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Sérénade et variations: Présente
Pierre Lenert Viola
Dans le premier caprice de Niccolo Paganini
Paganini, a revolution
With his Caprices, Paganini has well-nigh revolutionised the technique of violin-playing. Evidently, there is a ”before Paganini”, an ”after Paganini”, and even a work like Brahms’ Violin Concerto takes its roots in Paganini’s Caprices. Apart from their sheer technical difficulties, these works give the fascinating impression that they are so many miniature operas. Their character is often highly mischievous, full of brightness and colours. Of course, I had to reflect very carefully on how to play them best on the viola, all the more since Paganini himself was a skilled violist, and I like to fancy that he might have played these Caprices on the viola as well as on the violin. Once having pondered the matter thoroughly, I simply decided to devise my own transcription of the Caprices.
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Réalisation vidéo: Marc Desti, Esra Paris