыл бұрын
A wonderful opus,, alternately gentle, then rich and robust. For me this is possibly Mendelssohn's greatest chamber work. His "dream" fairies flit about here and there in this too. A terrific performance here. Thanks to all concerned,
@erika66512 ай бұрын
I played the second movement with a youth ensemble about 30 years. Gorgeous music, definitely not a tearjerker for me when I was 14, but these days . . . 😢❤
@unclejohnthezef4 жыл бұрын
My trio suggested this I'm the pianist I'm gonna die
@sallyjohansson60454 жыл бұрын
It's hard for the piano! I'm an amateur pianist and I did 1 and 2 mvts for a local house concert. It took a few years off my life!! But it's beautiful.
@veronikajaklova15074 жыл бұрын
yes, you are, but you're gonna love it :D
@tezguan4 жыл бұрын
Yeah my teacher suggested this piece to us too. In 2-3 months, I memorized the piece's first movement, with only sight-reading over and over. We played in 140 bpm or something like that. The original speed of the piece is faster than that. But it was my first trio. It is very funny piece if you want to show off some.
@tobirocha4 жыл бұрын
@@tezguan Oh! I often do that too: sightread the piece and memorize it that way! It's indeed a great piece to play. I also play the cello XD
@tezguan4 жыл бұрын
@@tobirocha Yeah, it's good way to memorise pieces, but there are better options I guess! :p
@vanessafinney3 жыл бұрын
This piece is featured in the book “Never Too Late,” by a man who started serious study of the cello at age 50.
@raphaelneves76663 жыл бұрын
Awesome
@darkstudios0012 жыл бұрын
Hilarious
@MiguelTicona2 жыл бұрын
who?
@azureNotsure2 жыл бұрын
cool
@gmcollazo1118 Жыл бұрын
❤❤❤ keep going! It’s worth it (by a woman who’s also a cellist 😊)
@leajanzen41046 жыл бұрын
5:55 my heart
@Le_Trouvere4 жыл бұрын
It's gorgeous, isn't it.
@leajanzen41043 жыл бұрын
@@Le_Trouvere true!
@andrewzhang8280 Жыл бұрын
why does this only occur once😅
@NovicebutPassionate3 жыл бұрын
1:54 minor mode exposition (D-) modulating to the major dominant (A+) relatively rare.
@thijmenkrijgsman24173 жыл бұрын
I noticed it too, I was surprised, but nonetheless I was very delighted!
@MusicalInquisit3 жыл бұрын
Piano trios tend to make composers very bold. This is simply another example.
@Cherodar3 жыл бұрын
Yes, though it's worth noting that it's staged as a "false" A major that soon enough collapses to minor (starting at around 2:40). The same thing happens, for similar reasons, in Beethoven's Kreutzer sonata and Schubert's Death and the Maiden quartet.
