Oppenheimer's Ludwig Göransson & Hoyte van Hoytema Interview

[@OPproductions22]

Masters of their craft. Hope they keep on collaborating with Nolan. The fact they made this film look and sound as engaging as a big summer blockbuster disguised as a character drama is terrific.

[@manea7074]

Not to forget the editor

[@akhilpremk]

Both of these guys are geniuses.

[@ToxicTurtleIsMad]

They are 2 talented individuals. Not genius.

[@lilmilontiktok]

@@ToxicTurtleIsMadtheyre geniuses

[@jonathand827]

They’re european

[@UnoDosCholos]

Two masters at the top of their game

[@federicomeneghini6947]

Very interesting interview! Thank you for uploading it in full

[@NormaLilia24]

What a treat, love both of their work ✨✨

[@slimelove3493]

19:33 “The human mind cannot compete with what nature gives us naturally” 26:36 Chris jumping on some makeshift train to get the shot of the train moving 😂 28:38 love that answer about not needing a more convenient smaller size camera bc you have a set and you plant something in the middle all the life and all the chemistry starts evolving around this big center. It’s a certain respect. I’m not so much into ergonomic and more handy solutions that make it easy for me, I think it’s good that there’s a little resistance, it works.” 42:32 “lessons to bring along…to me the best prep is to be in tune it has to do with your chemistry and knowing each other’s taste from past projects and Chris and I rely on that way more than if we came up with a concept in a glass cubicle 12 weeks before.” Important answer

[@Drummer1000George]

Glad interviewer finally realised that it wasn't worth continuing the battle about how heavy an IMAX camera is at 31:45

[@sopdadope]

These two are the cream of the crop.

[@ShareMyStoryGio]

Very insightful!

[@user-xh8ci4cs2i]

They are fantastic ❤

[@priscillawrites6685]

Among instruments, the violin is the closest to the human voice in its quality and range of emotional expressiveness.

[@user-xh8ci4cs2i]

What a wonderful creation🌹🌹🙏

[@kage6271]

so whos getting fired for messing up the collider logo on hoytes mic?

[@ronaldoforbes6979]

Haha. That's great! Ironic it was the host himself.

[@tomhardy8834]

Does Hoyte have one Dress code for any where he go? That's the only question I would want to ask him.

[@byucatch22]

How did they create the visual effect of the fire spreading around the globe? That one seems really difficult to do.

[@compactreview]

I think they flew into an outer orbit and waited for Russia and Co to launch their atomics and then went back via Tenet time chamber with the footage

[@lilbigman777]

17:29

[@tylerjhunter]

Hoyte says, "Of course there's a distinction between CGI and VFX." That's a ridiculous statement and obfuscates the fact that Nolan's films incorperate many computer generated images or the compositing of various live action plates together with the use of green screen. I'm sure Oppenheimer had fewer VFX components than some of Nolan's other movies, but this "No CGI" thing is false advertising and needs to die. When people hear that they understand it to mean, "Everything you see was captured in camera", and that's simply not true.

[@Scarfaze724]

Man, shut up

[@rdpathan]

But there is a difference in VFX and CGI. VFX makes use of practical elements to patch them up together in order to create that illusion of unity. Like the shots of missiles firing in the sky have the shot of the sky and the shot of a missile, sure the missile might have been animated to give it a specific movement but the missile has been practically shot and not Computer Generated. That is what he means when he says zero CGI.

[@tylerjhunter]

@@rdpathan That may be true for this movie which is 99% just people talking in rooms, (so I'm not even sure why it's brought up in this context), but the "no CGI" or "no green screen" claim has been made about Nolan's films for the last 20 years.

[@tonybinky20]

@tylerjhunter Inception has green screen and CGI, so does TDKR. Those aren’t things Nolan tries to hide. But it’s also a fact that since Interstellar he stopped using green screen, and in Oppenheimer there was no computer generated imagery - and all visual elements come from something shot in-camera. They still could’ve used “VFX” to composite effects together or remove wires. If you don’t believe me, Nolan, or Hoyte, you can trust the VFX supervisor of the film Andrew Jackson.

[@tonybinky20]

@@chrillex91 my bad, have edited the comment