One flop film of this director shook his entire existence and then what happened after that...

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Fun and froth do not equal facile’: Nasir Husain’s biographer on the filmmaker’s legacyIn ‘Music, Masti, Modernity: The Cinema of Nasir Husain’, Akshay Manwani makes a strong case for giving the writer, director and producer his due.Fun and froth, however, do not equate to facile. Husain was one of the directors who ushered in the cinema of the 1960s. He along with a handful of other directors took Hindi cinema away from the Nehruvian socialistic, nation-building narratives of the 1950s. This did not mean that Husain wasn’t capable of making a political film. Baharon Ke Sapne, which he made in 1967, made explicit a certain ideology that he had nursed over the years. Even in these so-called lighter, romantic stories that he got known for, he broke away from stereotypes and pushed the envelope without being preachy.
Husain’s song sequences whether it be Piya Tu (Caravan) or when he had Dev Anand singing atop a jeep while moving parallel to a train in Jab Pyar Kisise Hota Hai certainly make for very interesting visual cinema, something that requires great thought, effort and command over craft.And since Husain put music at the heart of his films, it is that song and dance that we see in Hindi cinema even today. The meeting of the three brothers in Yaadon Ki Baaraat is that quintessential Bollywood moment that has emotion and melodrama that is conveyed so beautifully through song. And this is one of Husain’s biggest legacies - how he integrated music so organically into his scripts, rather than make episodic appearances as is the case with a lot of Hindi films. This buoyant hero and song and dance continue in mainstream Hindi cinema even today.
You also say that “His films place on record a cosmopolitanism and modernity in Indian society at a certain point in time - a largely untold story.”
If you look at any of Husain’s films be it Dil Deke Dekho, Jab Pyar Kisise Hota Hai, Teesri Manzil (which he wrote and produced) or Hum Kisise Kum Naheen, all these films celebrate a certain club-hotel culture that was very much a part of Indian society in the hill station areas in the early 20th century and right through the 1950s and 1960s.Husain’s heroes spoke Hindustani but he also interspersed their dialogues with Urdu couplets and phrases or sentences in English. There was a remarkable, omnipresent linguistic switching happening in Husain’s cinema that brought out the cosmopolitan nature of India where a new youth was emerging with the beginning of the 1960s. This youth was comfortable with the world of Urdu shaayri but also wanted to partake in the Elvis Presley rock-’n’-roll generation. And outside of Nasir Husain’s films, or the ones made by Vijay Anand and a few others, there is very little material on this modern, cosmopolitan society that existed back then.
SHORT INTRO
Mohammad Nasir Hussain Khan (16 November 1926 - 13 March 2002), better known as Nasir Hussain, was an Indian film producer, director, and screenwriter.[4] With a career spanning decades, Hussain has been credited as a major trendsetter in the history of Hindi cinema. For example, he directed Yaadon Ki Baraat (1973), which created the Hindi language masala film genre that defined Hindi cinema in the 1970s and 1980s,[5] and he wrote and produced Qayamat Se Qayamat Tak (1988), which set the Hindi language musical romance template that defined Hindi cinema in the 1990s.Akshay Manwani wrote a book on Hussain's cinema titled Music, Masti, Modernity: The Cinema of Nasir Husain
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[@chandrashekharjathar7026]

Hi sir, one of the great entertaining producer - director. पैसा वसूल फिल्मे बनाने वाले थे नासीर हुसेन सर 🙏

[@1101smartkooldude]

this song chura liya hai must be one of the finest guitar master peices i have seen in hindi films. still memorable even after 50 years

[@1101smartkooldude]

vaastav mein agar hindi cinema ka the greatest showman kaha ja sakta hai toh woh ya toh Nasir hussain sahab the ya phir feroz khan ya phir manmohan desai- yeh media waale bhi pata nahin kyun raj kapoor ( with due respect) aur subhash ghai ko yeh naam dediya hai .

[@anilkamble3602]

Vijay sahab, nice presentation on the filmy journey of Nasir Hussain Sahab, a well known Film producer and Director who gave many superhit films to Hindi Film Industry. My tributes to Nasir Hussain Sahab. Thanks 👍🌹🙏

[@VijayKumar-kf6vq]

Nasir Hussain sahab ke bare mein jankari dene ke liye dhanyawad . Nasir Hussain sahab ko vinamra shraddhanjali.

[@sushilavashishta9981]

Lots of respect to great director Nasir Hussain

[@raajsuman1292]

Sau sau salaam Sir, Sri Nasir Hussain Saab.

[@realroyalbatla8716]

after long waiting comes back welcoming

[@amitganguly6279]

Musical Film Director ♥️🙏♥️🙏♥️🙏♥️

[@rajeshtambe2157]

👌👌👌👍👍👍

[@Akindiaindiya]

Asli show man Gulzar sahab the

[@jikenjarecha8660]

Salam

[@user-tc5dv9cq5s]

One mistake- कयामत से कयामत तक ८० के दशक की movie है. Released in १९८८.

[@GOLDENMOMENTSWITHVIJAYPANDEY]

ये फिल्म उनकी लिखी हुई थी न की निर्देशित

[@vinodsavle21]

QSQT me to dukhant end thaa ?

[@Akindiaindiya]

Ek duje ke liye

[@shilpachouhan8197]

Hello 👋 vijay sir ji 🙏

[@GOLDENMOMENTSWITHVIJAYPANDEY]

HELLO SHILPA JI

[@faizaan725]

🙋‍♂️🌹🌹🌹🌹🌹is video🎥 ka end Bahut hi achcha thaa,,, mazaa aa gayaa,,, Guitar🎸🎸🎸🎸🎸 ka sangeet aur bajaane waale nay bhi bahut achcha bajaaya 🙋‍♂️🌹🌹🌹

[@user-vo8jb4oy5h]

Salam