@NovicebutPassionate3 жыл бұрын
@@Cherodar At 1:54 the music modulates from D minor to A major for the appearance of the second theme; I'm afraid there's nothing "false" about that. If later in the course of the exposition Mendelssohn had presented the same theme in A minor, then perhaps we could apply the term "false" to its first appearance. Obviously that is not the case. The music does go back to A minor, true, but that's beside the point because when it does we have already heard the second theme in A major. The "Kreutzer Sonata" is a curious case; I'm glad that you brought it up. In that piece, the second theme is in E major, but only momentarily. The theme is repeated ('corrected') immediately in E minor (minor dominant). As tempting as it may be, even in that case using the term "false key" would be out of place. The effect is more of a modal inflection: we hear the second theme back to back in E major and E minor with no other music in between. In the recapitulation, the same theme is presented in A major/A minor, as expected. Stories attached to Kreutzer Sonata 'could' attribute instantaneous mode changes to something beyond the music itself, but let us refrain from anecdotal speculations. Schubert, as we know, took modal oscillations to a whole new level. Since we're talking about the "false" phenomenon, coincidentally, in Kreutzer Sonata there is a false recapitulation at letter L; the real recap being nine bars before N. Interestingly (and thankfully!) the score of Kreutzer Sonata too is uploaded by olla-vogala, here: kzbin.info/www/bejne/a4qunpVtlN5me5o Take a listen if you like. As for "Death and the Maiden," I'm afraid your comment is quite irrelevant. In that piece, the second subject is in F+, relative major, a conventional choice, and then later in the recapitulation, it's in D+, the tonic major key; again, very usual, and therefore, completely different from Mendelssohn's Trio. Finally, in the Mendelssohn, at the recapitulation, the second subject appears in D+, which reaffirms that the key of A major in the exposition was, after all, the true, and not the false key. Enough of that! For me, the most successful movement of this Trio is its Scherzo, whose appeal should not come as a surprise to us, knowing that Mendelssohn's 'forte' was his Scherzi. Additional Information: in the exposition of minor-key sonata forms, the second theme is traditionally in the relative major key (the key of mediant). Abundant examples from the repertoire demonstrate this. Minor dominant (v) is another option, although less frequent in the 19th-century. Examples are Brahms's G minor Rhapsody for piano, Mendelssohn's String Quartet in A minor, Op. 13, and his Scottish Symphony. Major dominant as the secondary key is rare. Examples are the first movements of Brahms's Piano Quartet in G minor, Op. 25, also the fourth movement of his Third Symphony, Schubert's Piano Sonata in A minor, D. 784, and of course, the Trio under discussion.
@Cherodar3 жыл бұрын
@@NovicebutPassionate I think we're using the word "false" in importantly different ways. Of course when it goes to A major for that second theme, it's "really" in A major--no dispute there. I'm talking "false" in terms of rhetoric, narrative, and generic norms. Early-nineteenth-century composers like Mendelssohn knew their heritage, and knew full well that in the baroque and classical worlds they were inheriting, the dominant major was not a viable destination for a minor-key exposition--the only options were the relative major and the dominant minor. When someone like Mendelssohn (or Beethoven in the Kreutzer) sets a second theme in the dominant major, it's a vision of a mirage--a thing that cannot be--and it's always torn to shreds sooner or later by the inevitable turn to minor. You make a nice observation that the Beethoven and Mendelssohn differ in that Beethoven repeats the same theme again in minor whereas Mendelssohn doesn't, but I think the larger-strokes main point is the same: that the theme in the dominant major, offered up as a hope of rescue into the major, is shown to be untenable because it's the "wrong" major. Of the other dominant major examples you listed, two are by Brahms, who's later and seemed to treat the dominant in minor keys importantly differently (his fourth symphony and first cello sonata, both in E minor, go from minor v to major V in a way that would have been totally alien to Beethoven or Mendelssohn, who do only the reverse), and the Schubert sonata you mention does also have it decay to minor, even though it's quite late in the exposition. For Death and the Maiden, I'm not talking about the F major theme. I'm talking about what happens after that--the music ploughs onward towards a big V of A, and presents a vision of that same second theme in A major. But then it, like the Beethoven and Mendelssohn examples, is quickly shattered again by the dominant minor, and the exposition ends in A minor. I think one of our bigger points of misalignment here is that you're paying more attention to the *first* key in which the second theme appears, whereas I think it's more important where the exposition ends. Both are, of course, important--but I'd argue that what happens to the theme is of at least as heavy a consequence as where it starts.
@jordidewaard29374 жыл бұрын
My grandmother passed away today, and even though I have never heard this piece before, it immediately struck me and reminded me of her. I have no idea why, since like I said, I have never heard it before...
@marichristian10727 жыл бұрын
The piano is certainly the star. Wonderful performance.
@euomu3 жыл бұрын
The piano is background noise, the strings are voices.
