Paint Never Behaves the Same: Franz Kline Case Studies

Corina Rogge (Museum of Fine Arts, Houston) and Zahira Véliz-Bomford's presentation at "Abstract Expressionism: Time, Intention, Conservation, and Meaning" symposium at the Getty Center in Los Angeles, presented by the Clyfford Still Museum Research Center and The Getty Conservation Institute, on November 12, 2015.
More information at clyffordstillmuseum.org/gettysymposium

[@thomheil]

I'm reading Franz Kline: The Artist's Materials right now, and it's interesting to see how thinking has changed about some of the details of this presentation over time. Nothing huge, but Kline was painting Corinthian II before the fire that destroyed the original Corinthian. Stuff like that. I'm glad the conservators have gotten the time they need to delve deep into Kline's history and methods. His work seems like it's in good hands.

[@prashaleegaikwad1133]

sharp speaker ! made kliens study sound beautiful !

[@bytheway1031]

🎂Franz Kline 05-23-2022

[@hakbug]

Maybe the cracks should be also appreciated?

[@butterfield8756]

hakbug lol

[@sendercorp]

My final thought '' You got money, buy good paints. ''

[@christianegonbarnthaler1426]

super art111

[@noelkennon9969]

This is crazy

[@rcarmes1941]

"Strainers" Really???????????????????????? how abusrd they are NOT "Strainers" They are and always will be STRETCHERS!!!!!!!!!!!

[@jonathananderson500]

rcarmes1941 a stretcher is when you can put wedges in, strainers you can not

[@sarahpovey6368]

2nd speaker?seemed to struggle with expressing the whole meaning and problems lots of stumbling

[@babyirene3188]

That 2nd speaker was genuinely unimpressive.

[@andrewbellavie795]

Her "ums" were nauseating by the end