Are there any other listeners of this passage having trouble placing the beat on the silent "one" from 0:33 onward? 😛
@gj-ku4gd5 ай бұрын
Request Shostakovich Symphony No. 10 in E Minor, Op. 93 Andante - Allegro
@solary44484 ай бұрын
Bro i feel so weird, idk what note is higher or lower but i can recognize the note 💀
@ericprzybyl92276 ай бұрын
What mallets are you using at the beginning?
@Kwak-Pauker6 ай бұрын
Kato Tchaikovsky L
@jmwoods1905 ай бұрын
Just wondering what the reason was for you to play the high F on the 20" piccolo timpano rather than 24" or 26"?
@martinwest25384 ай бұрын
I suppose it's because even if you reach the high f on the bigger drums, the skin is more strained and thus not giving the most sonorous tone. Smaller drums serve the high notes better. I hope this answered your question 🙂
@nxyuu3 ай бұрын
@@martinwest2538 I personally would say that's the reason TO use the 26". The tighter the head, the quicker the response of the tone. You end up with less dissonant overtones (which in this case, where muting is not possible and multiple drums are being played, would make it sound less muddy) and the drums are also just closer together making it easier to play. Sometimes that warmer tone from playing in the middle/low end of a drum's range is what you want, but imo that's not the sound I would go for for this excerpt.
@martinwest25383 ай бұрын
OK, thanks for the information! This is more detailed know-how than I ever had in my days as a percussion student. I Appreciate!@@nxyuu
@rl_Unai4 ай бұрын
Asia
@Ollymin7 ай бұрын
Where is the roll
@peterlustig25316 ай бұрын
he is rollin.......sorry, I dont get that question
@keno40797 ай бұрын
random asian guy doing music love it
@ratusro9177 ай бұрын
톨비 포탑 캐리
@user-wp4ju4hp5w5 ай бұрын
I find the German configuration of the drums odd. The American configuration is much more sensible as it follows all mallet instruments
@user-fh8ml9ic8z5 ай бұрын
말렛 정보 알 수 있을까요?
@Kwak-Pauker4 ай бұрын
카토 차이코프스키 모델 L 입니다.
@wk30046 ай бұрын
Mr. Kwak: which composer would you say wrote the most difficult timpani parts?
@Kwak-Pauker6 ай бұрын
Probably Nielsen and Sibelius
@martinwest25383 ай бұрын
I'm surprised you mention Sibelius, as I've played quite a lot as a mediocre amateur percussionist in my days, and love his music. What in your opinion makes his timpani parts especially difficult? Any examples? Sibelius often uses timpani in ingenious and original ways@@Kwak-Pauker
@Ihitthings36 ай бұрын
Ok, nice but Why aren’t you muting the drums on the 8th notes in the first 8 measures. They’re 8th notes not dotted 4ters. My teacher would be on me for that.
@Boe17716 ай бұрын
Yeah, well, let's be musical rather than a strictly doing what the paper says. Let the beautiful timpani resonate😊 my teacher would say, unless you're in the way of something
@Ihitthings36 ай бұрын
@@Boe1771 mute I guess is the wrong word. I don’t mean staccato, but a slightly shorter note.
@josephmenditto95906 ай бұрын
Yes and no. Personally, I make decisions like that based off how the group is playing/ phrasing in the music.
@YaYa-ds3mo6 ай бұрын
it would sound dry and bad if each was muted
@Ihitthings36 ай бұрын
@@YaYa-ds3mo you didn’t read my rebuttal. Mute is not the word I should Have used. I meant a slight shorter note instead of letting them bleed into the next, which for me muddies up the part. Maybe when you’re playing with a full ensemble it doesn’t matter, but in this instance (alone playing to a recording) I can’t hear the definition of the notes.