@eliaseiffert22073 жыл бұрын
@@euomu shut up, idiot
@klop42283 жыл бұрын
As beautiful as the piece is, this is honestly the reason I find Piano Trios so hard to listen to. Somehow the ensemble always feels unbalanced. Certainly better in this piece as in other Trios, but still the case. Oddly, pieces for one instrument and piano tend to feel much more balanced.
@erika66513 жыл бұрын
I played the second movement as a teen, and that harmony between the cello and violin, especially with their initial entrance, was pure magic.
@Aaron-dj2vi3 жыл бұрын
@@klop4228 what about piano quartets and quintets?
@GianniFranceschi5 жыл бұрын
Das schönste Klaviertrio der ganzen Musikgeschichte: ein Wunder!
@chmb1312 жыл бұрын
Und Tschaikowsky trio !
@francobonanni2184 жыл бұрын
An excellent piano concerto in Trio form. There must be a reason to write a piano accompaniment in this way. He obtained a leading voice a unifying element that needles all the work in a great masterpiece. Thank you excellent.
@timothythorne94644 жыл бұрын
Franco Bonanni Mendelssohn composed two wonderful standard piano concerti, and two more concerti for two pianos, and a concerto for violin and piano, and another, later piano trio. All of these are superb works that are sheer joy to listen to, and rank along with Schubert and Beethoven as the finest in the early Romantic period.
@francobonanni2184 жыл бұрын
@@timothythorne9464 yes you are right . I know all of them. This trio is an example of excellent piano and chamber writing. You can not expect less. Mandelson is a fine romantic composer. I love everything he wrote...thank you.
@garygreen38458 ай бұрын
I agree! I hear this as a piano concerto with violin and cello!
@paolozignani4 жыл бұрын
Questo stupendo trio di Mendelssohn merita tutti gli elogi di Schumann! Mendelssohn dimostra qui di essere, direi, il Mozart dell'angoscia, colui che, come scrive Schumann, supera le contraddizioni dell'epoca
@PaulHummerman8 жыл бұрын
Played with the élan and passion that the music demands, Surely one of Mendelssohn's finest compositions. The second melody in the slow movement is to die for.
@lilawylie Жыл бұрын
Only started to listening to chamber music late in life. I always thought of Mendelssohn as not quite top tier, but this work and others of his have proven how wrong I was. He now ranks among my favorite composers.
@cubanbach7 жыл бұрын
What a miracle this piece is
@DarkyMonkey693 жыл бұрын
Yes 😊
@danieleps19267 жыл бұрын
The last chords of 1st movement are wonderful (both how written and how played). Like a last gasp of air...
@arlettehellemans21174 жыл бұрын
And what to say about the first chords of the first movement? That rising up theme is one of the best written in history of music.
@H.Sofia-Ugalde260810 ай бұрын
Yes, I completely agree with that. As a pianist, when I especially play the first movement, it always gives me chills, especially almost at the end of the movement. In my opinion, out of all four movements, the first movement is especially my favorite. The others are also amazing, but....there's just something about the first that appeals to me.
@darknightbrightday Жыл бұрын
I played this when I was 17, possibly the most perfect music for an emotional teenager!
@johnzajac98492 жыл бұрын
The second movement is celestial.
@khool636 жыл бұрын
sublime , le génie de mendelsohn dans toute sa splendeur ,, une interprétation somptueuse du beaux arts trio ,,
@PuddintameXYZ3 жыл бұрын
26:50-28:03 is great. From the modulation at 26:50, to the violin at 27:10, to the piano at 27:50, the intensity is awesome
Thank you so much, olla-vogala. One of my favorites. D minor is a haunting key.
@lyricsronen5 жыл бұрын
This is a very strong contender for best piece ever written. You may argue that there are catchier melodies, or deeper sonorities in other pieces or compositions more diligent to form. But there are just so many great things in this piece it's miraculous to behold. Thank you for presenting this masterpiece in such an enjoyable way!
@fragavillanuevajorgearthur90575 жыл бұрын
Liri Ronen my teacher used to say that the word for mendelssohns music is, audience effective.
