On working with Pierre Boulez... - Daniel Barenboim | Deconstructed [subtitulado]

[@ramonmateog]

Muchas gracias Maestro!

[@Fatasempregiovane]

Grande Maestro

[@daves5562]

Been impatiently waiting for a new segment. That was satisfying and peeked my curiosity to explore a new composer. Thank you all.

[@camiloospinavaron7940]

Nice to see You again Daniel!

[@gompmarcho]

So glad to see another video.

[@ingeniero00007]

Fui afortunado de poder asistir a tres de los conciertos del festival Barenboim en buenos aires el pasado mes de Julio y escuchar la magnifica orquesta WEDO, viaje desde Colombia exclusivamente para ver al maestro Barenboim dirigiendo en vivo, Dios permita que el proximo año pueda tener semejante privilegio y sin dudarlo asistire nuevamente a tan maginifico evento. Me quede con las ganas del autografo del Maestro, ojala en otra ocasion lo pueda obtener. Muchas gracias Maestro por divulgar sus conocimientos y por ser portador del mensaje de la Paz en cada lugar donde hace musica con la WEDO.

[@andrewrainstar2968]

Gracias por tomarse tanto trabajo y dedicación para estos videos, muy agradecido.

[@sofia1812]

por fin un video nuevo! Le he echado de menos, maestro :)

[@mariatabares]

¡Qué alegría! Muchos días sin recibir nuestra dosis de cinco minutos de maravilla.

[@tommasomarino1575]

Sei una persona stupenda Maestro Barenboim

[@tokascoions]

Muchas gracias por volver, también le seguimos en Facebook pero preferimos este formato, excelente video, un placer como de costumbre

[@joelturken1724]

So thankful that Maestro Barenboim was able to pass on to us these vital connexions to this distinguished composer/conductor: Boulez seems to have had few personal relationships that led to an understanding of the logic behind his fascinating music. The composer apparently operated in an utterly private world that did not allow room for public explanations of his music. What is the reason behind his choice of notes? Why this discretion when it comes to the nuts and bolts of his musical philosophy? Maybe the maestro's two guests can elaborate more on this. For instance, that moment in the 9th. Symphony's Finale at Bar 330 where Beethoven uses a F Major chord (Gott) is in some ways inexplicable given the D major key but at least we know that there's a subdominant region that includes the F natural so necessary to that chord!

[@liszteando]

Amazing, the different sounds are so great! love it. Regards from Seville, Spain

[@dschinghiskhan5752]

Pierre Boulez es un hombre que sentía con la cabeza y pensaba con el corazón

[@saracaselanizilio4627]

Thank you for the video!

[@elias8068]

que bueno que volvió

[@enriqueortega3793]

Se lo extrañaba Maestro! Gracias por todo lo que hace. Un placer haberlo escuchado al piano en bcn a fines de noviembre pasado

[@musikalitet]

yes

[@emilie8978]

Cher maestro ... Heureuse retrouver vos petits programmes. Il serait passionnant de vous ecouter analyser la méthode de composition de Pierre Boulez

[@augustincarles4491]

Daniel Barenboim ou le génie sur terre. Monsieur Barenboim ya t-il les mêmes sensations/ressentis musicaux entre écouter et diriger du Pierre Boulez ?

[@alvarofernandez-bravocasad265]

Could you make a vídeo about Chopin preludes? And about ravels minuet from le tombeau de couperin?

[@avisnocturna8942]

Great video!

[@ObviousToday]

Would be nice to see you Daniel and Vladimir Ashkenazy together on musizieren.

[@glaucoma888]

Michael Barenboim is impressive indeed. Why have I not heard about him?

[@AmineKabour]

Thank you Sir!

[@hufemeve]

greeting Maestro Daniel - I'm truly enjoying & learning from your videos. Is there any chance for you to discuss Bruckner's 9th symphony? many thanks

[@tommasocona]

is Michael Baremboim Daniel's son?

[@musikalitet]

yes(i dont understand the spanish )

[@hector2038]

Yes, Michael is Daniel Baremboin's son

[@modernmozart813]

Father and son

[@mrnarason]

Really 5 minutes is too short.

[@FredHMusic-gr7nu]

Apparently, pleasant harmonies in modern classical music is just a silly myth!

[@punkpoetry]

Imagine thinking this is sophisticated or valid criticism

[@JavierSerraltaSanMartin]

make the restless more sudden, agitated, breathes...make contrasting elements very extreme, make something free very free, the flexible very flexible, and the rigid and strict very rigid and strict....if that is the best advice no wonder this music is what it is, ugly noise, anti music, a joke that at least makes all good music like mozart and beethoven violin concertos even greater.

[@johanneshamm3323]

Well Mozart and even Beethoven's world, or how they perceived it, was quieter and in a way more structured. There were more rules to follow in society. A society which was less open or liberal but also more defined. Extremes were not allowed as much. In Boulez's times though, there were many extremes in society (there are even more today). Politically, technologically, sexual, mentally. The Second World War was not too long ago. I understand why he would not write a tuneful melody with a Tonic-Predominant-Dominant phrase model. He was searching for sounds that represent modern society and so was Schönberg and the Second Viennese School. It is true, that the music is ugly, just like modern life can be. But in a way I find it also beautiful in a very extreme way.

[@JavierSerraltaSanMartin]

@@johanneshamm3323 modern life is just as beautiful now as in mozarts or chopins time... same bird singing... sunsets... laughter of a child...human love... good music just was left behind, distasteful society, beauty will prevail, still have lots in the past to rediscover, like brahms 4 symphony ... not enough time to enjoy such beauties...bach italian concerto... such wonders...