@f.p.20104 жыл бұрын
Mahler xd
@aramkhachaturian80434 жыл бұрын
Maybe up there as one of the best trios but I wouldn't go as far to say that it is the best piece ever written.
@user-jb5sk7pc2m3 жыл бұрын
The Shostakovich trios can definitely give it a run for its money
@steveegallo33846 жыл бұрын
Wow! Huuuuge exciting performance of this colossal work.....It'll take me a while to calm down.....Thanks!
@tobirocha4 жыл бұрын
Yesss! It happens so often to me! Especially with Mendelssohn, Schubert, Beethoven. Such great men, that I can't stop hearing to their pieces!
@davidnassor65894 жыл бұрын
This is so beautiful! Mendelssohn is the best
@jojomj Жыл бұрын
Absolutely! Love the PFP lol
@Pawel_Malecki5 жыл бұрын
Bar 91: despite all the effort to make the piece Romantic, Mendelssohn cannot resist the urge to quote Mozart.
@dianal.12795 жыл бұрын
Thank you very much for posting with the weitten commentary. It's so nice to get a bit if an introduction to put the piece into context. Thank you!
@gaboelexo4 ай бұрын
9:45 what a magician
@h-mh93 Жыл бұрын
Rest in peace, Maestro Pressler! Thank you for the music!
@ivonnemunera13214 жыл бұрын
beautiful simply beautiful to my ears...
@timothythorne94644 жыл бұрын
ivonne munera Mendelssohn is the best composer for any work which includes the violin. He really evokes heartbreak and sadness in his works, and well as sheer joy and elation (as in the scherzo movement here, and the finale of the Violin Concerto).
@Kylailao4 жыл бұрын
I love this. Great recording, great performance, great piece!
@kaja72634 жыл бұрын
I just found this and think it's beautiful!!!😍
@khool636 жыл бұрын
Comme emporté dans un rêve étrange ce trio sublime , chacune de ses notes transforme l "ennui du jour en féeriques lumières nocturnes ,, en architectures des lumières des couleurs , errance près des rivages , esquifs entre les récifs de verre multicolores , le beaux arts trio nous emporte vers le monde inconnu ou la vie et la mort s enchevêtrent ,, l éternité ,,
@antiquet33016 жыл бұрын
Thanks for the upload. I always look forward to new videos on your channel, as you never fail to bring back memories with music I love, or introduce me to beautiful pieces I've never heard before. You've fueled my passion for music, and I must thank you for this.
@shin-i-chikozima5 жыл бұрын
Deep impression was reaching my soul in the grassland of vast content undulating in the wind of Mendelssohn . 🍎
@timothythorne94644 жыл бұрын
Shin-i-chi Kozima amazing beauty in this trio! Mendelssohn, Mozart and Schubert particularly were gifted melodists. Every phrase in this trio literally sings.
@pamelafrancis29452 жыл бұрын
The playing and recording are as near perfect as is possible.
@pierreallard18943 жыл бұрын
...une des plus belles musiques que l'on peut écouter
@benjamin486 Жыл бұрын
9:04 - 9:11 This moment is as if they're playing as the titanic is sinking. Or as if Zekkyl is drinking his last vial to write the letter. It's the final, final, final moment of hysterical and frenzy-like outburst, ironic to the atmosphere surrounding this moment, which adds to the manic and tragic quality. Really beautiful, almost like capturing life as a whole.
@saphiehashtiany7735 Жыл бұрын
Thank you. A favourite piece and so good to have the score. 🎉✨👏🏼👏🏼
@maminfamili5 жыл бұрын
I love this interpretation!!
@thessasams7 жыл бұрын
I love the 2nd mov. So touching.
@harmonicparadox20558 жыл бұрын
In the first movement, I can't help but hear "when the dog bites, when the bee stings.."
@cbentler45288 жыл бұрын
Me too!
@antjethierbach2847 жыл бұрын
from bar 412 to 425 or in the beginning from bar 99! You are totally right. Same notes. Now I hear it, too
@maryannruprecht22007 жыл бұрын
HarmonicParadox I so enjoy "the musical kinship" that I find when others appreciate and then share their thoughts here...I heard it too...thanks for your comment.
@Alden8907 жыл бұрын
Yes, I think it's safe to say that Felix saw The Sound of Music before writing this. Or...er...something like that.
@mateusaniceto45377 жыл бұрын
this is truth :)
@cflhighlights937011 ай бұрын
1:26 My Favourite Things
@user-vi2yf2pd7q3 жыл бұрын
This is the best performance✨
@jonathanjesalva81585 жыл бұрын
1:26-1:30, "when the dog bites, when the bee stings..."
@FranciscoCunha20044 жыл бұрын
I think you meant 1:35
@yt8co3 жыл бұрын
oh shit
@gellie09473 жыл бұрын
lol
@Thisaccountisnolongeractive373 жыл бұрын
LOL
@garygreen38458 ай бұрын
As with his two piano concerti, he write sublime second movements!
@hollowcliche95007 жыл бұрын
One of my favorites!
@Yannoux3000 Жыл бұрын
Possibly the best chamber music finale ever written. Sounds like Brahms already !!! Genius Mendelssohn
@evanottervanger53948 жыл бұрын
The second movement is my favorite!
@hyunjunchang2334 жыл бұрын
just beautiful i agree,,
@michaelwong79022 жыл бұрын
so touching
@pianoman18577 жыл бұрын
let’s admit it is more like a piano piece with some melodic cello and violin rather than a piano trio :)
@euomu4 жыл бұрын
That's because the piano is background music and provides the framework. String instruments are voices :) It's the same in pop music. You have the background music and usually lyrics
@marichristian2 ай бұрын
More instrumental balance in the third movement.
@o.ozanbilen71136 жыл бұрын
thank you olla. wonderful interpretation !
@user-ge5hv3iz1n3 жыл бұрын
5:54
@Indo497 жыл бұрын
Excellent performance and the last notes in the second movement are there.
@dot8209 Жыл бұрын
Absolutely gorgeous. What a pianist!
@mic9827 ай бұрын
D minor: "the key of repressed passion" says Daniel Silva in his otherwise suspect novel "The Order". I suppose so if one thinks of things in that light. Beautiful none-the-less.
@hyunjunchang2334 жыл бұрын
anyone else find themselves crying over the second mvmt...
@DanielRobertspiano2 жыл бұрын
Loved playing the 1st 2 movements at college! Have to compete it one day.
@blackpoolram6 жыл бұрын
Superbly played 2nd movement.
@MusicforBalletClass482 жыл бұрын
Great interpretation. Wonderful pianist
@jbrobele7 жыл бұрын
My favorite movements are the first and second in that order! Gonna see if I can find a violinist and cellist to play this with
@olla-vogala40907 жыл бұрын
good luck!!
@jbrobele7 жыл бұрын
olla-vogala thanks mate!
@andrewmorrison98497 жыл бұрын
What kind of grade level would this be, from the perspective of the violin or cello? (I am also interested, and play the piano) :)
@jbrobele7 жыл бұрын
Andrew Morrison I'm not sure what you mean by grade level, it's all relative to how well you play. This is definitely not a beginner piece but it's also not that hard either, especially the first two movements. Cello part doesn't seem too bad either, just a ton of shifting into the upper register.
@andrewmorrison98497 жыл бұрын
Ok, thanks. I just dont really have much of a clue with instruments other than the piano. I think I'm going to try to do the first movement
@dominichebler55154 жыл бұрын
Its much slower than the recordings I am used to. But its beautiful at that tempo. Especially the second movement.
@bradwood19478 жыл бұрын
The piano writing is idiomatic and easier than it sounds just to play "the notes", but I agree with the commentators that is is challenging to keep it light and not turn things into a piano sonata with violin and cello accompaniment. I don't know the history and particulars, but so often a composer's choices are strongly influenced by the musicians he/she imagines will play the piece. Mozart is a famous example---hair-raising passages in the clarinet quintet for violin that Mozart knew he would be playing. Woe onto them who attempt the piece without a first-rate violinist (I have heard excruciating performances when the string quartet and especially the first violin just weren't making it).
@Ogurets1232 жыл бұрын
Yeah that's what I observed too! I just ordered the Henle and will be starting soon, but just sight reading it you notice the piano writing lies under the hand really well!
@sean..L5 жыл бұрын
Sublime.
@DanielLee-zq7li Жыл бұрын
Breathtaking piece by genius
3 жыл бұрын
How delightful! :D
@patriciagonzalez4820 Жыл бұрын
wow! love this!
@Rosangela1615 жыл бұрын
Magnificent introduction. Thank you. Beautiful and Didactic post.
@JP-ku5hw6 жыл бұрын
wonderful piece
@rogernortman92194 жыл бұрын
Mendelssohn's 2 Trios are 2of my favorite works of his; religion doesn't seem to infiltrate chamber music as it does orchestral and choral music.
@keithfoester73267 жыл бұрын
db (decibel) Decibel is the proportional unit of sound volume. The lowest sound audible with a normal (average) hearing is 0 dB (2 ∙ 10-5 pascals as a sound pressure value or 10-12 W/m2 as an intensity value at 1000 Hz). A person with good hearing can hear even weaker sounds (-5 dB). When the intensity of the sound (the amount of energy flowing across a surface) doubles, the proportional volume of the sound increases by 3 decibels. When the sound pressure doubles, the intensity quadruples, meaning an increase of 6 dB. A hundredfold increase of sound power represents a tenfold increase of sound pressure, but only an increase of 20 dB in decibels. The decibel scale is logarithmic. The perceived volume of a sound depends on the level of sound pressure and the pitch of the sound. Certain frequencies are more easy to hear than others. Sometimes the perceived sound volume is referred to as reception. The figure below portrays the hearing range in musical notation using tone names on the left and hertz values on the right. As the image illustrates, the most sensitive hearing range of the ear is situated approximately around the four-line octave. The level of sound pressure is measured today using a weighted decibel scale (such as dbA) that takes into account the fact that the human ear is not a measuring instrument but has different sensitivities for different frequencies. The concepts of phon and sone are used for measuring the loudness of an auditory sensation. When using phons, the perceived sound is compared to a reference frequency of 1000 Hz. When the sounds are perceived as equally strong, they are assigned the same value, although the actual sound pressure levels might differ considerably. The sone value of a sound is also determined using a comparison: when a sound is perceived as two times as strong as the sound originally heard, it is given a double sone value. The units are subjective and very difficult to measure. The piano and forte curves of the figure are also highly approximate. They do, however, illustrate that the low C1 (32 Hz), for example, is perceived as piano pianissimo, while a C5 (approximately 4200 Hz) with an equal decibel value is perceived as forte.
@ronenr14053 жыл бұрын
Great ! Thank you a lot
@mariellagalvagno513 жыл бұрын
Sublime!
@andreafilidei30717 жыл бұрын
meraviglioso!
@hghg21858 жыл бұрын
Beautiful
@stefanoolcese3 жыл бұрын
Che musica meravigliosa!
@cherylzion66054 жыл бұрын
12:40 is lovely
@user-gc4zi8vk7g2 жыл бұрын
Thank you for posting. Listening to this song reminds me of a video of a million dollar trio I've seen before. It was very helpful to see the sheet music. If there is a continuation of the performance, I would love to see it.
@TK-tv5un5 жыл бұрын
Reminds me of Brahms. The rhythm here is the most interesting Mendelssohn has ever come up with.
@keithfoester73267 жыл бұрын
never, never i said.... never has such sounds makes my innards vibrate to the cosmic language that is music, especially the second movement. the correct amount of tensions in the notes makes it all too perfect for the imperfections of intervals. listen with a cup of hot tea at 4pm in the afternoon.
@alineboyd9834 жыл бұрын
Wonderful!
@JoelAWeiss7 жыл бұрын
Thank you. Gorgeous.
@owuorunmasked79693 жыл бұрын
I am only listening to this because it is mentioned in Daniel Silva's 2020 thriller, The Order
@andrewzhang8280 Жыл бұрын
the greatest tragedy is that the counterpoint at 5:56 only happens once
@cluna20023 жыл бұрын
Bravíssimo! ❤️
@chrisingres62218 жыл бұрын
brilliant rendition by the beaux arts trio. many thx for sharing music and score. like many romantic piano trios it has a massive and difficult piano part. that's quite a problem. we played it several times with marianna shirinyan: these concerts were pure fun. all the other concerts with other pianists were a severe fight. the piano part is too massive for modern concert pianos. all the pianists who take the dynamic notes by mendelssohn literally should listen to a performance with a period instrument with its smoother & quieter sound. this trio is far more mozart that tchaikovsky. --- one remark about mr. pressler, can't stop myself from saying that :D he's a wonderful pianist. the entire musical world knows. but he's such a prick at the same time. and such a lousy teacher: when we did a masterclass in lübeck with that piece by mendelssohn, we had good luck. but the trio right before us hadn't - i think they did ravel - and they did it very well in my ears - OMG he was sooooo insulting and mean to them- i can't understand why they spent so much money to be tortured by that man. i would have left the room immediately. (his 2 collegues were quite friendly btw). i studied with yfrah neaman many years, as a teacher he was legendary - & he never was unpolite, always showing respect to anyone he gave a lesson. that's how it should be. my opinion.
@olla-vogala40908 жыл бұрын
+chris ingres I agree that this piece calls for a piano with very light action, otherwise the sound can be very overpowering indeed! I didn't know that about Pressler, sorry to hear that his character is like you described...
@chrisingres62218 жыл бұрын
brilliance & meanness are siblings sometimes.
@theriskengineer43078 жыл бұрын
+chris ingres ... many thanks for your thoughts and technical insights on this piece... ... I regret the lack of decency and respect in your work experience ...
@huathebard7 жыл бұрын
Eh, I've seen different people respond to it differently. Sometimes people need a kick in the pants to get things going in the right direction. He's not doing any favors telling people something was good if it was bad.
@chrisingres62217 жыл бұрын
Josh Infiesto ...it wasn't bad at all. don't tell people they failed their profession when they want to do sth professional. there's a border between being constructive and destructive. my opinion :)
@sleepythehorsey30263 жыл бұрын
Wouldn’t change a note also so no one is gonna talk about 2:35
@snowcarriagechengcheng-hun34547 жыл бұрын
Thanks for uploading!
@torrinbernardin53183 жыл бұрын
1st mvt theme is directly taken from the second movement (coda) of Beethoven's piano sonata No.7 in D Major, Op.10 No.3 kzbin.info/www/bejne/b3zMnYGsgrmBiqs
@andrewzhang8280 Жыл бұрын
i see it but it's a bit of a stretch
@kitakevo Жыл бұрын
Am I the only one that thinks My Favourite Things was inspired by this? 🤔
@lewisb92265 жыл бұрын
1:34 When the dog bites/ When the bee stings
@Thisaccountisnolongeractive373 жыл бұрын
OMG! You are right! I did not notice at all! LOL!😅😂
@kerencanelo85803 жыл бұрын
I can't believe nobody put this 9:26
@filosoforvgsapereaude50202 жыл бұрын
Genial obra de Mendelssohn
@H.Sofia-Ugalde260810 ай бұрын
Si, eso es cierto.
@joonhyunkim72256 жыл бұрын
mendelssohn piano concerto
@jb1980ist6 жыл бұрын
As a pianist, I was asked to learn the first movement of this in a month. I nearly died.